Capitol Records

Last updated

Capitol Records
Capitolrecordslogo.svg
Parent company
Founded1942;78 years ago (1942)
Founder Johnny Mercer
Buddy DeSylva
Glenn Wallichs
Distributor(s)
GenreVarious
Country of originUnited States
Location Los Angeles, California
Official website capitolrecords.com

Capitol Records is an American record label owned by Universal Music Group through its Capitol Music Group imprint. It was founded as the first West Coast-based record label "of note" in the United States [1] in 1942 by Johnny Mercer, Buddy DeSylva, and Glenn E. Wallichs. Capitol was acquired by British music conglomerate EMI as its North American subsidiary in 1955. [2] EMI was acquired by Universal Music Group in 2012 and was merged with the company a year later, making Capitol and the Capitol Music Group both a part of UMG. The label's circular headquarter building in Hollywood is a recognized landmark of California.

Contents

Capitol's roster includes Megadeth, Paul McCartney, the Beach Boys, Brian Wilson, NF, Everclear, Third World Don, Katy Perry, Mary J. Blige, Steriogram, Halsey, the Beastie Boys, Neil Diamond, Luscious Jackson, Eagles, Beck, Avenged Sevenfold, Don Henley, Yellowcard, Sam Smith, Sparklehorse, Migos, Emeli Sandé, Troye Sivan, NCT 127, Marcy Playground, Calum Scott, Tori Kelly, Queen Naija, Jon Bellion, and SuperM. [3]

History

Founding

Songwriter Johnny Mercer founded Capitol Records in 1942 [4] with financial help from songwriter and film producer Buddy DeSylva and the business acumen of Glenn Wallichs, owner of Wallichs Music City. Mercer raised the idea of starting a record company while golfing with Harold Arlen and Bobby Sherwood and with Wallichs at Wallichs's record store. On February 2, 1942, Mercer and Wallichs met DeSylva at a restaurant in Hollywood to talk about investment by Paramount Pictures.

On March 27, 1942, the three men incorporated as Liberty Records (not the unrelated label Liberty Records). In May 1942, the application was amended to change the label's name to Capitol Records. [5]

On April 6, 1942, Mercer supervised Capitol's first recording session where Martha Tilton recorded the song "Moon Dreams". On May 5, Bobby Sherwood and his orchestra recorded two tracks in the studio. On May 21, Freddie Slack and his orchestra recorded three tracks in the studio; one with the orchestra, one with Ella Mae Morse called "Cow-Cow Boogie" and "Air-Minded Executive" supervised by Mercer. On June 4, 1942, Capitol opened its first office in a second-floor room south of Sunset Boulevard. On that same day, Wallichs presented the company's first free record to Los Angeles disc jockey Peter Potter. On June 5, 1942, Paul Whiteman and his Orchestra recorded four songs at the studio. On June 12, the orchestra recorded five more songs in the studio, including "Trav'lin' Light" with Billie Holiday, On June 11, Tex Ritter recorded "(I Got Spurs That) Jingle Jangle Jingle" and "Goodbye My Little Cherokee" for his first Capitol recording session, and the songs formed Capitol's 110th produced record.

The earliest recording artists included co-owner Mercer, Johnnie Johnston, Morse, Jo Stafford, the Pied Pipers, Tex Ritter, Tilton, Paul Weston, Whiteman, and Margaret Whiting [4] Capitol's first gold single was Morse's "Cow Cow Boogie" in 1942. [6]

Capitol's first album was Capitol Presents Songs by Johnny Mercer, a three disc set with recordings by Mercer, Stafford and the Pied Pipers, all with Weston's Orchestra. The label's other 1940s musicians included Les Baxter, Les Brown, Jimmy Bryant, Billy Butterfield, Nat King Cole, Sammy Davis Jr., Dinning Sisters, Tennessee Ernie Ford, Mary Ford, Benny Goodman, Skitch Henderson, Betty Hutton, Stan Kenton, Peggy Lee, Billy May, Les Paul, Alvino Rey, Andy Russell, Smilin' Jack Smith, Kay Starr, Speedy West, and Cootie Williams. Musicians on the Capitol Americana label included Lead Belly, Cliffie Stone, Hank Thompson, Merle Travis, Wesley Tuttle, Jimmy Wakely, and Tex Williams.

