Royal Philharmonic Orchestra

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Royal Philarmonic Orchestra (RPO)
Cadogan Hall, Sloane Terrace, SW1 - interior - - 1805137.jpg
The RPO at Cadogan Hall, its home since 2004
LocationLondon, UK
Concert hall Cadogan Hall

The Royal Philharmonic Orchestra (RPO), based in London, was formed by Sir Thomas Beecham in 1946. In its early days the orchestra secured profitable recording contracts and important engagements including the Glyndebourne Festival Opera and the concerts of the Royal Philharmonic Society. After Beecham's death in 1961 the orchestra's fortunes declined steeply; it battled for survival until the mid-1960s, when its future was secured after an Arts Council report recommended that it should receive public subsidy; a further crisis arose in the same era when it seemed that the orchestra's right to call itself "Royal" could be withdrawn.

Thomas Beecham British conductor and impresario

Sir Thomas Beecham, 2nd Baronet, CH was an English conductor and impresario best known for his association with the London Philharmonic and the Royal Philharmonic orchestras. He was also closely associated with the Liverpool Philharmonic and Hallé orchestras. From the early 20th century until his death, Beecham was a major influence on the musical life of Britain and, according to the BBC, was Britain's first international conductor.

Glyndebourne Festival Opera English opera festival

Glyndebourne Festival Opera is an annual opera festival held at Glyndebourne, an English country house near Lewes, in East Sussex, England.

Royal Philharmonic Society philharmonic society

The Royal Philharmonic Society is a British music society, formed in 1813. It was originally formed in London to promote performances of instrumental music there. Many distinguished composers and performers have taken part in its concerts. It is now a membership society, and while it no longer has its own orchestra, it continues a wide-ranging programme of activities which focus on composers and young musicians and aim to engage audiences so that future generations will enjoy a rich and vibrant musical life. Since 1989 it has promoted the annual Royal Philharmonic Society Music Awards for live music-making in the United Kingdom. The RPS is a registered UK charity No. 213693. It is located at 48 Great Marlborough Street in London.


Since Beecham's death the RPO has had seven chief conductors, including Rudolf Kempe, Antal Doráti, André Previn and Vladimir Ashkenazy. Others closely associated with the orchestra have included Sir Charles Groves, Sir Charles Mackerras, Peter Maxwell Davies, Yehudi Menuhin and Leopold Stokowski.

Rudolf Kempe German conductor

Rudolf Kempe was a German conductor.

Antal Doráti Hungarian-born conductor and composer

Antal Doráti, was a Hungarian-born conductor and composer who became a naturalized American citizen in 1943.

André Previn German-American pianist, conductor and composer

André George Previn, was a German-American pianist, composer, arranger, and conductor.

In 2004 the orchestra acquired its first permanent London base, at the new Cadogan Hall in Chelsea. The RPO also gives concerts at the Royal Festival Hall, the Royal Albert Hall and venues around the UK and other countries. From its earliest days the orchestra has been active in the recording studios, making film soundtracks and numerous gramophone recordings; many of the LP recordings conducted by Beecham and others have been reissued on compact disc.

Cadogan Hall grade II listed concert hall in the United kingdom

Cadogan Hall is a 950-seat capacity concert hall in Sloane Terrace in Chelsea / Belgravia in the Royal Borough of Kensington and Chelsea, London, England.

Chelsea, London area of central London, England

Chelsea is an affluent area of West London, bounded to the south by the River Thames. Its frontage runs from Chelsea Bridge along the Chelsea Embankment, Cheyne Walk, Lots Road and Chelsea Harbour. Its eastern boundary was once defined by the River Westbourne, which is now in a pipe above Sloane Square Underground station. The modern eastern boundary is Chelsea Bridge Road and the lower half of Sloane Street, including Sloane Square. To the north and northwest, the area fades into Knightsbridge and Brompton, but it is considered that the area north of King's Road as far northwest as Fulham Road is part of Chelsea.

Royal Festival Hall concert hall in London, England

The Royal Festival Hall is a 2,900-seat concert, dance and talks venue within Southbank Centre in London. It is situated on the South Bank of the River Thames, not far from Hungerford Bridge, in the London Borough of Lambeth. It is a Grade I listed building, the first post-war building to become so protected. The London Philharmonic Orchestra, the Philharmonia Orchestra and the Orchestra of the Age of Enlightenment are resident in the hall.



