The Gauntlet | |
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Directed by | Clint Eastwood |
Written by |
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Produced by | Robert Daley |
Starring |
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Cinematography | Rexford L. Metz |
Edited by | |
Music by | Jerry Fielding |
Production company | |
Distributed by | Warner Bros. |
Release date |
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Running time | 109 minutes |
Country | United States |
Language | English |
Budget | $5.5 million [1] [2] |
Box office | $35.4 million [3] |
The Gauntlet is a 1977 American action thriller film directed by Clint Eastwood, who stars alongside Sondra Locke. The film's supporting cast includes Pat Hingle, William Prince, Bill McKinney, and Mara Corday. Eastwood plays a down-and-out cop who falls in love with a prostitute (Locke), to whom he is assigned to escort from Las Vegas to Phoenix for her to testify against the mob.
Ben Shockley, an alcoholic Phoenix police detective, is assigned to extradite witness Augustina "Gus" Mally from Las Vegas. His superior, Commissioner Edgar Blakelock, remarks that she is a "nothing witness" for a "nothing trial". Upon meeting Mally, he finds that she is a belligerent prostitute with mob ties and is convinced that she and Shockley are being set up. Shockley dismisses her concerns but changes his mind when he learns that local bookmakers are taking bets on whether Mally will live to testify.
The car he arranges to pick them up is bombed and Mally's house is subsequently fired on by the police after Shockley is framed for kidnapping and attempted murder. Shockley and Mally hijack a county constable at gunpoint and force him to drive them across the border to Arizona. When the constable attempts to alert local authorities, he is gunned down by mob hitmen. Forced to camp for the night, Shockley stumbles across a biker rally and bluffs them into leaving, while also obtaining a motorcycle.
Blakelock is revealed to be responsible for the set-up; he is secretly in the pocket of the mob and had engaged in sadomasochistic sexual abuse with Mally, who had memorized his face. ADA John Feyderspiel is also shown to be involved as part of a conspiracy to thwart Arizona's prosecution of Vegas mobster Angelo Deluca.
While stopping in town for a meal, the two are ambushed by a police chopper sent by Blakelock; Shockley lures it into an area filled with high-altitude power lines and the chopper eventually explodes after striking a pylon. The motorcycle is disabled by a stray bullet, so they hop on a train, on which, coincidentally, the same two bikers whose machine they had "borrowed" are riding. The bikers beat Shockley and attempt to rape Mally. Shockley is only barely able to retrieve his gun and force them off. Shockley and Mally both realize that going back to Phoenix will be suicide, but it is the only way to prove their innocence.
Following a night together where they decide to marry, Shockley has Mally hold up a bus while he throws out the luggage. After reinforcing the driver's seat with armored plating, they drive into Phoenix using a route Shockley had purposefully mailed to Blakelock. Maynard Josephson, Shockley's former partner, warns the two of a gauntlet of armed police officers that Blakelock has set up to "welcome" them. Josephson convinces Shockley to turn himself in to Feyderspiel, whom he mistakenly thinks will help them. As the pair follow Josephson outside, Josephson is shot dead by snipers from a nearby building, and Shockley is hit in the leg.
With no other option, the two return to the bus and enter the town. The bus is shot at as it runs the titular "gauntlet" of hundreds of armed officers lining both sides of the road, until it reaches the steps of City Hall, finally immobilized. Shockley emerges and begins to walk inside with Mally when Blakelock and Feyderspiel confront them. A panicking Blakelock grabs the nearest officer's gun and murders Feyderspiel but runs out of ammo before he can finish Shockley. Mally grabs Shockley's revolver and shoots the commissioner dead. Realizing Blakelock's crimes, the rest of the assembled officers watch as Shockley and Mally walk away safely from the gauntlet.
