New Museum

Last updated

New Museum
New Museum Logo.jpg
New Museum in New York City 2015.JPG
New Museum
Established1977 [1]
Location235 Bowery
Manhattan, New York City, New York 10002
United States
Coordinates 40°43′20″N73°59′36″W / 40.722239°N 73.993219°W / 40.722239; -73.993219
Type Contemporary art
Director Lisa Phillips
CuratorGary Carrion-Murayari
Massimiliano Gioni
Margot Norton
Vivian Crockett
Public transit access Bus: M103
Subway: NYCS-bull-trans-F-Std.svg NYCS-bull-trans-Fd-Std.svg at Second Avenue, NYCS-bull-trans-J-Std.svg NYCS-bull-trans-Z-Std.svg at Bowery
Website www.newmuseum.org

The New Museum of Contemporary Art is a museum at 235 Bowery, on the Lower East Side of Manhattan in New York City. It was founded in 1977 by Marcia Tucker.

Contents

History

The museum originally opened in a space in the Graduate Center of the then-named New School for Social Research at 65 Fifth Avenue. [2] The New Museum remained there until 1983, when it rented and moved to the first two and a half floors of the Astor Building at 583 Broadway in the SoHo neighborhood. [2]

583 Broadway 583 Broadway street level.jpg
583 Broadway

In 1999, Marcia Tucker was succeeded as director by Lisa Phillips, previously the curator of contemporary art at the Whitney Museum of American Art. [3] In 2001 the museum rented 7,000 square feet of space on the first floor of the Chelsea Art Museum on West 22nd Street for a year. [4]

Over the past five years, the New Museum has exhibited artists from Argentina, Brazil, Bulgaria, Cameroon, China, Chile, Colombia, Cuba, Germany, India, Poland, Spain, South Africa, Turkey, and the United Kingdom among many other countries. In 2003, the New Museum formed an affiliation with Rhizome, a leading online platform for global new media art.

In 2005, the museum was among 406 New York City arts and social service institutions to receive part of a $20 million grant from the Carnegie Corporation, which was made possible through a donation by New York City mayor Michael Bloomberg. [5] [6]

Core value

The New Museum was established by an independent curator Marcia Tucker in 1977. It is dedicated to introducing new art and new ideas, by artists who have not yet received significant exposure or recognition. Ever since it was founded, the museum has taken on the mission to challenge the stiff institutionalization of an art museum. It continues to bring new ideas into the art world and to connect with the public. [7]

New location (2007 to present)

On December 1, 2007, the New Museum opened the doors to its new $50 million location at 235 Bowery, between Stanton and Rivington Streets. [8] The seven-story 58,700-square-foot facility, [9] designed by the Tokyo-based firm Sejima + Nishizawa/SANAA and the New York-based firm Gensler, has greatly expanded the museum's exhibitions and space.

SANAA's design is chosen because it is in accord with the museum's mission—the flexibility of the building, its changeable atmosphere corresponds to the ever-changing nature of contemporary art. Its bold decision to put a stack of white boxes in the Bowery neighborhood and its success to achieve a harmonious symbiotic relationship between the two manifest the coexistence of different dynamic energy of contemporary culture. [10]

In April 2008, the museum's new building was named one of the architectural New Seven Wonders of the World by Conde Nast Traveler . [11] The New Museum has been and will continue to be a crucial landmark of the Bowery district. “Bowery embraces idiosyncrasy in an unprejudiced manner and we were determined to make the museum building feel like that”, [7] as one of the directors of the museum puts it. The neighborhood appears to be a fearless confrontation with the convention image of downtown Manhattan—an adventurous spirit that the New Museum always sees itself searching for.

