LaToya Ruby Frazier

Last updated
LaToya Ruby Frazier
LaToya Ruby Frazier at the 2011 Look 3 Conference, Jramspott (cropped).jpg
LaToya Ruby Frazier at the 2011 Look 3 photography conference
Born1982 (1982)
Education Edinboro University of Pennsylvania (BFA, 2004)
Syracuse University (MFA, 2007)
Whitney Museum Independent Study Program , (2011)
Known forPhotography, video art, performance art
Awards Creative Capital Award (2012)
Guna S. Mundheim Fellowship in the Visual Arts (2014)
Guggenheim Fellowship (2014)
MacArthur Fellowship (2015)
Website latoyarubyfrazier.com

LaToya Ruby Frazier (born 1982) is an American artist.

Contents

Early life

From Braddock, Pennsylvania, Frazier began photographing her family and hometown at the age of 16, revising the social documentary traditional of Walker Evans and Dorothea Lange to imagine documentation from within and by the community, and collaboration between the photographer and her subjects. [1] Inspired by Gordon Parks, who promoted the camera as a weapon for social justice, Frazier uses her tight focus to make apparent the impact of systemic problems, from racism to deindustrialization to environmental degradation, on individual bodies, relationships and spaces. [2] In her work, she is concerned with bringing to light these problems, which she describes as global issues. [3]

Speaking to The New York Times about her position, Frazier said: "We need longer sustained stories that reflect and tell us where the prejudices and blind spots are and continue to be in this culture and society.... This is a race and class issue that is affecting everyone. It is not a black problem, it is an American problem, it is a global problem. Braddock is everywhere." [2]

Education

Entering college at 17, Frazier studied photography under Kathe Kowalski, who became an important mentor, introducing her to feminist theory, semiotics and the political uses, good and bad, of photography. [4] graduated in 2004 with a Bachelor of Fine Arts degree in Photography and Graphic Design from Edinboro University of Pennsylvania, and in 2007 received a Masters of Fine Art Photography from the School of Visual Performing Arts at Syracuse University. [5] After participating in the 2010–11 Whitney Independent Study Program, she began teaching at Yale University. [6]

Frazier has been extensively educated in photography through education at Edinboro University of Pennsylvania (BFA), Syracuse University (MFA), the Whitney Museum of American Art Independent Study Program, and she was the Guna S. Mundheim Fellow for Visual Arts at the American Academy in Berlin. [7]

Career

External videos
LaToye Ruby Frazier Look 3 2011 Ramspott.jpg
Nuvola apps kaboodle.svg LaToya Ruby Frazier: A visual history of inequality in industrial America, March 2015, 5:03, TED Talks [8]
Nuvola apps kaboodle.svg ICP Infinity Awards: On location with LaToya, May 1, 2015, 9:05, MediaStorm [9]
Nuvola apps kaboodle.svg LaToya Ruby Frazier, 2015 MacArthur Fellow, September 28, 2015, 5:03, MacArthur Foundation [10]

Frazier reports drawing and painting from a young age, and credits her Grandma Ruby's with setting high expectations for her achievements. [4]

Since 2009, she has been included in a range of major group exhibitions, including the New Museum's The Generational Triennial: Younger Than Jesus, MoMA PS1's "Greater New York: 2010, the 2011 Incheon Women Artists' Biennale Terra Incognita, and the 2012 Whitney Biennial. [11] [12] [13] [14] Her solo museum exhibition, A Haunted Capital, opened at the Brooklyn Museum in 2013. [15] Additionally, she was part of the 2009-2010 cohort of artists who participated in Lower Manhattan Cultural Council's Workspace residency program. [16]

In 2014, Frazier published her first book, The Notion of Family, [17] which received the International Center for Photography Infinity Award. [18]

Awards

Frazier is the recipient of many awards, including: Art Matters (2010), Louis Comfort Tiffany Foundation Award (2011), the Theo Westenberger Award of the Creative Capital Foundation (2012), and the Gwendolyn Knight & Jacob Lawrence Prize from the Seattle Art Museum (2013). [19]

In 2014, Frazier was named a Guggenheim Fellow in Creative Arts. [20] The following year, she became a TED2015 Fellow and her monograph, The Notion of Family, published by Aperture in 2014, was awarded the 2015 Infinity Award for Best Publication by the International Center of Photography (ICP). [21] [22] In 2015 Frazier was awarded a MacArthur Fellowship, to which she responded that the award was "validation to my work being a testimony and a fight for social justice and cultural change." [23] [24]

In 2018, Frazier was announced as one of Sundance Institute's Art of Nonfiction Fellows. [25] In 2020, Frazier was named the inaugural recipient of the Gordon Parks Foundation/Steidl Book Prize. [26] In 2021, Frazier was awarded an Honorary Fellowship of the Royal Photographic Society.