Written by Dennis Shryack and Michael Butler, [1] the film was originally set to star Marlon Brando and Barbra Streisand; Brando subsequently withdrew and was replaced by Steve McQueen. [4] However, differences between McQueen and Streisand ultimately led to their joint departure in favor of Eastwood and Locke. [N 1] Some preproduction discussion occurred regarding transforming the Ben Shockley role into a fourth Dirty Harry portrayal. [6] The Gauntlet was filmed in Phoenix, Arizona, and Las Vegas, Nevada, as well as in nearby deserts in both states. Several scenes were made under the Tempe bridge between Phonix and Tempe [1] The set for the house scene was built at a cost of $250,000 and included 7,000 drilled holes that would include explosive squibs for its demolition. [2] The helicopter chase scene included a helicopter that was built without an engine for the crash sequence. [2] To simulate the gunshots from the gauntlet of officers at the end of the film, the bus was blasted with 8,000 squibs. [2] From the total budget of $5.5 million, $1 million was spent on the various action sequences. [1]
Frank Frazetta painted the super-stylized promotional billboard poster for the film. [7] The poster features a "muscled colossus Eastwood, brandishing a pistol, and scantily clad Locke, her clothes teasingly shredded, clinging onto her hero". [8]
The Gauntlet grossed $35.4 million at the box office, [3] making it the 14th-highest grossing film of 1977.
Although a hit with the public, the critics were mixed about the film.
Roger Ebert gave the film three stars out of four and called it "classic Clint Eastwood: fast, furious, and funny. It tells a cheerfully preposterous story with great energy and a lot of style, and nobody seems more at home in this sort of action movie than Eastwood." [9] Vincent Canby of The New York Times called it "a movie without a single thought in its head, but its action sequences are so ferociously staged that it's impossible not to pay attention most of the time." [10] Arthur D. Murphy of Variety wrote, "At the very least, Eastwood periodically tries something different, and if the price of that is a run of formula programmers, let it be." [11] Gene Siskel of the Chicago Tribune gave the film one-and-a-half stars out of four and stated, "This is a very stupid movie. Supposedly, it's all meant to be in good fun. And true, the script does have the dialog of a comic book. But there is not one bit of wit in the film." [12] Kevin Thomas of the Los Angeles Times declared, "Until it overreaches in its final minutes, Clint Eastwood's 'The Gauntlet' succeeds in making the fantastic credible. Indeed, the getting there is so outrageous and witty that those who admire Eastwood's laconic style behind the camera as well as in front of it are likely to overlook that flawed finale. At any rate, there's plenty going on at all times to please action fans." [13] Gary Arnold of The Washington Post wrote, "If 'The Gauntlet' improves on Eastwood's customary box-office success, I hope it will be ascribed to the glimmers of old-fashioned romantic devotion and the expressions of support for middle-class stability and respectability that have been allowed to mitigate the usual nihilistic mayhem." [14] Judith Crist of the New York Post thought that the film was "a mindless compendium of stale plot and stereotyped characters varnished with foul language and garnished with violence." [8] David Ansen of Newsweek wrote, "You don't believe a minute of it, but at the end of the quest, it's hard not to chuckle and cheer." [15]
The film has a score of 75% on Rotten Tomatoes based on 28 reviews. [16]
The Gauntlet | |
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Soundtrack album by | |
Released |
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Recorded | September 13 & 15, 1977 The Burbank Studios Hollywood, California |
Genre | Film score |
Length | 31:07 |
Label | Warner Bros. BSK 3144 |
The film score was composed and conducted by Jerry Fielding featuring soloists Art Pepper and Jon Faddis and the soundtrack album was released on the Warner Bros. label in 1978. [17]
Review scores | |
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Source | Rating |
Allmusic | [18] |
The AllMusic review by Donald A. Guarisco states: "All in all, The Gauntlet is a strong, consistently engaging album that is well worth a listen for any soundtrack buff whose tastes lean toward the 'crime jazz' sound". [18]
Eastwood is producing a remake of the film, which is slated to be released in late 2025 or early 2026. Christopher McQuarrie will direct, with Tom Cruise and Scarlett Johansson attached to star as Detective Ben Shockley and Gus Mally, respectively.