Arms of the Royal Philharmonic Orchestra RPO-arms.jpg
Arms of the Royal Philharmonic Orchestra

In 1932 the conductor Sir Thomas Beecham had founded the London Philharmonic Orchestra (LPO), which, with the backing of rich supporters, he ran until 1940, when finances dried up in wartime. Beecham left to conduct in Australia and then the US; the orchestra continued without him after reorganising itself as a self-governing body. On Beecham's return to England in September 1944 the LPO welcomed him back, and in October they gave a concert together that drew superlatives from the critics. [1] Over the next months Beecham and the orchestra gave further concerts with considerable success, but the LPO players, now their own employers, declined to give him the unfettered control he had exercised in the 1930s. If he were to become chief conductor again it would be as a paid employee of the orchestra. [2] Beecham responded, "I emphatically refuse to be wagged by any orchestra ... I am going to found one more great orchestra to round off my career." [3] In 1945 he conducted the first concert of Walter Legge's new Philharmonia Orchestra, but was not disposed to accept a salaried position from Legge, his former assistant, any more than from his former players in the LPO. [3] [n 1] His new orchestra to rival the Philharmonia would, he told Legge, be launched in "the most auspicious circumstances and éclat". [5]

London Philharmonic Orchestra London based symphony orchestra

The London Philharmonic Orchestra (LPO) is one of five permanent symphony orchestras based in London. It was founded by the conductors Sir Thomas Beecham and Malcolm Sargent in 1932 as a rival to the existing London Symphony and BBC Symphony Orchestras.

Walter Legge English classical music producer

Harry Walter Legge was an English classical record producer, most especially associated with EMI. His recordings include many sets later regarded as classics and reissued by EMI as "Great Recordings of the Century". He worked in the recording industry from 1927, combining this with the post of junior music critic of The Manchester Guardian. He was assistant to Sir Thomas Beecham at the Royal Opera House, Covent Garden, and in World War II played a role in bringing music to the armed forces and civilians.

Philharmonia Orchestra British Orchestra based in London

The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia's younger conductors, the most important to its development was Herbert von Karajan, who though never formally chief conductor was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London's five symphony orchestras in its first two decades.

In 1946 Beecham reached an agreement with the Royal Philharmonic Society: his orchestra would replace the LPO at all the Society's concerts. [3] He thus gained the right to name the new ensemble the "Royal Philharmonic Orchestra", an arrangement approved by George VI. [6] [n 2] Beecham arranged with the Glyndebourne Festival that the RPO should be the resident orchestra at Glyndebourne seasons. He secured backing, including that of record companies in the US as well as Britain, with whom lucrative recording contracts were negotiated. [3] The music critic Lyndon Jenkins writes:

Naturally, it quickly became known that he was planning another orchestra, at which the cry "He'll never get the players!" went up just as it had done in 1932. Beecham was unmoved: "I always get the players," he retorted. "Among other considerations, they are so good they refuse to play under anybody but me". [9]

Beecham's orchestra

Beecham appointed Victor Olof as his orchestral manager, and they started recruiting. At the top of their list were leading musicians with whom Beecham had worked before the war. Four had been founder members of the LPO fifteen years previously: Reginald Kell (clarinet), Gerald Jackson (flute), James Bradshaw (timpani) and Jack Silvester (double-bass). From the current LPO they engaged the oboist Peter Newbury. Beecham persuaded the veteran bassoonist Archie Camden, who had been pursuing a solo career, to return to orchestral work. The cellos were led by Raymond Clark, enlisted from the BBC Symphony Orchestra. The principal horn player was Dennis Brain, who already held the same post in Legge's Philharmonia, but managed to play for both orchestras. [10] Jenkins speculates that as Beecham knew all Britain's orchestral leaders at first hand he decided not to try to lure any of them away. His choice was John Pennington, who had been first violin of the London String Quartet from 1927 to 1934, and had then had a career in the US as concertmaster, successively, of the San Francisco Symphony, Los Angeles Philharmonic and Paramount Pictures orchestras. [10] [11]

Beecham rehearsing in 1948 Sir-Thomas-Beecham-US-1948.jpg
Beecham rehearsing in 1948

