Author | Rem Koolhaas |
---|---|
Original title | Delirious New York: A Retroactive Manifesto for Manhattan |
Illustrator | Nigel Smith, Donald Chong, Bob Gundu, Chris Rowat, and Nazik Tahri |
Cover artist | Madelon Vriesendorp |
Language | English |
Subject | New York City, architecture |
Genre | Non-fiction |
Set in | Franklin and News Gothic |
Publisher | Oxford University Press, The Monacelli Press |
Publication date | 1978 |
Media type | Print, e-book |
Pages | 320 |
ISBN | 978-1885254009 |
OCLC | 31765587 |
720.9747 | |
LC Class | 94076577 |
Preceded by | - |
Followed by | S,M,L,XL |
Website | oma |
Delirious New York: A Retroactive Manifesto for Manhattan is a 1978 book, written by Dutch architect Rem Koolhaas. The book serves as a retroactive manifesto for Manhattan between 1850 and 1960, analyzing the development of architecture and urban design throughout New York's history from the founding of New Amsterdam by the Dutch, to the design of the Headquarters of the United Nations by Le Corbusier. Rem Koolhaas describes the concept of 'Manhattanism', the theory of the creation and functioning of the city of New York, at length in the book.
The first drafts for the book originate from 1969 in a manifesto by Rem Koolhaas titled 'The Surface'. Koolhaas had been studying at the Architectural Association School of Architecture in London since 1968 and wrote the manifesto as a reaction against lectures by Tony Dugdale of the architectural collective Archigram. [1]
In 1972, after obtaining a grant to study at Cornell University, Koolhaas moved to New York in an effort to research the city. [2] In doing so, Koolhaas collected magazines, books and postcards from Manhattan for research and joined a postcard collectors' club. [3] Furthermore, Koolhaas joined the Institute for Architecture and Urban Studies. In an interview with Robert Venturi and Denise Scott Brown, Koolhaas cites their book Learning from Las Vegas as being an influence on the writing of Delirious New York during this period at Cornell. [4]
Delirious New York was published three years after Koolhaas founded the Office for Metropolitan Architecture with Elia Zenghelis, Zoe Zenghelis and Madelon Vriesendorp in London in 1975. During this period, Koolhaas further collaborated with Elia Zenghelis on several hypothetical projects in Manhattan, such as redeveloping Roosevelt Island (1975) [5] or the design for the Sphinx Hotel at Times Square (1975). [6]
In a 1993 interview with architecture critic Cynthia Davidson, Koolhaas stated that the aim of publishing Delirious New York was to lay the written foundation to work from as an architect, before actually starting out as one. [7] In this sense, Koolhaas has been described as being a paper architect around this time, given that his first built design was in 1985. [8]
The cover image of the first edition of the book was designed by Madelon Vriesendorp. [9] The painting 'Flagrant Délit' depicts the Chrysler Building and the Empire State Building laying in bed, with 30 Rockefeller Plaza intruding on them. The gridiron street pattern of Manhattan is shown through the window, with the rooftops of skyscrapers being faces looking at the ordeal. Furthermore, the nightlight near the Empire State Building is the torch of the Statue of Liberty and a used condom in the shape of a Goodyear Blimp can be seen lying on the bed, referencing the zeppelin docking station built on top of the tower. [10]
The 1994 republication of the book by The Monacelli Press changed the cover image to a black and white photo of the 1221 and 1251 Avenue of the Americas buildings as seen from 30 Rockefeller Plaza.
Delirious New York was first published as a hardcover in 1978 by the New York division of the Oxford University Press and was printed in France. [11] A paperback version with a new cover was published in 1994 by New York based Monacelli Press for distribution in the United States and Rotterdam based 010 Publishers for Europe. Further versions by the Monacelli Press have been printed in 1997, 2005, 2014. Aside from the covers, these versions do not differ from the original text.
Remment Lucas Koolhaas is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. He is often cited as a representative of Deconstructivism and is the author of Delirious New York: A Retroactive Manifesto for Manhattan.
MVRDV is a Rotterdam, Netherlands-based architecture and urban design practice founded in 1993. The name is an acronym for the founding members: Winy Maas, Jacob van Rijs, and Nathalie de Vries.
The Office for Metropolitan Architecture (OMA) is an international architectural firm with offices in Rotterdam, New York, Hong Kong, Doha, and Australia. The firm is currently led by eight partners - Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and managing partner and architect David Gianotten.
The year 2005 in architecture involved some significant architectural events and new buildings.
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Elia Zenghelis is a Greek architect and teacher. He studied architecture at the Architectural Association School of Architecture, London, completing his studies in 1961. From 1961 to 1971 he worked for architects Douglas Stephen and Partners, London, while also teaching at the Architectural Association. Zenghelis became a prominent teacher at the school for introducing more radical avant-gardism into the curriculum. From 1971 to 1975 Zenghelis collaborated with various architects in London, Paris and New York: Georges Candilis, Michael Carapetian, Aristeides Romanos, Rem Koolhaas, O.M. Ungers and Peter Eisenman.
Madelon Vriesendorp is a Dutch artist, painter, sculptor and art collector. She was married to Rem Koolhaas and best known as one of the co-founders of the Office of Metropolitan Architecture (OMA) in the early 1970s. Vriesendorp would often create visuals and graphics for OMA in the early years.
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One Madison is a luxury residential condominium tower located on 23rd Street between Broadway and Park Avenue South, at the foot of Madison Avenue, across from Madison Square Park in the Flatiron District of Manhattan, New York City. The building's official address and main lobby entrance is at 23 East 22nd Street, rather than at 1 Madison Avenue; there is no public entrance on 23rd Street.
A figure-ground diagram is a two-dimensional map of an urban space that shows the relationship between built and unbuilt space. It is used in analysis of urban design and planning. It is akin to but not the same as a Nolli map which denotes public space both within and outside buildings and also akin to a block pattern diagram that records public and private property as simple rectangular blocks. The earliest advocates of its use were Colin Rowe and Fred Koetter.
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121 East 22nd is a building in the Gramercy Park neighborhood of Manhattan in New York City, developed by American company Toll Brothers. It is the first building in New York City designed by Rem Koolhaas's architectural firm OMA.
Christophe Van Gerrewey is a Belgian architectural and literary theorist, writer and architect. He is currently tenure track professor for architectures, criticism, history and theory at the School of Architecture, Civil and Environmental Engineering (ENAC) of the École Polytechnique Fédérale de Lausanne (EPFL).
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