Former name | Dia Center for the Arts |
---|---|
Established | 1987 |
Location | 537 West 22nd Street New York, New York, US |
Coordinates | 40°44′52″N74°00′23″W / 40.7478394220286°N 74.00629278874797°W |
Type | Art museum |
Collections | Modern and contemporary art |
Founder | Dia Art Foundation |
Owner | Dia Art Foundation |
Website | Official website |
Dia Chelsea is an art museum in the Chelsea neighborhood of New York City and is operated by Dia Art Foundation. Opened in 1987 at 548 West 22nd Street as the Dia Center for the Arts, Dia Chelsea has since moved across the street to a series of connected buildings now consolidated at 537 West 22nd Street. [1] It is one of the locations and sites the Dia Art Foundation manages. [2] The Museum hosts longterm but temporary exhibitions dedicated to one or two artists at a time as well as associated artistic and educational programing. [3]
The Dia Art Foundation was established in 1974 in New York City by Heiner Friedrich and Schlumberger heiress Philippa de Menil, who would later get married, as well as Helen Winkler. The goal of the foundation was to assist artists in the creation of projects with scales and scopes that the standard museum and gallery systems could not support. [4] [5] In its first decade the foundation focused on supporting large installations in the American West as well as patronizing several artists, included Donald Judd, Dan Flavin, and Walter De Maria, with stipends, studios, and archivists. [5] [6]
Previous to Dia opening a museum in Chelsea it supported a studio and exhibition space for the artist Robert Whitman in the neighborhood. This space was in use between 1979 and 1985 at 521 West 19th Street. [3]
With the help of architect Richard Gluckman, Dia began renovating a four-story brick warehouse at 548 West 22nd Street to consolidated its program of exhibitions and expand its artistic programing. [3] The building was particularly well suited for displays of art with 8,000 square feet of space on each floor, copious natural light from perimeter windows, a grid of supporting columns and a large freight elevator. [3] [7]
In October, 1987 the Dia Center for the Arts, opened as the first art museum in the Chelsea neighborhood. [8] [3] [7] The first exhibits at the museum were by three German artists, Joseph Beuys, Blinky Palermo, and Imi Knoebel who each got an entire floor of the building decated to presenting their works in Dia's collection. [3] [7] These exhibits were followed by other long term exhibitions by artist such as Gerhard Richter, Bridget Riley, Brice Marden, and Jessica Stockholder. [7] Through the 80's and early 90's Dia and the Kitchen were the sole arts art institutions in the neighborhood. [3]
The building at 548 West 22nd Street became a model for how future Dia museum spaces would work with large spaces dedicated to single artists, or occasionally two artists in dialogue, showing work from Dia's collection and new large scale commissions. [3]
In 2004, one year after Dia opened another museum, Dia Beacon, Dia closed the space at 548 West 22nd Street. Dia claimed this was due to the building not being able to handle the crowds it was drawing. [7] When the Dia Center opened it attracted about 16,000 to 17,000 visitors a year. Before it closed for renovations in February 2004, attendance had grown to about 60,000. [9] The extent of the repairs needed prompted the foundation to sell the building for $38.55 million in December 2007. [10] Upon the closing of 548 West 22nd street, the site specific works in the building were disassembled and relocated. [3] [11]
In 1992 Dia bought 545 West 22nd Street, across the street from the Dia Center for the Arts. [11] In 1997 Dia opened this building as a second gallery space on 22nd Street with an exhibition of the large scale Torqued Ellipses by Richard Serra that are now on view at Dia Beacon. [3] [11]
By 2011 Dia was leasing the building at 545 West 22nd to The Pace Gallery. [11]
The Fifth floor of 535 West 22nd Street begin hosting Dia's public programing in New York City in 2005. These programs continued being hosted here until 2019. [3]
In June 2011 Dia purchased the building sandwiched between 535 and 545 West 22nd Street, the two buildings that hosted Dia programing. [3] [11] Dia paid 11.5 million dollars for 541 West 22nd Street, the home of the Alcamo Marble Works. Dia claimed the acquisition of this building was a strategic purchase. [11] This building opened as another Dia gallery space in 2012 with an exhibition of Thomas Hirschhorn's Timeline: Work in Public Space. [3]
Dia began as an institution dedicated to supporting long-term projects by living artists, and for several years, it was trying to raise money to build a space for such endeavors in Manhattan, after outgrowing its two locations on West 22nd Street in Chelsea and closing them in 2004. [12] The foundation's board abandoned plans on opening a museum at the entrance to the High Line in 2006 after losing its longtime director, Michael Govan, and its chairman and benefactor, Leonard Riggio. [13]
In November 2009 Dia's Director, Philippe Vergne, announced plans to reopen in Chelsea on West 22nd Street. [14] In 2011, after years of negotiations, Dia bought the former Alcamo Marble building at 541 West 22nd Street, located between its former space at No. 545 and its existing six-story building at No. 535, for $11.5 million. [15] Inside, these three existing brick buildings will be woven together to create three interconnected galleries on the ground floor. According to plans, the new Dia, designed by architect Roger Duffy, will include 15,670 square feet (1,456 square metres) of gallery space and 3,625 square feet (336.8 square metres) of rooftop for outdoor exhibitions like Dan Graham's Rooftop Urban Park Project (1991), an architectural pavilion fashioned from two-way mirrored glass that was originally installed on the roof of No. 548. [15]