The Bowery location has gallery and events space, plus a Resource Center with books and computers for access to their main web site and digital archive. The New Museum Digital Archive is an online resource that provides accessibility to primary sources from exhibitions, publications, and programs. The archive holds 7,500 written and visual materials for artists and researchers to access. The New Museum Digital Archive's database is searchable through 4,000 artists, curators, and organizations connected to New Museum exhibitions, performances, and publications. [12]

The museum bought the neighboring building at 231 Bowery in 2008 [13] and hired OMA to design a new annex at that location in 2017. [14] [15] Shohei Shigematsu of OMA publicized plans for the annex in 2019; at the time, the annex was to cost $63 million. [16] [17] The proposed annex would have seven floors (at the same heights as the 2007 building's floors), a glass facade, and 60,000 square feet (5,600 m2) of gallery space. [17] The annex was to be named for Toby Devan Lewis, who donated $20 million for its construction. [18] Initially, the annex was to be completed in 2022, [19] but construction did not even start until then. [20] The museum building closed in March 2024 so the annex could be completed; it was expected to reopen in 2025. [20] During the building's closure, museum staff hosted walking tours, as well as discussions with panels of artists. [21] The annex topped out in November 2024. [22]

Unionization

On January 24, 2019, eligible employees at the New Museum voted 38–8 to unionize, with a plan to join NewMuU-UAW Local 2110. [23] Asked for their reasons for unionizing, the New Museum employees said, “As the New Museum Union, we ask, above all, that these ideals be mirrored in the museum's working conditions, hiring practices, wages, and benefits. We believe that fair compensation and transparency for all workers throughout the museum is essential to ensuring its diversity, reducing turnover, and strengthening the New Museum community: salaries, wages, and benefits at the museum must be sustainable for everyone, regardless of the privileges afforded them by race, class, or gender.” [24]

Resource Center Resource Center.JPG
Resource Center

Collection

When she founded the museum, Marcia Tucker decided it should buy and sell works every 10 years so that the collection would always be new. It was an innovative plan that was never carried out. In 2000, the museum accepted its first corporate donation of artworks. [4] The museum then held a modest collection of about 1,000 works in many media. [9] In 2004, it joined forces with the Museum of Contemporary Art, Chicago and the Hammer Museum in Los Angeles in raising $110,000 from two foundations -- $50,000 from the American Center Foundation and $60,000 from the Peter Norton Family Foundation—to help pay for commissioning, buying, and exhibiting the work of emerging young artists. [25] As of 2021, the New Museum has been a non-collecting institution. [26]

Exhibitions and the Triennial

The museum presents the work of under-recognized artists, mounting surveys of Ana Mendieta, William Kentridge, David Wojnarowicz, Paul McCarthy and Andrea Zittel before they received widespread public recognition. In 2003, the New Museum presented the highly regarded exhibition Black President: The Art and Legacy of Fela Anikulapo-Kuti.

The museum organized The Generational: Younger Than Jesus, curated by Massimiliano Gioni, in 2009 which went on to become the first edition of its exhibition series the "New Museum Triennial". [27] Subsequently, the museum held the second and third editions of its Triennial, respectively; "The Ungovernables" (2012 – curated by Eungie Joo) [28] and "Surround Audience" (2015 – curated by Lauren Cornell and Ryan Trecartin). [29]

Margot Norton has organized exhibitions, including one by Turner Prize-winner Laure Prouvost and the museum solo of Judith Bernstein. [30]

The museum hosted a show on July 20, 2016, called "The Keeper". With over 4,000 objects from more than two dozen collectors, it presented object lessons about the process of collecting. [31]

In March 2023, it was announced that Vivian Crockett and Isabella Rjeille will co-curate the 6th edition of the New Museum Triennial in 2026. [32]

Past exhibitions

Other programs

Rhizome, a not-for-profit arts organization that supports and provides a platform for new media art, has been an affiliate organization of New Museum since 2003. Today, Rhizome's programs include events, exhibitions at the New Museum and elsewhere, an active website, and an archive of more than 2,000 new media artworks. [36]

