Visions of Gerard

Last updated
Visions of Gerard
VisionsOfGerard.jpg
First edition
Author Jack Kerouac
CountryUnited States
LanguageEnglish
Publisher Farrar, Straus and Company
Publication date
1963
Media typePrint (Hardback & Paperback)
Pages144 pp
OCLC 22710206
813/.54 20
LC Class PS3521.E735 V47 1991
Preceded by Big Sur
(1962) 
Followed by Desolation Angels
(1965) 

Visions of Gerard is a novel by American Beat writer Jack Kerouac. Written in the first two weeks of 1956, while staying with his sister Caroline in Rocky Mount, North Carolina, Kerouac's novel would not be published until 1963. [1] It is the first volume in Kerouac's "Duluoz Legend". Uniquely among Kerouac's novels, Visions of Gerard focuses on the scenes and sensations of childhood as evidenced in the tragically short yet happy life of his older brother, Gerard. Kerouac paints a picture of the boy as a saint, who loves all creatures and teaches this doctrine to four-year-old Jack. Set in Kerouac's hometown of Lowell, Massachusetts, it is a beautiful but unsettling exploration of the meaning and precariousness of existence. [2]

Contents

Explanation of the novel's title

Throughout the novel, Jack explores perspective and interpretations of the world—existence, reality, illusion—and through the death of his older brother Gerard, Jack realizes the truth that has been passed on throughout history. The title is consistent with that of one of Kerouac's other character studies, Visions of Cody , which centers on his experiences with Neal Cassady.

Influence

Scholar Laurence Coupe has argued that the identity of the title character of Bob Dylan's song "Visions of Johanna" (from the 1966 album Blonde on Blonde ) "echoes" Visions of Gerard, and the song as a whole, like the novel, "would seem to be about the hunger for beatific experience—the hope that the sacred realm might yet be glimpsed within the profane. Johanna, like Gerard, represents the salvation that comes out of suffering. But unlike Kerouac, Dylan depicts this possibility as tauntingly remote—a cause of suffering in itself." [3]

Character list

Kerouac often based his fictional characters on friends and family. [4]

"Because of the objections of my early publishers I was not allowed to use the same personae names in each work." [5]

Real-life personCharacter name
Jack Kerouac Jack Duluoz
Leo Kerouac Emil "Pop" Duluoz
Gerard Kerouac Gerard Duluoz
Gabrielle Kerouac Ange Duluoz

Related Research Articles

<span class="mw-page-title-main">Jack Kerouac</span> American writer (1922–1969)

Jean-Louis Lebris de Kérouac, known as Jack Kerouac, was an American novelist and poet who, alongside William S. Burroughs and Allen Ginsberg, was a pioneer of the Beat Generation.

<span class="mw-page-title-main">Beatnik</span> Media stereotype based on characteristics of the Beat Generation

Beatniks were members of a social movement in the 1950s and early 1960s who subscribed to an anti-materialistic lifestyle. They rejected the conformity and consumerism of mainstream American culture and expressed themselves through various forms of art, such as literature, poetry, music and painting. They also experimented with spirituality, drugs, sexuality, and travel. The term “beatnik” was coined by San Francisco Chronicle columnist Herb Caen in 1958, as a derogatory label for the followers of the Beat Generation, a group of influential writers and artists who emerged in the late 1940s and early 1950s. The name was inspired by the Russian suffix “-nik”, which was used to denote members of various political or social groups. The term “beat” originally was used by Jack Kerouac in 1948 to describe his social circle of friends and fellow writers, such as Allen Ginsberg, William S. Burroughs, and Neal Cassady. Kerouac said that “beat” had multiple meanings, such as “beaten down”, “beatific”, “beat up”, and “beat out”. He also associated it with the musical term “beat”, which referred to the rhythmic patterns of jazz, a genre that influenced many beatniks.

<span class="mw-page-title-main">Beat Generation</span> Literary movement

The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-World War II era. The bulk of their work was published and popularized by Silent Generationers in the 1950s, better known as Beatniks. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.

<span class="mw-page-title-main">Neal Cassady</span> American writer (1926–1968)

Neal Leon Cassady was a major figure of the Beat Generation of the 1950s and the psychedelic and counterculture movements of the 1960s.

<i>Blonde on Blonde</i> 1966 studio album by Bob Dylan

Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know ". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.

