Dánlann Chathair Bhaile Átha Cliath | |
Former name | Municipal Gallery of Modern Art |
---|---|
Established | 1908 |
Location | Charlemont House, Parnell Square North, Dublin |
Coordinates | 53°21′15″N6°15′53″W / 53.354167°N 6.264722°W |
Type | art gallery |
Founder | Hugh Lane |
Director | Barbara Dawson |
Chairperson | Pat Molloy |
Public transit access | Parnell Luas stop (Green Line) |
Website | hughlane |
The Hugh Lane Gallery, and originally the Municipal Gallery of Modern Art, is an art museum operated by Dublin City Council and its wholly-owned company, the Hugh Lane Gallery Trust. [1] It is in Charlemont House (built 1763) on Parnell Square, Dublin, Ireland. Admission is free.
The gallery was founded by noted art collector Sir Hugh Lane on Harcourt Street on 20 January 1908, and is the first known public gallery of modern art in the world. [2] Lane met the running costs, while seeking a more permanent home. New buildings were proposed in St. Stephens Green, and as a dramatic bridge-gallery over the River Liffey, both proposed designs by Sir Edwin Lutyens, both unrealised. [3] Lane did not live to see his gallery permanently located as he died in 1915 during the sinking of the RMS Lusitania. Since 1933 it has been housed in Charlemont House.
Lane's will bequeathed his collection to London, but an unwitnessed codicil, written in the months prior to his death, bequeathed the 39 paintings to Dublin on the condition that a permanent gallery was secured within 5 years. [3] London's National Gallery did not recognise the codicil, and all the paintings form the Lane Bequest in their collection. In 1938, the British put forward a suggestion from Sir Robert Witt: "...that these pictures should alternate between London and Dublin. We have had them in London for a considerable number of years, and it might now be the turn of the Dublin Galleries to have them for a number of years... Legally, the holders have a very strong case, but we are so wealthy in our treasures, while Ireland is so comparatively poor..." [4]
This eventually led to a compromise agreement in 1959, announced by Taoiseach Seán Lemass, whereby half of the Lane Bequest would be lent and shown in Dublin every five years. [5] [6] In 1993, the agreement was changed so that 31 of the 39 paintings would stay in Ireland. The remaining 8 were divided into 2 groups, so that 4 would be lent for 6 years at a time to Dublin. These 8 include works by Manet, Monet, Pissarro, Renoir, Morisot, Vuillard and Degas. In 2008, The National Gallery in London arranged for the entire collection to be on display in Dublin together for the first time. There was a switch in May 2013 for a six-year period. [7]
Charlemont House is a mansion in Dublin, Ireland. The house was built in 1763 and designed by William Chambers for James Caulfeild, the 1st Earl of Charlemont. It is a brick-fronted mansion on Dublin's Parnell Square. [8] According to the Hugh Lane Gallery, "in 1929 the gardens of the house were built upon to accommodate the Gallery". It was opened as a museum in 1933. [9] The gallery was closed for reconstruction in 2004, and reopened in May 2006, with a new extension by Gilroy McMahon Architects. [10] [11] The gallery is completely wheelchair-accessible.
The museum has a permanent collection and hosts exhibitions, mostly by contemporary Irish artists. It has a dedicated Sean Scully room. Francis Bacon's studio was reconstructed in the gallery in 2001 after being dismantled and moved from London starting in 1998. [12] [13]
The Hugh Lane is notable for its collection of French art, the Lane Bequest pictures including works such as The Umbrellas (Les Parapluies) by Auguste Renoir; [14] Portrait of Eva Gonzalès by Édouard Manet, [15] Édouard Manet's Music in the Tuileries , Jour d’Été by Berthe Morisot [16] and View of Louveciennes by Camille Pissarro. [17]
There is a permanent display of stained glass at the museum which features The Eve of St. Agnes by Irish artist and illustrator Harry Clarke. [18] As well as a previously banned, "scandalous" work of his, which was purchased in 2015 for £35,000. [19]
In June 1992, the painting In The Omnibus by French artist Honore Daumier was stolen. [20] The theft took place in the afternoon during the hours when the gallery was open to the public. [21] The Criminal Assets Bureau (CAB) recovered the painting during an investigation in 2013, more than 20 years later. Director Barbara Dawson expressed her delight that the painting had been found. She said, "It was such a shock when it was stolen and we had messages of sympathy from galleries and museums in Ireland and around the world." [20]
Offside was a 2005 project in The Hugh Lane curated by Pallas Projects and included works by Albano Afonso, Antistrot, Anna Boyle, Rhona Byrne, Mark Cullen, Brian Duggan, John Dummet, Brendan Earley, Andreas Gefeller, Niamh McCann, Alex McCullagh, Nina McGowan, Nathaniel Mellors, Clive Murphy, Adriette Myburgh, Cris Neumann, Paul O’Neill, Garrett Phelan, Abigail Reynolds, Mark Titchner, Rich Streitmatter-Tran. [22]
The Golden Bough was a series of exhibitions curated by Michael Dempsey in 2010. It included solo shows by Ronnie Hughes, Corban Walker and Niamh McCann. [23] [24]
Sleepwalkers (2012–15) curated by Michael Dempsey and Logan Sisley was a two-year project in which six artists (Clodagh Emoe, Lee Welch, Sean Lynch, Linda Quinlan, Jim Ricks, and Gavin Murphy) were invited to use the museum's resources, reveal their artistic process, and to collaborate with each other in this "unusual experiment in exhibition production". [25] This process culminated in each artist developing a solo exhibition at the Hugh Lane [26] and a publication. [27]
Kennedy Browne, consisting of Gareth Kennedy and Sarah Browne, exhibited 3 films as the Redaction Trilogy, 2019–20. [28]
The largest Andy Warhol show to ever come to Ireland opened in October 2023 at The Hugh Lane. Tilted Andy Warhol Three Times Out, it is the first Warhol exhibit in the country in 25 years. [29]
Berthe Marie Pauline Morisot was a French painter and a member of the circle of painters in Paris who became known as the Impressionists.
