This article needs additional citations for verification .(July 2017) |
The Kunstmuseum Wolfsburg is an art museum in central Wolfsburg, Lower Saxony, opened 1994. It presents modern and contemporary art and is financed by the Kunststiftung Volkswagen.
It takes up aspects of the industrial city of Wolfsburg, which was only founded in 1938: modernity, urbanity, internationality and quality. The Kunstmuseum is located at the southern end of the pedestrian zone in the vicinity of the Alvar-Aalto-Kulturhaus, Theater, Planetarium and CongressPark.
The Kunstmuseum Wolfsburg opened in 1994 with a retrospective exhibition on the French artist Fernand Léger. The museum's founding director was the Dutchman Gijs van Tuyl, who remained in the position until 2004. [1] He was followed by the Swiss art historian Markus Brüderlin, who was director from January 2006 until his death in March 2014. The museum has been headed since February 1, 2015 by Ralf Beil, from 2006 director of the Institut Mathildenhöhe Darmstadt. On April 1, 2019, he was succeeded by Andreas Beitin, previously director of the Aachen Ludwig Forum for International Art.
The Hamburg architectural firm of Peter Schweger and Partners planned the building of the Kunstmuseum Wolfsburg as a transparent urban loggia with an extensive overarching glass roof over the open Hollerplatz. The central exhibition hall is 16-meter high with a quadratic ground plan measuring 40 meters on each side. Its flexible possibilities allow for an individualized architecture conceived to meet the specific needs of each show. The hall is two-storied on three of its sides and enclosed by further exhibition spaces. The entire exhibition surface encompasses 3500 square meters. In conjunction with the 2007 Japan and the West exhibition, a Japan Garden was created in the inner courtyard of the building. The architect Kazuhisa Kawamura modeled it after the Zen garden of the Ryōan-ji temple in Kyōto and included elements from the architecture of Mies van der Rohe to symbolize the dialog between East and West.
Since its opening, the Kunstmuseum Wolfsburg has presented over 130 exhibitions on modern and contemporary art. Large-scale retrospectives from the field of classic modern art, for example Fernand Léger and Bart van der Leck, alternate with survey shows such as Full House, German Open, The Italian Metamorphosis 1943–1968 and Blast to Freeze. Monographic exhibitions devoted to contemporary artists include Carl Andre, Andy Warhol, Luc Tuymans, Olafur Eliasson, Frank Stella, James Turrell and Imi Knoebel. With the start of the new directorship in 2006, the exhibition program placed contentual accents in large-scale historical and thematic shows (ArchiSkulptur, Japan and the West, Interior/Exterior, The Art of Deceleration), solo exhibitions (James Turrell and Alberto Giacometti ) as well as in mid-career retrospectives (including Douglas Gordon, Neo Rauch and Philip Taaffe ) that took up the theme of modernism in the 21st century, illuminating it from various perspectives. Different exhibitions are shown in the hall and the gallery. With “Wolfsburg Unlimited. A City as World Laboratory,” Ralf Beil presented his first major exhibition in which the city was reflected in the museum – and the museum in the city.
The Kunstmuseum Wolfsburg began collecting international contemporary art in 1994. The range included late modernism, Minimal Art, Conceptual Art and Arte Povera. Works by a younger generation of artists were subsequently added. Focus was placed on prominent major works, ensembles and work phases as well as the exemplary presentation of artistic developments. Instead of documenting “tendencies,” the concentration was placed on artists and works representing central aspects of the wide field of contemporary art. Artists in the collection include Carl Andre, Christian Boltanski, Douglas Gordon, Andreas Gursky, Georg Herold, Anselm Kiefer, Mario Merz, Gerhard Merz, Bruce Nauman, Neo Rauch, Burhan Dogancay, Cindy Sherman, Philip Taaffe, Jeff Wall, Olafur Eliasson, Douglas Gordon, Thomas Schütte and Jeppe Hein. Works from the collection are integrated into the museum's exhibitions or highlighted in special temporary shows devoted to the collection.
The Kunstmuseum is sponsored and supported by the Freundeskreis Kunstmuseum Wolfsburg e. V., into which the “Junge Freunde” [Young Friends] are integrated as youthful sponsors. The Studio is a generously sized space that the museum uses for school projects, workshops and creative programs. The museum restaurant Awilon and an in-house museum shop are also parts of the museum's offers.
