Contemporary Concepts | ||||
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Studio album by | ||||
Released | 1955 | |||
Recorded | July 20 & 22, 1955 Universal Studios, Chicago, IL | |||
Genre | Jazz | |||
Label | Capitol T 666 | |||
Producer | Bob Martin and Bill Putnam | |||
Stan Kenton chronology | ||||
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Contemporary Concepts is an album by pianist and bandleader Stan Kenton with featuring performances of jazz standards recorded in 1955 and released on the Capitol label. [1] [2] [3]
Stanley Newcomb Kenton was an American popular music and jazz artist. As a pianist, composer, arranger and band leader he led an innovative and influential jazz orchestra for almost four decades. Though Kenton had several pop hits from the early 1940s into the 1960s, his music was always forward looking. Kenton was also a pioneer in the field of jazz education, creating the Stan Kenton Jazz Camp in 1959 at Indiana University.
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications and jazz reference works offer a rough guide to which songs are considered standards.
Capitol Records, Inc. is an American record label owned by Universal Music Group through its Capitol Music Group imprint. It was founded as the first West Coast-based record label in the United States in 1942 by Johnny Mercer, Buddy DeSylva, and Glenn E. Wallichs. Capitol was acquired by British music conglomerate EMI as its North American subsidiary in 1955. EMI was acquired by Universal Music Group in 2012 and was merged with the company a year later, making Capitol and the Capitol Music Group both a part of UMG. The label's circular headquarter building in Hollywood is a recognized landmark of California.
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
The Allmusic review by Scott Yanow noted "The music swings well (with drummer Mel Lewis pushing the rhythm section) and such talented soloists as altoists Charlie Mariano and Lennie Niehaus, tenor-saxophonist Bill Perkins, trombonist Carl Fontana, and trumpeters Sam Noto and Stu Williamson are well-featured. Nothing all that innovative occurs but this accessible set should be of interest to fans of bop". [4]
The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal.
Sam Noto is an American jazz trumpeter born in Buffalo, New York, perhaps best known for his work with Stan Kenton during the 1950s.
Viva Kenton! is an album by Stan Kenton, released in 1959 by Capitol Records, and later on Kenton's own Creative World label.
David Van Kriedt was a composer, saxophonist and music teacher.
William Reese Perkins was an American cool jazz saxophonist and flutist popular on the West Coast jazz scene, known primarily as a tenor saxophonist. Born in San Francisco, California, Perkins started out performing in the big bands of Woody Herman and Jerry Wald. He also worked for the Stan Kenton orchestra, which led to his entry into the cool jazz idiom. He began performing with Art Pepper and Bud Shank. He was also a member of The Tonight Show Band from 1970–1992. He is probably most remembered, however, for playing tenor for The Lighthouse All-Stars. When gigs became scarce in the 1960s, Perkins had a parallel career as a recording engineer.
Cuban Fire! is an album by Stan Kenton and his orchestra released in 1956 by Capitol Records. This was Stan Kenton's big band's first full-length recording of Afro-Cuban-styled music. The LP charted for four weeks in Billboard starting on September 15, 1956, peaking at #17. The concept of the original 1956 recording centers on the Cuban Fire! suite Kenton had commissioned from composer Johnny Richards. The 1991 CD re-issue is augmented with one extra track from the 1956 sessions and five cuts recorded four years later by the first of Kenton's mellophonium orchestras.
City of Glass, an album originally issued as a 10" LP by Stan Kenton, consists entirely of the music of Bob Graettinger. The original album has been reconstituted in different LP re-issues, and the entire set of Kenton/Graettinger Capitol Records sessions is on the digital CD City of Glass.
Sketches on Standards is an album by pianist and bandleader Stan Kenton featuring performances of jazz standards recorded in 1953 and originally released on the Capitol label as a 10-inch LP.
Kenton in Hi-Fi is an album by bandleader and pianist Stan Kenton featuring performances of Kenton's signature compositions from the 1940s recorded in 1956 and released on the Capitol label. This album was re-released as Kenton in Stereo.
Kenton Showcase refers to two 10-inch LPs by bandleader Stan Kenton recorded in early 1954 on Capitol, one each featuring compositions by Bill Holman and Bill Russo. These albums were combined as a 12-inch LP in 1955.
Kenton with Voices is an album by bandleader and pianist Stan Kenton featuring performances recorded in 1957 and released on the Capitol label.
Rendezvous with Kenton is an album by bandleader and pianist Stan Kenton featuring performances recorded at the Rendezvous Ballroom in 1957 and released on the Capitol label.
Back to Balboa is an album by bandleader and pianist Stan Kenton featuring performances recorded at the Rendezvous Ballroom in 1958 and released on the Capitol label.
The Ballad Style of Stan Kenton is an album by bandleader and pianist Stan Kenton featuring performances recorded in 1958 and released on the Capitol label.
The Kenton Era is a compilation album by pianist and bandleader Stan Kenton featuring recordings from 1940 to 1954 which was originally released in two limited edition box sets, as fifteen 7 inch 45 rpm discs and four 12 inch LPs, on Capitol in 1955.
Kenton Live from the Las Vegas Tropicana is a live album by bandleader and pianist Stan Kenton featuring a concert recorded at the Blue Room of the Tropicana Hotel in 1958 and released on the Capitol label.
Sophisticated Approach is an album by the Stan Kenton Orchestra recorded in 1961 and released by Capitol Records. In 2006, Sophisticated Approach was digitally remastered and reissued on CD for the first time by Capitol Records/Blue Note Records and included six bonus tracks, including the non-album single, "Magic Moment".
Adventures in Blues is an album by the Stan Kenton Orchestra featuring compositions by Gene Roland recorded in late 1961 and released by Capitol Records in 1963.
Artistry in Bossa Nova is an album by the Stan Kenton Orchestra performing old and new compositions arranged in a bossa nova style recorded and released by Capitol Records in 1963.
Kenton / Wagner is an album by the Stan Kenton Orchestra performing jazz arrangements of Richard Wagner's compositions recorded 1964 and released by Capitol Records.
Stan Kenton Conducts the Los Angeles Neophonic Orchestra is an album by bandleader Stan Kenton recorded in 1965 by Capitol Records.