In 2008, art dealer Barbara Gladstone initiated the formation of the Stuart Regen Visionaries Fund at the New Museum, established in honor of her late son and renowned art dealer. The gift supported a new series of public lectures and presentations by cultural visionaries, the Visionaries Series, which debuted in 2009 and features prominent international thinkers in the fields of art, architecture, design and contemporary culture. In 2020 the series shifted to focus on first-ever public conversations between leading figures, with Claudia Rankine and Judith Butler (2020) and Jeremy O Harris and Arthur Jafa (2021). [37] [38] Previous speakers included author Rachel Kushner (2018, in conversation with novelist Ben Lerner); explorer Erling Kagge (2017); essayist and critic Fran Lebowitz (2016, in conversation with filmmaker Martin Scorsese); critic and author Hilton Als (2015); director, screenwriter, and producer Darren Aronofsky (2014, in conversation with novelist and critic Lynne Tillman); writer, director, and producer Matthew Weiner (2013, in conversation with writer A.M. Homes); artist and architect Maya Lin (2012); chef, author, and activist Alice Waters (2011); founder of Wikipedia Jimmy Wales (2010); and choreographer Bill T. Jones (2009), whose talk inaugurated this program. [39]

NEW INC, [40] the first museum-led incubator, is a shared workspace and professional development program designed to support creative practitioners working in the areas of art, technology, and design. Conceived by the New Museum in 2013, the incubator is a not-for-profit platform that furthers the museum's ongoing commitment to new art and new ideas. Launched in summer 2014, NEW INC provided a collaborative space for an interdisciplinary community of one hundred members to investigate new ideas and develop a sustainable practice. NEW INC full-time members include Erica Gorochow, Anders Sandell, Lisa Park, Kevin Siwoff, Kunal Gupta, Justin Cone, Jonathan Harris, Joe Doucet, Greg Hochmuth, Luisa Pereira, Nitzan Hermon, Tristan Perich, Sougwen Chung, Philip Sierzega, Paul Soulellis, Charlie Whitney, Binta Ayofemi, Ashley Zelinskie and Emilie Baltz.

In 2021, the New Museum launched the biennial Hostetler/Wrigley Sculpture Award to commission five women artists to create sculptures. Each winning project is allotted $400,000 for its production and installation. [41] [42]

IdeasCity was a nine-year New Museum platform to explore art and culture beyond the walls of the museum. Founded in 2011 by Lisa Phillips and Karen Wong, IdeasCity was a collaborative initiative between hundreds of arts, design, education, and community organizations that consists of two distinct components: the biennial IdeasCity Festival in New York City, and IdeasCity Global Programs in key urban centers around the world, including Athens, Detroit, Istanbul, New Orleans, São Paulo, Shanghai, and Toronto. [43] IdeasCity curators included Richard Flood, Joseph Grima, V. Mitch McEwen, and Vere Van Gool. The IdeasCity program concluded in 2020.

Management

Funding

In 2002, the New Museum sold its previous home in SoHo for $18 million. It subsequently bought the new Bowery site for $5 million. In order to cover the building and endowment, it raised an estimated $64 million. [9]

Board of trustees

Since taking office, director Lisa Phillips expanded board membership to 42 from 18. As of 2015, it includes collectors Maja Hoffmann, Dakis Joannou, and Eugenio López Alonso, among others. [44]

See also

Related Research Articles

<span class="mw-page-title-main">Museum of Modern Art</span> Art museum in Manhattan, New York City, U.S.

The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. The institution was conceived in 1929 by Abby Aldrich Rockefeller, Lillie P. Bliss, and Mary Quinn Sullivan. Initially located in the Heckscher Building on Fifth Avenue, it opened just days after the Wall Street Crash. The museum, America's first devoted exclusively to modern art, was led by A. Conger Goodyear as president and Abby Rockefeller as treasurer, with Alfred H. Barr Jr. as its first director. Under Barr's leadership, the museum's collection rapidly expanded, beginning with an inaugural exhibition of works by European modernists. Despite financial challenges, including opposition from John D. Rockefeller Jr., the museum moved to several temporary locations in its early years, and John D. Rockefeller Jr. eventually donated the land for its permanent site.

<span class="mw-page-title-main">Museum of Contemporary Art Chicago</span> Art museum in Chicago, Illinois

The Museum of Contemporary Art (MCA) Chicago is a contemporary art museum near Water Tower Place in the Near North Side of Chicago, Illinois, United States. The museum, which was established in 1967, is one of the world's largest contemporary art venues. The museum's collection is composed of thousands of objects of Post-World War II visual art. The museum is run gallery-style, with individually curated exhibitions throughout the year. Each exhibition may be composed of temporary loans, pieces from their permanent collection, or a combination of the two.