<i>On the Road</i> 1957 novel by Jack Kerouac

On the Road is a 1957 novel by American writer Jack Kerouac, based on the travels of Kerouac and his friends across the United States. It is considered a defining work of the postwar Beat and Counterculture generations, with its protagonists living life against a backdrop of jazz, poetry, and drug use. The novel is a roman à clef, with many key figures of the Beat movement, such as William S. Burroughs, Allen Ginsberg, and Neal Cassady represented by characters in the book, including Kerouac, himself, as the narrator, Sal Paradise.

<i>Visions of Cody</i>

Visions of Cody is an experimental novel by Jack Kerouac. It was written in 1951–1952, and though not published in its entirety until 1972, it had by then achieved an underground reputation. Since its first printing, Visions of Cody has been published with an introduction by Beat poet Allen Ginsberg titled "The Visions of the Great Rememberer."

<i>Vanity of Duluoz</i> 1968 semi-autobiographical novel by Jack Kerouac

Vanity of Duluoz: An Adventurous Education, 1935–46 is a 1968 semi-autobiographical novel by Jack Kerouac. The book describes the adventures of Kerouac's alter ego, Jack Duluoz, covering the period of his life between 1935 and 1946. The book includes reminiscences of the author's high school experiences in Lowell, Massachusetts, his education at Columbia University, and his subsequent naval service during World War II. It culminates with the beginnings of the beat movement. It was Kerouac's last work published during his life. The tone of the book has been noted for its stark contrast to On the Road.

<i>The Dharma Bums</i> 1958 novel by Jack Kerouac

The Dharma Bums is a 1958 novel by Beat Generation author Jack Kerouac. The basis for the novel's semi-fictional accounts are events occurring years after the events of On the Road. The main characters are the narrator Ray Smith, based on Kerouac, and Japhy Ryder, based on the poet and essayist Gary Snyder, who was instrumental in Kerouac's introduction to Buddhism in the mid-1950s.

<i>The Subterraneans</i> Novel by Jack Kerouac

The Subterraneans is a 1958 novella by Beat Generation author Jack Kerouac. It is a semi-fictional account of his short romance with Alene Lee (1931–1991), an African-American woman, in Greenwich Village, New York. It was the first work of Kerouac’s to be released following the success of On the Road. The Subterraneans and its following novel,The Dharma Bums, both proved to be popular when released in 1958, and are now seen as important works of the Beat Literature. A Hollywood film adaptation would be released in 1960.

<span class="mw-page-title-main">Subterranean Homesick Blues</span> Bob Dylan song

"Subterranean Homesick Blues" is a song by Bob Dylan, recorded on January 14, 1965, and released as a single by Columbia Records, catalogue number 43242, on March 8. It was the lead track on the album Bringing It All Back Home, released some two weeks later. It was Dylan's first Top 40 hit in the United States, peaking at number 39 on the Billboard Hot 100. It also entered the Top 10 of the UK Singles Chart. The song has subsequently been reissued on numerous compilations, the first being the 1967 singles compilation Bob Dylan's Greatest Hits. One of Dylan's first electric recordings, "Subterranean Homesick Blues" is also notable for its innovative music video, which first appeared in D. A. Pennebaker's documentary Dont Look Back. An acoustic version of the song, recorded the day before the single, was released on The Bootleg Series Volumes 1–3 1961–1991.

<i>Desolation Angels</i> (novel) 1965 novel by Jack Kerouac

Desolation Angels is a semi-autobiographical novel written by Beat Generation author Jack Kerouac, which makes up part of his Duluoz Legend. It was published in 1965, but was written years earlier, around the time On the Road was in the process of publication. The events described in the novel take place from 1956-1957. Much of the psychological struggle which the novel's protagonist, Jack Duluoz, undergoes in the novel reflects Kerouac's own increasing disenchantment with the Buddhist philosophy. Throughout the novel, Kerouac discusses his disenchantment with fame, and complicated feelings towards the Beat Generation. He also discusses his relationship with his mother and his friends such as Allen Ginsberg, Neal Cassady, Lucienn Carr and William S. Burroughs. The novel is also notable for being a relatively positive portrayal of homosexuality and homosexual characters, despite its use of words that were at the time considered homophobic slurs.

