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EMI Group Limited
Industry Music
FateBroken up:
EMI Music Publishing acquired by consortium led by:

Parlophone, Chrysalis Records (UK artists catalog), EMI Classics, Virgin Classics and EMI's Belgian, Czech, Danish, French, German, Norwegian, Portuguese, Spanish, Slovak and Swedish operations acquired by:


Bulk of recording business acquired by:

Mute Records back catalog and Virgin Music Publishing sold to:

Predecessor Columbia Graphophone Company
Gramophone Company
Successor EMI Music Publishing
Virgin EMI Records
EMI Records Nashville
Minos EMI
Founded31 March 1931;88 years ago (1931-03-31) [4]
Defunct28 September 2012;6 years ago (2012-09-28)
Headquarters Westminster,
England, United Kingdom
Area served
Key people
Founding CEO Lenard John Brown
Roger Faxon (Former CEO)
Ruth Prior (Former CFO)
Revenue£1.072 billion (2009)
$1.65 billion (2009)
£163 million (2009)
(EMI Music) [5]
£135 million (2009)
(EMI Music Publishing) [6]
Owner Terra Firma Capital Partners
Universal Music Group
(2012–present); 5 years ago (EMI Group)
Sony/ATV Music Publishing
(2012–present); 5 years ago (EMI Music Publishing)
Warner Music Group
(7 February 2013–present); 4 years ago (EMI Records) (renamed Parlophone Records Ltd.)
Number of employees
5,500 (2008)
Subsidiaries EMI Records
Virgin Records
Capitol Records
Website universalmusic.com

EMI Group Limited (originally an initialism for Electric and Musical Industries, also referred to as EMI Records Ltd. or simply EMI) was a British transnational conglomerate founded in March 1931 in London. At the time of its break-up in 2012, it was the fourth largest business group and record label conglomerate in the music industry, and was one of the big four record companies (now the big three); its labels included EMI Records, Parlophone, Virgin Records, and Capitol Records, which are now owned by other companies.

A transnational corporation is an enterprise that is involved with the international production of goods or services, foreign investments, or income and asset management in more than one country.

Conglomerate (company) two or more corporations that fall under one corporate group

A conglomerate is a combination of multiple business entities operating in entirely different industries under one corporate group, usually involving a parent company and many subsidiaries. Often, a conglomerate is a multi-industry company. Conglomerates are often large and multinational.

A corporate group or group of companies is a collection of parent and subsidiary corporations that function as a single economic entity through a common source of control. The concept of a group is frequently used in tax law, accounting and company law to attribute the rights and duties of one member of the group to another or the whole. If the corporations are engaged in entirely different businesses, the group is called a conglomerate. The forming of corporate groups usually involves consolidation via mergers and acquisitions, although the group concept focuses on the instances in which the merged and acquired corporate entities remain in existence rather than the instances in which they are dissolved by the parent. The group may be owned by a holding company which may have no actual operations.

The company was once a constituent of the FTSE 100 Index, but faced financial troubles and US$4 billion in debt, leading to its acquisition by Citigroup in February 2011. [7] [8] Citigroup's ownership was temporary, as EMI announced in November 2011 that it would sell its music arm to Vivendi's Universal Music Group for $1.9 billion and its publishing business to a Sony/ATV consortium for around $2.2 billion. Other members of the Sony consortium include the estate of Michael Jackson, The Blackstone Group, and the Abu Dhabi–owned Mubadala Development Company. EMI's locations in the United Kingdom, the United States, and Canada were all disassembled to repay debt, but the primary head office located outside those countries is still functional. [9]

FTSE 100 Index share index of the London Stock Exchange

The Financial Times Stock Exchange 100 Index, also called the FTSE 100 Index, FTSE 100, FTSE, or, informally, the "Footsie", is a share index of the 100 companies listed on the London Stock Exchange with the highest market capitalisation. It is seen as a gauge of prosperity for businesses regulated by UK company law. The index is maintained by the FTSE Group, a subsidiary of the London Stock Exchange Group.

Citigroup American multinational investment bank and financial services corporation

Citigroup Inc. or Citi is an American multinational investment bank and financial services corporation headquartered in New York City. The company was formed by the merger of banking giant Citicorp and financial conglomerate Travelers Group in 1998; Travelers was subsequently spun off from the company in 2002. Citigroup owns Citicorp, the holding company for Citibank, as well as several international subsidiaries. Citi is incorporated in NY.