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
Events from the year 1874 in art.
Charlemont House is a mansion in Dublin, Ireland. The house was built in 1763 and designed by William Chambers for James Caulfeild, the 1st Earl of Charlemont. It is a stone fronted mansion on Dublin's Parnell Square. It was purchased by the government in 1870 and since 1933 it has housed the Hugh Lane Dublin City Gallery.
Sir Hugh Percy Lane was an Irish art dealer, collector and gallery director. He is best known for establishing Dublin's Municipal Gallery of Modern Art and for his contribution to the visual arts in Ireland, including the Lane Bequest. Hugh Lane died on board the RMS Lusitania.
Musée Marmottan Monet is an art museum in Paris, France, dedicated to artist Claude Monet. The collection features over three hundred Impressionist and Post-Impressionist paintings by Claude Monet, including his 1872 Impression, Sunrise. The museum's fame is the result of a donation in 1966 by Michel Monet, Claude's second son and only heir.
Paul Durand-Ruel was a French art dealer associated with the Impressionists and the Barbizon School. Being the first to support artists such as Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir, he is known for his innovations in modernizing art markets, and is generally considered to be the most important art dealer of the 19th century. An ambitious entrepreneur, Durand-Ruel cultivated international interest in French artists by establishing art galleries and exhibitions in London, New York, Berlin, Brussels, among other places. Additionally, he played a role in the decentralization of art markets in France, which prior to the mid-19th century was monopolized by the Salon system.
The Impressionists is a 2006 three-part factual docudrama from the BBC, which reconstructs the origins of the Impressionist art movement. Based on archive letters, records and interviews from the time, the series records the lives of the artists who were to transform the art world.
Music in the Tuileries is an 1862 oil-on-canvas painting by Édouard Manet. It is owned by the National Gallery, London and the Hugh Lane Gallery, Dublin as part of the shared Lane Bequest.
Julie Manet Rouart was a French painter, model, diarist, and art collector.
Artizon MuseumAatizon Bijutukan (アーティゾン美術館), until 2018 Bridgestone Museum of Art, is an art museum in Tokyo, Japan.
The Lane Bequest is a collection of 39 paintings from the estate of Sir Hugh Lane. The collection is mainly paintings by French 19th-century artists, including several by the Impressionists, including masterpieces such as Manet's Music in the Tuileries (1862) and Renoir's The Umbrellas (c.1881), along with many more modest works. The collection is owned by the National Gallery, London, but most of the paintings are now displayed at the Hugh Lane Gallery in Dublin.
Janice H. Levin (1913–2001) was an American businesswoman and philanthropist and art collector from New York City. She was a patron of the ballet and collected mostly French impressionist paintings. She was a supporter of higher education as well as charities in Israel. She donated many of her paintings to museums.
Lise with a Parasol is an oil on canvas painting by French artist Pierre-Auguste Renoir, created in 1867 during his early Salon period. The full-length painting depicts model Lise Tréhot posing in a forest. She wears a white muslin dress and holds a black lace parasol to shade her from the sunlight, which filters down through the leaves, contrasting her face in the shadow and her body in the light, highlighting her dress rather than her face. After having several paintings rejected by the Salon, Renoir's Lise with a Parasol was finally accepted and exhibited in May 1868.
Summer's Day is an oil-on-canvas painting by the French Impressionist painter Berthe Morisot, created in 1879. The painting depicts two women seated in a row boat, and was painted in the Bois de Boulogne. It is held at the National Gallery, in London.
Jim Ricks is an American–born Irish conceptual artist, writer, and curator. He has exhibited throughout Ireland and internationally, including a number of public art projects.
Sean Lynch is a contemporary Irish visual artist. He lives and works in Askeaton, County Limerick, Ireland.
The Watering Trough at Marly with Hoarfrost is an 1876 painting by Alfred Sisley. It was owned by François Depeaux, a Sisley collector, and passed through other collections before ending up in that of Paul Mellon. It is now in the Virginia Museum of Fine Arts in Richmond, United States. It was painted at Marly-le-Roi and is part of his Marly series. Sisley's works showing the watering trough and The Flood at Port-Marly are two series of Impressionist masterworks comparable to Claude Monet's Gare Lazare series, Renoir's The Swing and Bal du moulin de la Galette series, Berthe Morisot's Champs de blé series and Camille Pissarro's Vues de Pontoise and Toits rouges series. Sisley did not much change his point of view between each painting, but he dramatically changed the background, proving his ability to vary views of a limited section of countryside.
The Batignolles group was a group of young avant-garde painters from the end of the 19th century who gathered around Édouard Manet. The group bears its name in reference to the Batignolles district, where the artists used to meet between 1869 and 1875. Many of the artists in the group later became known for the Impressionism movement.
Barbara Dawson is an Irish author, editor, art historian, gallery director, and curator. She is curator of several art exhibitions including the works of notable artists such as Francis Bacon (2009).