Work

Shea Brushing Zion's Teeth with Bottled Water in Her Bathroom, Flint, Michigan (2016-2017), from the series Flint is Family, at the National Portrait Gallery in 2022 Shea Brushing Zion's Teeth with Bottled Water, 2016-2017, LaToya Ruby Frazier at NPG 2022.jpeg
Shea Brushing Zion's Teeth with Bottled Water in Her Bathroom, Flint, Michigan (2016-2017), from the series Flint is Family, at the National Portrait Gallery in 2022

The photographic work of LaToya Ruby Frazier includes both images of personal spaces, intensely private moments and the story of racial and economic injustice in America. Her work includes raw portraits of friends and family members in intimate moments and examples of social injustice. As Frazier explains, "the collaboration between my family and myself blurs the line between self-portraiture and social documentary" [27] Often her work focuses on the plight of her home town of Braddock, Pennsylvania which became financially depressed after the collapse of the steel industry in the 1970–80s. With black and white photographs, Frazier highlights the beauty of Braddock and how this town has impacted her family's life along with other residents. Her still photographs have a raw sense of strength and vulnerability juxtaposed in an honest and personal way. [28] Besides working on her most famous work Notion of Family, Frazier has worked with other contemporary issues such as the Flint water crisis. [29] This particular project, Flint is Family, depicts and focuses on a young woman and her family living their everyday lives amongst the crucial water conditions within their lower class Flint community. She recently contributed photographs to a New York Times project, "Why America's Black Mothers and Babies are in a Life-or-Death Crisis". [30]

Informed by documentary practices from the turn of the last century, Frazier explores identities of place, race, and family in work that is a hybrid of self-portraiture and social narrative. Her primary subjects of these portraits are Frazier's Grandma Ruby (1925–2009), her mother (b. 1959), and the artist herself. [31] The crumbling landscape of Braddock, Pennsylvania, a once-thriving steel town, forms the backdrop of her images, which make manifest both the environmental and infrastructural decay caused by postindustrial decline and the lives of those who continue—largely by necessity—to live among it. [32] As Frazier says, "I see myself as an artist and a citizen that's documenting and telling the story and building the archive of working-class families facing all this change that's happening, because it has to be documented." Through her own family she has been able to recount the history of Braddock by way of the generations who experienced it. Her work begins dialogues about class structure, history, and social responsibility. [3]

A 2018 special issue of Atlantic Magazine featured aerial photography and an essay by Frazier documenting the impact of the assassination of Dr. Martin Luther King. Jr. on the landscapes of Memphis, Chicago and Baltimore. Frazier's work was featured in the 2019 New York Times Magazine Money Issue for her photo essay on the people of Lordstown, Ohio, after the General Motors plant shut down. [33]

Exhibitions [18]

Solo exhibitions:

Group exhibitions:

Biennials:

Related Research Articles

<span class="mw-page-title-main">Whitney Museum</span> Art museum in Lower Manhattan, New York City

The Whitney Museum of American Art, known informally as "The Whitney", is a modern and contemporary American art museum located in the Meatpacking District and West Village neighborhoods of Manhattan in New York City. The institution was originally founded in 1930 by Gertrude Vanderbilt Whitney (1875–1942), a prominent American socialite, sculptor, and art patron after whom it is named.

<span class="mw-page-title-main">Susan Meiselas</span> American photographer

Susan Meiselas is an American documentary photographer. She has been associated with Magnum Photos since 1976 and been a full member since 1980. Currently she is the President of the Magnum Foundation. She is best known for her 1970s photographs of war-torn Nicaragua and American carnival strippers.

<span class="mw-page-title-main">Paul Graham (photographer)</span> English photographer

Paul Graham is a British fine-art and documentary photographer. He has published three survey monographs, along with 17 other publications.

<span class="mw-page-title-main">Zoe Strauss</span> American photographer

Zoe Strauss is an American photographer and a nominee member of Magnum Photos. She uses Philadelphia as a primary setting and subject for her work. Curator Peter Barberie identifies her as a street photographer, like Walker Evans or Robert Frank, and has said "the woman and man on the street, yearning to be heard, are the basis of her art."

