External links
- Brigitte Jacobs: Walter de Marias erster „Earth Room“. In: Frankfurter Allgemeine Zeitung vom 10. April 2004
- Internetseite des Museums DASMAXIMUM
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Heiner Friedrich (born April 14, 1938, in Stettin) is an art dealer and collector of minimal art and conceptual art. [1] Friedrich and his then wife Philippa de Menil, together with Helen Winkler, established the Dia Art Foundation in 1973. Friedrich has exhibited works by Blinky Palermo, Walter De Maria, Donald Judd, La Monte Young, Andy Warhol, Michael Heizer, and Joseph Beuys, among others in his galleries in Germany, but became less interested in short term gallery installations and through Dia began to collect, and support major projects, such as Walter De Maria's The Lightning Field (1977) in New Mexico and purchasing a former military base in Marfa, Texas to enable Donald Judd to create a permanent space for the installation of his large minimal sculptures.
Heiner Friedrich was born the son of metal goods manufacturers Harald Friedrich. He grew up first in Berlin, then in the tranquility of the Upper Bavaria. He married in 1978 Philippa de Menil, the daughter and youngest child of the Texas art collector couple John and Dominique de Menil. Friedrich currently lives in Sagaponack, NY with his current wife Joa Baldinger.
Heiner Friedrich established his first gallery in Munich, 1963 and soon after another in Köln, Germany. On 23 July 1963 he opened, with his wife Six Friedrich and Franz Dahlem, an art gallery in Munich called Friedrich & Dahlem. In exhibitions there he showed early examples of minimal art, land art and conceptual art with artists such as Joseph Beuys, Sigmar Polke, Gerhard Richter, Donald Judd, Michael Heizer, Cy Twombly, Walter De Maria, Dan Flavin, John Chamberlain, Andy Warhol and Fred Sandback. [2] [1] Friedrich also issued a second edition in 1970 of the proto-Fluxus artist's book An Anthology of Chance Operations . [3]
In 1972 he moved to a space in New York City at 141 Wooster Street in SoHo. The last exhibition there was Walter De Maria and The New York Earth Room . [4] The New York Earth Room (1977), is a 3,600-square-foot room filled to a depth of 22 inches with 250 cubic yards of earth (the New York work is a permanent iteration of Munich Earth Room, 1968, a temporary installation in Munich). In 1977, the artist recreated the work at the Heiner Friedrich Gallery in New York, which was then permanently installed in 1977 at 141 Wooster Street, New York. Similarly to the Lightning Field, the Broken Kilometer and New York Earth Room installations remain ongoing, maintained by Dia Art Foundation. [5] Heiner Friedrich and Philippa de Menil, together with Helen Winkler, established the Dia Art Foundation in 1973.
In a downtown area in the Bavarian Traunreut Friedrich founded in 2011 DASMAXIMUM contemporary art, a private art museum that shows pop art, minimal art and conceptual art. On display are works by Georg Baselitz, John Chamberlain, Dan Flavin, Imi Knoebel, Walter de Maria and Andy Warhol, among others. There are more than 20 paintings by Andy Warhol housed there. [6] [7]
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Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, largely associated with Great Britain and the United States but that also includes examples from many countries. As a trend, "land art" expanded boundaries of art by the materials used and the siting of the works. The materials used were often the materials of the Earth, including the soil, rocks, vegetation, and water found on-site, and the sites of the works were often distant from population centers. Though sometimes fairly inaccessible, photo documentation was commonly brought back to the urban art gallery.
Joseph Heinrich Beuys was a German artist, teacher, performance artist, and art theorist whose work reflected concepts of humanism, sociology, and, with Heinrich Böll, Johannes Stüttgen, Caroline Tisdall, Robert McDowell, and Enrico Wolleb, created the Free International University for Creativity & Interdisciplinary Research (FIU). He previously in his talks and performances also formed The Party for Animals and The Organisation for Direct Democracy. He was a member of a Dadaist art movement Fluxus and singularly inspirational in developing of Performance Art, called Kunst Aktionen, alongside Wiener Aktionismus that Allan Kaprow and Carolee Schneemann termed Art Happenings. Today, internationally, the largest performance art group is BBeyond in Belfast, led by Alastair MacLennan who knew Beuys and like many adapts Beuys's ethos.
Dan Flavin was an American minimalist artist famous for creating sculptural objects and installations from commercially available fluorescent light fixtures.
Dia Art Foundation is a nonprofit organization that initiates, supports, presents, and preserves art projects. It was established in 1974 by Philippa de Menil, the daughter of Houston arts patron Dominique de Menil and an heiress to the Schlumberger oil exploration fortune; art dealer Heiner Friedrich, Philippa's husband; and Helen Winkler, a Houston art historian. Dia provides support to projects "whose nature or scale would preclude other funding sources."
Michael Heizer is an American land artist specializing in large-scale and site-specific sculptures. Working largely outside the confines of the traditional art spaces of galleries and museums, Heizer has redefined sculpture in terms of size, mass, gesture, and process. A pioneer of 20th-century land art or Earthworks movement, he is widely recognized for sculptures and environmental structures made with earth-moving equipment, which he began creating in the American West in 1967. He currently lives and works in Hiko, Nevada, and New York City.
