Ellen Joan Handy is an American art critic and historian of art, printmaking, and photography. She is Chair of the Photography Department of City College of New York. [1] She is known for both her wide knowledge of historical movements and genres, such as Japanese photo-postcards [2] and her commitment to developing original talent. [3] Some artists who became well-known were championed by her in their early years, such as Barbara Rosenthal [4] and Mark Feldstein. [5]
Handy was born in Schenectady, New York. Her father, Rollo Handy, is an itinerant philosopher (now retired); her mother was the former Toni Scheiner. [6] She graduated from Barnard College in 1980 while still a teenager and later received a Ph.D. from Princeton University. [7]
Handy has written for international publications such as Arts magazine, [8] as well as small, regional ones, such as The Catskill Center for Photography Quarterly. [8] She has contributed essays to reference books such as Cézanne and American Modernism. [9]
Handy has been Curator of Collections at the International Center of Photography, and in 1999, edited reference books the Center published, such as Reflections in a Glass Eye. [10] She has also held curatorial posts at the Metropolitan Museum of Art and, briefly, the Harry Ransom Center at the University of Texas. She has been an instructor in Christie's M.A. program and a faculty member at Bard College and LaGuardia Community College.
Rosalind Epstein Krauss is an American art critic, art theorist and a professor at Columbia University in New York City. Krauss is known for her scholarship in 20th-century painting, sculpture and photography. As a critic and theorist she has published steadily since 1965 in Artforum,Art International and Art in America. She was associate editor of Artforum from 1971 to 1974 and has been editor of October, a journal of contemporary arts criticism and theory that she co-founded in 1976.
Carrie Mae Weems is an American artist working in text, fabric, audio, digital images and installation video, and is best known for her photography. She achieved prominence through her early 1990s photographic project The Kitchen Table Series. Her photographs, films and videos focus on serious issues facing African Americans today, including racism, sexism, politics and personal identity.
Barbara Ann Rosenthal is an American avant-garde artist, writer and performer. Her existential themes have contributed to contemporary art and philosophy. Her pseudonyms include "Homo Futurus," taken from the title of one of her books and "Cassandra-on-the-Hudson," which alludes to "the dangerous world she envisions" while creating art in her studio and residence, located since 1998 on the Hudson River in Greenwich Village, NYC. She successfully trademarked "Homo Futurus" in 2022.
Anne Wilkes Tucker was an American museum curator of photographic works. She retired in June 2015.
Deborah Willis is a contemporary African-American artist, photographer, curator of photography, photographic historian, author, and educator. Among her awards and honors, she was a 2000 MacArthur Fellow. She is currently Professor and Chair of the Department of Photography and Imaging at Tisch School of the Arts of New York University.
Ellen Hulda Johnson (1910–1992) was a distinguished historian and professor of modern art at Oberlin College from 1945 to 1977, an organizer of important exhibitions, and an influential critic of contemporary American art.
Mary Horgan Mowbray-Clarke (1874–1962) was an American art critic, writer, publisher, instructor, landscape architect, and the proprietor of The Sunwise Turn, a hotbed of artistic activity and anarchist political thought in New York City during the nineteen-teens and twenties. She was also the wife of John Frederick Mowbray-Clarke, a sculptor who helped organize of the influential 1913 Armory Show exhibition of modern art.
Joachim Pissarro is an art historian, theoretician, curator, educator, and director of the Hunter College Galleries and Bershad Professor of Art History at Hunter College of the City University of New York. Since 2002, Pissarro has served as the Editorial Director of Wildenstein Publications. His latest book, authored with art critic David Carrier, is called Wild Art. Pissarro was curator at the Museum of Modern Art's Department of Painting and Sculpture from 2003 to 2007.
Rosemarie Haag Bletter is a German-born American architectural historian, university professor, writer, and lecturer.
Blythe Bohnen is an American artist known for her minimalistic graphite drawings and photographs that represent aspects of motion.
Nancy Goldring is an American artist. Her art practice combines graphic, photographic, and projected material, presented as a non-narrative series of images that she calls "foto-projections." Goldring currently lives and works in New York City, and is a professor at Montclair State University.
