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Maxwell Lemuel Roach was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He also played with his daughter Maxine Roach, Grammy nominated Violist. He was inducted into the DownBeat Hall of Fame in 1980 and the Modern Drummer Hall of Fame in 1992.
Mitchell Herbert Ellis was an American jazz guitarist. During the 1950s, he was in a trio with pianist Oscar Peterson.
Dillon "Curley" Russell was an American jazz musician, who played bass on many bebop recordings.
William Thomas "Keter" Betts was an American jazz double bassist.
Discography for jazz double-bassist and cellist Ray Brown.
"I'll Remember April" is a popular song and jazz standard with music written in 1941 by Gene de Paul, and lyrics by Patricia Johnston and Don Raye. It made its debut in the 1942 Abbott and Costello comedy Ride 'Em Cowboy, being sung by Dick Foran. The lyric uses the seasons of the year metaphorically to illustrate the growth and death of a romance. The lyric also uses the ideas of the hours in a day and the flames of a fire to illustrate a relationship growing stronger and subsequently losing strength. Another interpretation is the use of spring to express the loves that were had in youth and remember them when the autumn of life arrives with affection and nostalgia, smiling: "I'll remember April and I smile". The song has been described as one which makes use of nostalgia.
Jack Rivers Lewis, known professionally as Jack Wilkins, was an American jazz guitarist.
"I Didn't Know What Time It Was" is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical Too Many Girls. Introduced by Richard Kollmar and Marcy Westcott in the stage musical, early hit versions were recorded by Benny Goodman and by Jimmy Dorsey .
It was then performed by Trudy Erwin and Richard Carlson in the 1940 film adaptation produced by RKO. The song was later interpolated into the score of the 1957 film Pal Joey, sung by Frank Sinatra, and has become a jazz standard.
"All the Things You Are" is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.
Birdland is a jazz club started in New York City on December 15, 1949. The original Birdland, which was located at 1678 Broadway, just north of West 52nd Street in Manhattan, was closed in 1965 due to increased rents, but it re-opened for one night in 1979. A revival began in 1986 with the opening of the second nightclub by the same name that is now located in Manhattan's Theater District, not far from the original nightclub's location. The current location is in the same building as the previous headquarters of The New York Observer.
"East of the Sun " is a popular song written by Brooks Bowman, an undergraduate member of Princeton University's Class of 1936, for the 1934 production of the Princeton Triangle Club's production of Stags at Bay. It was published in 1934 by Santly Bros. and soon became a hallmark of the Princeton Tigertones, Princeton University's signature all-male a cappella group. The standard is also sung by the Princeton Nassoons.
"Early Autumn" is a song composed by Ralph Burns and Woody Herman with lyrics by Johnny Mercer. The song grew out of the fourth segment of Burns's "Summer Sequence" concert piece. The original recording was made by Herman's second herd on December 27, 1947, which had a notable eight-bar solo by saxophonist Stan Getz. Herman asked Johnny Mercer to write lyrics in 1952 and he re-recorded the song taking the vocal duties himself.
"It Never Entered My Mind" is a show tune from the 1940 Rodgers and Hart musical Higher and Higher, where it was introduced by Shirley Ross.
Joseph Barry Galbraith was an American jazz guitarist.
The Metronome All-Stars were a collection of jazz musicians assembled for studio recordings by Metronome Magazine, based on its readers' polls. The studio sessions were held in the years 1939–42, 1946–53, and 1956, and typically consisted of two tracks which allowed each participant a chance to solo for one chorus. Earlier recordings feature more swing style, while the later sessions tend more toward bebop.
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the Birth of the Cool. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop. Cool jazz later became strongly identified with the West Coast jazz scene, but also had a particular resonance in Europe, especially Scandinavia, with emergence of such major figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail.
"Woody 'n' You", is a 1942 jazz standard written by Dizzy Gillespie as an homage to Woody Herman. It was one of three arrangements Gillespie made for Herman's big band, although it was not used at the time; the other two were "Swing Shift" and "Down Under". It was introduced on record in 1944 by Coleman Hawkins initiated by Budd Johnson, Hawkins' musical director of his 12-man orchestra that included the bebop pioneers Oscar Pettiford, Max Roach and Gillespie.
The Big Band and Jazz Hall of Fame is part of a US-based non-profit organization that began operations in 1978 and continues to the present (2022) in San Diego County, California. David Larkin is current president.
References
- ↑ Browne, Ray Broadus; Ambrosetti, Ronald J. (Sep 11, 1993). Continuities in Popular Culture: The Present in the Past & the Past in the Present and Future. Popular Press. ISBN 9780879725938 . Retrieved Sep 11, 2019– via Google Books.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. p. 158. ISBN 978-0-19-993739-4.
- ↑ "Shining Hour overview". Allmusic.com .
- ↑ "Major Jazz Minor Blues". All About Jazz .
- ↑ Ruhlmann, William. Yesterdays at AllMusic . Retrieved March 3, 2018.
- ↑ "Stevie Holland | More Than Words Can Say" at AllMusic.