"Visions of Johanna" is a song written and performed by Bob Dylan on his 1966 album Blonde on Blonde. Several critics have acclaimed "Visions of Johanna" as one of Dylan's highest achievements in writing, praising the allusiveness and subtlety of the language. Rolling Stone included "Visions of Johanna" on their list of the 500 Greatest Songs of All Time. In 1999, Sir Andrew Motion, Poet Laureate of the United Kingdom, listed it as the greatest song lyric ever written.

<i>Big Sur</i> (novel) Novel by Jack Kerouac

Big Sur is a 1962 novel by Jack Kerouac, written in the fall of 1961 over a ten-day period, with Kerouac typewriting onto a teletype roll. It recounts the events surrounding Kerouac's three brief sojourns to a cabin in Bixby Canyon, Big Sur, California, owned by Kerouac's friend and Beat poet Lawrence Ferlinghetti; at the same time dealing with his increased drinking and declining mental health. It is Kerouac’s first novel to be fully written following his success in the late 1950s, and thus departs from his previous fictionalized autobiographical series in that the character Duluoz is shown as a popular, published author; most of Kerouac's previous novels instead portray him as a bohemian traveller.

<i>Maggie Cassidy</i> Novel by Jack Kerouac

Maggie Cassidy is a novel by the American writer Jack Kerouac, first published in 1959. It is a largely autobiographical work about Kerouac's early life in Lowell, Massachusetts, from 1938 to 1939, and chronicles his real-life relationship with his teenage sweetheart Mary Carney. It is unique for Kerouac for its high school setting and teenage characters. He wrote the novel in 1953 but it was not published until 1959, after the success of On the Road (1957).

<span class="mw-page-title-main">Beatniks (novel)</span>

Beatniks: An English Road Movie (1997) is a novel by British author Toby Litt set in Bedford in the United Kingdom in 1995, and concerns the adventures of a group of young people who admire the Beat Writers and Musicians of the 1950s and 1960s America. Initially published by Secker & Warburg in 1997.

William Cannastra was a member of the early Beat Generation scene in New York. He was a "wild man" figure that the writers in the group found interesting, similar to their fascination with Neal Cassady. Characters based on Bill Cannastra were included in both the John Clellon Holmes novel Go and Jack Kerouac's Visions of Cody. He is also described in Allen Ginsberg's "Howl".

Jack Kerouac was an American novelist and poet. He is considered a literary iconoclast and, alongside William S. Burroughs and Allen Ginsberg, a pioneer of the Beat Generation. Kerouac is recognized for his method of spontaneous prose. Thematically, his work covers topics such as Catholic spirituality, jazz, promiscuity, Buddhism, drugs, poverty, and travel. Kerouac used the name "Duluoz Legend" to refer to his collected autobiographical works.

<span class="mw-page-title-main">Bob Dylan World Tour 1966</span> Concert tour undertaken by American musician Bob Dylan

The Bob Dylan World Tour 1966 was a concert tour undertaken by American musician Bob Dylan, from February to May 1966. Dylan's 1966 World Tour was notable as the first tour where Dylan employed an electric band backing him, following him "going electric" at the 1965 Newport Folk Festival. The musicians Dylan employed as his backing band were known as the Hawks, who later became famous as the Band.

<i>The Sea Is My Brother</i> 2011 posthumous novel by Jack Kerouac

The Sea Is My Brother is a novel by the American author Jack Kerouac, published in 2011. The novel was written in 1942 and remained unpublished throughout Kerouac's lifetime due to his dissatisfaction with it. The plot and its characters are based on Kerouac's experience in United States Merchant Marine during World War II.

References

  1. Kerouac, Jack. Visions of Cody, Visions of Gerard, Big Sur. New York: Library of America, 2015, p. 763 ISBN   978-1-59853374-3
  2. McLaughlin, K., 'Jack Kerouac's Visions of Gerard', in Wills, D. (ed.) Beatdom Vol. 4 (Mauling Press: Dundee, 2009) Archived October 12, 2009, at the Wayback Machine
  3. "'Vision music': Bob Dylan via Jack Kerouac and Allen Ginsberg" by Laurence Coupe in Beat Sound, Beat Vision: The Beat Spirit and Popular Song (Manchester University Press 2012). Quoted in "Same Song Different Readings: Bob Dylan’s ‘Visions of Johanna’" by Laurence Coupe, Pop Matters. 15 June 2022. Accessed 29 November 2023.
  4. Who’s Who: A Guide to Kerouac’s Characters
  5. Kerouac, Jack. Visions of Cody. London and New York: Penguin Books Ltd. 1993.