Readings by Jack Kerouac on the Beat Generation | ||||
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Studio album by Jack Kerouac | ||||
Released | January 1960 | |||
Recorded | 1959 | |||
Genre | Spoken word | |||
Length | 41:32 | |||
Label | Verve | |||
Producer | Bill Randle | |||
Jack Kerouac chronology | ||||
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Readings by Jack Kerouac on the Beat Generation is the third and final spoken word album by the American novelist and poet Jack Kerouac, released in January 1960 on Verve Records. The album was recorded during 1959, prior to the publication of Kerouac's sixth novel, Doctor Sax .
Spoken word is a performance art that is word-based. It is an oral art that focuses on the aesthetics of word play such as intonation and voice inflection. It is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, and hip hop, and can include comedy routines and prose monologues. Although spoken word can include any kind of poetry read aloud, it is different from written poetry in that how it sounds is often one of the main components. Unlike written poetry it has less to do with physical on the page aesthetics and more to do with phonaesthetics, or the aesthetics of sound.
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book.
A poet is a person who creates poetry. Poets may describe themselves as such or be described as such by others. A poet may simply be a writer of poetry, or may perform their art to an audience.
Jack Kerouac had released Poetry for the Beat Generation and Blues and Haikus (1959) following the publication of The Dharma Bums . Both albums featured jazz-based acommpaniment, however, for Readings by Jack Kerouac on the Beat Generation, Kerouac had decided to record the album solely in spoken word. [1] Despite having no musical acommpaniment, biographer Gerald Nicosia stated that "the musicality of Kerouac's art is best exemplified by the Readings album." [2]
Poetry for the Beat Generation is the debut album of American novelist and poet Jack Kerouac and was originally released in 1959.
Blues and Haikus is the American novelist and poet Jack Kerouac's second album and was released in 1959.
The Dharma Bums is a 1958 novel by Beat Generation author Jack Kerouac. The basis for the novel's semi-fictional accounts are events occurring years after the events of On the Road. The main characters are the narrator Ray Smith, based on Kerouac, and Japhy Ryder, based on the poet and essayist Gary Snyder, who was instrumental in Kerouac's introduction to Buddhism in the mid-1950s.
Several readings on the album are from several of Kerouac's written works. The opening track, "San Francisco Scene (The Beat Generation)," is read from extracts of Desolation Angels . Extracts from the eponymous novel The Subterraneans and poetry collection San Francisco Blues are also featured. "Visions of Neal" features extracts from the original drafts of Kerouac's most notable novel On the Road .
Desolation Angels is a semi-autobiographical novel written by Beat Generation author Jack Kerouac, which makes up part of his Duluoz Legend. It was published in 1965, but was written years earlier, around the time On the Road was in the process of publication. According to the book's foreword, the opening section of the novel is taken almost directly from the journal he kept when he was a fire lookout on Desolation Peak in the North Cascade mountains of Washington state. Much of the psychological struggle which the novel's protagonist, Jack Duluoz, undergoes in the novel reflects Kerouac's own increasing disenchantment with the Buddhist philosophy with which he had previously been fascinated.
The Subterraneans is a 1958 novella by Beat Generation author Jack Kerouac. It is a semi-fictional account of his short romance with Alene Lee (1931–1991), an African-American woman, in Greenwich Village, New York. Kerouac met Alene in the late summer of 1953 when she was typing up the manuscripts of William Burroughs and Allen Ginsberg, in Allen's Lower East Side apartment. In the novella, Kerouac moved the story to San Francisco and renamed Alene Lee "Mardou Fox". She is described as a carefree spirit who frequents the jazz clubs and bars of the budding Beat scene of San Francisco. Other well-known personalities and friends from the author's life also appear thinly disguised in the novel. The character Frank Carmody is based on William S. Burroughs, and Adam Moorad on Allen Ginsberg. Even Gore Vidal appears as successful novelist Arial Lavalina. Kerouac's alter ego is named Leo Percepied, and his long-time rival Neal Cassady is mentioned only in passing as Leroy.