Vivendi French media company

Vivendi SA is a French mass media conglomerate headquartered in Paris. The company has activities in music, television, film, video games, book publishing, telecommunications, tickets and video hosting service.

It is currently owned by Sony/ATV Music Publishing, the music publishing division of Sony Music which bought another 70% stake in EMI Music Publishing. [10] [11]

Sony/ATV Music Publishing is an American music publisher owned by Sony Entertainment. It has the largest music publishing catalog in the world, with 4.53 million songs owned and administered as of March 31, 2019. The company was formed in 1995 with the merger of Sony Music Publishing and ATV Music, which was owned by entertainer Michael Jackson. Jackson had purchased ATV Music, which included the Lennon–McCartney song catalog, in 1985.

Sony Music American music company

Sony Music Entertainment (SME), known as Sony Music, is an American global music conglomerate owned by Sony Corporation of America and incorporated as a general partnership of Sony Music Holdings Inc. through Sony Entertainment, a subsidiary of the Japanese conglomerate Sony. It was originally founded in 1929 as American Record Corporation and renamed as Columbia Recording Corporation in 1938, following its acquisition by the Columbia Broadcasting System. In 1966, the company was reorganized to become CBS Records, and Sony Corporation bought the company in 1988, renaming it under its current name in 1991. In 2004, Sony and Bertelsmann established a 50-50 joint venture known as Sony BMG Music Entertainment, which transferred the businesses of Sony Music and Bertelsmann Music Group into one entity. However, in 2008, Sony acquired Bertelsmann's stake, and the company reverted to the SME name shortly after; the buyout allowed Sony to acquire all of BMG's labels, and led to the dissolution of BMG, which instead relaunched as BMG Rights Management.


EMI's former building in London. The building is now owned by Warner Music UK. Emi building.jpg
EMI's former building in London. The building is now owned by Warner Music UK.

Electric and Musical Industries Ltd was formed in March 1931 by the merger of the Columbia Graphophone Company and the Gramophone Company, with its "His Master's Voice" record label, firms that have a history extending back to the origins of recorded sound. The new vertically integrated company produced sound recordings as well as recording and playback equipment.

Columbia Graphophone Company British record company, subsidiary of the US Columbia Graphophone Company

The Columbia Graphophone Company Limited was one of the earliest gramophone companies in the United Kingdom.

The Gramophone Company Limited , based in the United Kingdom and founded on behalf of Emil Berliner, was one of the early recording companies, the parent organisation for the His Master's Voice (HMV) label, and the European affiliate of the American Victor Talking Machine Company. Although the company merged with the Columbia Graphophone Company in 1931 to form Electric and Musical Industries Limited (EMI), its name "The Gramophone Company Limited" continued in the UK into the 1970s.

His Masters Voice trademark, former major British record label

His Master's Voice (HMV) is a famous trademark in the recording industry and was the unofficial name of a major British record label. The phrase was coined in the 1890s as the title of a painting of a terrier mix dog named Nipper, listening to a wind-up disc gramophone. In the original painting, the dog was listening to a cylinder phonograph. In the 1970s, the statue of the dog and gramophone, His Master's Voice, were cloaked in bronze and was awarded by the record company (EMI) to artists or music producers or composers as a music award and often only after selling more than 100,000 recordings.


The company's gramophone manufacturing led to forty years of success with larger-scale electronics and electrical engineering.

Electronics physics, engineering, technology and applications that deal with the emission, flow and control of electrons in vacuum and matter

Electronics comprises the physics, engineering, technology and applications that deal with the emission, flow and control of electrons in vacuum and matter.

Electrical engineering Field of engineering that deals with electricity

Electrical engineering is a technical discipline concerned with the study, design and application of equipment, devices and systems which use electricity, electronics, and electromagnetism. It emerged as an identified activity in the latter half of the 19th century after commercialization of the electric telegraph, the telephone, and electrical power generation, distribution and use.

Electronics research and development


In 1934, the company developed the electronic Marconi-EMI system for television broadcasting, which quickly replaced Baird's electro-mechanical system following its introduction in 1936. After the war, the company resumed its involvement in making broadcasting equipment, notably providing the BBC's second television transmitter at Sutton Coldfield. It also manufactured broadcast television cameras for British television production companies as well as for the BBC. The commercial television ITV companies also used them alongside cameras made by Pye and Marconi. Their best-remembered piece of broadcast television equipment was the EMI 2001 colour television camera, which became the mainstay of much of the British television industry from the end of the 1960s until the early 1990s. Exports of this piece of equipment were low, however, and EMI left this area of product manufacture.