Clinton Eastwood Jr. is an American actor and film director. After achieving success in the Western TV series Rawhide, Eastwood rose to international fame with his role as the "Man with No Name" in Sergio Leone's Dollars Trilogy of spaghetti Westerns during the mid-1960s and as antihero cop Harry Callahan in the five Dirty Harry films throughout the 1970s and 1980s. These roles, among others, have made Eastwood an enduring cultural icon of masculinity. Elected in 1986, Eastwood served for two years as the mayor of Carmel-by-the-Sea, California.
The Outlaw Josey Wales is a 1976 American revisionist Western film set during and after the American Civil War. It was directed by and starred Clint Eastwood, with Chief Dan George, Sondra Locke, Bill McKinney and John Vernon. During the Civil War, Josey Wales is a Missouri farmer turned soldier who seeks to avenge the death of his family and gains a reputation as a feared gunfighter. At the end of the war his group surrenders but is massacred, and Wales becomes an outlaw, pursued by bounty hunters and soldiers.
Unforgiven is a 1992 American Western film produced and directed by Clint Eastwood. It stars Eastwood himself, as William Munny, an aging outlaw and killer who takes on one more job, years after he had turned to farming. The film co-stars Gene Hackman, Morgan Freeman, and Richard Harris and was written by David Webb Peoples.
Pale Rider is a 1985 American Western film produced and directed by Clint Eastwood, who also stars in the lead role. The title is a reference to the Four Horsemen of the Apocalypse, as the pale horse's ghost rider (Eastwood) represents Death. The film, which took in over $41 million at the box office, became the highest-grossing Western of the 1980s.
Dirty Harry is a 1971 American neo-noir action-thriller film produced and directed by Don Siegel, the first in the Dirty Harry series. Clint Eastwood plays the title role, in his first appearance as San Francisco Police Department (SFPD) Inspector "Dirty" Harry Callahan. The film drew upon the real-life case of the Zodiac Killer as the Callahan character seeks out a similar vicious psychopath.
Martin Patterson Hingle was an American character actor who appeared in stage productions and in hundreds of television shows and feature films. His first film was On the Waterfront in 1954. He often played tough authority figures. Hingle was a close friend of Clint Eastwood and appeared in the Eastwood films Hang 'Em High, The Gauntlet, and Sudden Impact. He also portrayed Jim Gordon in the Batman film franchise from 1989 to 1997.
Sandra Louise Anderson, professionally known as Sondra Locke, was an American actress and director.
The Enforcer is a 1976 American neo-noir action-thriller film and the third in the Dirty Harry film series. Directed by James Fargo, it stars Clint Eastwood as Inspector "Dirty" Harry Callahan, Tyne Daly as Inspector Kate Moore, and DeVeren Bookwalter as criminal mastermind Bobby Maxwell. It was also the last film in the series to feature John Mitchum as Inspector Frank DiGiorgio.
Sudden Impact is a 1983 American neo-noir action-thriller film, the fourth in the Dirty Harry series, directed, produced by and starring Clint Eastwood and co-starring Sondra Locke. The film tells the story of a gang rape victim (Locke) who decides to seek revenge on her rapists 10 years after the attack by killing them one by one. Inspector Callahan (Eastwood), famous for his unconventional and often brutal crime-fighting tactics, is tasked with tracking down the serial killer.
Every Which Way but Loose is a 1978 American action comedy film released by Warner Bros. starring Clint Eastwood in an uncharacteristic and offbeat comedy role. It was produced by Robert Daley and directed by James Fargo. Eastwood plays Philo Beddoe, a trucker and bare-knuckle brawler roaming the American West in search of a lost love while accompanied by his brother/manager Orville and his pet orangutan Clyde. Philo encounters a wide assortment of characters, including a pair of police officers and a motorcycle gang who pursue him for revenge.
