The American Academy of Arts and Letters is a 300-member honor society whose goal is to "foster, assist, and sustain excellence" in American literature, music, and art. Its fixed number membership is elected for lifetime appointments. Its headquarters is in the Washington Heights neighborhood of Manhattan in New York City. It shares Audubon Terrace, a Beaux Arts/American Renaissance complex on Broadway between West 155th and 156th Streets, with the Hispanic Society of America and Boricua College.
The academy's galleries are open to the public on a published schedule. Exhibits include an annual exhibition of paintings, sculptures, photographs and works on paper by contemporary artists nominated by its members, and an annual exhibition of works by newly elected members and recipients of honors and awards. A permanent exhibit of the recreated studio of composer Charles Ives was opened in 2014. [1]
The auditorium is sought out by musicians and engineers wishing to record live, as the acoustics are considered among the city's finest. Hundreds of commercial recordings have been made there. [2] [3]
The American Academy and Institute of Arts and Letters was formed from three parent organizations. The first, the American Social Science Association, was founded in 1865 in Boston. The second was the National Institute of Arts and Letters, which ASSA's membership created in 1898. The qualification for membership in the NIAL was notable achievement in art, music, or literature. The NIAL's membership was at first limited to 150 (all men). The third organization was the American Academy of Arts, which NIAL's membership created in 1904 as a preeminent national arts institution, styling itself after the French Academy.
The AAA's first seven academicians were elected from ballots cast by the NIAL membership. They were William Dean Howells, Samuel L. Clemens, Edmund Clarence Stedman, and John Hay, representing literature; Augustus Saint-Gaudens and John La Farge, representing art; and Edward MacDowell, representing music. [4] The NIAL membership increased in 1904, with the introduction of a two-tiered structure: 50 academicians and 200 regular members. Academicians were gradually elected over the next several years. The elite group (academicians) were called the "Academy", and the larger group (regular members) was called the "Institute". This strict two-tiered system persisted for 72 years (1904–1976).
In 1908, the poet Julia Ward Howe was elected to the AAA, becoming the first female academician. [5]
In 1976, the NIAL and AAA merged, under the name American Academy and Institute of Arts and Letters. The combined Academy/Institute structure had a maximum of 250 living U.S. citizens as members, plus up to 75 foreign composers, artists, and writers as honorary members. It also established the annual Witter Bynner Poetry Prize in 1980 to support young poets. The election of foreign honorary members persisted until 1993, when it was abandoned.
The academy holds a Congressional charter under Title 36 of the United States Code (42 USC 20301 et seq.), making it one of the country's comparatively rare "Title 36" corporations. [6] The 1916 statute of incorporation established this institution among a small number of other similarly chartered patriotic and national organizations. [7] The federal incorporation was originally construed primarily as an honor. The special recognition neither implies nor accords Congress any special control over the academy, which functions independently. [8]
Active sponsors of Congressional action were Senator Henry Cabot Lodge of Massachusetts and former President Theodore Roosevelt. [9] The process that led to the creation of this federal charter was controversial [10] and the first attempt to gain the charter in 1910 failed. [11] Lodge reintroduced legislation, which passed the Senate in 1913. [12] The academy was incorporated under the laws of the State of New York in 1914, [13] which resulted in Congressional approval in 1916. [14]
The academy occupies three buildings on the west end of the Audubon Terrace complex created by Archer M. Huntington, the heir to the Southern Pacific Railroad fortune and a noted philanthropist. To help convince the American Academy of Arts and Letters and the National Institute of Arts and Letters, which were separate but related organizations at the time, to move to the complex, Huntington established building funds and endowments for both. [15]
The first building, on the complex's south side, along West 155th Street, was designed by William M. Kendall of McKim, Mead & White; Kendall was also a member of the academy. This Anglo-Italian Renaissance [16] administration building was designed in 1921 and opened in 1923. [15] On the north side, another building housing an auditorium and gallery was designed by Cass Gilbert, also an academy member, and built in 1928–1930. [15] [16] These additions to the complex necessitated considerable alterations to the Audubon Terrace plaza, which were designed by McKim, Mead & White. [15]
In 2007, the American Numismatic Society, which had occupied a Charles P. Huntington-designed building immediately to the east of the academy's original building, vacated that space to move to smaller quarters downtown. This building, which incorporates a 1929 addition designed by H. Brooks Price, [15] became the academy's Annex and houses additional gallery space. [16] In 2009, the space between the Annex and the administration building was turned into a new entrance link, designed by Vincent Czajka with Pei Cobb Freed & Partners. [16]
Members of the academy are chosen for life and have included some of the American art scene's leading figures. They are organized into committees that award annual prizes to up-and-coming artists. [17] Although the names of some of the organization's members may not be well-known today, each was well known in their time. Greatness and pettiness are demonstrable among the academy members, even during the first decade, when William James declined his nomination on the grounds that his little brother Henry had been elected first. [18] One of the giants of the academy in his time, Robert Underwood Johnson, casts a decades-long shadow in his one-man war against encroaching modernism, blackballing such writers as H. L. Mencken, F. Scott Fitzgerald, and T. S. Eliot (before his emigration to England disqualified him for full membership). [19] Former Harvard president Charles William Eliot declined election to the academy "because he was already in so many societies that he didn't want to add to the number". [20]
Although never explicitly excluded, women were not elected to membership in the early years. [21] The admission of Julia Ward Howe in January 1908 (at age 88) as the first woman in the academy was only one incident in the intense debate about the consideration of female members. [22] In 1926, the election of four women—Edith Wharton, Margaret Deland, Agnes Repplier and Mary Eleanor Wilkins Freeman—was said to have "marked the letting down of the bars to women". [23] The first African-American woman member-elect was Gwendolyn Brooks in 1976. [24]
Below is a partial list of past members of the American Academy of Arts and Letters and its successor institution, the National Institute and Academy of Arts and Letters: [25]
The award, a certificate and $1,000, goes to a United States resident who has "rendered notable service to the arts".