Capitol was the first major west coast label to compete with labels on the east coast such as Columbia, Decca, and RCA Victor. In addition to its Los Angeles recording studio, Capitol owned a second studio in New York City and occasionally sent mobile recording equipment to New Orleans and other cities.

Other genres

In 1946, writer-producer Alan W. Livingston created Bozo the Clown for the company's children's record library. Examples of notable Capitol albums for children during that era are Sparky's Magic Piano and Rusty in Orchestraville. Capitol also developed a noted jazz catalog that included the Capitol Jazz Men and issued the Miles Davis's album Birth of the Cool .

Capitol released a few classical albums in the 1940s, some of which contained a heavily embossed, leather-like cover. These recordings appeared on 78 rpm format, then released on the 33 format in 1949. Among the recordings: Brazilian composer Heitor Villa-Lobos' Choros No. 10, with contributions from a Los Angeles choral group and the Janssen Symphony Orchestra (1940–1952), conducted by Werner Janssen; Symphony No. 3 by Russian composer Reinhold Moritzovich Glière; and César Franck's Symphony in D minor, with Willem Mengelberg and the Concertgebouw Orchestra.

In 1949, Capitol opened a branch office in Canada and purchased KHJ Studios on Melrose Avenue adjacent to Paramount in Hollywood.

By the mid-1950s, Capitol had become a huge label that concentrated on popular music. The label's roster included the Andrews Sisters, Ray Anthony, Shirley Bassey, June Christy, Tommy Duncan, Tennessee Ernie Ford, the Four Freshmen, the Four Knights, the Four Preps, Jane Froman, Judy Garland, Jackie Gleason, Andy Griffith, Dick Haymes, Harry James, the Kingston Trio, the Louvin Brothers, Dean Martin, Al Martino, Skeets McDonald, Louis Prima, Nelson Riddle, Dinah Shore, Frank Sinatra, and Keely Smith.

Capitol began recording rock and roll acts such as The Jodimars and Gene Vincent. There were comedy records by Stan Freberg, Johnny Standley, and Mickey Katz. Children listened to Capitol's Bozo the Clown albums. Although various people played Bozo the Clown on television, Capitol used the voice of Pinto Colvig, who was also the voice of Goofy in Walt Disney cartoons. Don Wilson also released children's records. In June 1952, Billboard magazine contained a chronicle of the label's first ten years in business. [7]

Ownership under EMI

Capitol logo from 1969 to 1978. Revived in 2017. Capitollogo1969.jpg
Capitol logo from 1969 to 1978. Revived in 2017.

In 1955, the British record company EMI ended its 55-year mutual distribution agreement with RCA Victor and acquired 96% of Capitol's stock for $8.5 million. EMI built a studio at Hollywood and Vine to match its state-of-the-art Abbey Road Studios in London.

In 1957, EMI's classical label Angel was merged into Capitol. Some classical recordings were issued in high fidelity and stereophonic sound. These included William Steinberg and the Pittsburgh Symphony Orchestra, Leopold Stokowski with various orchestras (including the Los Angeles Philharmonic Orchestra) and Sir Thomas Beecham and the Royal Philharmonic Orchestra, as well as light classical albums by Carmen Dragon and the Hollywood Bowl Orchestra and albums of film music conducted by Hollywood composers such as Alfred Newman.

