Jean-Louis Lebris de Kérouac, often known as Jack Kerouac, was an American novelist of French Canadian ancestry, who, alongside William S. Burroughs and Allen Ginsberg, was a pioneer of the Beat Generation.
Pull My Daisy is a 1959 American short film directed by Robert Frank and Alfred Leslie, and adapted by Jack Kerouac from the third act of his play, Beat Generation.
The Beat Generation was a literary movement started by a group of authors whose work explored and influenced American culture and politics in the post-war era. The bulk of their work was published and popularized throughout the 1950s. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.
The Dharma Bums is a 1958 novel by Beat Generation author Jack Kerouac. The basis for the novel's semi-fictional accounts are events occurring years after the events of On the Road. The main characters are the narrator Ray Smith, based on Kerouac, and Japhy Ryder, based on the poet and essayist Gary Snyder, who was instrumental in Kerouac's introduction to Buddhism in the mid-1950s.
John Clellon Holmes was an American author, poet and professor, best known for his 1952 novel Go. Considered the first "Beat" novel, Go depicted events in his life with his friends Jack Kerouac, Neal Cassady and Allen Ginsberg. He was often referred to as the "quiet Beat" and was one of Kerouac's closest friends. Holmes also wrote what is considered the definitive jazz novel of the Beat Generation, The Horn.
The City Lights Pocket Poets Series is a series of poetry collections published by Lawrence Ferlinghetti and City Lights Books of San Francisco since August 1955.
Big Sur is a 1962 novel by Jack Kerouac, written in the fall of 1961 over a ten-day period, with Kerouac typewriting onto a teletype roll. It recounts the events surrounding Kerouac's three brief sojourns to a cabin in Bixby Canyon, Big Sur, California, owned by Kerouac's friend and Beat poet Lawrence Ferlinghetti. The novel departs from Kerouac's previous fictionalized autobiographical series in that the character Duluoz is shown as a popular, published author; most of Kerouac's previous novels instead portray him as a bohemian traveller.
Poetry for the Beat Generation is the debut album of American novelist and poet Jack Kerouac and was originally released in 1959. Initial performances of these poems were poorly received by an audience at the Village Vangard in 1957. However, Kerouac was so impressed with how the poems sounded when accompanied by Steve Allen's piano that it became the first record Kerouac committed to audio.
Blues and Haikus is the American novelist and poet Jack Kerouac's second album and was released in 1959.
Mexico City Blues is a poem published by Jack Kerouac in 1959 composed of 242 "choruses" or stanzas. Written between 1954 and 1957, the poem is the product of Kerouac's spontaneous prose, his Buddhism, and his disappointment at his failure to publish a novel between 1950's The Town and the City and 1957's On the Road.
Ann Charters, née Ann Ruth Danberg is a professor of American Literature at the University of Connecticut at Storrs.
"Pull My Daisy" is a poem by Allen Ginsberg, Jack Kerouac and Neal Cassady. It was written in the late 1940s in a similar way to the Surrealist “exquisite corpse” game, with one person writing the first line, the other writing the second, and so on sequentially with each person only being shown the line before.
Old Angel Midnight is a long narrative poem by American novelist and poet Jack Kerouac. It was culled from five notebooks spanning from 1956 to 1959, while Kerouac was fully absorbed by his studies of Buddhism and Buddhist philosophy. Kerouac initially experimented with Old Angel Midnight in 1953 in his diary titled "1953. Notes again." In entries dated from November 20 to December 3, 1953, he made notes on "Lucien Midnight" which was to be originally conceptualized in what he called "book movie" form, when he closed his eyes and projected onto paper a cinematic sense of what he heard. A bookmovie, he explained in Some of the Dharma, is a "prose concentration camera-eye visions of a definite movie of the mind with fade-ins, pans, close-ups, and fade-outs." Kerouac's notes on Lucien Midnight were written while staying in the Lower East Side where he initially heard sounds coming through a tenement window from the wash court below. He then heard voices coming from kitchens of the other occupants in nearby apartment buildings and a man named Paddy arriving home drunk, and even a junky stirring in his bed. Kerouac conceptualized an idea of developing a work based on James Joyce’s experimental novel Finnegans Wake where the “sounds of the universe” became the chief “plot” with all of its associated “neologisms, mental associations, puns and wordmixes” that stewed a plethora of languages and “nonlanguages.” Kerouac determinedly “scribbled out in a strictly intuitional discipline at breakneck speed” the fledgling prose that would finally comprise the finished book for City Lights's Pocket Poet series eight years later. Kerouac's one dogma was to compose Lucien Midnight strictly in pencil by candlelight. Lucien Midnight differs from his sketching method of writing because it is based upon an aural experience, and not visual. The bookmovie approach was abandoned in 1953 in favor of a different approach he had stylistically achieved by 1956.
Jack Kerouac Alley, formerly Adler Alley or Adler Place, is a one-way alleyway in San Francisco, California, that connects Grant Avenue in Chinatown, and Columbus Avenue in North Beach. The alley is named after Jack Kerouac, a Beat Generation writer who used to frequent the pub and bookstore adjacent to the alley.
Jack Kerouac was an American novelist and poet. He is considered a literary iconoclast and, alongside William S. Burroughs and Allen Ginsberg, a pioneer of the Beat Generation. Kerouac is recognized for his method of spontaneous prose. Thematically, his work covers topics such as Catholic spirituality, jazz, promiscuity, Buddhism, drugs, poverty, and travel.
The Scripture of the Golden Eternity is a book of 66 prose poems written by American novelist and poet Jack Kerouac, first published in 1960 by Corinth Books, New York City. The book is Kerouac’s sutra on Buddhist philosophy, in which he describes a "Golden Eternity" that is paradoxically everything and nothing.
Moody Street Irregulars was an American publication dedicated to the history and the cultural influences of Jack Kerouac and the Beat Generation. Edited and published by Joy Walsh, it featured articles, memoirs, reviews and poetry. Published from Clarence Center, New York, it had a run of 28 issues from Winter 1978 to 1992. Some issues were edited by Walsh with Michael Basinski and Ana Pine.
Book of Haikus is a collection of haiku poetry by Jack Kerouac. It was first published in 2003 and edited by Regina Weinreich. It consists of some 500 poems selected from a corpus of nearly 1,000 haiku jotted down by Kerouac in small notebooks.
Jack Kerouac Reads On the Road is a compilation album by American novelist and poet Jack Kerouac, released posthumously on September 14, 1999. The centrepiece of the record is a 28-minute recitation by Kerouac from his book On the Road that was recorded on an acetate disc in the 1950s but thought lost for decades, and had only recently been rediscovered at the time of release. Other tracks feature Kerouac singing renditions of Jazz hits from the 1920s, 1930s and 1940s alongside songs and poems of his own composition.