On 11 September 1946 the Royal Philharmonic assembled for its first rehearsal. [10] Four days later it gave its first concert, at the Davis Theatre, Croydon. [12] Beecham telegraphed a colleague, "Press virtually unanimous in praise of orchestra. First Croydon concert huge success". [13] Beecham and the orchestra played a series of out-of-town engagements before venturing a first London concert on 26 October. The Times then spoke of "a hall filled with golden tone which enveloped the listener". [14] Before its London debut the orchestra made its first recording, and within two years had made more than 100. [15]

Within a few months Pennington was forced to resign when the British Musicians' Union discovered that he was not one of its members. [16] [n 3] He was succeeded by his deputy Oscar Lampe, "a man who eschewed most social graces but played the violin divinely", according to Jenkins. [18] In the early days the orchestra comprised 72 players all on yearly contract to Beecham, giving him first call on their services, subject to reasonable notice, but not otherwise restricting their freedom to play for other ensembles. [15] A review of the London orchestral scene of the late 1940s said of the RPO and its main rival: "The Philharmonia and Royal Philharmonic share a very serious disability: that neither is a permanently constituted orchestra. Both assemble and disperse more or less at random ... there is no style which is distinctively RPO or Philharmonia." [19]

Brain continued to play first horn for both orchestras; otherwise, from the early 1950s, there was generally more stability of orchestral personnel. In particular the RPO became celebrated for its regular team of woodwind principals, in which Jackson was joined by Jack Brymer (clarinet), Gwydion Brooke (bassoon) and Terence MacDonagh (oboe). [20] The Independent described them as "arguably the finest ever wind section ... [they] became known as 'The Royal Family'." [21] [n 4]

The RPO toured the United States in 1950, the first British orchestra to visit America since the London Symphony Orchestra (LSO) in 1912. This was a long-cherished plan of Beecham's, who had been unable to take the LPO to the US in the 1930s. He arranged 52 concerts in 45 cities in 64 days. The tour was described by Brain's biographers Gamble and Lynch as a huge success. [23] It began on 13 October in Hartford, Connecticut, and finished on 15 December in Bethlehem, Pennsylvania. The concerto soloists were the pianist Betty Humby Beecham (the conductor's second wife) and orchestral principals: David McCallum (violin), Anthony Pini (cello), and the four members of the "Royal Family". [23] In The New York Times , Olin Downes wrote of "magnificent music-making by Sir Thomas Beecham and the Royal Philharmonic". [24] The following year, assessing all the London orchestras, Frank Howes, music critic of The Times, concluded that the RPO "comes nearest in quality and in consistency of style to the great international orchestras". [25]

The orchestra's first appearance at the Proms took place in August 1952, conducted by Basil Cameron. [26] Beecham made his Proms debut two years later, conducting the RPO in a programme of music by Berlioz, Schubert and Sibelius; The Times commented on "an evening of magnificent playing". [27] In 1957 Beecham and the RPO made a European tour, beginning at the Salle Pleyel in Paris and ending at the Musikverein in Vienna. [28]

Beecham conducted the RPO in his last concert, given at Portsmouth Guildhall on 7 May 1960. The programme, all characteristic choices, comprised the Magic Flute Overture, Haydn's Military Symphony, Beecham's own Handel arrangement Love in Bath, Schubert's Fifth Symphony, On the River by Delius, and the Bacchanale from Saint-Saëns's Samson and Delilah , with Delius's Sleigh Ride as an encore. [29] Beecham suffered a heart attack the following month, from which he did not recover; he died in March 1961. [30]


Gentlemen, there are four other orchestras in London; you can always go and work for them.

Lady Beecham to RPO members, 1963 [31]

Rudolf Kempe, who had been appointed associate conductor in 1960, became principal conductor in 1961 and music director in 1962. [32] Beecham's widow [n 5] ran the affairs of the orchestra as best she could, but some senior players including Brymer and MacDonagh were unhappy with the management, and they left. [31] The orchestra reorganised itself in 1963 as a self-governing limited company, but almost immediately encountered difficulties. [34] The Royal Philharmonic Society decided not to engage the RPO for its concerts; Glyndebourne booked the LPO instead of the RPO from 1964 onwards. The RPO was also excluded from the London Orchestral Concert Board's schedule of concerts, which meant that it was denied the use of London's main concert venue, the Royal Festival Hall. Kempe resigned, although he returned shortly afterwards. Helped by strong support from Sir Malcolm Sargent, the orchestra successfully mounted its own concerts at a cinema in Swiss Cottage, 3.5 miles (5.6 km) to the north-west of the Festival Hall. [35] A 1965 report to the Arts Council by a committee chaired by Alan Peacock recommended that all four independent London orchestras should receive adequate public subsidy. [36]