The 405-line monochrome analogue television broadcasting system was the first fully electronic television system to be used in regular broadcasting.

John Logie Baird Scottish scientist, engineer, innovator and inventor of the worlds first television

John Logie BairdFRSE was a Scottish engineer, innovator, one of the inventors of the mechanical television, demonstrating the first working television system on 26 January 1926, and inventor of both the first publicly demonstrated colour television system, and the first purely electronic colour television picture tube.

Mechanical television television system that relies on a mechanical scanning device, such as a rotating disk with holes in it or a rotating mirror, to scan the scene and generate the video signal, and a similar mechanical device at the receiver to display the picture

Mechanical television or mechanical scan television is a television system that relies on a mechanical scanning device, such as a rotating disk with holes in it or a rotating mirror, to scan the scene and generate the video signal, and a similar mechanical device at the receiver to display the picture. This contrasts with modern television technology, which uses electronic scanning methods, for example electron beams in cathode ray tube (CRT) televisions, and liquid-crystal displays (LCD), to create and display the picture.

Blumlein and radar

Alan Blumlein, an engineer employed by EMI, conducted a great deal of pioneering research into stereo sound recording many years prior to the practical implementation of the technique in the early 1950s. He was killed in 1942 whilst conducting flight trials on an experimental H2S radar set.

During and after World War II, the EMI Laboratories in Hayes, Hillingdon developed radar equipment (including the receiver section of the British Army's GL-II anti-aircraft fire-control radar), microwave devices such as the reflex klystron oscillator (having played a crucial role in the development of early production types following on from the British Admiralty Signal School's pioneering NR89, the so-called "Sutton tube"), electro-optic devices such as infra-red image converters, and eventually guided missiles employing analogue computers.


The company was also for many years an internationally respected manufacturer of photomultipliers. This part of the business was transferred to Thorn as part of Thorn-EMI, then later became the independent concern Electron Tubes Ltd.

Computers and CT scanner

The EMI Electronic Business Machine, a valve and magnetic drum memory computer, was built in the 1950s to process the British Motor Corporation payroll. [12] [13]

In 1958 the EMIDEC 1100, the UK's first commercially available all-transistor computer, was developed at Hayes under the leadership of Godfrey Hounsfield, an electrical engineer at EMI. [13]

In the early 1970s, with financial support by the UK Department of Health and Social Security as well as EMI research investment, [14] Hounsfield developed the first CT scanner, a device which revolutionised medical imaging. In 1973 EMI was awarded a prestigious Queen's Award for Technological Innovation for what was then called the EMI scanner, [15] and in 1979 Hounsfield won the Nobel Prize for his accomplishment. [16]

After brief, but brilliant, success in the medical imaging field, EMI's manufacturing activities were sold off to other companies, notably Thorn (see Thorn EMI). Subsequently, development and manufacturing activities were sold off to other companies and work moved to other towns such as Crawley and Wells.


Emihus Electronics, based in Glenrothes, Scotland, was owned 51% by Hughes Aircraft, of California, US, and 49% by EMI. It manufactured integrated circuits electrolytic capacitors and, for a short period in the mid-1970s, hand-held calculators under the Gemini name. [17]


Early in its life, the Gramophone Company established subsidiary operations in a number of other countries in the British Commonwealth, including India, Australia and New Zealand. Gramophone's (later EMI's) Australian and New Zealand subsidiaries dominated the popular music industries in those countries from the 1920s until the 1960s, when other locally owned labels (such as Festival Records) began to challenge the near monopoly of EMI. Over 150,000 78-rpm recordings from around the world are held in EMI's temperature-controlled archive in Hayes, some of which have been released on CD since 2008 by Honest Jon's Records. [18] [19]

In 1931, the year the company was formed, it opened the legendary recording studios at Abbey Road, London. During the 1930s and 1940s, its roster of artists included Arturo Toscanini, Sir Edward Elgar, and Otto Klemperer, among many others. During this time EMI appointed its first A&R managers. These included George Martin, who later brought the Beatles into the EMI fold.

When the Gramophone Company merged with the Columbia Graphophone Company (including Columbia's subsidiary label Parlophone) in 1931, the new Anglo-American group was incorporated as Electric & Musical Industries Ltd. At this point, the Radio Corporation of America had a majority shareholding in the new company due to RCA purchasing the Victor Talking Machine Company in 1929. Victor owned 50% of the British affiliated Gramophone Company, giving RCA chairman David Sarnoff a seat on the EMI board.