Walter Joseph De Maria was an American artist, sculptor, illustrator and composer, who lived and worked in New York City. Walter de Maria's artistic practice is connected with minimal art, conceptual art, and land art of the 1960s.
Blinky Palermo was a German abstract painter.
Ileana Sonnabend was a Romanian-American art dealer of 20th-century art. The Sonnabend Gallery opened in Paris in 1962 and was instrumental in making American art of the 1960s known in Europe, with an emphasis on American pop art. In 1970, Sonnabend Gallery opened in New York on Madison Avenue, and in 1971 relocated to 420 West Broadway in SoHo where it was one of the major protagonists that made SoHo the international art center it remained until the early 1990s. The gallery was instrumental in making European art of the 1970s known in America, with an emphasis on European conceptual art and Arte Povera. It also presented American conceptual and minimal art of the 1970s. In 1986, the so-called "Neo-Geo" show introduced, among others, the artist Jeff Koons. In the late 1990s, the gallery moved to Chelsea and continues to be active after Sonnabend's death. The gallery goes on showing the work of artists who rose to prominence in the 1960s and 1970s including Robert Morris, Bernd and Hilla Becher and Gilbert & George as well as more recent artists including Jeff Koons, Rona Pondick, Candida Höfer, Elger Esser, and Clifford Ross.
Gluckman Tang Architects,, is a New York City–based architecture firm providing services in architecture, planning, and interior design. Established by Richard Gluckman in 1977, the firm focuses on a minimalist design approach.
Rainer Crone was a German art historian. He was University Professor emeritus of Contemporary Art and History of Film at Ludwig Maximilian University in Munich and a specialist in the art of Andy Warhol. He previously taught at Yale University, the University of California, Berkeley, Columbia University, and New York University.
John de Ménil was a Franco-American businessman, philanthropist, and art patron. He was the founding president of the International Foundation for Art Research (IFAR) in New York. With his wife, Dominique de Menil, he established the Menil Collection, a free museum designed by Renzo Piano and built in 1986 to preserve and exhibit their world-class contemporary art collection.
David Whitney was an American art curator, collector, gallerist and critic. He led a very private life and was not well known outside the art world, even though he participated naked in the 1965 Claes Oldenburg happening Washes. He was the life partner of architect Philip Johnson (1906–2005) for 45 years until their deaths five months apart. He was also a close friend of Andy Warhol.
Modern sculpture is generally considered to have begun with the work of Auguste Rodin, who is seen as the progenitor of modern sculpture. While Rodin did not set out to rebel against the past, he created a new way of building his works. He "dissolved the hard outline of contemporary Neo-Greek academicism, and thereby created a vital synthesis of opacity and transparency, volume and void". Along with a few other artists in the late 19th century who experimented with new artistic visions in sculpture like Edgar Degas and Paul Gauguin, Rodin invented a radical new approach in the creation of sculpture. Modern sculpture, along with all modern art, "arose as part of Western society's attempt to come to terms with the urban, industrial and secular society that emerged during the nineteenth century".
Thomas Kellein is a German art historian; gallery director; author; and curator. He was the Director at Kunsthalle Basel between 1988 and 1995, and the Director of the Kunsthalle Bielefeld between 1996 and 2010. He was the Director of the Chinati Foundation between 2011 and 2012.
The New York Earth Room is an interior sculpture by the artist Walter De Maria that has been installed in a loft at 141 Wooster Street in New York City since 1977. The sculpture is a permanent installation of 250 cubic yards of earth in 3,600 square feet of floor space, and 22 inch depth of material. The installation has had the same caretaker, Bill Dilworth, since 1989, and is maintained by the Dia Art Foundation who consider it one of their 12 locations and sites they manage.
Jörg Schellmann is a German furniture designer and the founder and owner of art publishing company, Schellmann Art, Munich-New York.
Dia Bridgehampton, previously known as the Dan Flavin Art Institute, is a museum in Bridgehampton, New York run by the Dia Art Foundation. Originally built in 1909 as a firehouse, the building was sold to the First Baptist Church of Bridgehampton in 1924. The church renovated and expanded the building in 1947 and used it as a place of worship through the mid-1970s. The congregation grew and, in 1979, they sold the building to the Dia Art Foundation. Dia renovated the building into a single-artist museum for Dan Flavin as well as a rotating exhibition space. The building re-opened in 1983 as the Dan Flavin Art Institute.
The Broken Kilometer is a permanent art installation created by Walter De Maria inside a street-level storefront in the SoHo neighborhood of New York City. The piece consists of 500 round solid brass rods, 2 meters long by 2 inches (51 mm) in diameter, laid on the floor in 5 rows of 100 rods each. The space between the rods increase by 5 millimeters. The first two rods of each row are placed 80 millimeters apart, the last two rods are placed 570 millimeters apart. The work is illuminated with metal-halide stadium lights. Commissioned by the Dia Art Foundation in 1979, it has been on view to the public ever since. The Broken Kilometer is maintained by the Dia Art Foundation as one of the twelve locations and sites they manage.