The severance of the tie with the Royal Philharmonic Society in 1963 turned out to be temporary, [n 6] but for three years it threatened to deprive the RPO of the "Royal" in its title. The matter was resolved in 1966, when on the advice of Roy Jenkins, who as Home Secretary had responsibility for such matters, the Queen conferred the title unconditionally on the orchestra. [38]

Clifford Curzon, soloist at the RPO's Silver Jubilee concert Clifford-Curzon.jpg
Clifford Curzon, soloist at the RPO's Silver Jubilee concert

The RPO celebrated its silver jubilee in 1971. On 15 September the orchestra returned to Croydon, where it had made its debut 25 years earlier. The theatre in which it had first played had been demolished, and the anniversary concert was therefore given at the Fairfield Halls. The programme consisted of the overture to The Marriage of Figaro , Beethoven's Emperor Concerto, and Holst's The Planets . Sir Adrian Boult conducted, and Clifford Curzon was the soloist. [39] Five members of the original orchestra were still in the RPO for the jubilee concert: Leonard Brain (brother of Dennis), principal cor anglais; Lewis Pocock, co-principal timpani; Ernest Ineson, double bass; John Myers, viola; and Albert Pievsky, violin. [36]

The RPO gave Kempe the title of "Conductor for Life" in 1970; he stepped down from the orchestra in 1975, the year before his death. He was succeeded as chief conductor by Antal Doráti, who held the post from 1975 to 1978; as in his earlier spells with the LSO and BBC Symphony Orchestra, he was not greatly liked by his players, but raised their standard of playing and imposed discipline. [40]

In 1984 there was a new threat to the orchestra: a review carried out on behalf of the Arts Council by the journalist William Rees-Mogg opined that England lacked "a great eastern symphony orchestra": the suggestion was that the RPO should move to Nottingham. Another Arts Council report of the same period recommended that the RPO should supplement the LSO as resident orchestra at the Barbican Centre; neither proposal came to fruition. [41] During the 1980s the British government imposed strict constraints on public spending; to make up for lost revenue, the RPO, in common with the other self-governing London orchestras, was forced into increased reliance on business sponsorship as a primary source of funds. The Grove Dictionary of Music and Musicians , recording this, comments, "Such sponsorship is, however, subject to changing circumstances and thus less secure in the long term." [42]

Since 1993 the RPO has had a community and education programme, later given the title of "RPO Resound". It aims to increase "access to and engagement with world-class music-making." [43] It has worked in venues including homeless shelters, hospices, youth clubs and prisons. [43]

21st century

Cadogan Hall, the RPO's home since 2004 Cadogan Hall, Sloane Terrace, SW1 - - 1804955.jpg
Cadogan Hall, the RPO's home since 2004

The orchestra gives an annual series of concerts at the Festival Hall, and since 2004 has had a permanent home at Cadogan Hall, a former church in Chelsea, converted into a 900-seat concert hall and rehearsal space. [44] At the Royal Albert Hall in London the RPO gives performances ranging from large-scale choral and orchestral works to evenings of popular classics. [43]

The orchestra maintains a regional touring programme, taking in venues throughout the UK, and has established residencies in Aylesbury, Crawley, Croydon, Dartford, High Wycombe, Ipswich, Lowestoft, Northampton and Reading. [43] [n 7] The RPO regularly tours overseas; since 2010 it has played in Azerbaijan, Canada, China, Germany, Italy, Japan, Russia, Spain and the US. In 2010–11 and two subsequent seasons the RPO was the resident orchestra for a series of concerts in Montreux, Switzerland. [43] In 2010 the orchestra toured England, with a repertoire preponderantly of Beethoven, including the Violin Concerto in which Pinchas Zukerman was both soloist and conductor. [46] In the same year, another tour featured Maxim Shostakovich conducting the music of his father, Dmitri Shostakovich. [47] The RPO continues to feature at the Proms; in the 2010–12 Proms seasons the orchestra played works by Bach, Copland, Delius, Saint-Saëns, Tchaikovsky, Bax, Barber, Bartók and Prokofiev. [48]

The orchestra's community and education activities have continued into the 21st century. In May 2013 six youth ensembles from London boroughs and a 3,500-strong choir of children from local primary schools were given the chance to perform alongside members of the RPO at the Albert Hall. They played a piece composed by participants from all six musical ensembles. [49]