<span class="mw-page-title-main">Hammer Museum</span> Art museum, University of California, Los Angeles (UCLA) in Los Angeles, California

The Hammer Museum, which is affiliated with the University of California, Los Angeles, is an art museum and cultural center known for its artist-centric and progressive array of exhibitions and public programs. Founded in 1990 by the entrepreneur-industrialist Armand Hammer to house his personal art collection, the museum has since expanded its scope. The Hammer Museum also hosts over 300 programs throughout the year, from lectures, symposia, and readings to concerts and film screenings. As of February 2014, the museum's collections, exhibitions, and programs are completely free to all visitors.

<span class="mw-page-title-main">American Visionary Art Museum</span> Art museum in Maryland, US

The American Visionary Art Museum (AVAM) is an art museum located in Baltimore, Maryland's Federal Hill neighborhood at 800 Key Highway. The museum specializes in the preservation and display of outsider art. The city agreed to give the museum a piece of land on the south shore of the Inner Harbor under the condition that its organizers would clean up residual pollution from a copper paint factory and a whiskey warehouse that formerly occupied the site. It has been designated by Congress as America's national museum for visionary art.

<span class="mw-page-title-main">Studio Museum in Harlem</span> Art museum in New York City

The Studio Museum in Harlem is an art museum that celebrates artists of African descent. The museum is located at 144 West 125th Street between Adam Clayton Powell Jr. Boulevard and Lenox Avenue in the Harlem neighborhood of Manhattan, New York City, United States. Founded in 1968, the museum collects, preserves and interprets art created by African Americans, members of the African diaspora, and artists from the African continent. Its scope includes exhibitions, artists-in-residence programs, educational and public programming, and a permanent collection. The museum building was demolished and replaced in the 2020s; a new building on the site is to open in 2025.

<span class="mw-page-title-main">Whitney Biennial</span> Contemporary art exhibition in New York City

The Whitney Biennial is a biennial exhibition of contemporary American art organized by the Whitney Museum of American Art in New York City, United States. The event began as an annual exhibition in 1932; the first biennial was in 1973. It is considered the longest-running and most important survey of contemporary art in the United States. The Biennial helped bring artists like Georgia O'Keeffe, Jackson Pollock, and Jeff Koons, among others, to prominence.

<span class="mw-page-title-main">Hans Ulrich Obrist</span> Swiss art curator, critic and historian (born 24/5/1968)

Hans Ulrich Obrist is a Swiss art curator, critic, and art historian. He is artistic director at the Serpentine Galleries, London. Obrist is the author of The Interview Project, an extensive ongoing project of interviews. He is also co-editor of the Cahiers d'Art review. He lives and works in London.

<span class="mw-page-title-main">Mattress Factory</span> Contemporary art museum in Pittsburgh, Pennsylvania

The Mattress Factory is a contemporary art museum located in Pittsburgh, Pennsylvania. It was a pioneer of site-specific installation art and features permanent installations by artists Yayoi Kusama, James Turrell, and Greer Lankton. The museum's roof itself is a light art installation and part of Pittsburgh's Northside evening skyline.

<i>The Brooklyn Rail</i> Journal of arts, culture and politics

The Brooklyn Rail is a publication and platform for the arts, culture, humanities, and politics. The Rail is based in Brooklyn, New York. It features in-depth critical essays, fiction, poetry, as well as interviews with artists, critics, and curators, and reviews of art, music, dance, film, books, and theater.

Phong H. Bui is an artist, writer, independent curator, and Co-Founder and Artistic Director of The Brooklyn Rail, a free monthly arts, culture, and politics journal. Bui was named one of the "100 Most Influential People in Brooklyn Culture" by Brooklyn Magazine in 2014. In 2015, The New York Observer called him a "ringmaster" of the "Kings County art world." Bui was the recipient of the 2021 American Academy of Arts and Letters Award for Distinguished Service to the Arts. He lives in Greenpoint, Brooklyn.

