Established | 1974 |
---|---|
Location | 84 Essex Street, Manhattan, New York |
Coordinates | 40°43′04.9″N73°59′19.0″W / 40.718028°N 73.988611°W |
Director | Bob Jeffrey |
Public transit access | Bus: M21, M103 Subway: at Second Avenue |
Website | www.icp.org |
The International Center of Photography (ICP) is a photography museum and school at 84 Ludlow Street on the Lower East Side of Manhattan in New York City. [1] ICP's photographic collection, reading room, and archives are at Mana Contemporary in Jersey City, New Jersey. [2] The organization was founded by Cornell Capa in 1974. [3] It is located at 84 Ludlow Street, within the Lower East Side.
ICP is the host of the Infinity Awards, inaugurated in 1985 "to bring public attention to outstanding achievements in photography by honoring individuals with distinguished careers in the field and by identifying future luminaries."
Since its founding in 1974 by Cornell Capa with help from Micha Bar-Am in Willard Straight House, on Fifth Avenue's Museum Mile, ICP has presented over 500 exhibitions, bringing the work of more than 3,000 photographers and other artists to the public in one-person and group exhibitions and provided various classes and workshops for students. [4]
ICP was founded to keep the legacy of "Concerned Photography" alive. After the untimely deaths of his brother Robert Capa and his colleagues Werner Bischof, Chim (David Seymour), and Dan Weiner in the 1950s, Capa saw the need to keep their humanitarian documentary work in the public eye. In 1966 he founded the International Fund for Concerned Photography. By 1974 the Fund needed a home, and the International Center of Photography was created.
In 1985, a satellite facility, ICP Midtown, was created. Plans were also made for redesigning and reconstructing the Midtown location. [5]
In 1999, the headquarters building at 1130 Fifth Avenue was sold. The expanded galleries at 1133 Avenue of the Americas at 43rd Street were designed by Gwathmey Siegel & Associates Architects for the display of photography and new media. The reopening in the fall of 2000 of the 17,000-square-foot (1,600 m2) site, previously used as a photo gallery for Kodak, [6] provided in one location the same amount of gallery space as the two previous sites combined and became the headquarters of ICP's public exhibitions programs, and also housed an expanded store and a café.
The expansion of the school of the International Center of Photography in the fall of 2001 created a Midtown campus diagonally across from the museum in the Grace Building at 1114 Avenue of the Americas. Designed by the architecture firm Gensler, the 27,000-square-foot (2,500 m2) school facility doubled ICP's teaching space and allowed ICP to expand both its programming and community outreach. [7]
In 2014, ICP's board approved a plan to buy a building on the Bowery near the New Museum and relocate there. The center's school, whose lease continued through 2018, remained in Midtown, but was expected to eventually move downtown to consolidate operations. [8] The midtown museum closed on January 11, 2015, when its lease ended. The ICP museum at 250 Bowery opened on June 23, 2016. [9] In 2017, ICP signed a deal with Delancey Street Associates to house its museum and school at Essex Crossing on the Lower East Side. In 2019, ICP sold its space at 250 Bowery and purchased its new home at 79 Essex Street at Essex Crossing. [10]
In January 2020, ICP opened its new integrated center at 79 Essex Street. Designed by architecture firm Gensler, the 40,000 sq ft (3,700 m2) building has galleries, media labs, classrooms, darkrooms, shooting studios, a shop, café, research library and public event spaces. The new space is the cultural anchor of the $1.9 billion six-acre Essex Crossing development. [11] [12]
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ICP's school serves more than 3,500 students each year, [13] offering courses in a curriculum that ranges from darkroom classes to certificate and master's degree programs. Other educational programming includes a lecture series, seminars, symposia, and workshops hosted by professional photographers. [14] In 2023, educator, artist, and photographer Colette Veasey-Cullors became the Dean and Deputy Director of ICP's school, joining from the Maryland Institute College of Art (MICA) where she served as Interim Vice Provost for Undergraduate Studies. [15]
Opened in 2001, the School was previously at a 27,000-square-foot (2,500 m2) facility at 1114 Avenue of the Americas. Designed by Gensler, it was across the street from the former ICP Museum. ICP's school and museum are now located in a unified center on Manhattan's Lower East Side at 84 Ludlow Street.