Players and conductors

Among the well-known musicians who have been RPO principals in the mid-1950s and later, string players include Steven Staryk (leader, 1957–59), Raymond Cohen (leader, 1959–66),Alan Loveday (leader, 1967–71), Erich Gruenberg (leader, 1972–76), Barry Griffiths (leader, 1976–89), Jonathan Carney (leader, 1991–94) and Frederick Riddle (viola, 1953–77). Among the woodwind principals have been Geoffrey Gilbert (flute, 1957–61), James Galway (flute, 1967–69), Antony Pay (clarinet, 1968–78) and Michael Chapman (bassoon, 1978–99). Principals in the brass section have included Alan Civil (horn, 1952–55), Philip Jones (trumpet, 1956–60), Elgar Howarth (trumpet, 1963–69) and Martin Owen (horn, 1998–2008). [50]

Clockwise from top left: Menuhin, Mackerras, Dutoit and Ashkenazy RPO-conductors.jpg
Clockwise from top left: Menuhin, Mackerras, Dutoit and Ashkenazy

Chief conductors since Dorati have been Walter Weller 1980–85, André Previn 1985–92, Vladimir Ashkenazy 1987–94, Yuri Temirkanov 1992–98 and Daniele Gatti 1996–2009. [51] Charles Dutoit was artistic director and principal conductor from 2009 until January 2018, when he resigned after allegations of sexual misconduct. [52]

From 1992 to 2000 Peter Maxwell Davies was associate conductor and composer to the RPO. [51] Other conductors with close ties to the orchestra have included Sir Charles Groves, Vernon Handley, Sir Charles Mackerras, Yehudi Menuhin, Gennady Rozhdestvensky and Leopold Stokowski. [53] Grzegorz Nowak was appointed principal associate conductor in 2008; the following year Pinchas Zukerman became the RPO's principal guest conductor. [52]

In July 2018 the RPO announced the appointment of Vasily Petrenko, conductor of the Royal Liverpool Philharmonic Orchestra, as its new music director, with an initial contract of five years from the 2021–2022 season. [54]


From the RPO's earliest days to the end of Beecham's life, they made numerous recordings for His Master's Voice, CBS and RCA Victor. Among the works they recorded EMI chose several to be reissued at the end of the twentieth century in its "Great Recordings of the Century" series. They included a Delius programme; a Grieg programme; French ballet music; short works by Bizet, Chabrier, Fauré and Saint-Saëns; Tchaikovsky's Symphony No 4 and Nutcracker Suite; Mozart's Jupiter Symphony, Clarinet Concerto (Brymer) and Bassoon Concerto (Brooke); and Schubert's 3rd, 5th and 6th Symphonies. [55]

After Beecham's death the orchestra made many recordings for Decca, sometimes under pseudonyms such as the "Beecham Symphony Orchestra", the "London Festival Orchestra" and the "Metropolitan Symphony Orchestra". [56] Among the conductors with whom the RPO recorded in the 1960s were Sir John Barbirolli, Fritz Reiner, Charles Munch, Georges Prêtre, Kempe, Previn and Stokowski. [56] Soloists included Earl Wild, Shura Cherkassky, Alan Civil and Luciano Pavarotti. [56]

Igor Stravinsky recorded his opera The Rake's Progress with the RPO in 1964. [53] Colin Davis made some of his earliest recordings with the orchestra, including Mozart and Rossini overtures, Beethoven's Seventh Symphony, [57] and Stravinsky's Oedipus rex . [58] From 1964 to 1979 the RPO was engaged by Decca to record Gilbert and Sullivan operas with the D’Oyly Carte Opera Company. [56] The orchestra has also recorded for Deutsche Grammophon, Lyrita, Philips, Pye and Unicorn-Kanchana. [56] [59]

In 1986 the orchestra launched RPO Records, claimed to be "the world's first record label to be owned by a symphony orchestra". [53] Recordings available on the RPO label in 2013 ranged from core symphonic repertoire and Tchaikovsky ballet scores to film music by various composers, light music by Burt Bacharach and Richard Rodgers, and an album called "Symphonic Rock", described as "Over 3 hours of classic rock anthems and pop tracks with an orchestral twist". [60]

Non-classical work

As well as performing works from the classical repertoire, the RPO has recorded a number of film scores, including those for Powell and Pressburger's The Red Shoes and The Tales of Hoffmann . Other scores recorded by the RPO are Olivier's Richard III , The Bridge on the River Kwai , and The Private Life of Sherlock Holmes . [61]

In 1987 the RPO established a sister ensemble, the Royal Philharmonic Concert Orchestra, which plays lighter classics. It succeeded a similar group, the Royal Philharmonic Pops Orchestra. [53] . In 1989, the RPO recorded the flamenco album "Soy Gitano" (I am a gipsy man) with Camarón de la Isla.