The Capitol of the World series introduced in 1956 and active into the 1970s encompassed German Beer Drinking Songs, Honeymoon in Rome, Australian Aboriginals, and Kasongo! Modern Music of the Belgian Congo. Many were produced by Dave Dexter Jr. This series contained over 400 albums. [9]

In 2001, Andrew Slater took over as president. [10]

Ownership under Universal Music Group

In 2012, the recorded music operations of EMI were sold to the Universal Music Group and the world headquarters were re-established in the Capitol Tower in Hollywood as part of the subsequent reorganization of the Capitol Music Group. Steve Barnett, previously an employee of Columbia, was hired as Chairman and CEO of the division. [11] [12]

Capitol filed a lawsuit against Vimeo, an online video-sharing website, for audio copyright infringement. Capitol filed the claim after users were visibly lip-synching to some of their tracks. [13]

Following a legal action by Capitol against the ReDigi.com online company in April 2013, the latter was found to be in violation of copyright law. Capitol Records claimed that ReDigi was guilty of copyright infringement due to a business model that facilitated the creation of additional copies of Capitol's digital music files, whereby users could upload the files for downloading or streaming to the new purchaser of the file. ReDigi argued that the resale of MP3/digital music files is actually permitted under certain doctrines ("fair use" and "first sale") but the court maintained that the doctrines' application "was limited to material items that the copyright owner put into the stream of commerce." [14]

In 2014, PGH Live Music joined the team and Katy Perry founded the record label Metamorphosis Music, starting a label venture with Capitol. [15] The name of the label was later changed to Unsub Records in 2016. [16]

Also that year, Capitol rose to number two market share and won four categories at the Grammy Awards for music by Beck and Sam Smith. [17]

In 2018, Capitol's electronic division Astralwerks relaunched with a new team and moved its entire operations to Capitol's tower in Los Angeles. [18]

Headquarters

Capitol Records headquarters building Capitol Records sunset.jpg
Capitol Records headquarters building

Designed by Welton Becket with Louis Naidorf, a young architect from Becket's office, serving as project designer [19] [2] the thirteen-story, earthquake-resistant Capitol Records Tower is the world's first circular office building. Home to several recording studios, it is one of Hollywood's most distinctive landmarks. Although not intended as a tribute to record players, its wide curved awnings and tall narrow tower mimic the appearance of a stack of gramophone records atop a phonograph. The building was commissioned by EMI after its acquisition of Capitol Records in 1955 and was completed in April 1956. The building is north of the intersection of Hollywood and Vine and is the center of the company's consolidated West Coast operations. It was nicknamed "The House That Nat Built" after the financial success of Capitol singer Nat King Cole. The rectangular ground floor is a separate structure joined to the tower after it was completed.

Coordinates: 34°06′11″N118°19′34″W / 34.103085°N 118.326189°W / 34.103085; -118.326189

In September 2006, EMI announced that it had sold the tower and adjacent properties for $50 million to New York-based developer Argent Ventures. [20] In mid-2008, a controversy erupted over a plan to build a condominium complex next door, igniting fears that the building's acoustic properties, specifically its underground echo chambers, would be compromised. It was announced in November 2012 that Steve Barnett would become Chairman and CEO of Capitol Music Group and would be based at the Capitol Records Building. [21] Capitol and artist Richard Wyatt Jr. restored his Hollywood Jazz Mural on the south wall of the Capitol Records building. [22]

Studios

Capitol's recording studios were designed to minimize noise and vibration, then newly important goals in the high-fidelity sound era. An inner wall floating on layers of rubber and cork was erected inside the building's 10-inch-thick (250 mm) concrete exterior walls, leaving a one-inch air gap to provide complete sound isolation. [23] The facility also features subterranean echo chambers that allow engineers to add reverberation during the recording process. Eight trapezoidal chambers are located 30 feet (9.1 m) underground, with 10-inch concrete walls and 12-inch-thick (300 mm) concrete ceilings. Speakers on one side and microphones on the other permit an echo effect of up to five seconds. Studios A and B can be combined for the recording of orchestral music and symphonic film soundtracks. The first album recorded in the tower was Frank Sinatra Conducts Tone Poems of Color .

International operations

Capitol modified albums that were originally released in other countries on other labels. Albums released in the United States contained fewer tracks, usually no more than 11 or 12, compared to albums released in the United Kingdom due to differences in the method of publishing royalties were calculated in the two countries. [24] Also, in the American market it was expected for albums to include the current hit single, whereas British albums typically did not duplicate songs released as singles.