The school offers a year-round selection of continuing education classes; three one-year Certificate programs (Creative Practices in Photography, Documentary Practice and Visual Journalism, and New Media Narratives); and the ICP-Bard Program in Advanced Photographic Studies, a two-year graduate program leading to a master of fine arts degree.
Public programs address issues in photography and its relationship to art, culture, and society and promote the interpretation of ICP's exhibitions and collections. The Photographers Lecture Series invites photographers to present their work while sharing ideas and concerns about the medium. Other seminars, symposia, and panel discussions feature artists, critics, scholars, and historians.
Community programs relate to the exhibitions. Programs include interactive tours, family day events, workshops, long-term photography programs in four New York City public schools, summer photography programs in community centers, and a high school internship program designed to promote youth leadership.
The ICP hosts the Infinity Awards, which were inaugurated in 1985 "to bring public attention to outstanding achievements in photography by honoring individuals with distinguished careers in the field and by identifying future luminaries".
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Source [16]
Source [17]
Source [18]
Source [19]
Source [20]
The permanent collection at ICP contains more than 200,000 photographs and related materials from the earliest forms of photography to contemporary work. [21] Since its opening in 1974, ICP has acquired important historical and contemporary images through an acquisitions committee and through donations and bequests from photographers and collectors. The collection spans the history of photography, including daguerrotypes, gelatin silver and digital chromogenic prints.
The collection is strongest in its holdings of American and European documentary photography of the 1930s to the 1990s. It comprises large bodies of work by W. Eugene Smith, Henri Cartier-Bresson, Robert Capa, the Farm Security Administration photographers, Alfred Eisenstaedt, Lisette Model, Gordon Parks, James VanDerZee, Louise Ozelle Martin, and Garry Winogrand. More recent purchases have included work by contemporary photographers such as Carrie Mae Weems, Justine Kurland, Katy Grannan, Vik Muniz, and Susan Meiselas.
Another component of the collection is a significant group of photographically illustrated magazines, particularly those published between World War I and II, such as Vu , Regards , Picture Post , Lilliput , Berliner Illustrirte Zeitung , Arbeiter-Illustrierte-Zeitung , and Life .
Opened in 2015, the International Center of Photography at Mana Contemporary is a 15,000-square-foot space that houses the permanent collection, a media lab, areas for research, and a gallery.
In 2003 the ICP joined with the publisher Steidl of Göttingen, Germany to launch the photography imprint ICP/Steidl.
The Library of the International Center of Photography serves more than 6,000 visitors a year. The information and bibliographic resources it provides are used by ICP staff, patrons, and researchers. As of 2008, the Library receives 75 periodicals and serials, and its collection of approximately 20,000 volumes and 2,000 files is available for on-site perusal. [22]
Library materials are searchable on ICP's online catalog. The ICP Library no longer has any library staff.
In 2000, George Eastman House (GEH) and ICP launched the GEH–ICP Alliance, whose fundamental aim is to enhance public understanding and appreciation of photography, through exhibitions, publications, research, scholarship, collection sharing, and the joint website Photomuse.org. [23]
In this collaboration, the staffs of the International Center of Photography and George Eastman House share resources, pool their expertise, and dovetail their collections for a series of exhibitions called "New Histories of Photography".
Robert Capa was a Hungarian-American war photographer and photojournalist. He is considered by some to be the greatest combat and adventure photographer in history.
Susan Meiselas is an American documentary photographer. She has been associated with Magnum Photos since 1976 and been a full member since 1980. Currently she is the President of the Magnum Foundation. She is best known for her 1970s photographs of war-torn Nicaragua and American carnival strippers.
