Heart Beat | |
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Directed by | John Byrum |
Written by | Screenplay: John Byrum Autobiography/source: Carolyn Cassady |
Produced by | Michael Shamberg Alan Greisman David Axelrod Edward R. Pressman |
Starring | Nick Nolte Sissy Spacek John Heard |
Cinematography | László Kovács |
Edited by | Eric Jenkins |
Music by | Jack Nitzsche |
Production company | |
Distributed by | Warner Bros. |
Release date |
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Running time | 110 minutes |
Country | United States |
Budget | $3.5 million [1] |
Box office | $954,046 [2] |
Heart Beat is a 1980 American romantic drama film written and directed by John Byrum, based on the autobiography by Carolyn Cassady. [3] The film is about seminal figures in the Beat Generation. The character of Ira, played by Ray Sharkey, is based on Allen Ginsberg. [4] The film stars Nick Nolte, Sissy Spacek, and John Heard.
The movie received generally mixed reviews, although the soundtrack was met with critical acclaim. According to Box Office Mojo, its worldwide gross receipts were $954,046, making the movie a box office disappointment.
The film explores the love triangle of real-life characters Neal Cassady, Jack Kerouac, and Carolyn Cassady in the late 1950s and the 1960s. It chronicles Kerouac writing his seminal novel On the Road , and its effect on their lives.
It was one of the first movies from the newly formed Orion Productions. [5]
Roger Ebert of The Chicago Sun-Times gave the film 2½ out of 4 stars and praised certain aspects of the film:
[T]here were long stretches of Heart Beat during which I found myself wishing instead for a film version of On the Road... The movie's a triumph of art direction, all right; the locations, clothes, lighting, moods, music and whole tone of the performances are designed to lower a kind of nostalgic dropcloth over the story... This movie treats its events as so long ago, so finished and done with and bathed in a yellowing afterglow, that we don't sense the very passion and rebelliousness it's supposed to be about. What an irony for the first serious film about the Beats. [6]
Heart Beat | |
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Soundtrack album by | |
Released |
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Recorded | 1979 |
Genre | Jazz |
Label | Capitol SOO 12029 |
Producer | Jack Nitzsche |
The score was composed by Jack Nitzsche, and included the song "I Love Her, Too" co-written by Buffy Sainte-Marie and sung by Aaron Neville. The soundtrack prominently featured saxophonist Art Pepper and other West Coast jazz musicians, with the soundtrack album released on the Capitol label. [7] [8]
All compositions by Jack Nitzsche except where noted.
Jean-Louis Lebris de Kérouac, known as Jack Kerouac, was an American novelist and poet who, alongside William S. Burroughs and Allen Ginsberg, was a pioneer of the Beat Generation.
Beatniks were members of a social movement in the mid-20th century, who subscribed to an anti-materialistic lifestyle. They rejected the conformity and consumerism of mainstream American culture and expressed themselves through various forms of art, such as literature, poetry, music, and painting. They also experimented with spirituality, drugs, sexuality, and travel. The term "beatnik" was coined by San Francisco Chronicle columnist Herb Caen in 1958, as a derogatory label for the followers of the Beat Generation, a group of influential writers and artists who emerged during the era of the Silent Generation's maturing, from as early as 1946 to as late as 1963, but the subculture was at its most prevalent in the 1950s. The name was inspired by the Russian suffix "-nik", which was used to denote members of various political or social groups. The term "beat" originally was used by Jack Kerouac in 1948 to describe his social circle of friends and fellow writers, such as Allen Ginsberg, William S. Burroughs, and Neal Cassady. Kerouac said that "beat" had multiple meanings, such as "beaten down", "beatific", "beat up", and "beat out". He also associated it with the musical term "beat", which referred to the rhythmic patterns of jazz, a genre that influenced many beatniks.
Mary Elizabeth "Sissy" Spacek is an American actress. She is the recipient of numerous accolades, including an Academy Award, three Golden Globe Awards, a Screen Actors Guild Award, and nominations for four BAFTA Awards, three Primetime Emmy Awards, and a Grammy Award. Spacek was honored with a star on the Hollywood Walk of Fame in 2011.
Pull My Daisy is a 1959 American short film directed by Robert Frank and Alfred Leslie, and adapted by Jack Kerouac from the third act of his play, Beat Generation.
The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-World War II era. The bulk of their work was published and popularized by Silent Generationers in the 1950s, better known as Beatniks. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.