The Beatles

Possibly the most well-known treatment of an international artist's recordings was the label's release pattern for various albums by the Beatles. This began with Capitol's release of Meet the Beatles! , the first album by the band to be released by Capitol in the United States. It was based on the British album With the Beatles , which contained 14 tracks and a running time of around 35 minutes. Capitol removed five tracks ("Money", "You've Really Got A Hold On Me", "Devil in Her Heart", "Please Mister Postman", and "Roll Over Beethoven") and added both sides of the band's first American hit single ("I Want To Hold Your Hand" and "I Saw Her Standing There") and the British single's B-side, "This Boy". "I Saw Her Standing There" was on the Beatles' first British album Please Please Me. This resulted in Capitol releasing Meet the Beatles as a 12-track album with a duration of around 30 minutes, and made it comparable with other American pop albums. It also provided Capitol with unreleased tracks for use in later US Beatles albums such as The Beatles' Second Album.

Capitol also issued "duophonic" stereo releases of some recordings where the original master was monophonic. Capitol engineers split the single master mono track into two, boosted the bass on the right channel, boosted treble on the left channel and added a split-second delay between channels to produce a "stereo" release. This Duophonic process meant that the Beatles' American fans heard a slightly different song from that heard by the rest of the world if they listened to the stereo version. [25]

This trend in the Beatles' American discography continued until 1967 when a new recording contract with EMI was signed. Unhappy with the way Capitol in the US and other companies around the world were issuing their work in almost unrecognizable forms, beginning in 1967 the Beatles gained full approval of album titles and cover art, track listing and running order in North America. Starting with Sgt. Pepper's Lonely Hearts Club Band Beatles' albums were released unmodified. Issue of 45 RPM singles featuring album tracks was also stopped. Instead non-album tracks were issued as singles between album releases.

United Kingdom

Beginning in 1948, Capitol Records were released in the UK on the Capitol label by Decca. After its 1955 acquisition of Capitol, EMI took over distribution in 1956. [26] EMI's Parlophone unit handled Capitol label marketing in the UK in later years. [27]

In 2012, EMI was sold to Universal Music Group. Universal Music started Capitol as an autonomous label in the UK with the rights to the Beatles' catalog. [28] This marks the first time that Capitol in the UK operated as an autonomous label. [29]

Canada

Capitol Records of Canada was established in 1949 by businessman W. Lockwood Miller. Capitol broke with Miller's company and formed Capitol Record Distributors of Canada Limited in 1954. EMI acquired this company when it acquired Capitol. The company was renamed Capitol Records of Canada Ltd in 1958 after Miller's rights to the name expired. In 1959, Capitol of Canada picked up distribution rights for EMI's labels Angel, Pathé, Odeon, and Parlophone. [30]

In 1957, Paul White joined Capitol of Canada and in 1960 established an A&R department independent of the American company to promote talent for the Canadian market. [31] The division found native talent such as Anne Murray and EMI musicians from other countries. Beginning in 1962, Capitol of Canada issued albums by British musicians such as Cliff Richard, Helen Shapiro and Frank Ifield. They accepted the Beatles long before the American company. By 1967, they were distributing non-EMI labels such as 20th Century Fox, Buena Vista Records, Disneyland, and Pickwick. [31] The company was renamed Capitol Records-EMI of Canada in 1974, before the EMI Music Canada name was adopted in 1993. [32] [33] [34]

Other countries

Capitol Latin focuses on Latin music artists in Latin America and the United States. It was founded in 1989 as EMI Latin and was renamed to Capitol Latin in 2009. [35] [36] Capitol Latin was merged with Universal Music Latin Entertainment in 2013. [37]

See also

Related Research Articles

Parlophone German-British record label

Parlophone Records Limited is a British record label founded in Germany in 1896 by the Carl Lindström Company as Parlophon. The British branch of the label was founded on 8 August 1923 as The Parlophone Company Limited, which developed a reputation in the 1920s as a jazz record label. On 5 October 1926, the Columbia Graphophone Company acquired Parlophone's business, name, logo, and release library, and merged with the Gramophone Company on 31 March 1931 to become Electric & Musical Industries Limited (EMI). George Martin joined Parlophone in 1950 as assistant label manager, taking over as manager in 1955. Martin produced and released a mix of recordings, including by comedian Peter Sellers, pianist Mrs Mills, and teen idol Adam Faith.