However, EMI was subsequently forced to sell Columbia USA due to anti-trust action taken by its American competitors. By this time the record industry had been hit hard by the Depression and in 1934 a much-diminished Columbia USA was purchased for just US$70,500 by ARC-BRC (American Record Corporation–Brunswick Record Company), which also acquired the OKeh label.

RCA sold its stake in EMI in 1935, but due to its 1929 takeover of Victor, RCA retained the North and South American rights to the "His Master's Voice" trademark. In other countries, the Nipper logo was used by the EMI subsidiary label HMV, even though the "His Master's Voice" slogan itself would be retained by RCA along with the logo.

In 1938 ARC-Brunswick was taken over by CBS, which then sold the American Brunswick label to American Decca Records, which along with its other properties, Vocalion Records and Aeolian Vocalion Records, used it as a subsidiary budget label afterward. CBS then operated Columbia as its flagship label in both the United States and Canada.

EMI retained the rights to the Columbia name in most other territories including the UK, Australia and New Zealand. It continued to operate the label with moderate success until 1973, when it was retired and replaced by the EMI Records imprint, making records with the Columbia Records label manufactured outside North America between 1972 and 1992 rare.

In 1990, following a series of major takeovers that saw CBS Records acquired by the Sony Corporation of Japan, EMI sold its remaining rights to the Columbia name to Sony and the label is now operated exclusively throughout the world by Sony Music Entertainment; except in Japan where the trade mark is owned by Columbia Music Entertainment.

EMI released its first LPs in 1952 and its first stereophonic recordings in 1955 (first on reel-to-reel tape and then LPs, beginning in 1958). In 1957, to replace the loss of its long-established licensing arrangements with RCA Victor and Columbia Records (Columbia USA cut its ties with EMI in 1951), EMI entered the American market by acquiring 96% of the stock for Capitol Records USA.

Trade ad of congratulations to the Beatles for their 1964 Grammys. Beatles ad 1965.JPG
Trade ad of congratulations to the Beatles for their 1964 Grammys.

From 1960 to 1995 their "EMI House" corporate headquarters was located at 20 Manchester Square London, England, the stairwell from which was featured on the cover of the Beatles' Please Please Me album. In addition, an unused shot from the Please Please Me photo session, featuring the boys in short hair and cleancut attire, was used for the cover of the Beatles' first double-disc greatest-hits compilation entitled 1962–1966 (aka "The Red Album"). In 1969, Angus McBean took a matching group photograph featuring the boys in long hair and beards to contrast with the earlier cleancut image to show that the boys could have appeal across a wide range of audiences. This photo was originally intended for the Get Back album which later was entitled Let It Be . The photo was used instead for the cover of the Beatles' second greatest-hits double-disc compilation entitled 1967–1970 (aka "The Blue Album"). (The two compilations were released in 1973.)

EMI's classical artists of the period were largely limited to the prestigious British orchestras, such as the Philharmonia Orchestra and London Symphony Orchestra as well as the Choir of King's College, Cambridge. During the era of the long-playing record (LP), very few US orchestras had their principal recording contracts with EMI, one notable exception being that of the Pittsburgh Symphony Orchestra, especially during the tenure of William Steinberg.

From the late 1950s to the early 1970s, the company enjoyed huge success in the popular music field under the management of Sir Joseph Lockwood. The strong combination of EMI and its subsidiary labels (including Parlophone, HMV, Columbia and Capitol Records) along with a roster of stellar groups such as the Hollies, the Shadows, the Beach Boys and the Beatles along with hit solo performers such as Frank Sinatra, Cliff Richard, and Nat 'King' Cole, made EMI the best-known and most successful recording company in the world at that time.

In 1967, while shifting their pop and rock music roster to Columbia and Parlophone, EMI converted HMV solely to a classical music label exclusively. For the emerging progressive rock genre including Pink Floyd, who had debuted on Columbia, EMI established a new subsidiary label, Harvest Records, two years later.

In 1971, Electric & Musical Industries changed its name to EMI Ltd. and on 1 January 1973 EMI phased out most of its heritage labels and replacing them with the EMI imprint. On 1 July 1973 the Gramophone Company subsidiary (The Gramophone Co. Ltd.) was renamed EMI Records Ltd as well, and in February 1979, EMI Ltd acquired United Artists Records and with it their subsidiary labels Liberty Records and Imperial Records.