<span class="mw-page-title-main">Dayanita Singh</span> Indian photographer

Dayanita Singh is an Indian photographer whose primary format is the book. She has published fourteen books.

Jim Goldberg is an American artist and photographer, whose work reflects long-term, in-depth collaborations with neglected, ignored, or otherwise outside-the-mainstream populations.

Kathy Ryan is the Director of Photography for The New York Times Magazine. She has worked at The New York Times Magazine since 1987.

<span class="mw-page-title-main">Alfredo Jaar</span> Chilean-born artist, architect, photographer and filmmaker

Alfredo Jaar is a Chilean-born artist, architect, photographer and filmmaker who lives in New York City. He is mostly known as an installation artist, often incorporating photography and covering socio-political issues and war—the best known perhaps being the 6-year-long The Rwanda Project about the 1994 Rwandan genocide. He has also made numerous public intervention works, like The Skoghall Konsthall one-day paper museum in Sweden, an early electronic billboard intervention A Logo For America, and The Cloud, a performance project on both sides of the Mexico-USA border. He has been featured on Art:21. He won the Hasselblad Award for 2020.

<span class="mw-page-title-main">Nicole Eisenman</span> American artist

Nicole Eisenman is a French-born American artist known for her oil paintings and sculptures. She has been awarded the Guggenheim Fellowship (1996), the Carnegie Prize (2013), and has thrice been included in the Whitney Biennial. On September 29, 2015, she won a MacArthur Fellowship award for "restoring the representation of the human form a cultural significance that had waned during the ascendancy of abstraction in the 20th century."

An-My Lê is a Vietnamese American photographer, and professor at Bard College.

<span class="mw-page-title-main">Peter W. Kunhardt Jr.</span>

Peter W. Kunhardt Jr. is an author and the executive director of the Meserve-Kunhardt Foundation and its Gordon Parks Foundation.

Wu Tsang is a filmmaker, artist and performer based in New York and Berlin, whose work is concerned with hidden histories, marginalized narratives, and the act of performing itself. In 2018, Tsang received a MacArthur "genius" grant.

Founded in 1977, the Center for Photography at Woodstock (CPW) is a not-for-profit arts organization with a two-fold mission: to support artists working in photography and related media; and to engage audiences through creation, discovery, and learning. At the heart of CPW’s mission is programming that is community-based, artist-centered, and collaborative. To foster public conversation around critical issues in photography, CPW provides exhibitions, workshops, artists’ residencies, and access to a digital media lab. In 2022, CPW relocated from Woodstock to 474 Broadway in Kingston.

Deana Lawson (1979) is an American artist, educator, and photographer based in Brooklyn, New York. Her work is primarily concerned with intimacy, family, spirituality, sexuality, and Black aesthetics.

Park McArthur is a conceptual artist living in New York City who works in sculpture, installation, text, and sound. McArthur is a wheelchair user whose work uses this position to inform her art.

<span class="mw-page-title-main">Elia Alba</span> American multidisciplinary artist (born 1962)

Elia Alba (1962) was born in Brooklyn, New York. She is a multidisciplinary artist who lives and works in Queens, New York. Alba's ongoing project The Supper Club depicts contemporary artists of color in portraits, and presents dinners where a diverse array of artists, curators, historians and collectors address topics related to people of color and to women.

Angela Strassheim is an American photographer living and working in Brooklyn, New York and Jerusalem. Prior to receiving her MFA from Yale in 2003, Strassheim worked as a certified forensic photographer. In this capacity she produced crime scene, evidence, and surveillance photography in Miami. Later, having moved to New York, she began to photograph autopsies as well.

<span class="mw-page-title-main">Rujeko Hockley</span> Curator

Rujeko Hockley is a New York–based US curator. Hockley is currently the Arnhold Associate Curator at the Whitney Museum of American Art at the Whitney Museum of American Art.

Guadalupe Rosales is an American artist and educator. She is best known for her archival projects, “Veteranas and Rucas” and “Map Pointz,” found on social media. The archives focus on Latino backyard party scenes and underground party crew subculture in Los Angeles in the late-twentieth century and early-twenty first.

Buck Ellison is an American visual artist, known for his photography. He lives and works in Los Angeles.