EMI British music recording and publishing company

EMI Group Limited was a British transnational conglomerate founded in March 1931 in London. At the time of its break-up in 2012, it was the fourth largest business group and record label conglomerate in the music industry, and was one of the "Big Four" record companies. Its labels included EMI Records, Parlophone, Virgin Records, and Capitol Records, which are now owned by other companies.

Klaatu (band) Canadian progressive rock band

Klaatu was a Canadian rock group formed in 1973 by the duo of John Woloschuk and Dee Long. They named themselves after the extraterrestrial character Klaatu in the film The Day the Earth Stood Still. After recording two non-charting singles, drummer Terry Draper was added to the line-up; this trio would constitute Klaatu throughout the rest of the band's recording career.

Apple Records is a record label founded by the Beatles in 1968 as a division of Apple Corps Ltd. It was initially intended as a creative outlet for the Beatles, both as a group and individually, plus a selection of other artists including Mary Hopkin, James Taylor, Badfinger, and Billy Preston. In practice, the roster had become dominated by the mid-1970s with releases of the former Beatles as solo artists. Allen Klein managed the label from 1969 to 1973, then it was managed by Neil Aspinall on behalf of the Beatles and their heirs. Aspinall retired in 2007 and was replaced by Jeff Jones.

The Beatles discography Cataloguing of published recordings by the Beatles

In their native United Kingdom, between 1962 and 1970, the Beatles released 12 studio albums, 13 extended plays (EPs) and 22 singles. However, the band's international discography is complicated, due to different versions of their albums sometimes being released in other countries, particularly during their early years on Capitol Records in North America. The Beatles' discography was originally released on the vinyl format, with full-length long plays (LPs), shorter EPs and singles. Over the years, the collection has also been released on cassette, 8-track, compact disc (CD), and on a USB flash drive in MP3 and 24-bit FLAC format. Although their output has come to include vault items and remixed mash-ups, the Beatles' "core catalogue", recorded between 1962 and 1970, comprises 213 songs, totalling approximately 10 hours of music. Additionally, they released five tracks that are different versions of previously released songs: "Love Me Do", "Revolution", "Get Back", "Across the Universe" and "Let It Be"; two tracks in German: "Komm, Gib Mir Deine Hand" and "Sie Liebt Dich"; and two tracks that are duplicates of songs included on previous albums but also included on the album Yellow Submarine: "Yellow Submarine" and "All You Need Is Love".

Universal Music Group American music corporation

Universal Music Group is an American global music corporation that is a subsidiary of the French media conglomerate Vivendi. UMG's global corporate headquarters are located in Santa Monica, California. It is considered one of the "Big Three" music companies, along with Sony Music and Warner Music Group. Ten percent of Universal Music Group was acquired by Tencent Holdings in January 2020.

Astralwerks record label owned by Universal Music Group

Astralwerks is an American record label primarily focused on electronic and dance music that is owned by Universal Music Group. Its material is distributed via Capitol Music Group in the United States. The label was founded in 1993 and, in its early years, featured prominent acts like The Chemical Brothers and Fatboy Slim. In recent years, its roster has expanded to include acts like Halsey, Marshmello, Porter Robinson, Steven “Stitch” Held, and numerous others. In 2018, Astralwerks' headquarters were moved from its original home of New York City to Los Angeles.

