Rosalind Fox Solomon

Last updated

Rosalind Fox Solomon (born 1930) is an American photographer based in New York City.

Contents

Life and education

Solomon was born on 2 April 1930 in Highland Park, Illinois. [1] She graduated from Highland Park High School in 1947. She attended Goucher College in Baltimore, Maryland graduating with a Bachelor of Arts in Political Science in 1951.

She married Joel W. (Jay) Solomon (1921–1984), with whom she had two children. The marriage ended in divorce.

Solomon sailed to Belgium and France with The Experiment in International Living.

She studied intermittently with Lisette Model from 1971 to 1977.

Before photography

Later Solomon became the Southern Regional Director of the Experiment in International Living. In this capacity, she visited communities throughout the Southern United States, recruiting families to host international guests and interact with other cultures in a personal way. [2]

In August 1963, Solomon traveled to Washington, D.C. for an interview with the Equal Employment Department of the United States Agency for International Development (USAID), which was then establishing a program for part-time recruiter–consultants in various regions of the United States. Solomon and a group of USAID staff including Roger Wilkins (nephew of Roy Wilkins) joined the March on Washington for Jobs and Freedom, during which Martin Luther King Jr. delivered his famous "I Have a Dream" speech. Subsequently, in her work for USAID, Solomon traveled to historically black colleges in Alabama, Georgia, Mississippi, and Tennessee where she spoke to students and faculty about overseas employment opportunities.[ citation needed ]

Photography

In 1968 Solomon's volunteer work with the Experiment in International Living brought her to Japan where she stayed with a family near Tokyo. [3] There, at age 38, Solomon began to use an Instamatic camera to communicate her feelings and thoughts. This was the starting point for her photography practice, which also includes prose related to her life experiences. [4]

Upon her return to the United States, Solomon photographed regularly. She purchased a Nikkormat in 1969 and in the garden shed she processed 35 mm black and white film and printed her first pictures. In 1971, she began intermittent studies with Lisette Model during visits to New York City. By 1974 she was using a medium format camera. [5] Dolls, children, and manikins were some of her first subjects, along with portraits and rituals. [6] She works with black and white film exclusively. [3]

In 1975, Solomon began photographing at the Baroness Erlanger Hospital in Chattanooga, Tennessee. She photographed people recovering from operations, wounds, and illness. [7] [8]

In early 1977, Solomon photographed William Eggleston, his family and friends in Tennessee and Mississippi. [9] She moved to Washington where she photographed artists and politicians for the series "Outside the White House" in 1977 and 1978. [10] [11]

In 1978 and 1979, she also photographed in the Guatemalan Highlands. [12] Her interest in how people cope with adversity, led her to witness a shaman's rites and a funeral and made photographs in Easter processions. [13] [14]

In 1980, Solomon began her work in Ancash, Peru where she returned intermittently for over 20 years. She made photographs in cemeteries where damage from the 1970 Ancash earthquake was still apparent. She continued photographing shamans, cemeteries, funerals and other rituals. She also photographed people of a subsistence economy surviving the extremes of life through Catholic, Evangelist, and Indigenous rites. [14]

With a fellowship from the American Institute of Indian Studies, in 1981 Solomon began photographing festival rites in India. She found an expression of female energy and power in the forms of the goddess figures created in the sculptors' communities of Kolkata (Calcutta). In 1982 and 1983, she continued this work. While there, she photographed artists, including the painter, Ganesh Pyne and the filmmaker, Satyagit Ray. She also made portraits of the Dalai Lama and photographed Prime Minister Indira Gandhi. [14]

In 1987 and 1988, Solomon photographed people with AIDS alone, with their families, and with their lovers. The project resulted in the exhibition, Portraits in the Time of AIDS at the Grey Gallery of Art of New York University in 1988. [15]

In 1988, with concerns about the rise of ethnic violence in the world, she made her first trip to Poland. In 2003, she returned to work again in Poland. [16] In 1988 Solomon's interest in race relations and ethnic violence, took her to Northern Ireland, Zimbabwe and South Africa. She continued the project in 1989 and 1990 in Northern Ireland and South Africa. In the 1990s, she visited hospitals in Yugoslavia and rehabilitation centers for victims of mines in Cambodia, and photographed victims of the American/Vietnam War near Hanoi. [17]

Solomon photographed in Israel and the West Bank for five months during 2010 and 2011, part of This Place . [18] She made portraits of people in Israel and the West Bank. She was photographing Palestinians in Jenin, and happened to be only a few minutes away when Israeli–Palestinian actor and director of The Freedom Theatre, Juliano Mer-Khamis, was gunned down in April 2011. [19] [20]

Publications

Books, catalogues, etc of Solomon's photography

Some photobooks and catalogues by Solomon (flanked by irrelevant Pelicans). The slim black paperback is El Peru y Otros Lugares. Rosalind-solomon-books.jpg
Some photobooks and catalogues by Solomon (flanked by irrelevant Pelicans). The slim black paperback is El Perú y Otros Lugares.

