Nathaniel Mellors

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Nathaniel Mellors (born December 1974, Doncaster, Yorkshire, England) [1] is an English contemporary artist and musician. [2]

Contents

Education

He studied at the University of Oxford's Ruskin Ruskin School of Drawing and Fine Art, the Royal College of Art [3] and the Rijksakademie van beeldende kunsten, Amsterdam.

Career

Mellors makes installations "packed with ad hoc sculpture, psychedelic theatre and absurdist, satirical film". [4] Mellors' output includes installation, sculpture, film and video, music, performance, collage, painting, prints and critical writing. [5]

He has exhibited in numerous group shows, including: 2012 "Radical Languages", Cricoteka, Kraków, [6] 2011 ILLUMInations, 54th Biennale di Venezia, Venice, Italy, [7] 2011 "Un'Expressione Geografica", Fondazione Sandretto Re Rebaudengo, Turin, [8] 2010 British Art Show 7 – In The Days of The Comet, Hayward Gallery, London & UK touring, 2009 Altermodern , Tate Triennial, Tate Britain, London, [1] 2009 Contour 2009, Mechelen, Belgium, 2008 Art Now, Tate Britain, London [9] , and Deep Screen, Stedelijk Museum CS, Amsterdam.

His work in the show Art Now: The Way in Which it Landed, curated by Ryan Gander at Tate Britain in 2008, was Thinking Rock Speaks, an empty speech bubble made of steel attached to a lump of alabaster. [9] Jonathan Griffin in Frieze magazine said that Mellors "gets the last laugh ... Sometimes there really is just nothing to say." [9]

Mellors is represented by The Box, Los Angeles, [10] Los Angeles, Monitor Video & Contemporary Art, [11] Rome, Stigter van Doesburg, Amsterdam & Matt's Gallery, London.

He teaches in the School of Art, Architecture & Design at Leeds Beckett University and the Rijksakademie van Beeldende Kunsten, Amsterdam. He lives and works in Los Angeles, Amsterdam, the Netherlands, London & Yorkshire, UK.

Projects

In 2009 at the South London Gallery, he put on a one night stage version of his film, The Time Surgeon. [12] Jessica Lack in The Guardian described the variety of styles and genres in his films, "skimming off a wide range of artistic references from prog rock to hit TV series The Prisoner , with which he creates brilliantly offbeat installations". [12]

He was represented in the Tate Trienniel 2009, Altermodern, by a work Giantbum 2009, based on a story written by him about a party of medieval explorers who lose their way in the body of a giant. [1] The work used film and animatronic heads. [13] Adrian Searle in The Guardian said: "There is a lot of bad acting and declaiming, a succession of dreadful puns, gags about a time-travelling Doctor Poo and Father Shit-mass, and some mock golden showers. Imagine the 120 Days of Sodom redone as panto. [13] "

The work was also exhibited at the Stedelijk Museum, Amsterdam, and a variant of it at Centro Cultural Montehermoso in Vitoria-Gasteiz. [3]

In summer 2009, Mellors was commissioned by the BBC to make a short "work of modern art" to introduce the final episode of the cultural history series The Seven Ages of Britain , presented by David Dimbleby and directed by Jonty Claypole. The resultant work The Seven Ages of Britain Teaser featured Dimbleby voicing a silicon mask cast from his own face, alongside actors Gwendoline Christie (as 'The Operator') and Johnny Vivash (as 'Kadmus'). The work was broadcast on BBC One on 21 March 2010. [14]

In 2011, Ourhouse, Mellors' first major solo exhibition in a UK public institution, was presented at the Institute of Contemporary Arts, London. [15] The exhibition included a three-part video installation alongside animatronic sculptures featuring characters from the films.

In September 2011, Mellors selected a playlist of music that inspires him in his work. "Music was my way into art school. I was involved in music from my very early teens – tape collage and improvising with a microphone and an analogue delay pedal with friends. We had no technical ability at all. It was great! The experience of improvising with sound has been a handy touchstone ever since in terms of approaching art making. [16] His playlist includes Sonny Sharrock, GZA, Country Teasers and The Notorious B.I.G.

Mellors was nominated for the Jarman Award in 2012 [17] and was the recipient of the Cobra Art Prize in 2011 [18] and the Contemporary Art Society annual award in 2014. Presented by Turner Prize-winning artist Martin Creed, the £40,000 award goes towards creating a film forming the centrepiece of a 15 month exhibition on the themes of Samuel Beckett and The Theatre of the Absurd. [19]

In 2013, Mellors completed a residency with the Hammer Hammer Museum in Los Angeles, culminating in a 35mm short film titled The Sophisticated Neanderthal Interview. [20] The film toured to Dublin's Temple Bar Gallery in 2014. [21]

Personal life

In 2015, Mellors married Tala Madani, an Iranian-American artist, in Los Angeles. They have two children. [22]

Solo exhibitions

Music projects

In 2002, Mellors co-founded Junior Aspirin Records, a not-for-profit record label releasing music by artists in limited editions. Mellors plays bass in the art-rock group Skill 7 Stamina 12 with Dan Fox, Ashley Marlowe and Maaike Schoorel, and has also released music with Toilet, God in Hackney, Mysterius Horse and under his own name. [38]

Collections

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References

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  2. O'Reilly, Sally. "Nathaniel Mellors: Monograph", Frieze , February 2005. Retrieved 19 February 2010.
  3. 1 2 3 4 5 6 "Nathaniel Mellors—Ourhouse", De Hallen. Retrieved 7 November 2010.
  4. Dan Fox, Statement for Lyon Biennial, Lyon Biennial, 2007, eds Stephanie Moisdon & Hans Ulrich Obrist, JRP-Ringier 2007.
  5. Nathaniel Mellors, 'Country Teasers – The Empire Strikes Back', frieze magazine, 2006
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  13. 1 2 Searle, Adrian. "Altermodern review: 'The richest and most generous Tate Triennial yet' ", The Guardian , 3 February 2009. Retrieved 19 February 2010.
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  22. Tomkins, Calvin (16 January 2023). "The Raucous Assault of Tala Madani's Art" . The New Yorker. Vol. 98, no. 46. pp. 42–49. ISSN   0028-792X . Retrieved 18 January 2023.
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  38. The track 'Moondoghuis' pressed on a 1-sided 7" single and included in the publication 'Profondo Viola', Matt's Gallery, London, 2004.
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