<i>1962–1966</i> 1973 compilation album by the Beatles

1962–1966 is a compilation album by the English rock band the Beatles, spanning the years indicated in the title. Released with its counterpart 1967–1970 in 1973, it reached No. 3 in the United Kingdom and No. 1 in the United States Cash Box album chart. However, in Billboard, 1962–1966 peaked at No. 3, while 1967–1970 reached the top spot. The album was re-released in September 1993 on compact disc, charting at No. 3 in the UK.

<i>The Beatles at the Hollywood Bowl</i> 1977 live album by The Beatles

The Beatles at the Hollywood Bowl is a live album by the Beatles, released in May 1977, featuring songs compiled from performances at the Hollywood Bowl in August 1964 and August 1965. The album was released by Capitol Records in the United States and Canada and on the Parlophone label in the United Kingdom. A remixed, remastered, and expanded version of the album, retitled Live at the Hollywood Bowl, was released on 9 September 2016 to coincide with the release of the documentary film The Beatles: Eight Days a Week, directed by Ron Howard.

<i>Meet the Beatles!</i> 1964 studio album by the Beatles

Meet the Beatles! is the second Beatles album released in the United States. It was the first US Beatles album to be issued by Capitol Records, on 20 January 1964 in both mono and stereo formats. It topped the popular album chart on 15 February 1964 and remained at number one for eleven weeks before being replaced by The Beatles' Second Album. The cover featured Robert Freeman's iconic portrait of the Beatles used in the United Kingdom for With the Beatles, with a blue tint added to the original stark black-and-white photograph.

<i>Beatles VI</i> 1965 studio album by the Beatles

Beatles VI is the Beatles' seventh Capitol Records release in the United States and Canada. It was the ninth album released into that market in less than one and a half years. The LP was released in both mono and stereo versions.

Priority Records is an American distribution company and record label known for artists including N.W.A, Ice-T, Jay-Z, Snoop Dogg, Silkk the Shocker and Westside Connection. It also distributed hip hop record labels including Death Row Records, Hoo-Bangin' Records, No Limit Records, Posthuman Records, Rap-A-Lot Records, Rawkus Records, Roc-A-Fella Records, Ruthless Records and Wu-Tang Records. According to Billboard, "few record labels were as important to the rise of West Coast hip hop as Priority Records."

Capitol Music Group American record label

Capitol Music Group is an American front line umbrella label owned by the Universal Music Group (UMG). It oversees handling of record labels assigned to UMG's Capitol Records division and was inherited from its acquisition of EMI's catalog. It is one of five umbrella labels owned by UMG, the other four being Interscope Geffen A&M, Island Records, Def Jam Recordings and Republic Records. Labels distributed under the CMG brand include Capitol Records, Virgin Records, Motown Records, Blue Note Records, Astralwerks, Harvest Records, Capitol Christian Music Group, Priority Records, Atom Factory Entertainment and Deep Well Records.

Capitol Records Building Hollywood Boulevard Commercial and Entertainment District building

The Capitol Records Building, also known as the Capitol Records Tower, is a 13-story tower building in Hollywood, Los Angeles. Designed by Louis Naidorf of Welton Becket Associates, it is one of the city's landmarks. Construction began soon after British company EMI acquired Capitol Records in 1955, and was completed in April 1956. Located just north of the Hollywood and Vine intersection, the Capitol Records Tower houses the consolidation of Capitol Records' West Coast operations and is home to the recording studios and echo chambers of Capitol Studios. The building is a Los Angeles Historic-Cultural Monument and sits in the Hollywood Boulevard Commercial and Entertainment District.

The Beatles North American releases album

The Beatles experienced huge popularity on the British record charts in early 1963, but record companies in the United States did not immediately follow up with releases of their own, and the Beatles' commercial success in the US continued to be hampered by other obstacles, including issues with royalties and public derision toward the "Beatle haircut".