RPO players have been involved with many performances away from the classical repertory; in the 1960s they pioneered the "mixed media" concert, appearing with The Nice rock band. [62] Later non-classical ventures included Yanni Live at the Acropolis , a concert held in Greece in 1993, conducted by Shahrdad Rohani; [63] In 1992 UEFA commissioned the orchestra and the Academy of St Martin in the Fields chorus to record the UEFA Champions League Hymn. [64]

The London Royal Philarmonic Orchestra accompanied Fairuz in both of her London Gran Hall Olympia concerts on March 11 th and 12 th 1994, along with Lebanese chorists, and other Lebanese musicians who played arab music instruments such as 'Oud and Qanun. The concerts' arrangements were by Fairuz son Ziad Rahbany, Lebanese author, musician, composer, and arranger.

Notes and references

  1. Of the 75 players who constituted the LPO in 1944 only 18 had been in the LPO that Beecham left in 1940. [4]
  2. The Society had its own orchestra from its foundation in 1813 until 1932, when it agreed with Beecham that the new LPO would play at all its concerts. [7] The new Royal Philharmonic Orchestra was granted the right to use the name when playing for the Society or at any other performance conducted by or under the artistic control of Beecham. [8]
  3. At the time, union membership was compulsory for players in British orchestras. [17]
  4. Jackson left the orchestra in 1958, and was succeeded by Geoffrey Gilbert, whom The Times called "the most influential British flautist of the twentieth century". The quartet of woodwind soloists continued to be generally known as "the Royal Family" [22]
  5. Shirley, née Hudson, Beecham's third wife, and former secretary, whom he married in 1959, a year after Betty Humby Beecham died. [33]
  6. The RPS resumed its association with the orchestra from the 1966–67 season. [37]
  7. The number of towns and cities in which the RPO regularly plays is reflected in the sobriquet adopted in some of the orchestra's marketing: "The Nation's Favourite Orchestra". [45]
  1. Glock, William, "Music", The Observer 8 October 1944, p. 2; and "Sir T. Beecham's Return", The Times, 9 October 1944, p. 8
  2. Reid (1961), p. 230
  3. 1 2 3 4 Reid (1961), p. 231
  4. Lucas, p.306
  5. Osborne, p. 248
  6. "Orchestra Refuse to Drop 'Royal' from Title, The Times, 19 August 1964, p. 10
  7. Three Orchestras", The Times 24 September 1932, p. 8; and "The Royal Philharmonic", The Manchester Guardian, 21 August 1946, p. 3
  8. Baker, George. "Royal Philharmonic Orchestra", The Times, 4 July 1964, p. 9
  9. Jenkins (2005), p. 99
  10. 1 2 3 Jenkins (2005), pp. 99–100
  11. Lucas, p. 317
  12. "Sir Thomas Beecham's New Orchestra", The Times, 12 September 1946, p. 6
  13. Cardus et al, p 4
  14. "Delius Festival", The Times, 28 October 1946, p. 6
  15. 1 2 Potts, p. 8
  16. Lucas, p. 319
  17. Orchestral Politics", The Times, 26 August 1949, p. 8
  18. Jenkins (2005), p. 100
  19. Hill, p. 214
  20. Jenkins (2000), p. 5
  21. Melville-Mason, Graham. "Gwydion Brooke – Bassoonist in Sir Thomas Beecham's 'Royal Family'", The Independent, 5 April 2005
  22. "Geoffrey Gilbert", The Times, 22 May 1989, p. 20
  23. 1 2 Gamble and Lynch, p. 60
  24. Downes, Olin. "Beecham Superb in Concert Here; Conducts Royal Philharmonic in Stirring Concert", The New York Times, 14 December 1950, p. 50 (subscription required)
  25. Howes, Frank. "London Orchestras", The Times, 8 June 1951, p. 6