Ernst Haas was an Austrian-American photojournalist and color photographer. During his 40-year career Haas trod the line between photojournalism and art photography. In addition to his coverage of events around the globe after World War II Haas was an early innovator in color photography. His images were carried by magazines like Life and Vogue and, in 1962, were the subject of the first single-artist exhibition of color photography at New York's Museum of Modern Art. He served as president of the cooperative Magnum Photos. His book of volcano photographs, The Creation (1971), remains one of the most successful photography books ever published, selling more than 350,000 copies.
David Seymour, or Chim, was a Polish photographer and photojournalist.
Mary Ellen Mark was an American photographer known for her photojournalism, documentary photography, portraiture, and advertising photography. She photographed people who were "away from mainstream society and toward its more interesting, often troubled fringes".
Gilles Peress is a French photographer and a member of Magnum Photos.
Gerta Pohorylle, known professionally as Gerda Taro, was a German war photographer active during the Spanish Civil War. She is regarded as the first female photojournalist to have died while covering the frontline in a war.
Cornell Capa was a Hungarian-American photographer, member of Magnum Photos, photo curator, and the younger brother of photo-journalist and war photographer Robert Capa. Graduating from Imre Madách Gymnasium in Budapest, he initially intended to study medicine, but instead joined his brother in Paris to pursue photography. Cornell was an ambitious photo enthusiast who founded the International Center of Photography in New York in 1974 with help from Micha Bar-Am after a stint of working for both Life magazine and Magnum Photos.
Craig McDean is a British fashion photographer, originally from Middlewich, now based in New York City.
Joyce Tenneson is an American fine art photographer known for her distinctive style of photography, which often involves nude or semi-nude women.
Luc Delahaye is a French photographer known for his large-scale color works depicting conflicts, world events or social issues. His pictures are characterized by detachment, directness and rich details, a documentary approach which is however countered by dramatic intensity and a narrative structure.
Letizia Battaglia was an Italian photographer and photojournalist. Although her photos document a wide spectrum of Sicilian life, she is best known for her work on the Mafia.
Nathan Lyons was an American photographer, curator, and educator. He exhibited his photographs from 1956 onwards, produced books of his own and edited those of others.
Trolley Books is an independent UK publisher, specialising in art and photography books. Areas covered by Trolley include social reportage, photojournalism/current affairs and contemporary art and architecture.
Claudia Christen is a multi-disciplinary designer with roots in photography, best known for her design of the New York City taxi logo. She is the senior communication designer and photographer at Smart Design.
John Godfrey Morris was an American picture editor, author and journalist, and an important figure in the history of photojournalism.
Erik Madigan Heck is an American artist and photographer. Heck is the founding editor of art and fashion publication Nomenus Quarterly. In 2013, Heck was awarded the Infinity Award for Applied/Fashion/Advertising by the International Center of Photography. In 2012, he photographed Neiman Marcus' "Art of Fashion" campaign. In April 2011, Photo District News magazine named Heck one of the 30 "new and emerging photographers to watch." Heck was also awarded the "30 Under 30" award by Forbes Magazine.
The Lucie Awards is an annual event honoring achievements in photography, founded in 2003 by Hossein Farmani.
Robert Delpire was an art publisher, editor, curator, film producer and graphic designer who lived and worked in Paris. He predominantly concerned himself with documentary photography, influenced by his interest in anthropology.
Charles H. Traub is an American photographer and educator, known for his ironic real world witness color photography. He was chair of the photography department at Columbia College Chicago, where he established its Museum of Contemporary Photography (MOCP) in 1976, and became a director of New York's Light Gallery in 1977. Traub founded the MFA program in Photography, Video, and Related Media at the School of Visual Arts in New York City in 1987, which was the first program of its kind to fully embrace digital photographic practice. He has been Chairperson of the program since. Traub has published many books of his photographs and writings on photography and media.