<i>The Beatles in Mono</i> 2009 box set by the Beatles

The Beatles in Mono is a boxed set compilation comprising the remastered monaural recordings by the Beatles. The set was released on compact disc on 9 September 2009, the same day the remastered stereo recordings and companion The Beatles were also released, along with The Beatles: Rock Band video game. The remastering project for both mono and stereo versions was led by EMI senior studio engineers Allan Rouse and Guy Massey. The release date of 09/09/09 is related to the significance to John Lennon of the number nine.

Robert E Myers aka Bob Myers was an American classical music record producer and artists & repertoire specialist. Myers spent most of his career at Capitol Records and the classical music division of its EMI parent company, Angel Records. During his early years with Capitol Records, Myers produced Grammy Award winning classical albums. In his later career, Myers led the Angel label in the United States, which included responsibility for all business and artist and repertoire decisions.

Wallichs Music City was a record store in Hollywood, California, USA, founded by Glenn E. Wallichs, that also had stores in West Covina, Lakewood, Canoga Park, Costa Mesa, Torrance, and Hawthorne from 1940–1978 and was one of the first to display cellophane sealed albums in racks. Wallichs stayed open until 2 am.

Onzy Matthews American jazz musician

Onzy Durrett Matthews, Jr. was an American jazz pianist, singer, arranger and composer as well as a television and movie actor. He is best known for the big band arrangements done for the Lou Rawls albums Black and Blue and Tobacco Road, as well as arrangements for several of Ray Charles' 1960s releases. He had his own big band for many years and recorded numerous tracks for Capitol Records, including two albums released under his own name. He later had a close relationship with the Duke Ellington orchestra, working as a pianist, arranger and conductor through the late 1960s and 1970s.

<i>Well Sing in the Sunshine</i> (album) 1978 studio album by Helen Reddy

We'll Sing in the Sunshine is the tenth studio album by Australian-American pop singer Helen Reddy that was released in 1978 by Capitol Records. The album included two songs that were also covered by Johnny Mathis in the first half of that year: "All I Ever Need", which came out on his March release, You Light Up My Life, and "Ready or Not", on which he duetted with Deniece Williams for their June release, That's What Friends Are For. Reddy also ventures into Beatles territory with their rockabilly number "One After 909" and takes on Jeff Lynne's "Poor Little Fool" with accompaniment in the vein of Electric Light Orchestra. This was her first album that did not reach Billboard's Top LP's & Tapes chart. On February 23, 2010, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1977 release, Ear Candy.