The Kunstmuseum Wolfsburg is financed by the non-profit Kunststiftung Volkswagen. A large part of its funds derive from the foundation of Asta and Christian Holler, the former owners of the Volkswagen Versicherungsdienst GmbH (VVD). Christian Holler (1900–1969) and his wife Asta (1904–1989), decided early on to bequeath their entire estate to the common good. After Asta Holler's death in 1990, the Holler-Stiftung was accordingly established in Munich with the purpose of providing funds to benefit youth welfare, the care of the seriously ill as well as the promotion of science and art. Since 1991, the Kunstmuseum receives a large percentage of the disbursements of the Holler-Stiftung, which had already made the largest contribution to the museum's buildings costs.
James Turrell is an American artist known for his work within the Light and Space movement. Much of Turrell's career has been devoted to a still-unfinished work, Roden Crater, a natural cinder cone crater located outside Flagstaff, Arizona, that he is turning into a massive naked-eye observatory; and for his series of skyspaces, enclosed spaces that frame the sky.
Andreas Gursky is a German photographer and professor at the Kunstakademie Düsseldorf, Germany.
The Schirn Kunsthalle is a Kunsthalle in Frankfurt, Germany, located in the old city between the Römer and the Frankfurt Cathedral. The Schirn exhibits both modern and contemporary art. It is the main venue for temporary art exhibitions in Frankfurt. Exhibitions included retrospectives of Wassily Kandinsky, Marc Chagall, Alberto Giacometti, Bill Viola, and Yves Klein. The Kunsthalle opened in 1986 and is financially supported by the city and the state. Historically, the German term "Schirn" denotes an open-air stall for the sale of goods, and such stalls were located here until the 19th century. The area was destroyed in 1944 during the Second World War and was not redeveloped until the building of the Kunsthalle. As an exhibition venue, the Schirn enjoys national and international renown, which it has attained through independent productions, publications, and exhibition collaborations with museums such as the Centre Pompidou, the Tate Gallery, the Solomon R. Guggenheim Museum, the Hermitage Museum, or the Museum of Modern Art.
Michael Buthe was a German artist who lived and worked between Germany and Morocco. He exhibited widely throughout Europe during his life and is known for his eclectic and prolific oeuvre which encompasses painting, sculpture, and installation.
Raїssa Venables is an American photographer.
Günther Uecker is a German sculptor, op artist and installation artist.
Philip Taaffe is an American artist, who has shown his works all around the world. His work sometimes blended motifs from multiple cultures.
Julian Rosefeldt is a German artist and filmmaker. Rosefeldt's work consists primarily of elaborate, visually opulent film and video installations, often shown as panoramic multi-channel projections. His installations range in style from documentary to theatrical narrative.
Tobias G. Natter is an Austrian art historian and internationally renowned art expert with a particular expertise in "Vienna 1900".
Christian Schoen is a German art historian and curator. He works on classical art and contemporary art phenomena. From 2000 to 2003 he co-curated the municipal gallery Lothringer13 in Munich. In 2005 he was appointed director of the Center for Icelandic Art, which he ran until 2010. As Commissioner he was responsible for the Icelandic Pavilion at the Biennale di Venezia 2007 and 2009. 2006 to 2008 he was member of the advisory board and the acquisition committee of the Reykjavík Art Museum. He co-founded the art festival Sequences in 2006. Since 2001 he is director of Osram Art Projects and assistant professor for transdisciplinary methods at the University St. Gallen (Switzerland).
Jürgen Hermann Mayer is a German architect and artist. He is the leader of the architecture firm "J. MAYER H." in Berlin and calls himself Jürgen Mayer H.
Karin Sander is a German conceptual artist. She lives and works in Berlin and Zurich.
Peter Noever is an Austrian designer and curator–at–large of art, architecture and media. From 1986 to 2011 he was the artistic director and CEO of MAK—Austrian Museum of Applied Arts and Contemporary Art in Vienna.
Michael Reisch is a German artist and photographer. Reisch exhibited nationally and internationally. His works are included in collections worldwide, including the Los Angeles County Museum of Art, USA and National Gallery of Scotland Edinburgh, Scotland. His works combine aspects of documentary photography, painting and sculpture. He lives in Düsseldorf.
Mariana Vassileva is a Bulgarian born visual artist living and working in Germany. Her works covers the fields of photography, drawing, sculpture and video.
Stefan Heyne is a German photographer and stage designer. He lives and works in Berlin.
Gabriele Schor, born in Vienna in 1961, is an Austrian writer, art critic and curator. She is a specialist of the feminist avantgarde of the 1970s.
Barbara Steiner is an Austrian art historian, curator, author, and editor. Steiner is the director of the Bauhaus Dessau Foundation. She served as the director of the Leipzig Museum of Contemporary Art from 2001 to 2011, and as the director of Kunsthaus Graz from 2016 to 2021.
Timothy Persons is a US-American curator, writer, artist, and adjunct professor based in Berlin and Helsinki.
Silvia Eiblmayr is an Austrian art historian and curator.