This article needs additional citations for verification .(December 2019) |
OMA | |
---|---|
Practice information | |
Partners |
|
Founded | 1975 |
Location | Rotterdam |
Coordinates | 51°55′43″N4°28′50″E / 51.928500°N 4.480494°E |
Significant works and honors | |
Buildings | |
Design | The Image of Europe |
Website | |
www |
The Office for Metropolitan Architecture (OMA) is an international architectural firm with offices in Rotterdam, New York, Hong Kong, Doha, and Australia. The firm is currently led by eight partners - Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and managing partner and architect David Gianotten.
Rem Koolhaas and Elia Zenghelis started working together in the early 1970s at the Architectural Association, the London-based architecture school, where Koolhaas was a student and Zenghelis an instructor. Their first major project was the utopian/dystopian project Exodus, or the Voluntary Prisoners of Architecture (1972). This project proposed a linear structure, cutting through London like a knife. Other projects included City of the Captive Globe (1974), Hotel Sphinx (1975), New Welfare Island/Welfare Palace Hotel (1975–76), Roosevelt Island Redevelopment (1975) – all "paper" projects that were not (intended to be) built, and all located in Manhattan, the subject of Koolhaas's book Delirious New York, A Retroactive Manifesto for Manhattan (1975). [1]
OMA was founded in 1975 by Dutch architect Rem Koolhaas and Greek architect Elia Zenghelis, along with Madelon Vriesendorp and Zoe Zenghelis. The founding of OMA coincided with the firm's entry in the architectural design competition for a new Dutch parliament building in The Hague in 1978, with Zaha Hadid. OMA was one of the first-prize winners (among some 10 others), and the project was widely discussed and published. [2] The commission, however, was given to an architect who did not participate in the competition. The entry for the Dutch parliament competition was the first of a series of controversial and successful international competition entries by OMA in the 1980s that were not built by OMA.
OMA's first major commissions were The Netherlands Dance Theatre (1981) in The Hague and IJ-Plein Urban planning (1981–1988) in Amsterdam. Due to change of location a second design for the Dance Theater was made in 1984. Once completed in 1987, the building received international attention. Although full of "first mistakes", the Dance Theater is the first realized design in which the ideas of Rem Koolhaas were made apparent. IJ-plein is located at Amsterdam's IJ, a river that serves as the city's waterfront, opposite the city center. The master plan consists of 1,300 dwellings and several facilities. OMA designed the school, the community center, and two blocks of housing.
A few other designs were realized in the 1980s: a police station in Almere (1982–1985), a bus station in Rotterdam (1985–1987, demolished in 2005), Byzantium apartment block in Amsterdam (1985–1991) and Checkpoint Charlie Housing in Berlin (1984–1990). Two houses were built in this period; the first house was a duo of patio villas (1985–1988) in the style of Mies van der Rohe, inserted in a dike in Rotterdam. The second – arguably the most full-grown design of OMA until that date – was Villa Dall'Ava in Paris (1984–1991). The client, according to Koolhaas, asked for a "masterpiece". [3] He wanted a glass house. She wanted a swimming pool on the roof. So many delays plagued the house that it "became a record of our own (OMA's) growing up". [3]
Several studies were made during the late 1970s and 1980s: Study for the renovation of a panopticon prison in Arnhem in 1979, Boompjes tower slab in Rotterdam (1979), Housing for Berlin IBA (1980, not realised, and the reason OMA would not design anything in Berlin anymore in the 20th century, the Dutch Embassy Building being the comeback),[ citation needed ] master plan for a world exhibition in Paris (1983). Much more important however were the competition entries OMA designed in this period. They gained the office international fame (but not one design was actually built).
In the 1990s OMA gained renown through a series of groundbreaking entries in major competitions: e.g., Tres Grande Bibliothèque and Two Libraries for Jussieu University, Paris, France (1993). During these years OMA also realized ambitious projects, ranging from private residences to large scale urban plans: Villa dall’Ava, Paris, France (1991), Nexus Housing, Fukuoka, Japan (1991), Kunsthal, Rotterdam (1992).
The Euralille (1994), a 70-hectare business and civic center in Lille, northern France comprising the European hub for high-speed trains, transformed a once dormant center of more than 50 million inhabitants into a site offering connectivity, and a range of contemporary activities.
In 1999 OMA completed the Maison à Bordeaux, a villa for a client in the hills outside Bordeaux, France. [4] The villa's most striking feature is a platform in the very center of the house that moves freely between the three floors and allowed the client to move with his wheelchair on all three levels of the villa. The design was conceived in collaboration with engineer Cecil Balmond.
OMA's recently completed projects include Axel Springer Campus in Berlin (2020), MEETT Exhibition and Convention Centre in Toulouse (2020), Galleria in Gwanggyo (2020), Brighton College (2020), Norra Tornen in Stockholm (2020), Potato Head Studios in Bali (2020), nhow Amsterdam RAI Hotel (2020), WA Museum Boola Bardip in Perth (2019), BLOX ? DAC in Copenhagen (2018), Fondation Galeries Lafayette in Paris (2018), Fondazione Prada in Milan (2018) and Qatar National Library (2017).