On the Road is a novel by American writer Jack Kerouac, based on the travels of Kerouac and his friends across the United States. It is considered a defining work of the postwar Beat and Counterculture generations, with its protagonists living life against a backdrop of jazz, poetry, and drug use. The novel, published in 1957, is a roman à clef, with many key figures of the Beat movement, such as William S. Burroughs, Allen Ginsberg and Neal Cassady represented by characters in the book, including Kerouac himself as the narrator Sal Paradise.
The front cover of the album features a picture of Kerouac tuning a radio, taken by photographer and musician John Cohen and other photography by Robert Frank is featured elsewhere on the album's artwork. Readings by Jack Kerouac on the Beat Generation also included liner notes written by Jack Kerouac's close friend and fellow Beat writer Allen Ginsberg. Later CD pressings of the album reproduced Ginsberg's liner notes on fifteen illustrated postcards, addressed to Kerouac.
John Cohen is a founding member of the New Lost City Ramblers as well as a musicologist, photographer and filmmaker. Some of his best known images document the Abstract Expressionist scene centered on New York's Cedar Bar; gallery happenings by early performance artists; young Bob Dylan's arrival in New York; Beat Generation writers during the filming of Robert Frank and Alfred Leslie's film Pull My Daisy; and the "old time" musicians of Appalachia. He has been one of the most important "discoverers" of traditional musicians and singers, finding and recording Dillard Chandler, Roscoe Holcomb, and many banjo players, most notably on the album High Atmosphere.
Robert Frank is a Swiss-American photographer and documentary filmmaker. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. [ . . . ] it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage.
Liner notes are the writings found on the sleeves of LP record albums and in booklets which come inserted into the compact disc jewel case or the equivalent packaging for vinyl records and cassettes.
Readings by Jack Kerouac on the Beat Generation was released in January 1960 on Verve Records on LP. In June 1990, Rhino Entertainment reissued the album on CD as part of the box set The Jack Kerouac Collection, also featuring Poetry for the Beat Generation, Blues and Haikus and The Last Word. The CD reissue included a bonus track, "Is There a Beat Generation?", a live lecture by Kerouac to students of Hunter College in Manhattan, New York on November 6, 1958. [3] A remastered CD version was issued on October 28, 1997 on Verve Records.
Verve Records, also known as The Verve Music Group, founded in 1956 by Norman Granz, is home to the world's largest jazz catalogue and includes recordings by artists such as Ella Fitzgerald, Nina Simone, Stan Getz and Billie Holiday, among others. It absorbed the catalogues of Granz's earlier labels, Clef Records, founded in 1946, Norgran Records, founded in 1953, and material previously licensed to Mercury Records.
Rhino Entertainment Company is an American specialty record label and production company founded in 1978. It is currently the catalog division for Warner Music Group. Its current CEO is Mark Pinkus.
Compact disc (CD) is a digital optical disc data storage format that was co-developed by Philips and Sony and released in 1982. The format was originally developed to store and play only sound recordings (CD-DA) but was later adapted for storage of data (CD-ROM). Several other formats were further derived from these, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video Compact Disc (VCD), Super Video Compact Disc (SVCD), Photo CD, PictureCD, CD-i, and Enhanced Music CD. The first commercially available audio CD player, the Sony CDP-101, was released October 1982 in Japan.
Upon its release, the album received minimal critical reception. Allmusic reviewer Bruce Eder has since called Readings by Jack Kerouac on the Beat Generation "a solo performance that transcends poetry and music" and added "it's literally spoken jazz [...] Kerouac's most musical performance [...] using his voice and language the way a saxophonist might improvise on a particular melodic line or riff. He's spellbinding throughout, intense, focused, and even subtly changing voices with the work itself." [3] Eder awarded the album a full five-star rating. The album was later nominated for the 1999 Grammy Award for Best Recording Package. [4]
The Grammy Award for Best Recording Package is one of a series of Grammy Awards presented for the visual look of an album. It is presented to the art director of the winning album, not to the performer(s), unless the performer is also the art director.
