Sesshu Foster

Last updated
Sesshu Foster
Born
Los Angeles, California
EducationMFA, Iowa Writer's Workshop
Occupation(s)Poet and novelist
Notable work Atomik Aztex

Sesshu Foster (born April 5, 1957) is an American poet and novelist.

Contents

Early life

Sesshu Foster is a Japanese-American poet of white and Nisei descent. He grew up on Los Angeles’ East Side and came of age in the primarily Chicano neighborhood of City Terrace, where he was influenced by local community organizing and political artmaking. Foster credits moving to City Terrace the same year as the Watts Riots (1965) with helping to shape his writing voice and concern with social and racial justice and the impacts of gentrification.

Career

Foster has taught composition and literature in East LA since 1985, and has also taught at the University of Iowa, the California Institute of the Arts, the University of California, Santa Cruz and the Jack Kerouac School's Summer Writing Program. [1] He was in residence at California State University, Los Angeles. [2]

He has taught composition and literature in East L.A. for 30 years. [3] He holds an MFA from the Iowa Writer’s Workshop, where he also taught; he has also been an instructor at the California Institute for the Arts and the University of California, Santa Cruz. Before beginning his teaching career, Foster worked as a firefighter in Colorado’s Rocky Mountains and in Wyoming for several seasons.

Teaching, Firefighting, and Other Careers

While Foster has boasted work as a strip-club bouncer and a summer firefighter in Colorado, his life as a teacher who poets has been the most consistent. Foster has taught writing at the University of Iowa, California Institute for the Arts, the Jack Kerouac School’s Summer Writing Program, the University of California, Santa Cruz, and English for a number of years at a school in Boyle Heights before beginning his long-tenured career in 1985 as a composition and literature in East L.A. at the Francisco Bravo Medical Magnet High School. There he is active in the teachers' union and notes that his life as a teacher and poet are a collaborative work with his wife, Dolores Bravo. [4] [5] [6]

Foster notes that his earlier careers were inspired by books. He became a fire lookout after reading The Dharma Bums by Jack Kerouac and fought forest fires in Colorado and Wyoming. When he was 19 working as a bouncer, he made his first attempt at reading Herman Melville’s Moby Dick . He said that he did not enjoy it at first, but later found that the University of California Press Edition was "like NOT getting struck by lightning while a lightning storm strikes all around you on the north edge of the Grand Canyon." [7]

Writing

Foster is primarily known for poetry, although he has published two experimental novels and edited an anthology. His most recent books include: Atomik Aztex , a novel; World Ball Notebook; and City of the Future. Forthcoming in 2020 is a second work of speculative fiction, ELADATL: A History of the East Los Angeles Dirigible Air Transport Lines. His work often employs experimental or hybrid formal constraints (in World Ball Notebook, the conceit of the “game”; the prose poems of City Terrace Field Manual; the speculative hybrid novel forms in both Atomik Aztex and ELADATL.)

Foster’s work has been published in The Oxford Anthology of Modern American Poetry, Language for a New Century: Poetry from the Middle East, Asia and Beyond, and State of the Union: 50 Political Poems.

In “review of ‘made in l.a.’ at the ucla hammer museum,” Foster critiques the omission of artists of color in an exhibit lauded by critics. [8] The poem is at once a litany of absence as memory as much as it speaks to a firm disagreement with a present (and president) who echo the same histories he experienced 20 years before. [9]

In addition, Foster is a prolific postcard writer, a hobby which began by exchanging letters with his father as a child. Foster has described postcard poems as “a form of diary or journaling, reflection— and also a way of saying ‘hi’ to people from far.” Additionally, Foster notes that postcard poems afford “often arbitrary juxtaposition” of image and text in a non-linear, and non-standardized manner. This mode of nonlinear epistolary writing influenced Foster’s City of The Future. [10] [4]

Awards

Articles & Poems

Selected works

Anthologies

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References

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  2. http://www.calstatela.edu/academic/english/nfoster.php
  3. "L.A. Taco - Celebrating The Taco Lifestyle in Los Angeles". L.A. TACO. Retrieved 2021-05-01.
  4. 1 2 "A Los Angeles poet's revolution of everyday life". america.aljazeera.com. Retrieved 2021-05-01.
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  6. "Sesshu Foster | Modern American Poetry". www.modernamericanpoetry.org. Retrieved 2021-05-01.
  7. "TOP THREE." Hyphen Magazine, no. 9, Summer, 2006, pp. 55. ProQuest   217881935
  8. "Review: 'Made in L.A.' biennial art survey taps a social undercurrent". Los Angeles Times. 2014-06-19. Retrieved 2024-09-26.
  9. "review of "made in l.a." at the ucla hammer museum". East Los Angeles Dirigible Air Transport Lines. 2014-09-07. Retrieved 2021-05-01.
  10. "Sesshu Foster |". Kaya Press. Retrieved 2021-05-01.
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  12. "The Book".