In 2015, incoming Dia Director Jessica Morgan reactivated three properties already owned by Dia in Chelsea at 535, 541 and 545 West 22nd Street, including re-launching the space at 545 West 22nd Street with an exhibition of La Monte Young and Marian Zazeela. [16] From September 2016, Hauser & Wirth took over the old four-story space at 548 West 22nd Street as a temporary home while constructing its new building at no. 542. To adapt the space, the gallery enlisted Annabelle Selldorf. [17]
In 2018, Dia announced a multi-year plan to revitalize its programmatic sites, including the renovation of Dia's current spaces at West 22nd Street to create a unified, 32,500 square feet (3,020 square metres) facility, including 20,000 square feet (1,900 square metres) of integrated, street-level exhibition and programming space across their three contiguous buildings. The new, renovated Dia Chelsea will open in fall 2020 and will present exhibitions, public programs and lectures, and will return Dia's bookstore to Chelsea. [18] [19]
Several long term installations, what Dia now calls sites, were built at 548 West 22nd Street including Rooftop Urban Park Project by Dan Graham installed between 1991 and 2004 on the buildings roof, and Untitled by Dan Flavin in the stairwells. [3]
The 1987 opening of the Dia Center for the Arts, at 548 West 22nd Street, included an exhibit on Dia's holdings of work by Joseph Beuys that stretched over an entire floor of the building. [3] [7] In 1988 Dia brought a rendition of his work 7000 Oaks to West 22nd Street. Dia installed "five basalt stone columns paired with five trees outside 548 West 22nd Street." [20] This installation was expanded twice. The first was in 1996 with the addition of twenty-five new trees paired with a basalt stone column between 10th and 11th Avenues as well as the addition of seven columns paired to already existing trees. This brought the installation to thirty-seven trees and basalt columns. As a part of the 2021 renovation and consolidation of Dia Chelsea an additional tree and stone were added. There are currently Thirty-Eight pairs of trees and basalt stone columns stretching down the city block. [20]
For the installation on West 22nd Street multiple species of trees are used, including the Bradford cultivar of Callery pear, common hackberry, Ginkgo biloba, Japanese pagoda tree, Japanese zelkova, littleleaf linden, pin oak, sycamore, and thornless honeylocust. [20]
the 1996 work Untitled by Dan Flavin was a site-specific installation of fluorescent light in the two stairwells of 548 West 22nd Street. it was Flavins last work that used fluorescent light as a medium. [21] When 548 West 22nd street closed in 2004, Untitled remained on view on long-term loan. [3] [11] The sculpture was considered one on Dia's sites but disappeared from Dia press releases between February 7, 2017, and February 24, 2017, and is no longer on view. [22] [23]
Rooftop Urban Park Project by Dan Graham was on view on the rooftop of 548 West 22nd Street from 1991 to 2004, with the individual elements created between 1981 and 1991. The work consisted of a small urban park containing a pavilion created out of one-way glass, named Two-Way Mirror Cylinder Inside Cube, and a shed for viewing video art. [24] [25] When 548 West 22nd street closed in 2004, Rooftop Urban Park Project was disassembled and removed. [3] [11]
Dan Flavin was an American minimalist artist famous for creating sculptural objects and installations from commercially available fluorescent light fixtures.
Donald Clarence Judd was an American artist associated with minimalism. In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. He is generally considered the leading international exponent of "minimalism", and its most important theoretician through such writings as "Specific Objects" (1964). Judd voiced his unorthodox perception of minimalism in Arts Yearbook 8, where he says, "The new three dimensional work doesn't constitute a movement, school, or style. The common aspects are too general and too little common to define a movement. The differences are greater than the similarities."
Robert Walter Irwin was an American installation artist who explored perception and the conditional in art, often through site-specific, architectural interventions that alter the physical, sensory and temporal experience of space.
Dia Art Foundation is a nonprofit organization that initiates, supports, presents, and preserves art projects. It was established in 1974 by Philippa de Menil, the daughter of Houston arts patron Dominique de Menil and an heiress to the Schlumberger oil exploration fortune; art dealer Heiner Friedrich, Philippa's husband; and Helen Winkler, a Houston art historian. Dia provides support to projects "whose nature or scale would preclude other funding sources."
The Massachusetts Museum of Contemporary Art is a museum in a converted Arnold Print Works factory building complex located in North Adams, Massachusetts. It is one of the largest centers for contemporary visual art and performing arts in the United States.
