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“Arts InSight: James Turrell“, Houston Public Media |
Live Oak Friends Meeting House is a Quaker meeting house located at 1318 West 26th Street in the Heights area of Houston, Texas, United States. The meeting house, which was completed in December 2000, was designed and built to house the Live Oak Friends Meeting, which was formed in 1954. The building features a permanent installation by the artist James Turrell, known as the Skyspace or One Accord. It has been described as an architectural "idealization of Quaker testimonies like peace and equality." [1]
Live Oak Friends Meeting (LOFM) is a monthly meeting (congregation) of the Religious Society of Friends (Quakers) in Houston, Texas. [2] The Meeting is a Liberal Quaker meeting and worships in the traditional unprogrammed style. [3] The Meeting is a member of Bayou Quarterly Meeting and South Central Yearly Meeting [4] and is associated with Friends General Conference. [5] The meeting has approximately 75 [2] -100 attendees. [1]
The Meeting was founded in 1954, when a group met at the home of Walter and Myra Whitson. [6] Members of the meeting met for many years in temporary spaces, including a Jewish community center, a Presbyterian manse, the Chocolate Bayou Theater, and a dance studio. They acquired two acres on which to build, but lacked resources to do so. [1]
Hiram Butler, a Houston gallery owner, connected the Live Oak meeting with Arizona-based artist James Turrell. Turrell, a Quaker himself, was fascinated by light. He saw the Live Oak meeting house as an opportunity to combine his art and his religious faith by creating a working space for religious worship that would embody the Quaker belief in inner divinity, often spoken of as the "light within". In turn, partnering with the artist offered new possibilities for raising funds for creation of the meeting house, by soliciting funds from the Houston arts community. [1]
Members of the Live Oak Friends Meeting were deeply concerned about whether the creation of an expensive building, with outside funding, could be reconciled with the Quaker Testimony of Simplicity. Members of the community resolved their concerns in part by working out issues through the consensus-based processes of Quaker meeting with James Turrell and architect Leslie K. Elkin. [1] [7]
Once we understood it as a leading, that enabled us to understand it in the way we think ... We came to share Jim's leading, as a way of giving something to the entire Houston community that was important. [1]
Members of the meeting worked with architect Leslie K. Elkin and artist James Turrell to design the building. [1] The meeting raised half a million dollars, about 1/3 of the total cost of the project. The rest of it was funded through gifts from outside individuals, corporations and foundations, to a nonprofit established for the project. Groundbreaking for the building occurred in October 1998. The building was completed in 2000 and opened to the public in 2001. [1]
The design of the meeting house draws upon early Quaker meeting houses such as the Gunpowder Friends Meeting House in Sparks, Maryland [7] [8] and the 1684 Third Haven Meeting House in Easton, Maryland. [1] The long house form of the building was suggested by the Gunpowder Meeting House. [7] Third Haven's white oak benches were the basis for the benches of the Live Oak Meeting House. Turrell was also inspired by his childhood memories of meeting for worship. [1]
The three-room meeting house has a broad metal roof, supported by large timbers. [1] Wide overhanging eaves create a nine-bay facade, with doorways in the even-numbered sections. [9] The flooring is made of sinker pine which was salvaged from the Trinity River and cut specifically for the meeting house. Its long submersion has given the wood a greenish tint. [10] Inside the main room, benches are arranged in a square. Above the center of the square is Turrel's Skyspace installation. [9]
The Skyspace consists of a 12-foot-square opening in the roof, with a retractable cover that can be opened to the sky. [9] When the roof is not open, a system of hidden neon tubes fills the Skyspace with blue light. [11] This permanent installation by artist James Turrell was originally known simply as the Skyspace. [7] [12] More recently it has been referred to as One Accord, to differentiate it from other installations of skyspaces by Turrell. [13]
The eyes cling to this skyward window, to the clouds and occasional bird in flight that pass across it, but especially to the light ... At sundown, light shifts softly from porcelain transparency to silken cobalt blue and velvet black. Eyes turn inward, and a hush descends. The Skyspace transforms the spare, white meeting room into a luminous chamber, a metaphor for the body and soul.