Eight months later, Thorn Electrical Industries merged with EMI Ltd. to form Thorn EMI. [20]

Ten years later in 1989, Thorn EMI bought a 50% interest in Chrysalis Records, completing the buyout two years later. Six months after completing the buyout of Chrysalis, Thorn EMI bought Virgin Records from Richard Branson in one of its highest-profile and most expensive acquisitions in record music history. In 1992, Thorn EMI entered the Christian music market by acquiring Sparrow Records. [21]

Aftermath of demerger from Thorn

Due to the increasing divergence of business models, Thorn EMI shareholders voted in favour of demerger proposals on 16 August 1996. The resulting media company was now known as EMI Group PLC. [22]

Since the 1930s, the Baak Doi label headquartered in Shanghai had been published under the EMI banner [23] and since then, EMI had also been the dominant label in the cantopop market in Hong Kong until the genre's decline in the mid-1980s. Between the years 2004–2006, EMI then completely and totally divested itself from the c-pop market, and after that, all Hong Kong music artists previously associated with EMI have had their music published by Gold Label, a concern unaffiliated with EMI and with which EMI does not hold any interest.

On 21 November 2000, Streamwaves and EMI signed a deal licensing EMI's catalogue in a digital format for their online streaming music service. This was the first time EMI had licensed any of its catalogue to a streaming music website. [24]

Pop star Robbie Williams signed a six-album deal in 2002 paying him over £80 million ($157 million), which was not only the biggest recording contract in British music history at the time, but also the second biggest in music history [25] behind that of Michael Jackson.

Apple Records, the record label representing The Beatles, launched a suit against EMI for non-payment of royalties on 15 December 2005. The suit alleged that EMI had withheld $50 million from the record label; however, an EMI spokesman noted that audits of record label accounts are not that unusual, confirming at least two hundred such audits performed on the label, but that these audits rarely result in legal action. [26] A legal settlement was announced on 12 April 2007 and terms were undisclosed. [27]

On 2 April 2007, EMI announced it would be releasing its music in DRM-free formats. These were to be issued in AAC format, which gave higher quality for the same bitrate compared with the ubiquitous MP3 format. The music would be distributed via Apple's iTunes Store (under the iTunes Plus category). [28]

Tracks were to cost $1.29/€1.29/£0.99. Legacy tracks with FairPlay DRM would still be available for $0.99/€0.99/£0.79 – albeit with lower quality sound and DRM restrictions still in place. Users would be able to 'upgrade' the EMI tracks that they had already bought for $0.30/€0.30/£0.20. Albums were also to be available at the same price as their lower quality, DRM counterparts and music videos from EMI would also be DRM-free. The higher-quality, DRM-free files became available worldwide on iTunes on 30 May 2007, and were expected to appear on other music download services soon thereafter.

Following this decision, Universal Music Group also announced sales of DRM-free music (which was described as an experiment). [29]

In May 2006, EMI attempted to buy Warner Music Group, which would have reduced the world's four largest record companies (Big Four) to three; however, the bid was rejected. [30] Warner Music Group launched a Pac-Man defense, offering to buy EMI. EMI rejected the $4.6bn offer. [31]

Terra Firma takeover

After a decline in the British market share from 16% to 9%, and the announcement that it had sustained a loss of £260 million in 2006/2007, [32] [33] in August 2007 EMI was acquired by Terra Firma Capital Partners, [32] which purchased it for £4.2 billion. [34]

Following the transition, several artists including Radiohead left EMI, while other artists such as Paul McCartney had left ahead of the takeover. [32] At the same time, the Rolling Stones signed a one-album deal with Interscope Records/Universal Music Group outside its contract with EMI, which expired on February 2008, [35] [36] and then in July 2008 signed a new long term deal with Universal Music Group. [37]

The Terra Firma takeover is also reported to have been the catalyst behind a lawsuit filed by Pink Floyd over unpaid royalties. [38] In January 2011 Pink Floyd signed a new global agreement with EMI. [39]

Around the same time, Guy Hands, CEO of Terra Firma Capital Partners, came to EMI with restructuring plans to cut between 1,500 and 2,000 jobs [33] and to reduce costs by £200 million a year. As a result, the UK chief executive Tony Wadsworth left EMI after 25 years in January 2008. The cuts were planned to take effect over the year 2008, and would affect up to a third of EMI's 5,500 staff. [33] Thirty Seconds to Mars tried to exit their contract with EMI following the layoff of its staff and due to unpaid royalties, prompting the label to file a lawsuit for $30 million citing breach of contract. [40] The suit was later settled following a defence based on a contract case involving actress Olivia de Havilland decades before. [41] Jared Leto explained, "The California Appeals Court ruled that no service contract in California is valid after seven years, and it became known as the De Havilland Law after she used it to get out of her contract with Warner Bros." [41] Many industry watchers viewed the suit as a punitive harassment meant to scare other musicians. [40] The band's troubles with the label resonate through their third studio album This Is War (2009) and were the subject of the 2012 documentary Artifact . [42]