Recordings by Solomon

Other publications

Exhibitions

Solo exhibitions

  • 1972: University of Tennessee, Chattanooga, Union Depot. [23]
  • 1973: Neikrug Galleries, New York, Journey through India and Nepal. [23]
  • 1975: Birmingham Museum of Art, Birmingham, Alabama, First Mondays in Scottsboro. [23]
  • 1976: Neikrug Galleries, New York, Dolls and Manikins. [23]
  • 1977: National Women's Conference, Houston, Texas, Third World Women. [23]
  • 1978: Sander Gallery, Washington, D.C. and The Photographers' Gallery, London, Alabama Portraits. [23]
  • 1980: Sander Gallery, Washington, D.C., Selected Images.
  • 1980: Corcoran Gallery of Art, Washington, D.C., Rosalind Solomon: Washington. [23] [24] [25]
  • 1981: University of Tennessee, Chattanooga, First Mondays in Scottsboro. [23]
  • 1982: George Eastman House, Rochester, New York, Rosalind Solomon: India, Marianne Fulton (tour included Smithsonian American Art Museum). [23]
  • 1982: Film in the Cities, Minneapolis, Minnesota Rosalind Solomon: Peru.
  • 1982: Ikona Gallery, Venice, Italy, Rosalind Solomon: Peru. [23] [26]
  • 1984: American Center, New Delhi, Rosalind Solomon: India. [23] [27]
  • 1984: Kraushauer Gallery, Goucher College, Towson, Maryland, Rosalind Solomon Photography. [23]
  • 1984: Tisch School of the Arts, The Photo Gallery, New York University, Rosalind Solomon Photographs. [23]
  • 1985: National Museum of Natural History, photographs of Indian festivals. [28]
  • 1986: Museum of Photographic Arts, San Diego, California, Rosalind Solomon: Earth Rites. [23] [29]
  • 1986: Museum of Modern Art, New York, Rosalind Solomon: Ritual, Photographs 1975–1985, Peter Galassi. [1] [2] [30]
  • 1986: Espace, Union des Banques, Paris, Rosalind Solomon Photographies, Ghislaines Richard-Vitton. [23]
  • 1986: Lieberman and Saul Gallery, New York, Rosalind Solomon. [23]
  • 1987: Catskill Center for Photography, Woodstock, New York, In a New Light.
  • 1988: Museum voor Volkenkunde, Rotterdam, the Netherlands, Rosalind Solomon: Earthrites. [23]
  • 1988: Grey Art Gallery and Study Center, New York University, New York, Rosalind Solomon: Portraits in the Time of AIDS. [31]
  • 1988: Etherton Gallery, Tucson, Arizona, Rosalind Solomon: Ritual, Photographs 1976–1987. [23] [32]
  • 1989: Winfisky Gallery, Salem, Massachusetts, Rosalind Solomon.
  • 1990: Museum of Contemporary Photography, Chicago, Illinois, Rosalind Solomon: Rites and Ritual. [33]
  • 1990: Kathleen Ewing Gallery, Washington DC. [34]
  • 1991: PGI Photo Gallery International, Tokyo, Rosalind Solomon: Photographs. [23]
  • 1992: Instituto de Estudios Norteamericanos, Badalona and Bilbao Cultural Center, Bilbao, Spain, Rosalind Solomon: Disconnections. [23]
  • 1995: Port Washington Public Library, Port Washington, New York, Rosalind Solomon: Photographs. [23]
  • 1995: Beth Urdang Gallery, Boston, Massachusetts, Rosalind Solomon: Photographs. [23]
  • 1996: Museo de Arte de Lima  [ Wikidata ], Lima, Peru, El Perú y Otros Lugares = Peru and Other Places. Curated by Natalia Majluf and Jorge Villacorta. [35] [36]
  • 2003: Galerie Thomas Zander, Cologne, Germany, Eleven Portraits of Eggleston.
  • 2003: Die Photographische Sammlung/SK Stiftung Kultur  [ Wikidata ], Cologne, Germany, Chapalingas. [37] [38]
  • 2005–2006: Musée Nicéphore Niépce  [ Wikidata ], Chalon-sur-Saône, France, Chapalingas. Seventy prints. [39] [40] [41]
  • 2005: Willy-Brandt-Haus  [ Wikidata ], Berlin, Close and Distant – Poland. [42] [43]
  • 2006: Foley Gallery, New York, American Pictures from Chapalingas 1976–2000. [38] [44]
  • 2008: Bruce Silverstein Gallery, New York, Inside Out. Self-portraits. [45] [46]
  • 2010: Bruce Silverstein Gallery, New York, Ritual. [47] [48]
  • 2013: Bruce Silverstein Gallery, New York, Portraits in the Time of AIDS, 1988. [49] [50] [51] [52]
  • 2015: Paris Photo (presented by Bruce Silverstein gallery), Portraits in the Time of AIDS, 1988. [53]
  • 2016: Bruce Silverstein Gallery, New York, Got to Go. 25 prints and a ten-minute video. [54] [55] [56]
  • 2018: Stephen Bulger Gallery, Toronto, Liberty Theater. [57]
  • 2021: Foley Gallery, New York, The Forgotten. [58]

