Ben Lerner | |
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![]() Lerner in 2015 | |
Born | Topeka, Kansas, U.S. | February 4, 1979
Education | Brown University (BA, MFA) |
Genre | Poetry, novels, essays |
Notable awards | Fulbright Scholar Guggenheim Fellowship Believer Book Award MacArthur Fellowship |
Benjamin S. Lerner (born February 4, 1979) [1] is an American poet, novelist, essayist, and critic. The recipient of fellowships from the Fulbright, Guggenheim, and MacArthur Foundations, Lerner has been a finalist for the National Book Award for Poetry, the National Book Critics Circle Award in fiction, and the Pulitzer Prize for Fiction, among many other honors. [2] [3] Lerner teaches at Brooklyn College, where he was named a Distinguished Professor of English in 2016. [4]
Lerner was born and raised in Topeka, Kansas, which figures in each of his books of poetry. His mother is the clinical psychologist Harriet Lerner. [5] He is a 1997 graduate of Topeka High School, where he participated in debate and forensics, winning the 1997 National Forensic League National Tournament in International Extemporaneous Speaking. [6] At Brown University he studied with poet C. D. Wright and earned a B.A. in political theory and an MFA in poetry. [7]
Lerner was awarded the Hayden Carruth prize for his cycle of 52 sonnets, The Lichtenberg Figures. [8] In 2004 Library Journal named it one of the year's 12 best books of poetry.
In 2003 Lerner traveled on a Fulbright Scholarship to Madrid, Spain, where he wrote his second book of poetry, Angle of Yaw, which was published in 2006. It was named a finalist for the National Book Award. His third poetry collection, Mean Free Path, was published in 2010.
Lerner's first novel, Leaving the Atocha Station, published in 2011, [9] won the Believer Book Award [10] and was a finalist for the Los Angeles Times Book Prize for first fiction (The Art Seidenbaum Award for First Fiction [ broken anchor ]) and the New York Public Library's Young Lions Fiction Award. Writing in The Guardian , Geoff Dyer called it "a work so luminously original in style and form as to seem like a premonition, a comet from the future." [11]
Excerpts of Lerner's second novel, 10:04 , won the Terry Southern Prize from The Paris Review . [12] Writing in the Los Angeles Review of Books , Maggie Nelson called 10:04 a "near perfect piece of literature." [13] The New York Times named 10:04 one of the best books of the 21st century. [14]
The New York Times Book Review called Lerner's 2019 novel The Topeka School "a high-water mark in recent American fiction." [15] Giles Harvey, in The New York Times Magazine , called it "the best book yet by the most talented writer of his generation." The New York Times also named it one of the ten best books of the year. [16] Lerner's essays, art criticism, and literary criticism have appeared in Harper's Magazine , the London Review of Books , The New York Review of Books , and The New Yorker , among other publications. [17] The Topeka School, which won the Los Angeles Times Book Prize, was a finalist for the 2020 Pulitzer Prize for Fiction. [18]
In 2023, Lerner published his fourth full-length book of poetry, both verse and prose poems, The Lights. In The New York Times, Srikanth Reddy wrote: "It takes a poet to invent characters who argue that 'the voice must be sung into existence.' It takes a novelist to honor so many perspectives, histories and intimacies in one book. The poet/novelist of The Lights enlarges Baudelaire’s experiments in prose poetry into a multistory dream house for contemporary American readers." In The New Yorker, Kamran Javadizadeh called The Lights "world-bridging poetry", "uncannily beautiful", and "exceedingly lovely". [19]
In 2008 Lerner began editing poetry for Critical Quarterly , a British scholarly publication. [20] In 2016 he became the first poetry editor at Harper's . [21] He has taught at California College of the Arts and the University of Pittsburgh, and in 2010 joined the faculty of the MFA program at Brooklyn College. [22] He was an original signatory of the manifesto "Refusing Complicity in Israel's Literary Institutions", which endorses a boycott of Israeli cultural institutions, including publishers and literary festivals. [23]
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