  26. Cardus et al, p. 4
  27. "Promenade Concert – Sir Thomas Beecham's Début", The Times, 6 September 1954, p. 9
  28. Lucas, pp. 331–332
  29. Lucas, p. 338
  30. Lucas, p. 339
  31. 1 2 "Lives Remembered", The Times, 2 October 2003, p. 41
  32. "Rudolf Kempe", Royal Philharmonic Orchestra, accessed 2 June 2013
  33. Reid (1961), p. 241
  34. Peacock, p. 9
  35. Reid (1968), pp. 429–434
  36. 1 2 Cardus et al, p. 6
  37. Potts, p. 11
  38. "Orchestra Wins Royal Fight", The Times, 16 July 1966, p. 12
  39. Cardus et al, pp. 12–13
  40. "Great Orchestra's Predicament", The Times, 28 June 1963, p. 18; and "Antal Dorati", The Times, 16 November 1988, p. 18
  41. Morrison, p 152
  42. Temperley, Nicholas, et al. "London (i)", Grove Music Online, Oxford University Press, accessed 8 June 2013 (subscription required)
  43. 1 2 3 4 5 "About the orchestra", Royal Philharmonic Orchestra, accessed 4 June 2013
  44. Binney, Marcus. "Music's coming home – royally", The Times 12 July 2044
  45. "Support – Organisations", Royal Philharmonic Orchestra, accessed 10 June 2013
  46. "Inaugural UK Tour for Pinchas Zukerman with the Royal Philharmonic Orchestra", Royal Philharmonic Orchestra, accessed 8 June 2013
  47. " Shostakovich conducts Shostakovich with the Royal Philharmonic Orchestra", Royal Philharmonic Orchestra, accessed 8 June 2013
  48. "Royal Philharmonic Orchestra" The Proms, BBC, accessed 8 June 2013
  49. "Pass the Torch", Royal Philharmonic Orchestra, accessed 8 June 2013
  50. Potts, pp. 13 and 19; "RPO", Oxford University Press, accessed 8 June 2013 (subscription required); and Martin Owen", Royal Academy of Music, accessed 10 June 2013
  51. 1 2 "Past conductors", Royal Philharmonic Orchestra, accessed 2 June 2013
  52. 1 2 "Conductors", Royal Philharmonic Orchestra, accessed 2 June 2013; and "Charles Dutoit Steps Down Early as Artistic Director and Principal Conductor of the Royal Philharmonic Orchestra", Royal Philharmonic Orchestra, 10 January 2018, accessed 12 January 2018
  53. 1 2 3 4 Golding and Beales, pp. 2–3
  54. "Royal Philharmonic Orchestra Announced Vasily Petrenko as Music Director from 2021–22 Season", Royal Philharmonic Orchestra, 2 July 2018, accessed 2 July 2018
  55. "EMI Great Recordings of the Century", Archiv music, accessed 3 June 2013
  56. 1 2 3 4 5 Stuart, Philip. Decca Classical 1929–2009 accessed 4 June 2013
  57. Blyth, p. 52
  58. "Press reviews", Royal Philharmonic Orchestra, accessed 3 June 2013.
  59. Cardus et al, pp. 22–23
  60. "RPO Records", Orchid Classics, accessed 4 June 2013.
  61. Cardus et al, p. 17
  62. Cardus et al, p. 7
  63. Widran, Jonathan, "Yanni / Live at the Acropolis / review" (WebCite archive), AllMusic, 1994 or later.
  64. "UEFA Champions League anthem", UEFA, accessed 13 July 2012

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Sir John Barbirolli, CH, Giovanni Battista Barbirolli, was a British conductor and cellist. He is remembered above all as conductor of the Hallé Orchestra in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Earlier in his career he was Arturo Toscanini's successor as music director of the New York Philharmonic, serving from 1936 to 1943. He was also chief conductor of the Houston Symphony from 1961 to 1967, and was a guest conductor of many other orchestras, including the BBC Symphony Orchestra, London Symphony Orchestra, the Philharmonia, the Berlin Philharmonic and the Vienna Philharmonic, with all of which he made recordings.