Group exhibitions

Major collections

In 2007, the University of Arizona's Center for Creative Photography acquired Solomon's archive, which includes her photographic archive, books and video work. [1] [88]

Awards

Notes

  1. Described here in the Smithsonian Institution's website.
  2. Described here in the Smithsonian Institution's website.

Related Research Articles

<span class="mw-page-title-main">Robert Mapplethorpe</span> American photographer (1946–1989)

Robert Michael Mapplethorpe was an American photographer, best known for his black-and-white photographs. His work featured an array of subjects, including celebrity portraits, male and female nudes, self-portraits, and still-life images. His most controversial works documented and examined the gay male BDSM subculture of New York City in the late 1960s and early 1970s. A 1989 exhibition of Mapplethorpe's work, titled Robert Mapplethorpe: The Perfect Moment, sparked a debate in the United States concerning both use of public funds for "obscene" artwork and the Constitutional limits of free speech in the United States.

Robert Frank was a Swiss American photographer and documentary filmmaker. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. [ ... ] it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage.

<span class="mw-page-title-main">Jim Dine</span> American artist

Jim Dine is an American artist whose œuvre extends over sixty years. Dine’s work includes painting, drawing, printmaking, sculpture and photography; his early works encompassed assemblage and happenings, while in recent years his poetry output, both in publications and readings, has increased.

<span class="mw-page-title-main">Thomas Struth</span> German photographer (born 1954)

Thomas Struth is a German photographer who is best known for his Museum Photographs series, family portraits and black and white photographs of the streets of Düsseldorf and New York taken in the 1970s. Struth currently lives and works between Berlin and New York.

<span class="mw-page-title-main">August Sander</span> German portrait and documentary photographer

August Sander was a German portrait and documentary photographer. His first book Face of our Time was published in 1929. Sander has been described as "the most important German portrait photographer of the early twentieth century". Sander's work includes landscape, nature, architecture, and street photography, but he is best known for his portraits, as exemplified by his series People of the 20th Century. In this series, he aims to show a cross-section of society during the Weimar Republic.

<span class="mw-page-title-main">Francesca Woodman</span> American photographer (1958–1981)

Francesca Stern Woodman was an American photographer best known for her black and white pictures featuring either herself or female models.

<span class="mw-page-title-main">Judith Joy Ross</span> American portrait photographer (born 1946)

Judith Joy Ross is an American portrait photographer. Her books include Contemporaries (1995), Portraits (1996), Portraits of the Hazleton Public Schools (2006) and Protest the War (2007), "exploring such themes as the innocence of youth, the faces of political power, and the emotional toll of war".

<span class="mw-page-title-main">Henry Wessel Jr.</span> American photographer and educator (1942–2018)

Henry Wessel was an American photographer and educator. He made "obdurately spare and often wry black-and-white pictures of vernacular scenes in the American West".

<span class="mw-page-title-main">Lisette Model</span> American photographer

Lisette Model was an Austrian-born American photographer primarily known for the frank humanism of her street photography.