OMA was awarded the contract for the Seattle Central Library, completed in 2005, despite not having been on the list of firms originally invited to submit designs. Former partner and Seattle resident Joshua Prince-Ramus, heard from his mother about the meeting for interested firms at the last minute and flew in from the Netherlands. This 11-story glass and steel building is a striking addition to the Seattle cityscape.
In Asia, OMA completed the massive Central China Television Headquarters building in Beijing, and the new building for the Shenzhen Stock Exchange. In January 2009 OMA won the competition to build the Taipei Performing Arts Center in Taiwan, completed and opened in 2022. [5]
In October 2011, the Barbican Art Gallery launched their exhibition "OMA/Progress", the first major presentation of OMA's work in the UK, curated by Belgium-based creative collective Rotor.
In 1998, Rem Koolhaas and Reinier de Graaf founded AMO, a think tank within OMA dedicated to producing non-architectural work including exhibitions, branding campaigns, publishing, and energy planning. [6] AMO has produced exhibitions at the Venice Biennale (on the Hermitage museum in St. Petersburg) and Venice Architecture Biennale (on the development of the Gulf, and, in 2010, on preservation), [7] and guest-edited issues of the magazines Wired and Domus . AMO has produced work for Universal Studios, [8] Amsterdam Airport Schiphol, Harvard University, Condé Nast, Heineken, and IKEA.
AMO projects also include the development of in-store technology for Prada, a strategy for the future of Volkswagen, a strategy for TMRW, work for Platform 21, new design institute in Amsterdam, a curatorial master plan for the Hermitage Museum in St. Petersburg, and Roadmap 2050: A Practical Guide to a Prosperous, Low-Carbon Europe. [9] In 2008 AMO curated the exhibition "Dubai Next" at the Vitra Design Museum in Weil am Rhein, and was one of the editors on the book Al Manakh, which details the rapid transformation of the Gulf region. In 2010 in collaboration with Archis and Think Tank, AMO made the follow-up, Al Manakh 2.
In 1999 OMA won a competition to design a new central library for the city of Seattle. [10] The Seattle Central Library was completed and opened to the public on May 23, 2004. [10] In 2005, the library earned a national American Institute of Architects Honor Award for Architecture. [11] The building has also been described as "the most important new library to be built in a generation, and the most exhilarating" by New Yorker architecture critic Paul Goldberger. [12]
Completed in 2005, the new home of the National Orchestra of Porto, the Casa da Música, stands on a new public square in the historic Rotunda da Boavista. With a distinct faceted form, New York Times critic Nicolai Ouroussoff called it "a building whose intellectual ardor is matched by its sensual beauty". [13] Inside, the elevated 1,300-seat Grand Auditorium, in the shape of a shoebox, has corrugated glass façades at either end that open the hall to the city and offer Porto itself as a dramatic backdrop for performances. As well as the Grand Auditorium, conceived as a simple mass hollowed out end-to-end from the solid form of the building, the Casa da Música also contains a smaller, more flexible performance space with no fixed seating.
Winner of the 2005 Mies van der Rohe Award (the European Union Prize for Contemporary Architecture), OMA's Netherlands Embassy in Berlin is an isolated cube surrounded on two sides by a perimeter wall. The cube is punctured by a cantilevered meeting room and the visibility of the zig-zagging, interior path through the building.
Following the signing of Treaties of Nice in May 2001, the then-President of the European Commission, Romano Prodi, and Belgian Prime Minister Guy Verhofstadt, Koolhaas suggested a European flag, called the "Barcode". The Barcode unites the flags of the EU countries into a single, colorful symbol.
In the current European flag, there is a fixed number of stars. In the Barcode, however, new Member States of the EU can be added without space constraints. Originally, the Barcode displayed 15 EU countries, and in 2004 the symbol was adapted to include ten new Member States. Croatia was added in 2013. The Barcode was officially used for the first time during the 2006 Austrian Presidency of the Council of the European Union. [14]
As of 2021 [update] , OMA's current projects included: [15]
Remment Lucas Koolhaas is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. He is often cited as a representative of Deconstructivism and is the author of Delirious New York: A Retroactive Manifesto for Manhattan.
The year 2004 in architecture involved some significant architectural events and new buildings.
The Seattle Central Library is the flagship library of the Seattle Public Library system. The 11-story glass and steel building in the downtown core of Seattle, Washington was opened to the public on May 23, 2004. Rem Koolhaas and Joshua Prince-Ramus of OMA/LMN were the principal architects, and Magnusson Klemencic Associates was the structural engineer with Arup. Arup also provided mechanical, electrical, and plumbing engineering, as well as fire/life safety, security, IT and communications, and audio visual consulting. Hoffman Construction Company of Portland, Oregon, was the general contractor.
