Paul Soulellis (born 1968, Huntington, New York) is an American graphic designer, artist, and educator. [1] His writings and work in the field of experimental publishing and network culture are cited in influential scholarly research. [2] His publications are collected [3] and exhibited worldwide [4] and on the internet. [5] He works in New York City and Providence, Rhode Island.
Soulellis is the founder of Library of the Printed Web, a physical archive devoted to web-to-print artists' books, zines and other printout matter. The Printed Web project "embraces the fluid movement between material and digital realms that characterizes our age." [6] He curates, designs and publishes print-on-demand publications that have featured the work of over 180 contemporary artists. [7] According to Soulellis, Printed Web artists "'perform publishing' by investigating multiple materialities and design possibilities as their works travel through the network." [2] Soulellis also maintains his own artist's practice centered on independent publishing.
His work is widely held in special artists' books collections at art and research institutions, including Museum of Modern Art, NY; Walker Art Center, MN; Yale University, CT; Reykjavík Art Museum, Iceland; The Living Art Museum, Iceland; University of North Carolina, Chapel Hill; Hochschule Hof Bibliothek, Germany; Brooklyn Museum, NY; San Francisco Museum of Modern Art, CA; and New York Public Library, NY. [3] [ better source needed ]
Soulellis is a contributing editor at Rhizome, where he curates The Download, "an ongoing series of artist commissions that considers the ZIP file format, the act of downloading and the computer user's desktop as a space for exhibition." [8]
Writing and curatorial projects by Soulellis
Publications by Soulellis
Interviews and talks featuring Soulellis
Group exhibitions and events featuring Soulellis
Soulellis joined the full-time faculty at Rhode Island School of Design in 2015 as assistant professor, graphic design. [69] His Experimental Publishing Studio syllabus at RISD was cited as "required reading" by Rhizome. [70] He has conducted workshops, been a visiting critic, and lectured at numerous schools and institutions in the US and Europe.
A broadsheet is the largest newspaper format and is characterized by long vertical pages, typically of 22.5 inches (57 cm). Other common newspaper formats include the smaller Berliner and tabloid–compact formats.
Newsprint is a low-cost, non-archival paper consisting mainly of wood pulp and most commonly used to print newspapers and other publications and advertising material. Invented in 1844 by Charles Fenerty of Nova Scotia, Canada, it usually has an off white cast and distinctive feel. It is designed for use in printing presses that employ a long web of paper, rather than individual sheets of paper.
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Iconology Inc., d/b/a ComiXology, is a cloud-based digital distribution platform for comics owned by Amazon, with over 200 million comic downloads as of September 2013. It offers a selection of more than 100,000 comic books, graphic novels, and manga across Android, iOS, Kindle Fire, Windows 10, and the Internet.
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Anouk Kruithof is a Dutch artist whose exhibitions and books merge social, conceptual, photographic, performance and video. Kruithof has had published, or self-published, a number of books of her work, and had her work exhibited in solo and group shows including at Museum of Modern Art in New York. She has received an Infinity Award from the International Center of Photography; both the Photography Jury Grand Prize and the Photo Global scholarship from Hyères International Fashion and Photography Festival, and the Charlotte Köhler Prize from Prins Bernhard Cultuurfonds. She is based in New York.
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Library of the Printed Web is a physical archive devoted to web-to-print artists’ books, zines and other printout matter. Founded by Paul Soulellis in 2013, the collection was acquired by The Museum of Modern Art Library in January 2017. The project has been described as "web culture articulated as printed artifact," an "archive of archives," characterized as an "accumulation of accumulations," much of it printed on demand. Techniques for appropriating web content used by artists in the collection include grabbing, hunting, scraping and performing, detailed by Soulellis in "Search, Compile, Publish," and later referenced by Alessandro Ludovico.
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