Lush Interlude | ||||
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Studio album by | ||||
Released | 1958 | |||
Recorded | July 14–15, 1958 | |||
Studio | Capitol (Hollywood) | |||
Genre | Jazz | |||
Label | Capitol ST 1130 | |||
Producer | Lee Gillette | |||
Stan Kenton chronology | ||||
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Lush Interlude is an album by bandleader and pianist Stan Kenton featuring performances of Kenton's signature compositions from the 1940s in new arrangements featuring a large string section along with the Kenton trombones. The trumpet and sax sections were omitted and Bud Shank's solo flute is the only woodwind utilized. Recorded in 1958, the album was released on the Capitol label. [1] [2] [3]
Review scores | |
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Source | Rating |
Allmusic | [4] |
The Allmusic review by Scott Yanow noted "Some of the music is quite romantic (particularly "Interlude" and "Opus in Pastels") and the renditions of such tunes as "Concerto to End All Concertos," "Collaboration," and "Artistry in Rhythm" certainly sound much different than the originals. A successful and often-haunting effort, well worth exploring". [4]
All compositions by Stan Kenton except where noted.
Stanley Newcomb Kenton was an American popular music and jazz artist. As a pianist, composer, arranger and band leader, he led an innovative and influential jazz orchestra for almost four decades. Though Kenton had several pop hits from the early 1940s into the 1960s, his music was always forward-looking. Kenton was also a pioneer in the field of jazz education, creating the Stan Kenton Jazz Camp in 1959 at Indiana University.
Viva Kenton! is an album by Stan Kenton, released in 1959 by Capitol Records, and later on Kenton's own Creative World label.
Pietro "Pete" Rugolo was an American jazz composer, arranger and record producer.
Laurindo Almeida was a Brazilian guitarist and composer in classical, jazz, and Latin music. He and Bud Shank were pioneers in the creation of bossa nova. Almeida was the first guitarist to receive Grammy Awards for both classical and jazz performances. His discography encompasses more than a hundred recordings over five decades.
Milt Bernhart was a West Coast jazz trombonist who worked with Stan Kenton, Frank Sinatra, and others. He supplied the solo in the middle of Sinatra's 1956 recording of I've Got You Under My Skin conducted by Nelson Riddle.
Bob Cooper was a West Coast jazz musician known primarily for playing tenor saxophone, but also for being one of the first to play jazz solos on oboe.
Innovations in Modern Music is an album by pianist and bandleader Stan Kenton with his "Innovations" Orchestra featuring performances recorded in 1950 and originally released on the Capitol label.
Artistry in Rhythm is an album by pianist and bandleader Stan Kenton featuring performances recorded in 1946 and originally released on the Capitol label as four 78rpm discs, reissued as a 10-inch LP in 1953, and then as a 12-inch LP in 1955 with additional tracks.
A Presentation of Progressive Jazz is a 1948 jazz album by pianist and bandleader Stan Kenton.
Stan Kenton's Milestones is an album by pianist and bandleader Stan Kenton compiling performances recorded between 1943 and 1947 and originally collected on the Capitol label as a 10-inch LP in 1950 then reissued as a 12-inch LP with additional tracks in 1955.
Kenton in Hi-Fi is an album by bandleader and pianist Stan Kenton featuring performances of Kenton's signature compositions from the 1940s recorded in 1956 and released on the Capitol label. This album was re-released as 'Kenton in Stereo' in 1959. A 7-1/2 i.p.s.stereo reel tape - Catalog no. ZDS -10 - was recorded by Capitol and released in 1956. Apparently the stereo mix for the reel tape is unique, but the same stereo master tape was probably used for the stereo vinyl LP record.
The Kenton Era is a compilation album by pianist and bandleader Stan Kenton featuring recordings from 1940 to 1954 which was originally released in two limited edition box sets, as fifteen 7 inch 45 rpm discs and four 12 inch LPs, on Capitol in 1955.
The Kenton Touch is an album by bandleader and pianist Stan Kenton featuring a string section. As with his previous album Lush Interlude, the trumpet and sax sections were omitted and Bud Shank's flute and alto sax is the only woodwind used. It was recorded in 1958 and released on the Capitol label.
Clifford Everett "Bud" Shank, Jr. was an American alto saxophonist and flautist. He had an extensive career, releasing albums in seven different decades.
Artistry in Bossa Nova is an album by the Stan Kenton Orchestra performing old and new compositions arranged in a bossa nova style recorded and released by Capitol Records in 1963.
Artistry in Voices and Brass is an album by the Stan Kenton Orchestra revisiting their popular compositions with new lyrics composed by Milt Raskin and arranged by Pete Rugolo for an 18-member vocal chorus and trombone section recorded in 1963 and released by Capitol Records.
An Adventure in Sound: Reeds in Hi-Fi is an album by composer, arranger and conductor Pete Rugolo featuring performances recorded in 1956 and first released on the Mercury label in 1958.
Percussion at Work is an album by composer, arranger and conductor Pete Rugolo featuring performances recorded in 1957 and first released on the EmArcy label.
Rugolo Plays Kenton is an album by composer, arranger and conductor Pete Rugolo featuring performances of tunes associated with Stan Kenton recorded in 1958 and first released on the Mercury label.
This is the discography for American jazz drummer Shelly Manne.