<span class="mw-page-title-main">E. O. Hoppé</span> German-born British portrait, travel and topographic photographer

Emil Otto Hoppé was a German-born British portrait, travel, and topographic photographer active between 1907 and 1945. Born to a wealthy family in Munich, he moved to London in 1900 to train as a financier, but took up photography and rapidly achieved great success.

Bruce Silverstein Gallery is a photographic art gallery in the Chelsea section of Manhattan, New York City. It was started in 2001 by Bruce Silverstein. The gallery is a member of the Association of International Photography Art Dealers.

Kathrin Sonntag is a visual artist who works in photography, sculpture, film, and installations. Her work has been exhibited in museums including the Kunstverein in Hamburg, Germany and the Solomon R. Guggenheim Museum in New York City.

Jane Shelton Livingston is an American art curator. She is the author and co-author of numerous books and catalogs.

<span class="mw-page-title-main">Angelika Platen</span> German photographer (born 1942)

Angelika Platen is a German photographer known internationally for her portraits of artists.

Sandra S. "Sandy" Phillips is an American writer, and curator working in the field of photography. She is the Curator Emeritus of Photography at the San Francisco Museum of Modern Art. She joined the museum as curator of photography in 1987 and was promoted to senior curator of photography in 1999 in acknowledgement of her considerable contributions to SFMOMA. A photographic historian and former curator at the Vassar College Art Gallery in Poughkeepsie, N.Y., Phillips succeeded Van Deren Coke as head of one of the country’s most active departments of photography. Phillips stepped down from her full time position in 2016.

Hermann Claasen was a German photographer.

<span class="mw-page-title-main">Arthur Ollman</span> American photographer, curator, and academic

Arthur Ollman is an American photographer, author, curator, professor emeritus (San Diego State University, and founding director of The Museum of Photographic Arts, San Diego. He served as MoPA director from 1983 to 2006, and as director of the School of Art, Design and Art History, SDSU, from 2006 to 2011. He was president of the board of directors for the Foundation for the Exhibition of Photography and has authored and contributed to more than twenty-five books and catalogs.

<span class="mw-page-title-main">August Sander Archive</span> Art gallery in Cologne

The August Sander Archive comprises the estate of the German photographer August Sander and is part of the collection of Die Photographische Sammlung/SK Stiftung Kultur, in Cologne. The photographic work has been kept there since 1993 with a large number of original photographs, negatives and documents.

<span class="mw-page-title-main">Tata Ronkholz</span> German photographer

Tata Ronkholz (1940–1997) was a German photographer.

<span class="mw-page-title-main">Die Photographische Sammlung/SK Stiftung Kultur</span> German photography museum

Die Photographische Sammlung is the photography museum of the SK Stiftung Kultur, the cultural foundation of the Sparkasse KölnBonn bank in Cologne, Germany. The full name is usually stylized Die Photographische Sammlung/SK Stiftung Kultur. The collection includes an archive of the photographs of August Sander.

