Kenton in H-Fi | ||||
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Studio album by | ||||
Released | 1956 | |||
Recorded | February 11 & 12, 1956 | |||
Studio | Goldwyn Studios, Hollywood, CA | |||
Genre | Jazz | |||
Label | Capitol W/SW 724 | |||
Producer | Lee Gillette | |||
Stan Kenton chronology | ||||
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Kenton in Hi-Fi is an album by bandleader and pianist Stan Kenton featuring performances of Kenton's signature compositions from the 1940s recorded in 1956 and released on the Capitol label. [1] [2] [3] This album was re-released as 'Kenton in Stereo' in 1959. A 7-1/2 i.p.s.stereo reel tape - Catalog no. ZDS -10 - was recorded by Capitol and released in 1956. Apparently the stereo mix for the reel tape is unique, but the same stereo master tape was probably used for the stereo vinyl LP record.
Review scores | |
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Source | Rating |
Allmusic | [4] |
The Penguin Guide to Jazz Recordings | [5] |
The Allmusic review by Stephen Cook noted "Thanks to a seamless mix of dazzling charts and liberal doses of Lunceford and Ellington-inspired swing, the marriage certainly works on Kenton in Hi-Fi. Old hits like "Eager Beaver" and "Artistry In Boogie" sparkle in the warm glow of '50s stereo technology, while fiery renditions of "Lover" and "The Peanut Vendor" show the famous muscle of the Kenton band. ...one can see why this album was not only one of Kenton's most popular releases, but a critical success as well". [4]
All compositions by Stan Kenton except where noted.
Stanley Newcomb Kenton was an American popular music and jazz artist. As a pianist, composer, arranger and band leader, he led an innovative and influential jazz orchestra for almost four decades. Though Kenton had several pop hits from the early 1940s into the 1960s, his music was always forward-looking. Kenton was also a pioneer in the field of jazz education, creating the Stan Kenton Jazz Camp in 1959 at Indiana University.
Viva Kenton! is an album by Stan Kenton, released in 1959 by Capitol Records, and later on Kenton's own Creative World label.
Pietro "Pete" Rugolo was an American jazz composer, arranger and record producer.
Milt Bernhart was a West Coast jazz trombonist who worked with Stan Kenton, Frank Sinatra, and others. He supplied the solo in the middle of Sinatra's 1956 recording of I've Got You Under My Skin conducted by Nelson Riddle.
Artistry in Rhythm is an album by pianist and bandleader Stan Kenton featuring performances recorded in 1946 and originally released on the Capitol label as four 78rpm discs, reissued as a 10-inch LP in 1953, and then as a 12-inch LP in 1955 with additional tracks.
Encores is an album by pianist and bandleader Stan Kenton featuring performances recorded in 1945–47 and originally released on the Capitol label as three 78rpm discs, reissued as a 10-inch LP in 1950, and then as a 12-inch LP in 1955 with additional tracks.
A Presentation of Progressive Jazz is a 1948 jazz album by pianist and bandleader Stan Kenton.
Stan Kenton's Milestones is an album by pianist and bandleader Stan Kenton compiling performances recorded between 1943 and 1947 and originally collected on the Capitol label as a 10-inch LP in 1950 then reissued as a 12-inch LP with additional tracks in 1955.
Lush Interlude is an album by bandleader and pianist Stan Kenton featuring performances of Kenton's signature compositions from the 1940s in new arrangements featuring a large string section along with the Kenton trombones. The trumpet and sax sections were omitted and Bud Shank's solo flute is the only woodwind utilized. Recorded in 1958, the album was released on the Capitol label.
The Kenton Era is a compilation album by pianist and bandleader Stan Kenton featuring recordings from 1940 to 1954 which was originally released in two limited edition box sets, as fifteen 7 inch 45 rpm discs and four 12 inch LPs, on Capitol in 1955.
Stan Kenton Classics is an album by pianist and bandleader Stan Kenton compiling performances recorded between 1945 and 1947 and originally collected on the Capitol label as a 10-inch LP in 1950 then reissued as a 12-inch LP with additional tracks in 1955.
The Kenton Touch is an album by bandleader and pianist Stan Kenton featuring a string section. As with his previous album Lush Interlude, the trumpet and sax sections were omitted and Bud Shank's flute and alto sax is the only woodwind used. It was recorded in 1958 and released on the Capitol label.
Kenton Live from the Las Vegas Tropicana is a live album by bandleader and pianist Stan Kenton featuring a concert recorded at the Blue Room of the Tropicana Hotel in 1958 and released on the Capitol label.
Road Show is a live album by bandleader and pianist Stan Kenton and His Orchestra with vocalists June Christy and The Four Freshmen featuring a concert recorded at the Purdue University in 1959 and released on the Capitol label as a double album.
Artistry in Bossa Nova is an album by the Stan Kenton Orchestra performing old and new compositions arranged in a bossa nova style recorded and released by Capitol Records in 1963.
Artistry in Voices and Brass is an album by the Stan Kenton Orchestra revisiting their popular compositions with new lyrics composed by Milt Raskin and arranged by Pete Rugolo for an 18-member vocal chorus and trombone section recorded in 1963 and released by Capitol Records.
Music for Hi-Fi Bugs is an album by composer, arranger and conductor Pete Rugolo featuring performances recorded in 1956 and originally released on the EmArcy label as a 12-inch LP. Tracks from this album were later released in stereo on Music from Out of Space and Rugolo Meets Rhythm.
Percussion at Work is an album by composer, arranger and conductor Pete Rugolo featuring performances recorded in 1957 and first released on the EmArcy label.
Rugolo Plays Kenton is an album by composer, arranger and conductor Pete Rugolo featuring performances of tunes associated with Stan Kenton recorded in 1958 and first released on the Mercury label.
This is the discography for American jazz drummer Shelly Manne.