This article needs to be updated.(November 2020) |
Roden Crater | |
---|---|
Highest point | |
Elevation | 5,443 ft (1,659 m) NAVD 88 [1] |
Prominence | 470 ft (143 m) [2] |
Coordinates | 35°25′31″N111°15′33″W / 35.4252829°N 111.2590358°W [3] |
Geography | |
Location | Coconino County, Arizona, U.S. |
Topo map | USGS Roden Crater |
Geology | |
Volcanic field | San Francisco volcanic field |
Roden Crater is a cinder cone type of volcanic cone from an extinct volcano, with a remaining interior volcanic crater. It is located approximately 50 miles northeast of the city of Flagstaff in northern Arizona, United States. [4]
Artist James Turrell acquired the 400,000-year-old, 3-mile-wide (4.8 km) crater's land for a land art project. [5] Turrell has since been transforming the inner cone of the crater into a massive naked-eye observatory, designed specifically for viewing and experiencing sky-light, solar, and celestial phenomena. [6] The fleeting winter and summer solstice events will be highlighted. [7] Kanye West filmed his 2019 movie Jesus Is King at Roden Crater. [8]
In 2019, Arizona State University partnered with James Turrell to collaborate on the project with the help of a 1.8 million dollar gift. [9] The project, referred to as the "ASU-Roden Crater Project" at ASU, is currently centered at the Herberger Institute for Design and the Arts, and hopes to foster interdisciplinary collaboration between the arts and sciences. [10] Courses at ASU, including one titled "Indigenous Stories and Sky Science" taught by Professor Dalla Costa have already begun including the Roden Crater into their curriculum. [9]
The Dia Art Foundation is continuing to advocate for the development of James Turrell's Roden Crater project in the Painted Desert in Arizona which was begun in the 1970s with Dia's support. [11] [12] James Turrell, who purchased the Roden Crater in 1979, had plans to open the crater for public viewing in 2011, [13] but now has tentatively set the opening for 2024. [14]
A fundraising event held daily from May 14 to 17, 2015, allowed visitors to tour Roden Crater for a cost of $6,500 to Turrell's nonprofit organization. [15]
Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, largely associated with Great Britain and the United States but that also includes examples from many countries. As a trend, "land art" expanded boundaries of art by the materials used and the siting of the works. The materials used were often the materials of the Earth, including the soil, rocks, vegetation, and water found on-site, and the sites of the works were often distant from population centers. Though sometimes fairly inaccessible, photo documentation was commonly brought back to the urban art gallery.
Dia Art Foundation is a nonprofit organization that initiates, supports, presents, and preserves art projects. It was established in 1974 by Philippa de Menil, the daughter of Houston arts patron Dominique de Menil and an heiress to the Schlumberger oil exploration fortune; art dealer Heiner Friedrich, Philippa's husband; and Helen Winkler, a Houston art historian. Dia provides support to projects "whose nature or scale would preclude other funding sources."
Sunset Crater is a cinder cone located north of Flagstaff in the U.S. state of Arizona. The crater is within the Sunset Crater Volcano National Monument.
Amboy Crater is a dormant cinder cone volcano that rises above a 70-square-kilometer (27 sq mi) lava field in the eastern Mojave Desert of southern California, within Mojave Trails National Monument.
Pisgah Crater, or Pisgah Volcano, is a young volcanic cinder cone rising above a lava plain in the Mojave Desert, between Barstow and Needles, California in San Bernardino County, California. The volcanic peak is around 2.5 miles (4.0 km) south of historic U.S. Route 66-National Old Trails Highway and of Interstate 40, and west of the town of Ludlow. The volcano had a historic elevation of 2,638 feet (804 m), but has been reduced to 2,545 feet (776 m) due to mining.
James Turrell is an American artist known for his work within the Light and Space movement. He is considered the "master of light" often creating art installations that mix natural light with artificial color through openings in ceilings thereby transforming internal spaces by ever shifting and changing color.
S P Crater is a cinder cone volcano in the San Francisco volcanic field, 25 miles (40 km) north of Flagstaff, Arizona, United States. It is surrounded by several other cinder cones which are older and more eroded. It is a striking feature on the local landscape, with a well-defined lava flow that extends for 4.3 miles (7 km) to the north. American astronauts use the crater to train for moonwalking.
A cinder cone is a steep conical hill of loose pyroclastic fragments, such as volcanic clinkers, volcanic ash, or scoria that has been built around a volcanic vent. The pyroclastic fragments are formed by explosive eruptions or lava fountains from a single, typically cylindrical, vent. As the gas-charged lava is blown violently into the air, it breaks into small fragments that solidify and fall as either cinders, clinkers, or scoria around the vent to form a cone that often is symmetrical; with slopes between 30 and 40°; and a nearly circular ground plan. Most cinder cones have a bowl-shaped crater at the summit.
The Herberger Institute for Design and the Arts at Arizona State University is one of the largest comprehensive design and arts colleges in the nation, located within a dynamic 21st-century research university.
Acton is an artwork created by American artist James Turrell in 1976, located in the Indianapolis Museum of Art. It consists of two rooms with an aperture between them, carefully illuminated such that the rectangular hole appears to be a flat, gray canvas until closer inspection reveals its three-dimensional nature.
Michael Govan is the director of the Los Angeles County Museum of Art. Prior to his current position, Govan worked as the director of the Dia Art Foundation in New York City.
Black Bottom Crater is a volcanic crater located in Arizona, east-northeast of Sunset Crater, and west-southwest of Roden Crater. To the northwest is Strawberry Crater. Black Bottom Crater is a cinder cone in the San Francisco volcanic field.
Olga Viso is a Cuban American curator of modern and contemporary art and a museum director based at Arizona State University's Herberger Institute for Design and the Arts in Tempe, Arizona. She served as executive director of the Walker Art Center in Minneapolis, Minnesota from 2007 through 2017, and was curator of contemporary art and director of the Smithsonian Institution's Hirshhorn Museum and Sculpture Garden in Washington, DC from 1995-2007.
Tip Toland is an American ceramic artist and teacher who was born in Pottstown, Pennsylvania. She earned a BFA in Ceramics from the University of Colorado and an MFA in Ceramics from Montana State University. Her works, which are figurative and often described as "hyper-real," are held by galleries and museums around the United States.
Kayne Griffin is a contemporary art gallery based in Los Angeles. The gallery represents and works with artists such as James Turrell, Mary Corse, David Lynch, Tomoharu Murakami, Peter Shire, Rosha Yaghmai, Jiro Takamatsu, Anthony Hernandez, Mika Tajima, Mary Obering, Liza Ryan, Hank Willis Thomas, Llyn Foulkes and Beverly Pepper.
Jesus Is King is a 2019 American experimental concert short film written by rapper Kanye West and directed by Nick Knight. Featuring gospel songs arranged by West and material from his ninth studio album of the same name, it also serves as an album companion piece. Primarily shown through a circular eye and features differing shots of the Sunday Service Choir performing music, as well as various Bible verses, West only appears briefly and performs his material towards the end.
Gregory Sale is a socially engaged, multidisciplinary artist, educator, and advocate. Collaborating with individuals and communities on aesthetic responses to social challenges, Sale creates and coordinates large-scale and often long-term public projects that are organized around collective experiences. Participants become creative co-producers focused on collective artistic experiences that identify, address, and transform lives. With the commitment of a wide range of constituencies and institutions, his creative practice includes projects with primary partners in activist circles, social service agencies, non-profit organizations, and government. His most prominent and continuing projects focus on issues of mass incarceration, illuminating the complexities of justice, democracy, and how we practice care as a society.