References

  1. 1 2 3 4 5 "Center for Creative Photography Acquires the Rosalind Solomon Archive", Center for Creative Photography, University of Arizona. Retrieved 21 July 2016.
  2. 1 2 Collins, Jeanne (1986). "Rosalind Solomon: Ritual" (PDF). MoMA Press Release. MoMA. p. 1.
  3. 1 2 Aderet, Ofer. "Shooting Israel: An Inner Voice in Black and White". Haaretz.
  4. Raab, Susana. "Solomon's Singular Journey". The New York Times. Retrieved March 30, 2018.
  5. Collins, Jeanne (May 1986). "Press Release Rosalind Solomon: Ritual" (PDF). MoMA Press Release. MoMA. p. 1.
  6. "Rosalind Fox Soloman Biography".
  7. "American Children | MoMA". The Museum of Modern Art. Retrieved 2021-12-06.
  8. Kismaric, Susan (1980). American children, photographs from the collection of the Museum of Modern Art. New York: The Museum of Modern Art. p. 16. ISBN   0870702327.
  9. "William Eggleston, Memphis Tenn., 1977 printed 2003". Galerie Julian Sander. 2021-05-07. Retrieved 2021-12-06.
  10. "Rosalind Solomon, Washington : May 15-June 29, 1980". primo.getty.edu. Retrieved 2021-12-06.
  11. Solomon, Rosalind (1980). Rosalind Solomon, Washington : May 15-June 29, 1980. Washington DC: Corcoran Gallery of Art.
  12. "Rosalind Solomon". Women Photographers: UCR/California Museum of Photography. Retrieved 20 July 2016.
  13. "Rosalind Solomon, earth rites : photographs from inside the third world : exhibition catalog of the Museum of Photographic Arts, 8 April to 1 June 1986, Balboa Park, San Diego". primo.getty.edu. Retrieved 2021-12-06.
  14. 1 2 3 Solomon, Rosalind (2003). Rosalind Solomon : Chapalingas ; Die Photographische Sammlung/SK Stiftung Kultur, Köln, [14. März bis 9. Juni 2003] / Die Photographische Sammlung/SK Stiftung Kultur, Köln ; [Übersetzung, Manfred Allie ...] (in German). Göttingen: Steidl. ISBN   3882438770.
  15. "Rosalind Solomon : portraits in the time of AIDS". library.nga.gov. Retrieved 2021-12-06.
  16. Solomon, Rosalind (2006). Polish Shadow. Steidl. ISBN   978-3-86521-199-6.
  17. Solomon, Rosalind; Sammlung, Stiftung Kultur (Cologne, Allemagne) Photographische; Lange, Susanne; Sammlung, SK Stiftung Kultur Photographische; Sammlung, SK Stiftung Kultur, Köln Photographische (2003). Chapalingas (in German). Steidl. ISBN   978-3-88243-877-2.{{cite book}}: CS1 maint: multiple names: authors list (link)
  18. Hodges, Michael. "Snapshots of Israel". ft.com. The Financial Times. Retrieved 13 June 2014.
  19. Kershner, Isabel. "Top Photographers Try Looking at Israel from New Angles". The New York Times . Retrieved 13 June 2014.
  20. "Them, by Rosalind Fox Solomon, Book Review: Photography". The Independent. 22 June 2014.
  21. Hughes, Robert (1978-08-07). "Art: Mirrors and Windows". Time. Archived from the original on August 13, 2009. Retrieved 2014-07-07.
  22. https://web.archive.org/web/20121018111506/http://www.thefreelibrary.com/Eggleston+on+film-a0157037582
  23. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 Rosalind Solomon: El Perú y Otros Lugares = Peru and Other Places. Lima: Museo de Arte de Lima, 1996. Back matter (no page number).
  24. Rosalind Solomon, Washington: May 15 – June 29, 1980. Washington, DC: Corcoran Gallery, 1980. (Exhibition catalogue.)
  25. Jo Ann Lewis, "Portraits of Power", Washington Post, 17 May 1980. Retrieved 23 July 2016.
  26. Rosalind Solomon: Venezia, 13. VII – 14. VIII. 1982. Venice: Ikona Photo Gallery, 1982. (Exhibition catalogue.)
  27. Rosalind Solomon: India: An exhibition of photographs. New Delhi: United States Information Service, 1983.
  28. "Festival in Capital: A Taste of India", New York Times, 5 May 1985. Retrieved 23 July 2016.
  29. Rosalind Solomon. Earth Rites: Photographs from inside the Third World. San Diego, CA: Museum of Photographic Arts, 1986. (Exhibition catalogue.)
  30. Andy Grundberg, "Taking a Fresh Look at Foreign yet Familiar Lands", New York Times, 10 August 1986. Retrieved 23 July 2016.
