The Innovations Orchestra | |
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Compilation album by Stan Kenton and the Innovations Orchestra | |
Released | 1997 |
Recorded | February 3, 5 & 5, May 18, June 5 and August 21 & 24, September 12, 1950, and September 19 and October 12, 1951 |
Studio | Capitol Recording Studios, Melrose Avenue, Hollywood, CA and Cornell University, Ithaca, New York |
Genre | Jazz |
Length | 120:26 |
Label | Capitol CDP 7243 |
Producer | Jim Conkling |
The Innovations Orchestra is a compilation album by pianist and bandleader Stan Kenton's "Innovations" Orchestra featuring performances recorded in 1950 and 1951. The CD includes the albums Innovations in Modern Music and Stan Kenton Presents and was released by Capitol in 1997. [1] [2] [3] [4]
Review scores | |
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Source | Rating |
Allmusic | [5] |
The Penguin Guide to Jazz Recordings | [6] |
The Allmusic review by Scott Yanow observed, "The music was quite uncommercial, complex, and advanced with the emphasis on the arrangements rather than the soloists". [5] In All About Jazz William Grim wrote, "The Innovations Orchestra was quite capable of swinging and it did much of the time. But it was also capable of producing music of an extraordinarily high quality that makes one think in addition to making one's toes tap". [7]
Disc one
Disc two
Recorded at Capitol Recording Studios in Hollywood, CA on February 3, 1950 (Disc One: tracks 1–6), February 4, 1950 (Disc One tracks 7–11), February 5, 1950 (Disc One: tracks 12–16), May 18, 1950 (Disc Two: tracks 1–3), June 5, 1950 (Disc Two: tracks 4 & 5) August 21, 1950 (Disc Two: track 6), August 24, 1950 (Disc Two: track 7), September 12, 1950 (Disc Two: track 8), and September 19, 1951 (Disc Two: tracks 9 & 10); and at Cornell University, Ithaca, New York on October 14, 1951 (Disc Two: tracks 11–14)
Stanley Newcomb Kenton was an American popular music and jazz artist. As a pianist, composer, arranger and band leader, he led an innovative and influential jazz orchestra for almost four decades. Though Kenton had several pop hits from the early 1940s into the 1960s, his music was always forward-looking. Kenton was also a pioneer in the field of jazz education, creating the Stan Kenton Jazz Camp in 1959 at Indiana University.
Marion "Buddy" Childers was an American jazz trumpeter, composer and ensemble leader. Childers became famous in 1942 at the age of 16, when Stan Kenton hired him to be the lead trumpet in his band.
Laurindo Almeida was a Brazilian guitarist and composer in classical, jazz, and Latin music. He and Bud Shank were pioneers in the creation of bossa nova. Almeida was the first guitarist to receive Grammy Awards for both classical and jazz performances. His discography encompasses more than a hundred recordings over five decades.
Milt Bernhart was a West Coast jazz trombonist who worked with Stan Kenton, Frank Sinatra, and others. He supplied the solo in the middle of Sinatra's 1956 recording of I've Got You Under My Skin conducted by Nelson Riddle.
Bob Cooper was a West Coast jazz musician known primarily for playing tenor saxophone, but also for being one of the first to play jazz solos on oboe.
City of Glass, an album originally issued as a 10" LP by Stan Kenton, consists entirely of the music of Bob Graettinger. The original album has been reconstituted in different LP re-issues, and the entire set of Kenton/Graettinger Capitol Records sessions is on the digital CD City of Glass.
Stan Kenton Presents is an album by pianist and bandleader Stan Kenton with his "Innovations" Orchestra featuring performances recorded in 1950 and originally released as 78 RPM records and a 10-inch LP on Capitol before being reissued in 12-inch LP format in 1955.
Innovations in Modern Music is an album by pianist and bandleader Stan Kenton with his "Innovations" Orchestra featuring performances recorded in 1950 and originally released on the Capitol label.
This Modern World is an album by pianist and bandleader Stan Kenton featuring performances of compositions by Robert Graettinger recorded between 1951 and 1953 and originally released as a 10-inch LP on Capitol as well as a set of three 7 inch 45 rpm singles.
Popular Favorites by Stan Kenton is a compilation album by pianist and bandleader Stan Kenton featuring performances recorded between 1951 and 1953 and originally released as a 10-inch LP and 45 rpm EP on Capitol before being reissued as a 12-inch LP with additional tracks in 1955.
Artistry in Rhythm is an album by pianist and bandleader Stan Kenton featuring performances recorded in 1946 and originally released on the Capitol label as four 78rpm discs, reissued as a 10-inch (25 cm) LP in 1953, and then as a 12-inch (30 cm) LP in 1955 with additional tracks.
Encores is an album by pianist and bandleader Stan Kenton featuring performances recorded in 1945–47 and originally released on the Capitol label as three 78rpm discs, reissued as a 10-inch LP in 1950, and then as a 12-inch LP in 1955 with additional tracks.
A Presentation of Progressive Jazz is a 1948 jazz album by pianist and bandleader Stan Kenton.
Stan Kenton's Milestones is an album by pianist and bandleader Stan Kenton compiling performances recorded between 1943 and 1947 and originally collected on the Capitol label as a 10-inch LP in 1950 then reissued as a 12-inch LP with additional tracks in 1955.
Kenton in Hi-Fi is an album by bandleader and pianist Stan Kenton featuring performances of Kenton's signature compositions from the 1940s recorded in 1956 and released on the Capitol label. This album was re-released as 'Kenton in Stereo' in 1959. A 7-1/2 i.p.s.stereo reel tape - Catalog no. ZDS -10 - was recorded by Capitol and released in 1956. Apparently the stereo mix for the reel tape is unique, but the same stereo master tape was probably used for the stereo vinyl LP record.
Lush Interlude is an album by bandleader and pianist Stan Kenton featuring performances of Kenton's signature compositions from the 1940s in new arrangements featuring a large string section along with the Kenton trombones. The trumpet and sax sections were omitted and Bud Shank's solo flute is the only woodwind utilized. Recorded in 1958, the album was released on the Capitol label.
The Kenton Era is a compilation album by pianist and bandleader Stan Kenton featuring recordings from 1940 to 1954 which was originally released in two limited edition box sets, as fifteen 7 inch 45 rpm discs and four 12 inch LPs, on Capitol in 1955.
Stan Kenton Classics is an album by pianist and bandleader Stan Kenton compiling performances recorded between 1945 and 1947 and originally collected on the Capitol label as a 10-inch LP in 1950 then reissued as a 12-inch LP with additional tracks in 1955.
The Kenton Touch is an album by bandleader and pianist Stan Kenton featuring a string section. As with his previous album Lush Interlude, the trumpet and sax sections were omitted and Bud Shank's flute and alto sax is the only woodwind used. It was recorded in 1958 and released on the Capitol label.
Artistry in Voices and Brass is an album by the Stan Kenton Orchestra revisiting their popular compositions with new lyrics composed by Milt Raskin and arranged by Pete Rugolo for an 18-member vocal chorus and trombone section recorded in 1963 and released by Capitol Records.