Stan Kenton Classics | ||||
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Compilation album by Stan Kenton and His Orchestra | ||||
Released | 1952 | |||
Recorded | May 20, 1944 – December 22, 1947 Hollywood, California, Chicago, Illinois and New York City | |||
Genre | Jazz | |||
Label | Capitol H/T 248 | |||
Stan Kenton chronology | ||||
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Stan Kenton Classics is an album by pianist and bandleader Stan Kenton compiling performances recorded between 1945 and 1947 and originally collected on the Capitol label as a 10-inch LP in 1950 then reissued as a 12-inch LP with additional tracks in 1955. [1] [2]
Review scores | |
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Source | Rating |
Allmusic | [3] |
All compositions by Stan Kenton except where noted.
Something Cool is the debut solo album by June Christy, released on Capitol Records first as a 10-inch LP of seven selections in August of 1954, and then as a 12-inch LP of eleven selections the following August, both times in monophonic sound. The original seven selections for the 1954 release were recorded over seven sessions from August of 1953 through March of 1954, with the additional four for the 1955 issue from four additional sessions in December of 1954 as well as May and June of 1955, with arrangements for all sessions written and conducted by Pete Rugolo. Her saxophonist husband, Bob Cooper, also played on many of these sessions. In April of 1960, Christy and Rugolo re-recorded all 11 selections in stereophonic sound, so that a stereo version of Something Cool could be issued. For many years, this re-recorded version of the album was the only one commercially available.
City of Glass, an album originally issued as a 10" LP by Stan Kenton, consists entirely of the music of Bob Graettinger. The original album has been reconstituted in different LP re-issues, and the entire set of Kenton/Graettinger Capitol Records sessions is on the digital CD City of Glass.
Stan Kenton Presents is an album by pianist and bandleader Stan Kenton with his "Innovations" Orchestra featuring performances recorded in 1950 and originally released as 78 RPM records and a 10-inch LP on Capitol before being reissued in 12-inch LP format in 1955.
Innovations in Modern Music is an album by pianist and bandleader Stan Kenton with his "Innovations" Orchestra featuring performances recorded in 1950 and originally released on the Capitol label.
Popular Favorites by Stan Kenton is a compilation album by pianist and bandleader Stan Kenton featuring performances recorded between 1951 and 1953 and originally released as a 10-inch LP and 45 rpm EP on Capitol before being reissued as a 12-inch LP with additional tracks in 1955.
Artistry in Rhythm is an album by pianist and bandleader Stan Kenton featuring performances recorded in 1946 and originally released on the Capitol label as four 78rpm discs, reissued as a 10-inch (25 cm) LP in 1953, and then as a 12-inch (30 cm) LP in 1955 with additional tracks.
Encores is an album by pianist and bandleader Stan Kenton featuring performances recorded in 1945–47 and originally released on the Capitol label as three 78rpm discs in 1949, reissued as a 10-inch LP in 1950, and then as a 12-inch LP in 1955 with additional tracks.
A Presentation of Progressive Jazz is a 1948 jazz album by pianist and bandleader Stan Kenton.
Stan Kenton's Milestones is an album by pianist and bandleader Stan Kenton compiling performances recorded between 1943 and 1947 and originally collected on the Capitol label as a 10-inch LP in 1950 then reissued as a 12-inch LP with additional tracks in 1955.
Kenton in Hi-Fi is an album by bandleader and pianist Stan Kenton featuring performances of Kenton's signature compositions from the 1940s recorded in 1956 and released on the Capitol label. This album was re-released as 'Kenton in Stereo' in 1959. A 7-1/2 i.p.s.stereo reel tape - Catalog no. ZDS -10 - was recorded by Capitol and released in 1956. Apparently the stereo mix for the reel tape is unique, but the same stereo master tape was probably used for the stereo vinyl LP record.
Kenton with Voices is an album by bandleader and pianist Stan Kenton featuring performances recorded in 1957 and released on the Capitol label.
The Kenton Era is a compilation album by pianist and bandleader Stan Kenton featuring recordings from 1940 to 1954 which was originally released in two limited edition box sets, as fifteen 7 inch 45 rpm discs and four 12 inch LPs, on Capitol in 1955.
The Kenton Touch is an album by bandleader and pianist Stan Kenton featuring a string section. As with his previous album Lush Interlude, the trumpet and sax sections were omitted and Bud Shank's flute and alto sax is the only woodwind used. It was recorded in 1958 and released on the Capitol label.
The Innovations Orchestra is a compilation album by pianist and bandleader Stan Kenton's "Innovations" Orchestra featuring performances recorded in 1950 and 1951. The CD includes the albums Innovations in Modern Music and Stan Kenton Presents and was released by Capitol in 1997.
Introducing Pete Rugolo is an album by bandleader, composer, arranger and conductor Pete Rugolo featuring performances recorded in 1954 and released on the Columbia label, initially as a 10-inch LP, then with an additional four tracks as a 12-inch LP in 1955.
Adventures in Rhythm is an album by bandleader, composer, arranger and conductor Pete Rugolo featuring performances recorded in 1954 and originally released on the Columbia label as a 12-inch LP.
An Adventure in Sound: Reeds in Hi-Fi is an album by composer, arranger and conductor Pete Rugolo featuring performances recorded in 1956 and first released on the Mercury label in 1958.
New Sounds by Pete Rugolo is an album by composer, arranger and conductor Pete Rugolo, featuring performances recorded in 1954 and 1955 for Columbia Records and first released on the budget Harmony label in 1957.
Rugolo Plays Kenton is an album by composer, arranger and conductor Pete Rugolo featuring performances of tunes associated with Stan Kenton recorded in 1958 and first released on the Mercury label.
10 Saxophones and 2 Basses is an album by composer, arranger and conductor Pete Rugolo featuring performances recorded in 1961 and first released on the Mercury label as part of its audiophile Perfect Presence Sound Series.