Cynthia Ozick | |
|---|---|
| Born | April 17, 1928 New York City, U.S. |
| Occupation | Writer |
| Education | Hunter College High School New York University (BA) Ohio State University (MA) |
| Period | 1966–present |
| Notable awards | American Academy of Arts and Letters, 1988 |
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Cynthia Ozick (born April 17, 1928) is an American short story writer, novelist, and essayist. [1]
Cynthia Ozick was born in New York City. The second of two children, Ozick was raised in the Bronx by her parents, Celia (née Regelson) and William Ozick. They were Jewish immigrants from Russia, and proprietors of the Park View Pharmacy in the Pelham Bay neighborhood. [2]
She attended Hunter College High School in Manhattan. [3] She earned her B.A. from New York University and went on to study at Ohio State University, where she completed an M.A. [2] in English literature, focusing on the novels of Henry James. [4]
She appears briefly in the film Town Bloody Hall , where she asks Norman Mailer, "in Advertisements for Myself you said, quote, 'A good novelist can do without everything but the remnant of his balls'. For years and years I've been wondering, Mr. Mailer, when you dip your balls in ink, what color ink is it?" [5]
Ozick was married to Bernard Hallote, a lawyer, until his death in 2017. Their daughter, Rachel Hallote, is a professor of history at SUNY Purchase and head of its Jewish studies program. Ozick is the niece of the Hebraist Abraham Regelson. [4]
Yale University has acquired her literary papers. [6] A forthcoming special issue of Studies in Jewish American Literature will examine her contributions to the art of non-fiction. [7]
Ozick's fiction and essays are often about Jewish American life, but she also writes about politics, history, and literary criticism. In addition, she has written and translated poetry.
Henry James occupies a central place in her fiction and nonfiction. The critic Adam Kirsch wrote that her "career-long agon with Henry James... reaches a kind of culmination in Foreign Bodies, her polemical rewriting of The Ambassadors ." [8]
The Holocaust and its aftermath is also a dominant theme. For instance in "Who Owns Anne Frank?" [9] she writes that the diary's true meaning has been distorted and eviscerated "by blurb and stage, by shrewdness and naiveté, by cowardice and spirituality, by forgiveness and indifference." [10] Much of her work explores the disparaged self, the reconstruction of identity after immigration, trauma and movement from one class to another. [2]
Ozick says that writing is not a choice but "a kind of hallucinatory madness. You will do it no matter what. You can't not do it." She sees the "freedom in the delectable sense of making things up" as coexisting with the "torment" of writing. [11]
In 1971, Ozick received the Edward Lewis Wallant Award and the National Jewish Book Award [12] for her short story collection The Pagan Rabbi and Other Stories . [13] For Bloodshed and Three Novellas, she received, in 1977, The National Jewish Book Award for Fiction. [12] In 1997, she received the Diamonstein-Spielvogel Award for the Art of the Essay for Fame and Folly. Four of her stories won first prize in the O. Henry competition. [3]
In 1986, she was selected as the first winner of the Rea Award for the Short Story. In 2000, she won the National Book Critics Circle Award for Quarrel & Quandary. [14] Her novel Heir to the Glimmering World (2004) (published as The Bear Boy in the United Kingdom) won high literary praise. Ozick was on the shortlist for the 2005 Man Booker International Prize, and in 2008 she was awarded the PEN/Nabokov Award and the PEN/Malamud Award, which was established by Bernard Malamud's family to honor excellence in the art of the short story. Her novel Foreign Bodies was shortlisted for the Orange Prize (2012) and the Jewish Quarterly-Wingate Prize (2013). [15]
The novelist David Foster Wallace called Ozick one of the greatest living American writers. [16] She has been described as "the Athena of America's literary pantheon", the "Emily Dickinson of the Bronx", and "one of the most accomplished and graceful literary stylists of her time". [4]
 |
| Title | Year | First published | Reprinted/collected | Notes |
|---|---|---|---|---|
| The coast of New Zealand | 2021 | Ozick, Cynthia (June 21, 2021). "The coast of New Zealand". The New Yorker. 97 (17): 50–57. | ||
| The Biographer's Hat | 2022 | Ozick, Cynthia (March 7, 2022). "The Biographer's Hat". The New Yorker. | ||
| A French Doll | 2023 | Ozick, Cynthia (July 24, 2023). "A French Doll". The New Yorker. | ||
| The Story of My Family | 2024 | Ozick, Cynthia (March 2024). "The Story of My Family". Commentary. | ||
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