  31. Rosalind Solomon. Portraits in the Time of AIDS. New York: Grey Art Gallery & Studio Center, New York University, 1988. (Exhibition catalogue.)
  32. Tom Miller, "What's doing in Tucson", New York Times, 21 February 1988. Retrieved 23 July 2016
  33. "Rosalind Solomon", Museum of Contemporary Photography. Archived by the Wayback Machine on 24 June 2016.
  34. Michael Welzenbach, "Unmasking the Face through Photography", Washington Post, 17 November 1990. Here at Highbeam Research (partially behind paywall). Retrieved 28 July 2016.
  35. El Perú y Otros Lugares = Peru and Other Places. Lima: Museo de Arte de Lima, 1996. (Exhibition catalogue.)
  36. List of exhibitions, 1990–1999, Museo de Arte de Lima. Retrieved 21 July 2016.
  37. "Chapalingas Photographien von Rosalind Solomon". Die Photographische Sammlung/SK Stiftung Kultur.
  38. 1 2 Rosalind Solomon et al. Chapalingas. Göttingen: Steidl, 2003. (Exhibition catalogue.)
  39. Michel Guerrin, "Un style documentaire en vogue", Le Monde, 7 September 2005. Retrieved 25 July 2016.
  40. Brigitte Ollier, "Dunkerque dans l'oeil Eggleston", Libération, 21 Octobre 2005. Retrieved 25 July 2016.
  41. "Die photographische Sammlung: Exhibitions: On tour", SK Stiftung Kultur der Sparkasse KölnBonn. Retrieved 21 July 2016.
  42. "Rosalind Solomon: Close and Distant Poland - 1988 und 2003 [ permanent dead link ]", HaGalil, 26 August 2004. Retrieved 21 July 2016.
  43. "Close and Distant. Poland 1988/2003", Aviva Berlin, 14 September 2004. Retrieved 25 July 2016.
  44. "Rosalind Solomon: American Pictures from Chapalingas Archived 2016-08-17 at the Wayback Machine " (press release). Foley Gallery. Retrieved 21 July 2016.
  45. "Rosalind Solomon: Inside Out", Bruce Silverstein Gallery. Accessed 20 July 2016.
  46. "Earning Her Wrinkles: Rosalind Solomon at Silverstein Photography", Walking off the Big Apple, 6 March 2008. Retrieved 28 July 2016.
  47. "Galleries–Chelsea: Rosalind Solomon". The New Yorker . Archived from the original on November 8, 2012. Retrieved June 29, 2010.
  48. Beth S. Gersh-Nešić, "Rosalind Solomon Reinvented, Again Archived 2016-08-16 at the Wayback Machine ", About.com, [2010]. Retrieved 31 July 2016.
  49. "Rosalind Solomon: Portraits in the Time of AIDS, 1988", Bruce Silverstein Gallery. Accessed 20 July 2016.
  50. Holland Cotter, "Rosalind Solomon: Portraits in the Time of AIDS, 1988", New York Times, 18 July 2013. Retrieved 23 July 2016.
  51. Andrew Belonsky, "Reliving 'Portraits in the Times of AIDS, 1988'", Out, 2 July 2013. Retrieved 29 July 2016.
  52. Joseph R. Wolin, "Rosalind Solomon, 'Portraits in the Time of AIDS, 1988'", Time Out, 22 July 2013. Retrieved 31 July 2016.
  53. Gemma Padley, "9 Things to See at Paris Photo 2015", time.com, 11 November 2015. Retrieved 24 July 2016.
  54. "Rosalind Fox Solomon: Got to Go", Bruce Silverstein Gallery. Accessed 20 July 2016.
  55. "Ageing party girls and pint-sized beauty queens – in pictures", The Guardian, 8 March 2016. Retrieved 24 July 2016.
  56. Loring Knoblauch, "Rosalind Fox Solomon, Got to Go @Bruce Silverstein", Collector Daily, 5 April 2016. Retrieved 28 July 2016.
  57. "Rosalind Fox Solomon | Liberty Theater | 15 September - 13 October 2018 - Overview".
  58. "The Forgotten - Rosalind Fox Solomon - Shows - Foley Gallery".
  59. Patricia Leigh Brown, "Images: Mothers and daughters", The New York Times, 4 May 1987. Accessed 6 March 2017.
  60. Vicki Goldberg, "Ethnologists' Data Turn out to Be Art", New York Times, 13 September 1996. Retrieved 28 July 2016.
  61. Margarett Loke, "An Assembly of Skewed Images Dancing out of a Dream State", New York Times, 22 February 2002. Retrieved 28 July 2016.
  62. Amerika: die soziale Landschaft 1940 bis 2006: Meisterwerke amerikanischer Fotografie = America: The social landscape from 1940 until 2006: Masterpieces of American photography. Bologna, Italy: Damiani; Vienna: Kunsthalle Wien, 2006. Exhibition catalogue.
  63. "Fotoschau Americans in der Kunsthalle", Stadt Wien ("Archivmeldung der Rathauskorrespondenz vom 02.11.2006"). Retrieved 28 July 2016.