— Patricia C. Johnson, 2001 [11]
Between 2008-2010, the Skyspace could not be used. It had to be redesigned and renovated to address damage to the retractable roofing system. The rails supporting the hatch were originally made of wood covered in metal. Due to the semitropical climate the wood had begun to rot. The new design replaced the metal-covered wood with a square metal pipe, braced at the sides. The new design was expected to be both water- and hurricane-proof. [11] The space was again closed and repaired between 2013 and 2015, because of flooding from a broken pipe. [14] As of February 27, 2015, openings resumed on Friday evenings and on the first Sunday evening of the month. [15]
Emphasis on and utilization of natural light is seen as a guiding principle in the architecture of more modern Quaker meeting houses. The Live Oak Meeting House has been described as the most spectacular example of this style. [16]
Dia Art Foundation is a nonprofit organization that initiates, supports, presents, and preserves art projects. It was established in 1974 by Philippa de Menil, the daughter of Houston arts patron Dominique de Menil and an heiress to the Schlumberger oil exploration fortune; art dealer Heiner Friedrich, Philippa's husband; and Helen Winkler, a Houston art historian. Dia provides support to projects "whose nature or scale would preclude other funding sources."
James Turrell is an American artist known for his work within the Light and Space movement. Much of Turrell's career has been devoted to a still-unfinished work, Roden Crater, a natural cinder cone crater located outside Flagstaff, Arizona, that he is turning into a massive naked-eye observatory; and for his series of skyspaces, enclosed spaces that frame the sky.
Houghton Hall is a country house in the parish of Houghton in Norfolk, England. It is the residence of David Cholmondeley, 7th Marquess of Cholmondeley.
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The UIC Skyspace, officially titled Hard Scrabble Sky, is an art installation by James Turrell on the South Campus of the University of Illinois at Chicago, located there since 2005. Hard Scrabble Sky is a Skyspace, part of a series of site-specific installations by Turrell that present a constrained view of the sky.
The Sheats–Goldstein Residence is a home designed and built between 1961 and 1963 by American architect John Lautner in the Beverly Crest neighborhood in Los Angeles, California, a short distance up the hill from the Beverly Hills city limit. The building was conceived from the inside out and built into the sandstone ledge of the hillside; a cave-like dwelling that opens to embrace nature and view. The house is an example of American Organic Architecture that derives its form as an extension of the natural environment and of the individual for whom it was built. Typical of Lautner's work, the project was approached from an idea and a structure was derived that addressed the challenges of the site.
The Houston Alternative Art chronology was originally compiled by Caroline Huber and The Art Guys for the exhibition catalogue No Zoning: Artists Engage Houston, which was published by the Contemporary Arts Museum Houston (CAMH) to accompany the group show of the same name. The exhibition was on view at CAMH from May 9-October 4, 2009. No Zoning: Artists Engage Houston was co-curated by Toby Kamps and Meredith Goldsmith and featured projects by twenty-one Houston artists using the city as inspiration, material, and site. This chronology documents Houston's alternative art scene.
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A skyspace is an architectural design in which a room, which is painted in a neutral color has a large hole in its ceiling which opens directly to the sky. The room, whose perimeter has benches, allows observers to look at the sky in such a way as though it were framed. LED lights which surround the hole can change colors to affect the viewer's perception of the sky.
Acton is an artwork created by American artist James Turrell in 1976, located in the Indianapolis Museum of Art. It consists of two rooms with an aperture between them, carefully illuminated such that the rectangular hole appears to be a flat, gray canvas until closer inspection reveals its three-dimensional nature.
Audrey Jones Beck was an American art collector and philanthropist who donated her personal art collection to the Museum of Fine Arts, Houston. The John A. and Audrey Jones Beck Collection included impressionist and post-impressionist paintings, and the museum named its Audrey Jones Beck Building in her honor.
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Matthew McLendon is an American museum director, art historian, and curator of modern and contemporary art. McLendon serves as Director and CEO of the McNay Art Museum in San Antonio, Texas.
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