Monet was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-airlandscape painting.[2] The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, soleil levant).
What made Monet different from the other Impressionist painters was his innovative idea of creating Series paintings devoted to paintings of a single theme or subject. With the repetitious study of the subject at different times of day Monet's paintings show the effects of sunlight, time and weather through color and contrast. Monet's "Series paintings" are well known and notable, and include Haystacks, Water Lilies, Rouen Cathedrals, Houses of Parliament, Charing Cross Bridge, and Poplar Trees. His prodigious output of nearly 2000 paintings was catalogued by Daniel Wildenstein.
Timeline
1862–1871 Paris. Visits to Trouville (1870), London and Amsterdam (1871)
Oscar-Claude Monet was a French painter and founder of impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions of nature, especially as applied to plein air (outdoor) landscape painting. The term "impressionism" is derived from the title of his painting Impression, soleil levant, which was first exhibited in the so-called "exhibition of rejects" of 1874–an exhibition initiated by Monet and like-minded artists as an alternative to the Salon.
Musée Marmottan Monet is an art museum in Paris, France, dedicated to artist Claude Monet. The collection features over three hundred Impressionist and Post-Impressionist paintings by Claude Monet, including his 1872 Impression, Sunrise. The museum's fame is the result of a donation in 1966 by Michel Monet, Claude's second son and only heir.
Haystacks is the common English title for a series of impressionist paintings by Claude Monet. The principal subject of each painting in the series is stacks of harvested wheat. The title refers primarily to a twenty-five canvas series which Monet began near the end of the summer of 1890 and continued through the following spring, though Monet also produced five earlier paintings using this same stack subject. A precursor to the series is the 1884 Haystack Near Giverny.
Water Lilies is a series of approximately 250 oil paintings by French Impressionist Claude Monet (1840–1926). The paintings depict his flower garden at his home in Giverny, and were the main focus of his artistic production during the last thirty years of his life. Many of the works were painted while Monet suffered from cataracts.
A Wildenstein Index Number refers to an item in a numerical system published in catalogues by Daniel Wildenstein, a scholar of Impressionism, who published catalogues raisonnés of artists such as Claude Monet, Édouard Manet and Paul Gauguin through his family business, Wildenstein & Company. In these catalogues, each painting by an artist was assigned a unique number. These index numbers are now used throughout the art world, in art texts, and on art websites to uniquely identify specific works of art by specific artists.
Alice Raingo Hoschedé Monet was the wife of department store magnate and art collector Ernest Hoschedé and later of the Impressionist painter Claude Monet.
Le Bassin Aux Nymphéas is one of the series of Water Lilies paintings by French impressionist artist Claude Monet.
La Grenouillère is an 1869 painting by the French impressionist painter, Claude Monet.. It depicts "Flowerpot Island", also known as the Camembert, and the gangplank to La Grenouillère, a floating restaurant and boat-hire on the Seine at Croissy-sur-Seine. He was accompanied by Pierre-Auguste Renoir, who also painted the scene at the same time.
Blanche Hoschedé Monet was a French painter who was both the stepdaughter and the daughter-in-law of Claude Monet.
Snow at Argenteuil is an oil-on-canvas landscape painting by the Impressionist artist Claude Monet. It is the largest of no fewer than eighteen works Monet painted of his home commune of Argenteuil while it was under a blanket of snow during the winter of 1874–1875. This painting—number 352 in Wildenstein's catalogue of the works of Monet—is the largest of the eighteen. The attention to detail evident in the smaller paintings is less evident in this larger picture. Instead, Monet has rendered large areas of the canvas in closely like tones and colours of blue and grey. The application of smaller strokes of greens, yellows, reds and darker blues breaks up these large expanses, and the almost choreographed dispersal of these various colours helps bind the picture together. Paint at the depicted road surface is thicker than elsewhere in the painting, and impasto is suggestive of the feel of disturbed snow.
Bords de la Seine à Argenteuil is an oil painting by an unknown artist. The painting is a landscape depicting the River Seine at Argenteuil in France. It is owned by Englishman David Joel.
Springtime or The Reader is an 1872 painting by the French Impressionist painter Claude Monet. It depicts his first wife, Camille Doncieux, seated reading beneath a canopy of lilacs. The painting is presently held by the Walters Art Museum.
The Fondation Claude Monet is a nonprofit that manages the house and gardens of Claude Monet in Giverny, France, where Monet lived and painted for 43 years. Monet was inspired by his gardens, and spent years transforming them, planting thousands of flowers. He believed that it was important to surround himself with nature and paint outdoors. He created many paintings of his house and gardens, especially of water lilies in the pond, the Japanese bridge, and a weeping willow tree.
Michel Monet was the second son of Claude Monet and Camille Doncieux Monet.
Monet painted 37 works of Venice which he began during his stay in the city in 1908. These include a series of canvases of the Grand Canal. He had the habit of studying the same subject in a varying light, at different times of the day, which resulted during his career in many distinct series, like for example the Water Lilies series, Poplar series, Rouen Cathedral series, Haystacks series and Charing Cross Bridge series.
The Wildenstein Institute was a French art institute that published catalogues raisonnés and scholarly inventories.
Sylvie Patin is a French conservator-restorer of cultural heritage at Musée d'Orsay and art historian specialised in Impressionism.
White Lilacs in a Glass Vase is an 1882 oil-on-canvas painting by Édouard Manet, now in the Alte Nationalgalerie, in Berlin. Showing cuttings of white lilacs in a glass vase, it is one of a series of flower still lifes by the painter.
The Funeral is an 1867–1870 oil on canvas painting by Édouard Manet, now in the Metropolitan Museum of Art in New York. Incomplete, its style is very close to that of Effect of Snow on Petit-Montrouge and The Exposition Universelle of 1867. It is also known as Burial at the Glacière, the title given to it in Denis Rouart and Daniel Wildenstein's posthumous inventory of Manet's works.
Cliffs at Étretat is an oil on canvas painting by Claude Monet, signed 1886, owned by Sergei Shchukin until 1918 and now in the Pushkin Museum, in Moscow.
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