References

  1. "Capitol Records". Johnnymercerfoundation.org. Retrieved October 15, 2019.
  2. 1 2 Christopher Hawthorne (May 29, 2011). "Critic's Notebook: Hollywood landmark at a crossroads". Los Angeles Times . Retrieved April 18, 2013.
  3. "Capitol Records - Artists". Capitolrecords.com. Retrieved October 15, 2019.
  4. 1 2 Gilliland, John (1994). Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s (audiobook). ISBN   978-1-55935-147-8. OCLC   31611854. Tape 1, side B.
  5. markhn (April 18, 2013). "Happy Birthdays!". popculturefanboy. Google. Retrieved April 18, 2013.
  6. Gilliland 1994, tape 1, side A.
  7. "The Record Decade, 1942-42." Billboard, August 2, 1952, 49-82.
  8. "Capitol labels" (PDF). Friktech.com. Retrieved October 15, 2019.
  9. Borgerson, Janet (2017). Designed for hi-fi living : the vinyl LP in midcentury America. Schroeder, Jonathan E. Cambridge, Massachusetts: MIT Press. ISBN   9780262036238. OCLC   958205262.
  10. Nelson, Chris (March 23, 2004). "Hands-On Leader Fuels Rare Revival in Record Industry". The New York Times .
  11. Brown, August (November 26, 2012). "Steve Barnett to lead Capitol Music Group". Los Angeles Times .
  12. "It's Official: Steve Barnett Named Chairman and CEO of Capitol Music Group". The Hollywood Reporter . Retrieved March 10, 2019.
  13. Lawler, Ryan (December 15, 2009). "Vimeo Sued Over Lip Dubs". Gigaom. Retrieved April 18, 2013.
  14. Fitzgerald, Anne; Tim Seidenspinner (April 17, 2013). "Selling MP3s? You should have stuck with CDs". The Conversation. The Conversation Media Group. Retrieved April 18, 2013.
  15. "Introducing my new label venture with @capitolrecords featuring my first artist FERRAS". June 17, 2014.
  16. Kaufman, Gil. "Katy Perry Really Wants You to Get 'Together' with Her Latest Signing, CYN" . Retrieved July 14, 2017.
  17. Lewis, Randy (February 9, 2015). "Grammy Awards bring gold to revitalized Capitol Records". Los Angeles Times . Retrieved September 10, 2015.
  18. "Acclaimed Label Astralwerks Relaunches With New Team, Major Signings". Billboard.com. Retrieved March 10, 2019.
  19. Los Angeles Conservancy. "Capitol Records Tower". Laconservancy.org. Retrieved August 5, 2018.
  20. Vincent, Roger (September 29, 2006). "Capitol Records Tower to Be Sold". Los Angeles Times .
  21. August Brown (November 26, 2012). "Steve Barnett to lead Capitol Music Group". Los Angeles Times . Retrieved April 18, 2013.
  22. "Capitol Records Jazz Mural restored!". Millennium Hollywood. Millennium Hollywood Partners. January 30, 2013. Archived from the original on May 25, 2013. Retrieved April 18, 2013.
  23. Bob Pool (June 18, 2008). "Capitol fears for its sonic signature". Los Angeles Times . Retrieved April 18, 2013.
  24. Fox, Hank. "Disk Firms Swing to Less-Groove Policy" Billboard March 4, 1967: 10
  25. Spizer, Bruce (1995–2013). "Capitol Albums Finally Coming Out on CD". Abbeyrd's Beatles Page. Steve Marinucci. Archived from the original on November 20, 2012. Retrieved April 18, 2013.
  26. Erling (July 1, 1942). "Capitol Records UK". 45-sleeves.com. Archived from the original on February 1, 2014. Retrieved September 4, 2013.
  27. Nielsen Business Media, Inc. (June 11, 1994). Billboard. Nielsen Business Media, Inc. pp. 39–. ISSN   0006-2510 . Retrieved April 19, 2013.
  28. Ingham, Tim (November 26, 2012). "Universal's Capitol takes shape: Barnett in, Beatles on roster". www.musicweek.com. Retrieved December 9, 2018.
  29. Smirke, Richard (April 25, 2013). "Capitol Records U.K. Launches, Nick Raphael Named President". Billboard.com. Retrieved December 9, 2018.
  30. "Cap Canadian Distribution". Google Books. Billboard: Nielsen Business Media. July 6, 1959. p. 4. Retrieved December 9, 2018.
  31. 1 2 "Label's Dominion Milestone Coincides with Anniversary". Google Books. Billboard: Nielsen Business Media. September 16, 1967. Retrieved December 9, 2018.
  32. Edward B. Moogk. "Capitol Records - EMI of Canada Limited/Disques Capitol". The Canadian Encyclopedia. Historica-Dominion. Archived from the original on June 7, 2011. Retrieved April 18, 2013.
  33. "The Capitol 6000 website - The Corporate History of Capitol Records of Canada". www.capitol6000.com. Retrieved December 9, 2018.
  34. White, Paul (1997). "The Canadian Butcher Cover". Mitch McGeary's Songs, Pictures and Stories of The Beatles website. Mitch McGeary. Retrieved April 18, 2013.
  35. "EMI Latin A Retrospective". Billboard. 111 (17): LM-20. April 24, 1999. ISSN   0006-2510.
  36. Cobo, Leila (January 26, 2010). "Billboard.biz Q&A: Diana Rodriguez, Senior VP of Capitol Latin". Billboard.com. Prometheus Global Media. Retrieved August 16, 2014.
  37. "Universal Music Latin Entertainment Announces Key Senior Appointments in Mexico, Latin America". Billboard.com. Prometheus Global Media. January 29, 2013.