The Eiger Sanction is a 1975 American action film directed by and starring Clint Eastwood. Based on the 1972 novel The Eiger Sanction by Trevanian, the film is about Jonathan Hemlock, an art history professor, mountain climber, and former assassin once employed by a secret government agency, who is blackmailed into returning to his deadly profession for one last mission.
Any Which Way You Can is a 1980 American action comedy film directed by Buddy Van Horn and starring Clint Eastwood, with Sondra Locke, Geoffrey Lewis, William Smith, and Ruth Gordon in supporting roles. The film is the sequel to the 1978 hit comedy Every Which Way but Loose. The cast of the previous film return as Philo Beddoe (Eastwood) reluctantly comes out of retirement from underground bare-knuckle boxing to take on a champion hired by the mafia, who will stop at nothing to ensure the fight takes place, while the neo-Nazi biker gang Philo humiliated in the previous film also comes back for revenge.
Clint Eastwood is an American film actor, film director, film producer, singer, composer and lyricist. He has appeared in over 60 films. His career has spanned 65 years and began with small uncredited film roles and television appearances. Eastwood has acted in multiple television series, including the eight-season series Rawhide (1959–1965). Although he appeared in several earlier films, mostly uncredited, his breakout film role was as the Man with No Name in the Sergio Leone–directed Dollars Trilogy: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966), which weren't released in the United States until 1967/68. In 1971, Eastwood made his directorial debut with Play Misty for Me. Also that year, he starred as San Francisco police inspector Harry Callahan in Dirty Harry. The film received critical acclaim, and spawned four more films: Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983), and The Dead Pool (1988).
Coogan's Bluff is a 1968 American crime thriller film directed and produced by Don Siegel. It stars Clint Eastwood, Susan Clark, Don Stroud, Tisha Sterling, Betty Field and Lee J. Cobb. The film marks the first of five collaborations between Siegel and Eastwood, which continued with Two Mules for Sister Sara (1970), The Beguiled (1971), Dirty Harry (1971) and Escape from Alcatraz (1979).
Hang 'Em High is a 1968 American revisionist Western film directed by Ted Post and written by Leonard Freeman and Mel Goldberg. It stars Clint Eastwood as Jed Cooper, an innocent man who survives a lynching; Inger Stevens as a widow who helps him; Ed Begley as the leader of the gang that lynched Cooper; and Pat Hingle as the federal judge who hires him as a Deputy U.S. Marshal.
Bronco Billy is a 1980 American Western comedy-drama film starring Clint Eastwood and Sondra Locke. It was directed by Eastwood and written by Dennis Hackin.
Joe Kidd is a 1972 American Revisionist Western film starring Clint Eastwood and Robert Duvall, written by Elmore Leonard and directed by John Sturges.
Clint Eastwood was born on May 31, 1930, in San Francisco, California, to Clinton Eastwood Sr. and Margret Ruth.
Clint Eastwood has had numerous casual and serious relationships of varying length and intensity over his life, many of which overlapped. He has eight known children by six women, only half of whom were contemporaneously acknowledged. Eastwood refuses to confirm his exact number of offspring, and there have been wide discrepancies in the media regarding the number. His biographer, Patrick McGilligan, has stated on camera that Eastwood's total number of children is indeterminate and that "one was when he was still in high school."
Joyce Heims was an American screenwriter best known for her collaborations with actor-director Clint Eastwood. Born in Philadelphia, Heims moved out to the US west coast in early adulthood. She worked various jobs before starting a career writing for film and television during the 1960s. In addition to co-writing the story for Eastwood's role in Dirty Harry, Heims drafted the screenplay for Play Misty for Me, which served as Eastwood's own directorial debut in 1971. Heims continued to screenwrite throughout the decade before dying of breast cancer in 1978.
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