Ellen Gates D'Oench, known as "Puffin", was Curator Emerita of the Davison Art Center at Wesleyan University, Connecticut. A Wesleyan graduate magna cum laude, she curated the Davison Art Center from 1979 until 1998.
Carol Armstrong is an American professor, art historian, art critic, and photographer. Armstrong teaches and writes about 19th-century French art, the history of photography, the history and practice of art criticism, feminist theory and women and gender representation in visual culture.
Sandra S. "Sandy" Phillips is an American writer, and curator working in the field of photography. She is the Curator Emeritus of Photography at the San Francisco Museum of Modern Art. She joined the museum as curator of photography in 1987 and was promoted to senior curator of photography in 1999 in acknowledgement of her considerable contributions to SFMOMA. A photographic historian and former curator at the Vassar College Art Gallery in Poughkeepsie, N.Y., Phillips succeeded Van Deren Coke as head of one of the country’s most active departments of photography. Phillips stepped down from her full time position in 2016.
Carrie Rebora Barratt is an American art historian specializing in museum administration and collaborative nonprofit leadership. She has worked in this domain in New York City since the 1980s. Barratt was Curator of American Paintings and Sculpture (1989–2009), and Manager of the Henry R. Luce Center for the Study of American Art (1989–2009) and Deputy Director for Collections (2009-2018) at the Metropolitan Museum of Art. She served as the Chief Executive Officer and William C. Steere Sr. President of The New York Botanical Garden 2018-2020 during a transitional period. Prior to that, she spent over thirty years at the Metropolitan Museum of Art as a curator and administrator.
Ellen Carey is an American artist known for conceptual photography exploring non-traditional approaches involving process, exposure, and paper. Her work has ranged from painted and multiple-exposure, Polaroid 20 x 24, Neo-Geo self-portraits beginning in the late 1970s to cameraless, abstract photograms and minimal Polaroid images from the 1990s onward, which critics often compare to color-field painting. Carey's sixty one-person exhibitions have been presented at museums, such as the Amon Carter Museum of American Art, International Center of Photography (ICP) and Wadsworth Atheneum Museum of Art, alternative spaces such as Hallwalls and Real Art Ways, and many commercial galleries. Her work is in numerous museum collections, including those of the Metropolitan Museum of Art, Whitney Museum of American Art, Los Angeles County Museum of Art, Centre Pompidou, and Smithsonian American Art Museum. In 2019, she was named one of the Royal Photographic Society (London) "Hundred Heroines", recognizing leading women photographers worldwide. Los Angeles Times critic Leah Ollman describes her photography as "inventive, physically involving, process-oriented work" and her recent photograms as "performative sculptures enacted in the gestational space of the darkroom" whose pure hues, shadows and color shifts deliver "optical buzz and conceptual bang." New York Times critic William Zimmer wrote that her work "aspires to be nothing less than a reinvention, or at least a reconsideration, of the roots or the essence of photography." In addition to her art career, Carey has also been a longtime educator at the Hartford Art School and a writer and researcher on the history of photography.
Rebecca A. “Becky” Senf is an American writer, and curator working in the field of photography. She is the Chief Curator at the Center for Creative Photography (CCP). She joined the CCP as Norton Family Assistant Curator in 2007, which was a joint appointment with Phoenix Art Museum, and was promoted to Chief Curator in 2016.
Emily Braun is a Canadian-born art historian, curator and Distinguished Professor of Art History at Hunter College and the Graduate Center of the City University of New York. Braun is a specialist in the history of modern European art and is known for her contributions to the study of Italian modernism and Cubism. In addition to her academic work, Braun serves as the Curator of the Leonard A. Lauder Collection of Cubist Art.
Joan Schulze is an American artist, lecturer, and poet. Schulze's career spans over five decades: she is best known for her work of contemporary quilts, fiberarts, and collage. Schulze has been named a “pioneer of the art quilt movement,” and her influence has been compared to that of Robert Rauschenberg’s. Her work is in galleries and private collections worldwide including the Renwick Gallery/Smithsonian Institution in Washington DC, the Museum of Arts and Design in New York, & the Oakland Museum of California.
Romy Golan is an American art historian and professor in the Ph.D. program in art history at The Graduate Center, CUNY. Her research focuses on modern European art, particularly French and Italian painting of the interwar and postwar period.