<span class="mw-page-title-main">Orlando Museum of Art</span> Art museum in Orlando, Florida

The Orlando Museum of Art (OMA) is a 501 (c) 3 not-for-profit organization directly serving greater Orlando, Orange County and Central Florida. The museum was founded in 1924 by a group of art enthusiasts. The museum's mission is to inspire creativity, passion and intellectual curiosity by connecting people with art and new ideas.

Michelle Grabner is an artist, curator, and critic based in Wisconsin. She is the Crown Family Professor of Art at the School of the Art Institute of Chicago where she has taught since 1996. She has curated several important exhibitions, including the 2014 Whitney Biennial at the Whitney Museum of American Art along with Anthony Elms and Stuart Comer, and FRONT International, the 2016 Portland Biennial at the Oregon Contemporary, a triennial exhibition in Cleveland, Ohio in 2018. In 2014, Grabner was named one of the 100 most powerful women in art and in 2019, she was named a 2019 National Academy of Design's Academician, a lifetime honor. In 2021, Grabner was named a Guggenheim Fellow by The John Simon Guggenheim Memorial Foundation. In 2024 Grabner was inducted into the Wisconsin Academy of Art and Science.

<span class="mw-page-title-main">Wassan Al-Khudhairi</span>

Wassan Al-Khudhairi is a curator who specializes in modern and contemporary art from the Arab world. In 2017 she was appointed Chief Curator of the Contemporary Art Museum St. Louis.

Massimiliano Gioni is an Italian curator and contemporary art critic based in New York City, and artistic director at the New Museum. He is the artistic director of the Nicola Trussardi Foundation in Milan as well as the artistic director of the Beatrice Trussardi Foundation. Gioni was the curator of the 55th Venice Biennale in 2013.

<span class="mw-page-title-main">UCCA Center for Contemporary Art</span> Chinese independent institution of contemporary art

UCCA Center for Contemporary Art or UCCA is a leading Chinese independent institution of contemporary art. Founded in 2007 and located at the heart of the 798 Art District in Beijing, China, it welcomes more than one million visitors a year. Originally known as the Ullens Center for Contemporary Art, UCCA underwent a major restructuring in 2017 and now operates as the UCCA Group, comprising two distinct entities: UCCA Foundation, a registered non-profit that organizes exhibitions and research, stages public programs, and undertakes community outreach; and UCCA Enterprises, a family of art-driven retail and educational ventures. In 2018, UCCA opened an additional museum, UCCA Dune, in Beidaihe, a seaside resort town close to Beijing. In 2021, a third site in Shanghai was opened, UCCA Edge. The museum had 385,295 visitors in 2020, and ranked 55th in the List of most-visited art museums in the world.

Chris Dorland is a Canadian/American contemporary artist based in New York City. His paintings and digital screen-based works collapse hyper-representation and hyper-abstraction by manipulating together digital files and software and paint. His work is included in numerous public and private collections, including the Bronx Museum, the Whitney Museum of Art and the Neuberger Museum of Art.

<span class="mw-page-title-main">Lisa Phillips (museum director)</span> American museum director, curator and author

Lisa Phillips is an American museum director, curator, and author. She is the Toby Devan Lewis Director of the New Museum of Contemporary Art, in New York City. In 1999, Phillips became the second director in the museum's history, succeeding founding director Marcia Tucker. Prior to beginning her directorship at the New Museum, she worked at the Whitney Museum of American Art for twenty-three years.

<span class="mw-page-title-main">Koyo Kouoh</span> Cameroonian art curator

Koyo Kouoh is Cameroonian-born curator who has been serving as Executive Director and Chief Curator of the Zeitz Museum of Contemporary Art Africa in Cape Town since 2019. In 2015, the New York Times called her "one of Africa’s pre-eminent art curators and managers", and from 2014 to 2022, she was annually named one of the 100 most influential people in the contemporary art world by ArtReview.