Another EMI singer Joss Stone battled the label, and offered to forfeit £2 million to be released from her contract. Stone has said that after EMI was taken over by Terra Firma, her relationship with the label had soured and that there is "no working relationship". [43] In an interview with BBC 6music, Róisín Murphy clearly stated that she left the label as well because of similar disagreements. She also commented on the difficulties she had while recording her second solo album Overpowered .

In 2008, EMI withdrew from the South-East Asian market entirely, forcing its large roster of acts to search out contracts with other unaffiliated labels. As a result, the South-East Asian market was the only region in the world where EMI was not in operation, although the record label continued to operate in Hong Kong and Indonesia (which is currently named Arka Music Indonesia). [44] The Chinese and Taiwanese operation of EMI as well as the Hong Kong branch of Gold Label, was sold to Typhoon Group and reformed as Gold Typhoon. The Philippine branch of EMI changed its name to PolyEast Records, and is now a joint venture between EMI itself and Pied Piper Records Corporation. The physical audio and video products of the label have been distributed in South-East Asia by Warner Music Group since December 2008, while new EMI releases in China and Taiwan, were distributed under Gold Typhoon which was previously known as EMI Music China and EMI Music Taiwan, respectively. Meanwhile, the Korean branch of EMI (known as EMI Korea Limited) had its physical releases distributed by Warner Music Korea. EMI Music Japan, the Japanese EMI branch, remains unchanged from the reflection of Toshiba's divestiture to the business by EMI buying the whole branch way back July 2007, making it a full subsidiary. [45] [46]

In July 2009, there were reports that EMI would not sell CDs to independent album retailers in a bid to cut costs, [47] but in fact only a handful of small physical retailers were affected. [48]

Citigroup ownership

In February 2010, EMI Group reported pre-tax losses of £1.75 billion for the year ended March 2009, including write-downs on the value of its music catalogue. [49] [50] In addition, KPMG issued a going concern warning on the holding company's accounts regarding an ability to remain solvent. [51]

Citigroup (which held $4 billion in debt) took 100% ownership of EMI Group from Terra Firma Capital Partners on 1 February 2011, writing off £2.2 billion of debt [52] and reducing EMI's debt load by 65%. [53] The group was put up for sale and final bids were due by 5 October 2011. [54]

Sony/Universal/Warner sale

On 12 November 2011, it was announced that EMI would sell its recorded music operations to Universal Music Group (UMG) for £1.2 billion ($1.9 billion) and its music publishing operations to Sony/ATV Music Publishing-for $2.2 billion. [55] Among the other companies that had competed for the recorded music business was Warner Music Group which was reported to have made a $2 billion bid. [56] However, IMPALA has said that it would fight the merger. [57] In March 2012, the European Union opened an investigation into Universal's purchase of EMI's recorded music division [58] and had asked rivals and consumer groups whether the deal will result in higher prices and shut out competitors. [59]

On 21 September 2012, the sale of EMI to UMG was approved in both Europe and the United States by the European Commission and the Federal Trade Commission respectively. The European Commission approved the deal, however, under the condition that the merged company divest itself of one third of its total operations to other companies with a proven track record in the music industry. To comply with this condition, UMG divested V2 Records, Parlophone Records, Sanctuary Records, Chrysalis Records, Mute Records, EMI Classics, Virgin Classics, and EMI's regional labels across Europe. These labels were operated separately under the name "Parlophone Label Group", pending their sale. Universal would, however, retain its ownership of the Beatles' library (moved to the newly formed Calderstone Productions) and Robbie Williams' Chrysalis recordings (moved to the Island Records label). [60]

Universal Music Group completed its acquisition of EMI on 28 September 2012, [61] followed by worldwide compliance and complete rebranding by 1 April 2013. [61] [62] In compliance the conditions of the European Commission, on 22 December 2012, Universal Music Group sold the Mute catalogue, previously property of EMI, to German-based music rights company BMG. [63] On 8 February 2013, Warner Music Group signed an agreement to acquire Parlophone, Chrysalis Records, EMI Classics, Virgin Classics and some of EMI's regional labels across Europe for US$765 million (£487 million). [64] [65] Regulatory approval was received on 15 May 2013. [66] Universal retained European regional labels in Italy, Holland, Germany, Switzerland, and Austria.

