Gary Snyder is an American poet, essayist, lecturer, and environmental activist. His early poetry has been associated with the Beat Generation and the San Francisco Renaissance and he has been described as the "poet laureate of Deep Ecology". Snyder is a winner of a Pulitzer Prize for Poetry and the American Book Award. His work, in his various roles, reflects an immersion in both Buddhist spirituality and nature. He has translated literature into English from ancient Chinese and modern Japanese. For many years, Snyder was an academic at the University of California, Davis, and for a time served as a member of the California Arts Council.
Jean-Louis Lebris de Kérouac, known as Jack Kerouac, was an American novelist and poet who, alongside William S. Burroughs and Allen Ginsberg, was a pioneer of the Beat Generation.
Beatniks were members of a social movement in the mid-20th century, who subscribed to an anti-materialistic lifestyle. They rejected the conformity and consumerism of mainstream American culture and expressed themselves through various forms of art, such as literature, poetry, music, and painting. They also experimented with spirituality, drugs, sexuality, and travel. The term "beatnik" was coined by San Francisco Chronicle columnist Herb Caen in 1958, as a derogatory label for the followers of the Beat Generation, a group of influential writers and artists who emerged during the era of the Silent Generation's maturing, from as early as 1946, to as late as 1963, but the subculture was at its most prevalent in the 1950s. This lifestyle of anti-consumerism may have been influenced their generation's fuel of living in extreme poverty in the Great Depression during their formative years, seeing slightly older people serve in WWII and being influenced by the rise of left-wing politics and the spread of Communism. The name was inspired by the Russian suffix "-nik", which was used to denote members of various political or social groups. The term "beat" originally was used by Jack Kerouac in 1948 to describe his social circle of friends and fellow writers, such as Allen Ginsberg, William S. Burroughs, and Neal Cassady. Kerouac said that "beat" had multiple meanings, such as "beaten down", "beatific", "beat up", and "beat out". He also associated it with the musical term "beat", which referred to the rhythmic patterns of jazz, a genre that influenced many beatniks.
The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-World War II era. The bulk of their work was published and popularized by Silent Generationers in the 1950s, better known as Beatniks. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.
"Howl", also known as "Howl for Carl Solomon", is a poem written by Allen Ginsberg in 1954–1955 and published in his 1956 collection Howl and Other Poems. The poem is dedicated to Carl Solomon.
Kenneth Charles Marion Rexroth was an American poet, translator, and critical essayist. He is regarded as a central figure in the San Francisco Renaissance, and paved the groundwork for the movement. Although he did not consider himself to be a Beat poet, and disliked the association, he was dubbed the "Father of the Beats" by Time magazine. Largely self-educated, Rexroth learned several languages and translated poems from Chinese, French, Spanish, and Japanese.
Lewis Barrett Welch Jr. was an American poet associated with the Beat generation literary movement.
The term San Francisco Renaissance is used as a global designation for a range of poetic activity centered on San Francisco, which brought it to prominence as a hub of the American poetry avant-garde in the 1950s. However, others felt this renaissance was a broader phenomenon and should be seen as also encompassing the visual and performing arts, philosophy, cross-cultural interests, and new social sensibilities.
A fire lookout is a person assigned the duty to look for fire from atop a building known as a fire lookout tower. These towers are used in remote areas, normally on mountain tops with high elevation and a good view of the surrounding terrain, to spot smoke caused by a wildfire.
Philip Glenn Whalen was an American poet, Zen Buddhist, and a key figure in the San Francisco Renaissance and close to the Beat generation.
Desolation Angels is a semi-autobiographical novel written by Beat Generation author Jack Kerouac, which makes up part of his Duluoz Legend. It was published in 1965, but was written years earlier, around the time On the Road was in the process of publication. The events described in the novel take place from 1956-1957. Much of the psychological struggle which the novel's protagonist, Jack Duluoz, undergoes in the novel reflects Kerouac's own increasing disenchantment with the Buddhist philosophy. Throughout the novel, Kerouac discusses his disenchantment with fame, and complicated feelings towards the Beat Generation. He also discusses his relationship with his mother and his friends such as Allen Ginsberg, Neal Cassady, Lucienn Carr and William S. Burroughs. The novel is also notable for being a relatively positive portrayal of homosexuality and homosexual characters, despite its use of words that were at the time considered homophobic slurs.
The Six Gallery reading was an important poetry event that took place on Friday, October 7, 1955, at 3119 Fillmore Street in San Francisco.
Mexico City Blues is a long poem by Jack Kerouac, composed of 242 "choruses" or stanzas, which was first published in 1959. Written between 1954 and 1957, the poem is the product of Kerouac's spontaneous prose technique, his Buddhist faith, emotional states, and disappointment with his own creativity—including his failure to publish a novel between 1950's The Town and the City and the more widely acclaimed On the Road (1957).
Lonesome Traveler is a non-fiction collection of short essays and sketches by American novelist and poet Jack Kerouac, published in 1960. It is a compilation of Kerouac's journal entries about traveling the United States, Mexico, Morocco, the United Kingdom and France, and covers similar issues to his novels, such as relationships, various jobs, and the nature of his life on the road. Some of the stories originally appeared as magazine articles.
Jack Kerouac was an American novelist and poet. He is considered a literary iconoclast and, alongside William S. Burroughs and Allen Ginsberg, a pioneer of the Beat Generation. Kerouac is recognized for his method of spontaneous prose. Thematically, his work covers topics such as Catholic spirituality, jazz, promiscuity, Buddhism, drugs, poverty, and travel. Kerouac used the name "Duluoz Legend" to refer to his collected autobiographical works.
Kenneth Yasuda was a Japanese-American scholar and translator.
Readings by Jack Kerouac on the Beat Generation is the third and final spoken word album by the American novelist and poet Jack Kerouac, released in January 1960 on Verve Records. The album was recorded during 1959, prior to the publication of Kerouac's sixth novel, Doctor Sax.
Albert Fairchild Saijo was a Japanese-American poet associated with the Beat Generation. He and his family were imprisoned as part of the United States government's internment of Japanese Americans during World War II, during which time he wrote editorials on his experiences of internment for his high school newspaper. Saijo went on to serve in the U.S. Army and study at the University of Southern California. Later he became associated with Beat Generation figures including Jack Kerouac, with whom he wrote, traveled and became friends.
Claude Dalenberg was a Zen priest ordained by Shunryū Suzuki and a dharma successor of Tenshin Reb Anderson.
The Zen boom was a rise in interest in Zen practices in North America, Europe, and elsewhere around the world beginning in the 1950s and continuing into the 1970s. Zen was seen as an alluring philosophical practice that acted as a tranquilizing agent against the memory of World War II, active Cold War conflicts, nuclear anxieties, and other social injustices. The surge in interest is thought to have been heavily influenced by lectures on Zen given by D.T. Suzuki at Columbia University from 1950 to 1958, as well as his many books on the subject. Authors like Ruth Fuller Sasaki and Gary Snyder also traveled to Japan to formally study Zen Buddhism. Snyder would influence fellow Beat poets from Allen Ginsberg, and Jack Kerouac, to Philip Whalen, to also follow his interest in Zen. Alan Watts also published his classic book The Way of Zen as a guide to Zen intended for western audiences.