This section needs additional citations for verification .(December 2022) |
The academy gives out numerous awards, with recipients chosen by committees of academy members. Candidates for awards must be nominated by Academy members, except for the Richard Rodgers awards, for which an application may be submitted.
John Hoyer Updike was an American novelist, poet, short-story writer, art critic, and literary critic. One of only four writers to win the Pulitzer Prize for Fiction more than once, Updike published more than twenty novels, more than a dozen short-story collections, as well as poetry, art and literary criticism and children's books during his career.
The Académie Française, also known as the French Academy, is the principal French council for matters pertaining to the French language. The Académie was officially established in 1635 by Cardinal Richelieu, the chief minister to King Louis XIII. Suppressed in 1793 during the French Revolution, it was restored as a division of the Institut de France in 1803 by Napoleon Bonaparte. It is the oldest of the five académies of the institute. The body has the duty of acting as an official authority on the language; it is tasked with publishing an official dictionary of the language.
The Royal Academy of Arts (RA) is an art institution based in Burlington House in Piccadilly in London, England. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the fine arts through exhibitions, education and debate.
Richard Powers is an American novelist whose works explore the effects of modern science and technology. His novel The Echo Maker won the 2006 National Book Award for Fiction. He has also won many other awards over the course of his career, including a MacArthur Fellowship. As of 2024, Powers has published fourteen novels and has taught at the University of Illinois and Stanford University. He won the 2019 Pulitzer Prize for Fiction for The Overstory.
Gish Jen is a contemporary American writer and speaker.
Charles Follen McKim was an American Beaux-Arts architect of the late 19th century. Along with William Rutherford Mead and Stanford White, he provided the architectural expertise as a member of the partnership McKim, Mead & White.
Lorrie Moore is an American writer, critic, and essayist. She is best known for her short stories, some of which have won major awards. Since 1984, she has also taught creative writing.
The National Academy of Design is an honorary association of American artists, founded in New York City in 1825 by Samuel Morse, Asher Durand, Thomas Cole, Martin E. Thompson, Charles Cushing Wright, Ithiel Town, and others "to promote the fine arts in America through instruction and exhibition." Membership is limited to 450 American artists and architects, who are elected by their peers on the basis of recognized excellence.
The Royal Scottish Academy (RSA) is the country’s national academy of art. It promotes contemporary Scottish art.
The Academy of American Poets is a national, member-supported organization that promotes poets and the art of poetry. The nonprofit organization was incorporated in the state of New York in 1934. It fosters the readership of poetry through outreach activities such as National Poetry Month, its website Poets.org, the syndicated series Poem-a-Day, American Poets magazine, readings and events, and poetry resources for K-12 educators. In addition, it sponsors a portfolio of nine major poetry awards, of which the first was a fellowship created in 1946 to support a poet and honor "distinguished achievement," and more than 200 prizes for student poets.
Charles McLean Andrews was an American historian, an authority on American colonial history. He wrote 102 major scholarly articles and books, as well as over 360 book reviews, newspaper articles, and short items. He is especially known as a leader of the "Imperial school" of historians who studied, and generally admired, the efficiency of the British Empire in the 18th century. Kross argues:
J. D. "Sandy" McClatchy was an American poet, opera librettist and literary critic. He was editor of the Yale Review and president of The American Academy of Arts and Letters.
Two American Academy of Arts and Letters Gold Medals are awarded each year by the academy for distinguished achievement. The two awards are taken in rotation from these categories:
Paul Hampden Dougherty was an American marine painter. Dougherty was recognized for his American Impressionism paintings of the coasts of Maine and Cornwall in the years after the turn of the 20th century. His work has been described as bold and masculine, and he was best known for his many paintings of breakers crashing against rocky coasts and mountain landscapes. Dougherty also painted still lifes, created prints and sculpted.
The Charles Ives Awards are scholarships for young composers, awarded annually by the American Academy of Arts and Letters: six scholarships of $7,500, and two fellowships of $15,000. In 1998, the Academy inaugurated the Charles Ives Living, a 2-year, $200,000 award, and in 2008 awarded the inaugural Charles Ives Opera Prize of $50,000.
Nina C. Young is an American electro-acoustic composer of contemporary classical music who resides in New York City. She won the 2015 Rome Prize in musical composition, a 2021 Guggenheim Fellowship, and a 2014 Charles Ives Prize from the American Academy of Arts and Letters.
Vivian Perlis was an American musicologist and the founder and former director of Yale University's Oral History of American Music.
Walter Elmer Schofield was an American Impressionist landscape and marine painter. Although he never lived in New Hope or Bucks County, Schofield is regarded as one of the Pennsylvania Impressionists.
Thomas Kotcheff is an American composer and pianist who currently resides in Los Angeles. He is a winner of a 2016 Charles Ives Prize from the American Academy of Arts and Letters and a 2015 Presser Foundation Music Award. He composed and orchestrated music for the soundtrack of the 2023 film Oppenheimer by Christopher Nolan which won the Best Score Soundtrack For Visual Media at the 66th Annual Grammy Awards and the Best Original Score at the 96th Academy Awards.