The Menil Collection, located in Houston, Texas, refers either to a museum that houses the art collection of founders John de Menil and Dominique de Menil, or to the collection itself of paintings, sculptures, prints, drawings, photographs and rare books.
Daniel Graham was an American visual artist, writer, and curator in the writer-artist tradition. In addition to his visual works, he published a large array of critical and speculative writing that spanned the spectrum from heady art theory essays, reviews of rock music, Dwight D. Eisenhower's paintings, and Dean Martin's television show. His early magazine-based art predates, but is often associated with, conceptual art. His later work focused on cultural phenomena by incorporating photography, video, performance art, glass and mirror installation art structures, and closed-circuit television. He lived and worked in New York City.
Dia Beacon is the museum for the Dia Art Foundation's collection of art from the 1960s to the present and is one of the 12 locations and sites they manage. The museum, which opened in 2003, is situated near the banks of the Hudson River in Beacon, New York. Dia Beacon's facility, the Riggio Galleries, is a former Nabisco box-printing facility that was renovated by Dia with artist Robert Irwin and architects Alan Koch, Lyn Rice, Galia Solomonoff, and Linda Taalman, then of OpenOffice. Along with Dia's permanent collection, Dia Beacon also presents temporary exhibitions, as well as public programs designed to complement the collection and exhibitions, including monthly Gallery Talks, Merce Cunningham Dance Company Events, Community Free Days for neighboring counties, and an education program that serves area students at all levels. With 160,000 square feet (15,000 m2), it is one of the largest exhibition spaces in the country for modern and contemporary art.
Blinky Palermo was a German abstract painter.
Hamburger Bahnhof is the former terminus of the Berlin–Hamburg Railway in Berlin, Germany, on Invalidenstrasse in the Moabit district opposite the Charité hospital. Today it serves as a contemporary art museum, the Museum für Gegenwart, part of the Berlin National Gallery.
Marian Zazeela was an American light artist, designer, calligrapher, painter, and musician based in New York City. She was a member of the 1960s experimental music collective Theatre of Eternal Music, and was known for her collaborative work with her husband, the minimalist composer La Monte Young.
Pulitzer Arts Foundation is an art museum in St. Louis, Missouri, that presents special exhibitions and public programs. Known informally as the Pulitzer, the museum is located at 3716 Washington Boulevard in the Grand Center Arts District. The building is designed by the internationally renowned Japanese architect Tadao Ando. Admission to the museum is free.
Imi Knoebel is a German artist. Knoebel is known for his minimalist, abstract painting and sculpture. The "Messerschnitt" or "knife cuts," is a recurring technique he employs, along with his regular use of the primary colors, red, yellow and blue. Knoebel lives and works in Düsseldorf.
David Zwirner is a German art dealer and owner of the David Zwirner Gallery in New York City, Los Angeles, London, Hong Kong, and Paris.
7000 Oaks – City Forestation Instead of City Administration is a work of land art by the German artist Joseph Beuys. It was first publicly presented in 1982 at documenta 7.
Heiner Friedrich is an art dealer and collector of minimal art and conceptual art. Friedrich and his then wife Philippa de Menil, together with Helen Winkler, established the Dia Art Foundation in 1973. Friedrich has exhibited works by Blinky Palermo, Walter De Maria, Donald Judd, La Monte Young, Andy Warhol, Michael Heizer, and Joseph Beuys, among others in his galleries in Germany, but became less interested in short term gallery installations and through Dia began to collect, and support major projects, such as Walter De Maria's The Lightning Field (1977) in New Mexico and purchasing a former military base in Marfa, Texas to enable Donald Judd to create a permanent space for the installation of his large minimal sculptures.
The Kasmin Gallery, formerly known as the Paul Kasmin Gallery, is a New York City fine art gallery, founded in SoHo in 1989.
Dia Bridgehampton is a museum in Bridgehampton, New York run by the Dia Art Foundation. Opened in 1983 as the Dan Flavin Art Institute, the building was renovated by Dia, under the direction of minimalist sculptor Dan Flavin, as a permanent display of his fluorescent light works in a single-artist museum. The museum also houses a gallery for temporary exhibitions, and a display of historic objects related to the building from before it became a museum.
The Chelsea Arts District, sometimes also called the West Chelsea Arts District or the Chelsea Gallery District is a region of Chelsea, Manhattan, New York City, that runs from 18th to 28th Street between Tenth Avenue and Eleventh Avenue that is known for its concentration of art galleries. It developed as part of the neighborhood's rezoning and shift in the international art market in the late 1990s and early 2000s.
The museum, housed in a four-story brick building, closed for renovations in 2004 but never reopened due to the extent of repairs needed. [Dia's director, Jeffrey] Weiss said he was pleased by the high sales price, and said the money will be invested and likely used to purchase its next space.