Defne Ayas is a curator, lecturer, and editor in the field of contemporary art and its institutions. Ayas directed, cofounded, curated, and advised several art institutes, initiatives, and exhibition platforms across the globe, including in the United States, Netherlands, China and Hong Kong, South Korea, Russia, Lithuania, and Italy. Exploring art's role within social and political processes, Ayas is best known for conceiving inventive exhibition and biennale formats within diverse geographies, in each instance composing interdisciplinary frameworks that provide historical anchoring and engagement with local conditions. Working between Berlin and New York since 2018, she currently serves as Senior Program Advisor and Curator at Large at Performa. Until June 2021, Ayas was the artistic director of the 2021 Gwangju Biennale, together with Natasha Ginwala.


Anne Barlow is a curator and director in the field of international contemporary art, and is currently Director of Tate St Ives, Art Fund Museum of the Year 2018. There she directs and oversees the artistic vision and programme, including temporary exhibitions, collection displays, artist residencies, new commissions, and a learning and research programme. At Tate St Ives, Barlow has curated solo exhibitions of work by artists including: Outi Pieski (2024); Hera Büyüktaşcıyan (2023); Burçak Bingöl (2022); Prabhakar Pachpute (2022); Thảo Nguyên Phan (2022); Petrit Halilaj (2021); Haegue Yang (2020); Otobong Nkanga (2019); Huguette Caland (2019); Amie Siegel (2018) and Rana Begum (2018). She was also co-curator of "Naum Gabo: Constructions for Real Life" (2020) and collaborating curator with Castello di Rivoli, Turin for Anna Boghiguian at Tate St Ives (2019).