Universal Music will continue to operate EMI entities it is retaining using the EMI name and has formed Virgin EMI Records as a UMG label unit in the UK. [67] The former EMI Records Ltd. was renamed Parlophone Records Ltd. in 2013, [68] when Warner Music Group acquired Parlophone Music Group which has the rights to the old EMI Records catalogue.

Warner Music incorporated EMI Classics and Virgin Classics into its Warner Classics unit with the EMI Classics artist roster and catalogue absorbed into the Warner Classics label and the Virgin Classics artist roster and catalogue absorbed into the revived Erato Records label. [69]

On 14 November 2013, EMI's Middle Eastern branch was folded into Universal Music, causing the distribution of Warner Music Group's releases in that region to be moved to Universal Music. [70]

On 30 June 2014, Universal Music Group re-established EMI's Taiwanese division, with A-Mei, Rainie Yang and Show Lo signing first to the label. [71]

In May 2016 the history of the record label was examined in the hour-long BBC documentary EMI: The Inside Story. [72]


EMI Leisure

EMI Leisure, formed in April 1974, [73] was, by the late 1970s, a prominent operator of cinemas, hotels and restaurants, with its leisure business contributing 15% of group revenues. [74] This business was the subject of a management buy-out in 1982 led by Lord Delfont.

EMI Music

Labels under the EMI banner

Past and present EMI musicians

EMI Music Publishing

As well as the well-known record label the group also owned EMI Music Publishing, which was the largest music publisher in the world. EMI Music Publishing has won the Music Week Award for Publisher of the Year every year for over 10 years; in 2009, for the first time in history the award was shared jointly with Universal Music Publishing. [75] As is often the case in the music industry, the publishing arm and record label are very separate businesses.

EMI administered the publishing rights of over 1.3 million songs, headlined by Queen, Carole King, The Police, the Motown catalog, Kanye West, Alicia Keys, Drake, Sia, P!nk, Pharrell Williams, and Calvin Harris. EMI also owns the recorded catalogue of Philles Records, with distribution handled by Sony's Legacy Recordings.

EMI's music publishing operations were sold to a consortium led by Sony/ATV Music Publishing in 2012; BMG acquired the music publishing libraries of Virgin Music (which EMI held) and Famous Music UK (which Sony/ATV held). [76]


CD price fixing

Between 1995 and 2000 music companies were found to have used illegal marketing agreements such as minimum advertised pricing to artificially inflate prices of compact discs in order to end price wars by discounters such as Best Buy and Target in the early 1990s. [77]

A settlement in 2002 included the music publishers and distributors; Sony Music, Warner Music, Bertelsmann Music Group, EMI and Universal Music. In restitution for price fixing they agreed to pay a $67.4 million fine and distribute $75.7 million in CDs to public and non-profit groups but admitted no wrongdoing. [78] It is estimated customers were overcharged by nearly $500 million and up to $5 per album. [77]

On Internet Freedom Day in January 2013, EMI evoked controversy after the removal of Martin Luther King Jr's "I Have a Dream" speech from Vimeo due to a copyright violation. [79]

See also

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Virgin Records UK record company

Virgin Records Ltd. is a British record label founded by entrepreneurs Richard Branson, Simon Draper, Nik Powell, and musician Tom Newman in 1972. It grew to be a worldwide phenomenon over time, with the success of platinum performers such as Aaliyah, George Michael, Paula Abdul, Janet Jackson, Roy Orbison, Devo, Tangerine Dream, Genesis, Keith Richards, the Human League, Culture Club, Simple Minds, Lenny Kravitz, dc Talk, the Smashing Pumpkins, Mike Oldfield, Gorillaz, Lewis Capaldi and Spice Girls, among others.

A record label, or record company, is a brand or trademark associated with the marketing of music recordings and music videos. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label" derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and be both promoted and heard on music streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positive media coverage, and arrange for their merchandise to be available via stores and other media outlets.

Universal Music Group American music corporation

Universal Music Group is an American global music corporation that is a subsidiary of the French media conglomerate Vivendi. UMG's global corporate headquarters are located in Santa Monica, California. It is considered one of the "Big Three" music companies, along with Sony Music and Warner Music Group. Since 2004, the corporation is no longer related to the film studio Universal Studios. In 2019, Fast Company named Universal Music Group the most innovative music company and listed UMG among the Top 50 most innovative companies in the world and "amid the music industry's digital transformation, Universal is redefining what a modern label should look like." UMG has signed licensing agreements with more than 400 platforms worldwide.