All tracks written by Jack Kerouac.
No. | Title | Length |
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1. | "San Francisco Scene (The Beat Generation)" | 3:09 |
2. | "San Francisco Blues (Fragments)" I. "San Francisco" II. "Street Scene" III. "Money Honey" IV. "Westinghouse Elevators" V. "Old Age" VI. "Praised Be Man" VII. "The Sad Turtle" | 3:02 |
3. | "Lucien Midnight: The Sounds of the Universe in My Window" I. "Excerpt 1" II. "Excerpt 2" | 4:22 |
4. | "History of Bop" | 10:53 |
5. | "The Subterraneans" | 3:07 |
6. | "Visions of Neal: Neal and the Three Stooges" I. "Part 1" II. "Part 2" | 16:59 |
Total length: | 41:32 |
1990 CD reissue [3] bonus track | ||
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No. | Title | Length |
7. | "Is There a Beat Generation?" | 12:34 |
Total length: | 54:06 |
All personnel credits adapted from the album's liner notes. [5]
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Irwin Allen Ginsberg was an American poet, philosopher and writer. He is considered to be one of the leading figures of both the Beat Generation during the 1950s and the counterculture that soon followed. He vigorously opposed militarism, economic materialism, and sexual repression and was known as embodying various aspects of this counterculture, such as his views on drugs, hostility to bureaucracy and openness to Eastern religions. He was one of many influential American writers of his time known as the Beat Generation, which included famous writers such as Jack Kerouac and William S. Burroughs.
Jack Kerouac was an American novelist and poet of French-Canadian descent.
The Beat Generation was a literary movement started by a group of authors whose work explored and influenced American culture and politics in the post-war era. The bulk of their work was published and popularized throughout the 1950s. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.
John Haley "Zoot" Sims was an American jazz saxophonist, playing mainly tenor but also alto saxophone. He first gained attention in the "Four Brothers" sax section of Woody Herman's big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn, and the trombonist Bob Brookmeyer.
The term San Francisco Renaissance is used as a global designation for a range of poetic activity centered on San Francisco, which brought it to prominence as a hub of the American poetry avant-garde. However, others felt this renaissance was a broader phenomenon and should be seen as also encompassing the visual and performing arts, philosophy, cross-cultural interests, and new social sensibilities.
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Jazz poetry has been defined as poetry that "demonstrates jazz-like rhythm or the feel of improvisation" and also as poetry that takes jazz music, musicians, or the jazz milieu as its subject. Some critics consider it a distinct genre though others consider the term to be merely descriptive. Jazz poetry has long been something of an "outsider" art form that exists somewhere outside the mainstream, having been conceived in the 1920s by African Americans, maintained in the 1950s by counterculture poets like those of the Beat generation, and adapted in modern times into hip-hop music and live poetry events known as poetry slams.
Mexico City Blues is a poem published by Jack Kerouac in 1959 composed of 242 "choruses" or stanzas. Written between 1954 and 1957, the poem is the product of Kerouac's spontaneous prose, his Buddhism, and his disappointment at his failure to publish a novel between 1950's The Town and the City and 1957's On the Road.
Beat Generation is a play written by Jack Kerouac upon returning home to Florida after his seminal work On the Road had been published in 1957. Gerald Nicosia, a Kerouac biographer and family friend has said that theatre producer Leo Gavin suggested that Kerouac should write a play; the outcome being Beat Generation.
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Jack Kerouac was an American novelist and poet. He is considered a literary iconoclast and, alongside William S. Burroughs and Allen Ginsberg, a pioneer of the Beat Generation. Kerouac is recognized for his method of spontaneous prose. Thematically, his work covers topics such as Catholic spirituality, jazz, promiscuity, Buddhism, drugs, poverty, and travel.
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