References

  1. Wexler, Laura (2014). "A Notion of Photography" in The Notion of Family. New York: Aperture. pp. 143–147. ISBN   978-1597112482.
  2. 1 2 Berger, Maurice (October 14, 2014). "LaToya Ruby Frazier's Notion of Family". The New York Times. Retrieved March 7, 2015.
  3. 1 2 "MacArthur Foundation". www.macfound.org. Retrieved December 5, 2017.
  4. 1 2 O'Regan, Kristen (April 17, 2013). "These Dark Histories". Guernica. Retrieved March 8, 2015.
  5. "LaToya Ruby Frazier". The Center for Photography at Woodstock. Retrieved March 8, 2015.
  6. "The Notion of Family: Photographs by LaToya Ruby Frazier". Aperture. Archived from the original on March 11, 2015. Retrieved March 8, 2015.
  7. Frazier, LaToya Ruby. "About – LaToya Ruby Frazier". www.latoyarubyfrazier.com. Retrieved December 5, 2017.
  8. "LaToya Ruby Frazier: A visual history of inequality in industrial America". TED Talks. March 2015. Retrieved September 30, 2015.
  9. "ICP Infinity Awards: On location with LaToya". MediaStorm. May 1, 2015. Retrieved September 30, 2015.
  10. "MacArthur Fellows Program, LaToya Ruby Frazier". MacArthur Foundation. September 28, 2015. Retrieved September 30, 2015.
  11. "The Generational Triennial: Younger Than Jesus". New Museum. Retrieved March 8, 2015.
  12. "Greater New York: 2010". MoMA PS1. Retrieved March 8, 2015.
  13. "2011 Incheon Women Artists Biennial". IWAB. Retrieved March 8, 2015.
  14. "2012 Whitney Biennial". Whitney Museum. Retrieved March 8, 2015.
  15. "LaToya Ruby Frazier: A Haunted Capital". Brooklyn Museum. Retrieved March 8, 2015.
  16. LMCC, LMCC Alumni Update, November 18, 2018. Retrieved May 7, 2019
  17. "LaToya Ruby Frazier-The Notion of Family – Aperture Foundation". aperture.org. Archived from the original on March 11, 2015. Retrieved January 26, 2016.
  18. 1 2 "LaToya Ruby Frazier – Artist". www.latoyarubyfrazier.com/about/. Retrieved March 12, 2017.
  19. "LaToya Ruby Frazier – Artist Website". www.latoyarubyfrazier.com/. Retrieved March 12, 2017.
  20. "LaToya Ruby Frazier". John Simon Guggenheim Memorial Foundation. Archived from the original on December 25, 2014. Retrieved March 8, 2015.
  21. "Meet the TED Fellows". TED. Retrieved March 8, 2015.
  22. "International Center of Photography Announces 2015 Infinity Awards Winners" (PDF). International Center of Photography. Archived from the original (PDF) on March 17, 2015. Retrieved March 7, 2015.
  23. Smydo, Joe (September 29, 2015). "Braddock artist wins MacArthur Foundation 'genius' grant". Pittsburgh Post-Gazette . Retrieved September 30, 2015.
  24. "LaToya Ruby Frazier – MacArthur Foundation". www.macfound.org. Retrieved January 26, 2016.
  25. Sundance Institute Blog, Sundance Institute Names 2018 Art of Nonfiction Fellows and Grantees, October 23, 2018. Retrieved May 7, 2019.
  26. "LaToya Ruby Frazier Awarded Inaugural Gordon Parks Foundation/Steidl Book Prize". www.artforum.com. Retrieved February 13, 2020.
  27. Roelstraete, Dieter (2014). The Way of the Shovel. University of Chicago Press. p. 108. ISBN   978-0-226-09412-0.
  28. Cornell, Lauren, ed. (2009). Younger Than Jesus: The Generation Book. Germany: Steidl, New Museum New York. pp. 102–103. ISBN   978-3-86521-867-4.
  29. Berger, Maurice (October 14, 2014). "LaToya Ruby Frazier's Notion of Family". Lens Blog. Retrieved December 5, 2017.
  30. Villarosa, Linda (April 11, 2018). "Why America's Black Mothers and Babies are in a Life-or-Death Crisis". The New York Times Magazine.
  31. Daderko, Dean (2013). LaToya Ruby Frazier – Witness. Contemporary Arts Museum Houston. p. 7. ISBN   9781933619453.
  32. "News | LaToya Ruby Frazier". www.latoyarubyfrazier.com. Retrieved March 5, 2016.
  33. Latoya Frazier, Dan Kaufman "The End of the Line", The New York Times, May 1, 2019. Retrieved May 7, 2019.
  34. "True Pictures? LaToya Ruby Frazier". Kunstmuseum Wolfsburg. Retrieved October 29, 2021.