Neal Leon Cassady was a major figure of the Beat Generation of the 1950s and the psychedelic and counterculture movements of the 1960s.
On the Road is a 1957 novel by American writer Jack Kerouac, based on the travels of Kerouac and his friends across the United States. It is considered a defining work of the postwar Beat and Counterculture generations, with its protagonists living life against a backdrop of jazz, poetry, and drug use. The novel is a roman à clef, with many key figures of the Beat movement, such as William S. Burroughs, Allen Ginsberg, and Neal Cassady represented by characters in the book, including Kerouac, himself, as the narrator, Sal Paradise.
Visions of Cody is an experimental novel by Jack Kerouac. It was written in 1951–1952, and though not published in its entirety until 1972, it had by then achieved an underground reputation. Since its first printing, Visions of Cody has been published with an introduction by Beat poet Allen Ginsberg titled "The Visions of the Great Rememberer."
The Subterraneans is a 1958 novella by Beat Generation author Jack Kerouac. It is a semi-fictional account of his short romance with Alene Lee (1931–1991), an African-American woman, in Greenwich Village, New York. It was the first work of Kerouac’s to be released following the success of On the Road. The Subterraneans and its following novel,The Dharma Bums, both proved to be popular when released in 1958, and are now seen as important works of the Beat Literature. A Hollywood film adaptation would be released in 1960.
John Clellon Holmes was an American author, poet and professor, best known for his 1952 novel Go. Considered the first "Beat" novel, Go depicted events in his life with his friends Jack Kerouac, Neal Cassady and Allen Ginsberg. He was often referred to as the "quiet Beat" and was one of Kerouac's closest friends. Holmes also wrote what is considered the definitive jazz novel of the Beat Generation, The Horn.
Off the Road: Twenty Years with Cassady, Kerouac and Ginsberg is an autobiographical book by Carolyn Cassady. Originally published in 1990 as Off the Road: My Years with Cassady, Kerouac, and Ginsberg, it was republished by London's Black Spring Press, coinciding with the fiftieth anniversary of Jack Kerouac's On the Road. Off the Road recounts the history of Carolyn Cassady, wife of Jack Kerouac's traveling companion and On the Road's hero Neal Cassady. As Neal's wife and Kerouac's intermittent lover, Carolyn Cassady was well situated to record the inception of the Beat Generation and its influence on American culture.
Carolyn Elizabeth Robinson Cassady was an American writer and associated with the Beat Generation through her marriage to Neal Cassady and her friendships with Jack Kerouac, Allen Ginsberg, and other prominent Beat figures. She became a frequent character in the works of Jack Kerouac.
John Byrum is an American film director, and writer known for The Razor's Edge, Heart Beat, Duets and Inserts.
Who'll Stop the Rain is a 1978 American crime war film directed by Karel Reisz and starring Nick Nolte, Tuesday Weld, Michael Moriarty, and Anthony Zerbe. It was released by United Artists and produced by Herb Jaffe and Gabriel Katzka with Sheldon Schrager and Roger Spottiswoode as executive producers. The screenplay was by Judith Rascoe and Robert Stone, based on Stone's novel Dog Soldiers (1974), the music score by Laurence Rosenthal, and the cinematography by Richard H. Kline. The movie was entered in the 1978 Cannes Film Festival.
"Pull My Daisy" is a poem by Allen Ginsberg, Jack Kerouac and Neal Cassady. It was written in the late 1940s in a similar way to the Surrealist “exquisite corpse” game, with one person writing the first line, the other writing the second, and so on sequentially with each person only being shown the line before.
Beat Generation is a play written by Jack Kerouac upon returning home to Florida after his seminal work On the Road had been published in 1957. Gerald Nicosia, a Kerouac biographer and family friend has said that theatre producer Leo Gavin suggested that Kerouac should write a play; the outcome being Beat Generation.
Vesuvio Cafe is a historic bar in San Francisco, California, United States. Located at 255 Columbus Avenue, across an alley from City Lights Bookstore, the building was designed and built in 1913 by Italian architect Italo Zanolini, and remodeled in 1918.
Big Sur is a 2013 adventure drama film written and directed by Michael Polish. It is an adaptation of the 1962 novel of the same name by Jack Kerouac.
The Beat Museum is located in San Francisco, California and is dedicated to preserving the memory and works of the Beat Generation.
Haldon Chase, often referred to as "Hal Chase", was a Denver-born archaeologist, who was known for his archaeological research on several rock art sites at Colorado. Outside the field of archaeology, he was best known as part of the earliest Beat circle.