Bertelsmann Music Group Record label company

Bertelsmann Music Group was a division of German media company Bertelsmann before its completion of sale of the majority of its assets to Sony Corporation of America on 1 October 2008. Although it was established in 1987, the music company was formed as RCA/Ariola International in 1984 as a joint venture to combine the music label activities of RCA Corporation's RCA Records division and Bertelsmann's Ariola Records and its associated labels which include Arista Records. It consisted of the BMG Music Publishing company, the world's third largest music publisher and the world's largest independent music publisher, and the 50% share of the joint venture with Sony Music, which established the German American Sony BMG from 2004 to 2008.

Warner Music Group American global music conglomerate

Warner Music Group Inc. (WMG), also known as Warner Music, is an American multinational entertainment and record label conglomerate headquartered in New York City. It is one of the "big three" recording companies and the third largest in the global music industry, after Universal Music Group (UMG) and Sony Music Entertainment (SME). Formerly part of Time Warner, the company was publicly traded on the New York Stock Exchange until May 2011, when it announced its privatization and sale to Access Industries, which was completed in July 2011. With a multibillion-dollar annual turnover, WMG employs more than 3,500 people and has operations in more than 50 countries throughout the world.

Sony BMG Music Entertainment was an American record company owned as a 50–50 joint venture between Sony Corporation of America and Bertelsmann Music Group. The venture's successor, the revived Sony Music, is wholly owned by Sony, following their buyout of the remaining 50% held by Bertelsmann. BMG was instead rebuilt as BMG Rights Management on the basis of 200 remaining artists.

Angel Records was a record label founded by EMI in 1953. It specialised in classical music, but included an occasional operetta or Broadway score. The Angel mark was used by EMI, its predecessors, and affiliated companies since 1898. EMI's classical-music operations were sold to Warner Music Group in 2013. The label is currently inactive since 2006, dissolving and reassigning Angel Records' artists and catalogues into its parent label EMI Classics and musical theatre artists and catalogues into Capitol Records. EMI Classics has since been sold and absorbed into Warner Classics.

EMI Classics record label founded by EMI in 1990

EMI Classics was a record label founded by EMI in 1990 in order to reduce the need to create country-specific packaging and catalogs for internationally distributed classical music releases. Following the European Commission's approval of the takeover of EMI Group by Universal Music in September 2012, EMI Classics was listed for divestment. The label was sold to Warner Music Group, which absorbed EMI Classics into Warner Classics in 2013.

EMI Records record label founded by the EMI company

EMI Records Ltd. was a British record label founded by the music company of the same name in 1972 as its flagship label, and launched in January 1973 as the successor to its Columbia and Parlophone record labels. The label was later launched worldwide. It has a branch in India called "EMI Records India", run by director Mohit Suri.

Carl Lindström Company German record company founded by Swedish industrialist Carl Lindström

Carl Lindström A.G. was a global record company founded in 1893 and based in Berlin, Germany. Founded by Carl Lindström (1869–1932), a Swedish inventor living in Berlin, it originally produced phonographs or gramophones with the brand names "Parlograph" and "Parlophon" and eventually began producing records as well. It became the holding company for Odeon Records, Parlophone Records, Beka Records, Okeh Records, Fonotipia Records, Lyrophon, Homophon, and other labels. Lindström sold the company to Max Straus, but Lindström remained with the company as an engineer and inventor.

Regal Recordings British record label established 1995; imprint of Parlophone Records

Regal Recordings is a British record label functioning as an imprint of Parlophone Records.

Minos EMI Greek record label; imprint of Minos • EMI α.ε.

Minos EMI is a record company based in Athens, Greece. The company serves as the Greek record label and offices of the multinational Universal Music Group.

EMI Music Publishing multinational music publishing company;music publishing division of EMI Group, Plc.

EMI Music Publishing Ltd. was a multinational music publishing company headquartered in London, United Kingdom.

Virgin Classics was a record label founded in 1988 as part of Richard Branson's Virgin Records.

CBS Records International international arm of Columbia Records

CBS Records International was the international arm of the Columbia Records unit of Columbia Broadcasting System, Inc. (CBS) that was formed in 1961 and launched in 1962. Previously Columbia Records had been using other record companies to distribute Columbia recordings outside North America, such as Philips Records and its subsidiary Fontana in Europe.


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