  64. "Sepia at Seven: A Celebratory Group Show Archived 2016-08-18 at the Wayback Machine ", Asia Art Archive. Retrieved 28 July 2016.
  65. "La Trajectoire du regard Archived 2016-08-16 at the Wayback Machine ", monte-carlo.mc, 7 February 2006. Retrieved 28 July 2016.
  66. "On the Trail of Wise Fools and Simpletons in the Himalayas", Studio International, 3 October 2006. Retrieved 28 July 2016.
  67. Wehr, Anne. "Lisette Model and her successors" Time Out New York, Issue 629. Oct 18–24, 2007. Retrieved 20 July 2016.
  68. Aletti, Vince. "Model citizens: Lisette Model exhibit at Aperture". The New Yorker. September 3, 2007. Retrieved 20 July 2016.
  69. "Artist's Talk with Rosalind Solomon", Connect, Emily Carr University. Retrieved 25 July 2016.
  70. "Lisette Model and Her Successors, 1 September – 13 December 2009", Mt Holyoke College. Archived by the Wayback Machine on 6 June 2011.
  71. "Discoveries", The New Yorker, 9 August 2010. Archived April 26, 2011, at the Wayback Machine
  72. Holland Cotter, "Still Life, Love Life: The Passion of the Camera", New York Times, 29 July 2010. Retrieved 23 July 2016.
  73. Loring Knoblauch, "Pictures by Women: A History of Modern Photography", Collector Daily, 16 June 2010. Retrieved 28 July 2016.
  74. 1 2 3 4 "Exhibitions", This Place. Retrieved 22 July 2016.
  75. "This Place", DOX Centre for Contemporary Art. Retrieved 22 July 2016.
  76. "'This Place': Israel through the Eyes of 12 Renowned Photographers", Radio Free Europe / Radio Liberty, 23 October 2014. Retrieved 22 July 2016.
  77. "This Place", Tel Aviv Museum of Art. Retrieved 22 July 2016.
  78. Graham Lawson, "Israel and the West Bank: A view from the outside", Jerusalem Post, 6 June 2015. Retrieved 22 July 2016.
  79. Emily Harris, "Israel and the West Bank through Fresh Eyes", NPR, 5 July 2015. Retrieved 22 July 2016.
  80. Andrew Russeth, "PS1’s Sprawling ‘Greater New York’ Show Broadens Its Purview, with Mixed Results", Art News, 9 October 2015. Retrieved 26 July 2016.
  81. Loring Knoblauch, "Greater New York @MoMA PS1", Collector Daily, 17 December 2015. Retrieved 28 July 2016.
  82. "This Place: Israel and the West Bank through Photography's Lens Archived 2016-09-15 at the Wayback Machine ", Norton Museum of Art. Retrieved 22 July 2016.
  83. "With Different Eyes Archived 2016-03-25 at the Wayback Machine ", Kunstmuseum Bonn (accessed 28 July 2016).
  84. "This Place", Brooklyn Museum of Art. Retrieved 22 July 2016.
  85. Vince Aletti, "Israel and the West Bank, through the Eyes of a Dozen Visitors", New Yorker, 16 March 2016. Retrieved 22 July 2016.
  86. Regina Weinreich, "‘This Place’ at the Brooklyn Museum: Outsiders Photograph Israel", Huffington Post, 18 February 2016. Retrieved 22 July 2016.
  87. Roberta Smith, "Capturing Human Moments amid Chaos in Israel and the West Bank", New York Times, 18 February 2016. Retrieved 23 July 2016.
  88. "Rosalind Solomon", Center for Creative Photography. Retrieved 20 July 2016.
  89. "Rosalind Solomon photograph collection" (PDF), The Center for Creative Photography, University of Arizona, 2009. Retrieved 20 July 2016.
  90. "Rosalind Fox Solomon", Museum of Modern Art. Retrieved 22 July 2016.
  91. Search results for "rosalind solomon", Bibliothèque nationale de France. Retrieved 22 July 2016.
  92. Search results for "rosalind solomon", Victoria and Albert Museum. Retrieved 22 July 2016.
  93. "Rosalind Solomon (*1930)", Die Photographische Sammlung/SK Stiftung Kultur. Retrieved 22 July 2016.
  94. "Rosalind Solomon", John Simon Guggenheim Memorial Foundation. Retrieved 21 July 2016.
  95. "Stepping into the real world: Goucher's 120th commencement", Goucher Quarterly, Summer/Fall 2011 Archived 2015-09-06 at the Wayback Machine (PDF), p. 9. Retrieved 21 July 2016.
  96. "2016 Lucie Awards". Lucies.org. Retrieved 3 January 2017.
  97. "2019 Infinity Award: Lifetime Achievement—Rosalind Fox Solomon". February 2019.