References

  1. Lorente, J. Pedro (2011). The Museums of Contemporary Art: Notion and Development. Ashgate Publishing, Ltd. p. 7. ISBN   978-1-4094-0586-3.
  2. 1 2 Brenson, Michael (January 8, 1983). "New Museum Given Home In Soho". New York Times. Retrieved January 13, 2018.
  3. Vogel, Carol (December 17, 1998). "A Top Curator Is Leaving The Whitney For SoHo Post". New York Times. Retrieved January 13, 2018.
  4. 1 2 Randy Kennedy (July 25, 2004), The New Museum's New Non-Museum New York Times .
  5. Roberts, Sam (July 6, 2005). "City Groups Get Bloomberg Gift of $20 Million". The New York Times . Retrieved May 20, 2010.
  6. "Carnegie Corporation of New York Announces Twenty Million Dollars in New York City Grants". Carnegie Corporation of New York . July 5, 2005. Archived from the original on September 14, 2012. Retrieved May 17, 2012.
  7. 1 2 Valdez, Sarah (2010). New Museum of Contemporary Art: Art Spaces. London: Scala.
  8. Vogel, Carol (July 27, 2007). "New Museum of Contemporary Art - Art". The New York Times. Retrieved January 5, 2019.
  9. 1 2 3 Vogel, Carol (March 28, 2007). "On the Bowery, a New Home for New Art". The New York Times. Retrieved January 5, 2019.
  10. Grima, Joseph, and Karen Wong, eds. Shift: SANAA and the New Museum. N.p.: Lars Muller, n.d. Print.
  11. "New Seven Wonders of the World". Conde Nast Traveler . April 2008. Retrieved May 17, 2012.
  12. "Home - New Museum Digital Archive". New Museum Digital Archive. Archived from the original on December 18, 2010. Retrieved January 4, 2018.
  13. Davidson, Justin (July 29, 2019). "OMA Adds a Dose of Delirium to the New Museum". Intelligencer. Retrieved April 6, 2024.
  14. Warerkar, Tanay (October 11, 2017). "Rem Koolhaas tapped to design New Museum's expansion project". Curbed NY. Retrieved April 6, 2024.
  15. Pogrebin, Robin (October 11, 2017). "New Museum Selects Rem Koolhaas for Expansion on the Bowery". The New York Times. Retrieved April 6, 2024.
  16. Pogrebin, Robin (June 26, 2019). "A Newer New Museum Is Coming, With Twice as Much Space". The New York Times. Retrieved April 6, 2024.
  17. 1 2 Bernstein, Fred A. (June 27, 2019). "The New Museum's Expansion by OMA Will Transform the NYC Institution". Architectural Digest. Retrieved April 6, 2024.
  18. "New Museum Receives $20 Million Gift, Reveals Details of New Oma-designed Building". Artforum. June 27, 2019. Retrieved April 6, 2024.
  19. Sutton, Benjamin (June 27, 2019). "New York's New Museum Will Erect a Second Building, Doubling Its Exhibition Spaces". Artsy. Retrieved April 6, 2024.
  20. 1 2 Rahmanan, Anna (March 25, 2024). "The New Museum in NYC will be closed until 2025". Time Out New York. Retrieved March 26, 2024.
  21. Keenan, Annabel (October 26, 2024). "Art Museums Reach Out to Visitors From Behind Closed Doors". The New York Times. Retrieved October 28, 2024.
  22. Niland, Josh (November 15, 2024). "OMA's New Museum expansion tops out on the Bowery". Archinect. Retrieved November 22, 2024.
  23. Moynihan, Colin (January 24, 2019). "Workers at New Museum in Manhattan Vote to Unionize". The New York Times. ISSN   0362-4331 . Retrieved February 10, 2019.
  24. "New Museum Staffers Move to Unionize". www.artforum.com. January 10, 2019. Retrieved February 10, 2019.
  25. Carol Vogel (March 23, 2004), Museums Join To Buy Works Of New Artists New York Times .
  26. "Mission & Values :: New Museum". August 30, 2021. Archived from the original on August 30, 2021. Retrieved August 24, 2022.
  27. Ebony, David (March 4, 2015). "Surrounded by the Future: The New Museum Triennial Tackles Tech, Politics, and Gender". Observer.com. Retrieved January 4, 2018.
  28. "The Ungovernables". Newmuseum.org. Retrieved January 4, 2018.
  29. Cotter, Holland (February 26, 2015). "Review: New Museum Triennial Casts a Wary Eye on the Future". The New York Times . Retrieved January 4, 2018.
  30. Boucher, Brian (March 17, 2015). "25 Women Curators On the Rise". News.artnet.com. Retrieved September 12, 2015.
  31. Hamilton, William L. (July 14, 2016). "Object Lessons: The New Museum Explores Why We Keep Things". The New York Times . Retrieved July 14, 2016.
  32. Shanti Escalante-De Mattei (March 21, 2023). "New Museum Taps Vivian Crockett and Isabella Rjeille as Curators of the Sixth New Museum Triennial in 2026". ARTNews.
  33. Farago, Jason (October 31, 2019). "Hans Haacke, at the New Museum, Takes No Prisoners". The New York Times. ISSN   0362-4331 . Retrieved April 6, 2020.
  34. "Petrit Halilaj's presents a major project at the New Museum". www.domusweb.it. Retrieved July 18, 2020.
  35. "Premiere of DISCOTROPIC by niv Acosta". Newmuseum.org. Retrieved June 15, 2017.
  36. "A Net Art Pioneer Evolves With the Digital Age: Rhizome Turns 20 – ARTnews.com". www.artnews.com. Retrieved August 24, 2022.
  37. Museum, New (October 30, 2020), Visionaries Series: Claudia Rankine in Conversation with Judith Butler , retrieved August 24, 2022
  38. Museum, New (November 19, 2021), 2021 Visionaries: Jeremy O. Harris and Arthur Jafa , retrieved August 24, 2022
  39. "Visionaries: Jeremy O. Harris and Arthur Jafa in Conversation". www.newmuseum.org. Retrieved August 24, 2022.
  40. Murphy, Oonagh (January 1, 2018). "Coworking Spaces, Accelerators and Incubators: Emerging Forms of Museum Practice in an Increasingly Digital World" (PDF). Museum International. 70 (1–2): 62–75. doi:10.1111/muse.12193. ISSN   1350-0775. S2CID   166015542.
  41. Alex Greenberger (September 28, 2021), New Museum to Launch $400,000 Art Prize for Sculpture Commission by Women Artists  ARTnews .
  42. Wallace Ludel (September 29, 2021), New Museum announces sculpture award for women artists The Art Newspaper .
  43. "About – IdeasCity". Archived from the original on June 29, 2016.
  44. Board of Trustees, New Museum, New York.