MVRDV is a Rotterdam, Netherlands-based architecture and urban design practice founded in 1993, with additional offices in Berlin, New York, Paris, and Shanghai. It is currently regarded as one of the world's finest architecture firms. MVRDV is an acronym of the founding members' surnames: Winy Maas, Jacob van Rijs, and Nathalie de Vries.
Mark Antony Wigley is a New Zealand-born architect and author based in the United States. From 2004 to 2014, he was the Dean of Columbia University's Graduate School of Architecture, Planning and Preservation.
Elia Zenghelis is a Greek architect and teacher. He studied architecture at the Architectural Association School of Architecture, London, completing his studies in 1961. From 1961 to 1971 he worked for architects Douglas Stephen and Partners, London, while also teaching at the Architectural Association. Zenghelis became a prominent teacher at the school for introducing more radical avant-gardism into the curriculum. From 1971 to 1975 Zenghelis collaborated with various architects in London, Paris and New York: Georges Candilis, Michael Carapetian, Aristeides Romanos, Rem Koolhaas, O.M. Ungers and Peter Eisenman.
Ole Scheeren is a German architect, urbanist and principal of Büro Ole Scheeren with offices in Beijing, Hong Kong, London, Berlin and Bangkok and was a visiting professor at the University of Hong Kong from January 2010.
Madelon Vriesendorp is a Dutch artist, painter, sculptor and art collector. She was married to Rem Koolhaas and best known as one of the co-founders of the Office of Metropolitan Architecture (OMA) in the early 1970s. Vriesendorp would often create visuals and graphics for OMA in the early years.
The Netherlands Architecture Institute (NAI) was a cultural institute for architecture and urban development, which comprised a museum, an archive plus library and a platform for lectures and debates. The NAI was established in 1988 and was based in Rotterdam since 1993. It ceased to exist in 2013, when it became part of Het Nieuwe Instituut.
Mecanoo is an architecture firm based in Delft, Netherlands. Mecanoo was founded in 1984 by Francine Houben, Henk Döll, Roelf Steenhuis, Erick van Egeraat and Chris de Weijer.
Cecil Balmond OBE is a British Sri Lankan designer, artist, and writer. In 1968, Balmond joined Ove Arup & Partners, leading him to become deputy chairman. In 2000, he founded design and research group, the AGU . He currently holds the Paul Philippe Cret Chair at PennDesign as Professor of Architecture where he is also the founding director of the Non Linear Systems Organization, a material and structural research unit. He has also been Kenzo Tange Visiting Design Critic at Harvard Graduate School of Architecture (2000), Eero Saarinen Visiting Professor at Yale University School of Architecture (1997-2002) and visiting fellow at London School of Economics Urban Cities Programme (2002-2004).
Kees Christiaanse is an architect and urban planner from the Netherlands. After working with Rem Koolhaas, he started two firms, KCAP in 1989 and Architects and Planners in 1990, where he was a partner till 2002. Christiaanse has "tackled some of the highest profile urban design schemes in the Netherlands, hosting buildings by" the finest Dutch and several international architects.
Kris Yao is a Taiwanese architect, and the founder and head architect at KRIS YAO | ARTECH in Taipei and Shanghai.
Reinier de Graaf is a Dutch architect, architectural theorist, urbanist and writer. He is a partner in the Office for Metropolitan Architecture (OMA), and author of the books Four Walls and a Roof: The Complex Nature of a Simple Profession and The Masterplan.
Kunlé Adeyemi was born on the 7 April 1976 and is a Nigerian architect, urbanist and creative researcher. Adeyemi is founder and principal of NLÉ, an architecture, design and urbanism practice, based in Amsterdam, in the Netherlands. Adeyemi studied at the University of Lagos in Nigeria and Princeton University in New Jersey, the United States. Before starting his office in the Netherlands, he worked nearly a decade at Office for Metropolitan Architecture (OMA).
Petra Blaisse is a British-born Dutch designer. Her work is an intersection of the professions of architecture, interior architecture, landscape architecture, textile design, and exhibition design.
Teun Koolhaas was a Dutch architect and urban planner.
The year 2020 in architecture involved some significant architectural events and new buildings.
Yves Brunier was a French landscape architect best known for his collage illustrations and projects done in France and Belgium.
Delirious New York: A Retroactive Manifesto for Manhattan is a 1978 book, written by Dutch architect Rem Koolhaas. The book serves as a retroactive manifesto for Manhattan between 1850 and 1960, analyzing the development of architecture and urban design throughout New York's history from the founding of New Amsterdam by the Dutch, to the design of the Headquarters of the United Nations by Le Corbusier. Rem Koolhaas describes the concept of 'Manhattanism', the theory of the creation and functioning of the city of New York, at length in the book.