Royal Liverpool Philharmonic Orchestra based in Liverpool

The Royal Liverpool Philharmonic Society is a British society based in Liverpool, England, that manages a professional symphony orchestra, a concert venue, and extensive programmes of learning through music. The society is the second oldest of its type in the United Kingdom. Its orchestra, the Royal Liverpool Philharmonic Orchestra, is the country's longest-surviving professional orchestra. The RLPO is the UK's only orchestra that has its own hall. In addition to the orchestra, the society administers the Royal Liverpool Philharmonic Choir, the Liverpool Philharmonic Youth Orchestra and other choirs and ensembles. It is involved in educational and community projects in Liverpool and its surrounding region. It is based in the Liverpool Philharmonic Hall, an Art Deco concert hall built in the late 1930s.

London Symphony Orchestra oldest symphony orchestra in London

The London Symphony Orchestra (LSO), founded in 1904, is the oldest of London's symphony orchestras. It was set up by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades.

Jack Brymer English clarinettist

John (Jack) Alexander Brymer OBE was an English clarinettist. The Times called him "the leading clarinettist of his generation, perhaps of the century". He was largely self-taught as a player, and he performed as an amateur before being invited by Sir Thomas Beecham to join the Royal Philharmonic Orchestra in 1947. He remained with the orchestra until 1963, two years after Beecham's death.

Malcolm Sargent English conductor, organist and composer

Sir Harold Malcolm Watts Sargent was an English conductor, organist and composer widely regarded as Britain's leading conductor of choral works. The musical ensembles with which he was associated included the Ballets Russes, the Huddersfield Choral Society, the Royal Choral Society, the D'Oyly Carte Opera Company, and the London Philharmonic, Hallé, Liverpool Philharmonic, BBC Symphony and Royal Philharmonic orchestras. Sargent was held in high esteem by choirs and instrumental soloists, but because of his high standards and a statement that he made in a 1936 interview disputing musicians' rights to tenure, his relationship with orchestral players was often uneasy. Despite this, he was co-founder of the London Philharmonic, was the first conductor of the Liverpool Philharmonic as a full-time ensemble, and played an important part in saving the Royal Philharmonic Orchestra from disbandment in the 1960s.

Karl Rankl British composer and conductor

Karl Rankl was a British conductor and composer who was of Austrian birth. A pupil of the composers Schoenberg and Webern, he conducted at opera houses in Austria, Germany and Czechoslovakia until fleeing from the Nazis and taking refuge in England in 1939.

Reginald Kell Clarinettist

Reginald Clifford Kell was an English clarinettist. He was noted especially for his career as a soloist and chamber music player. He was the principal clarinettist in leading British orchestras, including the London Philharmonic, Philharmonia, and Royal Philharmonic, and was also active as a solo recording artist.

Norman Del Mar British conductor, horn player, and biographer

Norman René Del Mar CBE was a British conductor, horn player, and biographer. As a conductor, he specialized in the music of late romantic composers; including Edward Elgar, Gustav Mahler, and Richard Strauss. He left a great legacy of recordings of British music, in particular Elgar, Ralph Vaughan Williams, Frederick Delius, and Benjamin Britten. He notably conducted the premiere recording of Britten's children's opera Noye's Fludde.

Geoffrey Winzer Gilbert was an English flautist, who was a leading influence on British flute-playing, introducing a more flexible style, based on French techniques, with metal instruments replacing the traditional wood. He was a prominent member of five British symphony orchestras between 1930 and 1961, and in 1948 he founded a chamber ensemble of leading wind players.

<i>Love in Bath</i>

Love in Bath is an orchestral suite, with one vocal number, arranged in 1945 from the music of George Frideric Handel by the conductor Sir Thomas Beecham for a projected ballet entitled The Great Elopement. It was the last of six suites of Handel's music arranged by Beecham from 1924 onwards.

Sea Drift is among the larger-scale musical works by the composer Frederick Delius. Completed in 1903-1904 and first performed in 1906, it is a setting for baritone, chorus and orchestra of words by Walt Whitman.

Massimo Freccia American conductor

Massimo Filippo Antongiulio Maria Freccia was an Italian American conductor. He had an international reputation but never held a post as music director of a major orchestra or opera house. Unusually for an Italian, he built his career around symphonic music rather than opera. For several years he was an assistant to Arturo Toscanini, whom he venerated, and he was regularly invited by Toscanini to conduct the NBC Symphony Orchestra.

The London Philharmonic Choir (LPC) is one of the leading independent British choirs in the United Kingdom based in London. The Patron is Princess Alexandra, The Hon Lady Ogilvy and Sir Mark Elder is President. The choir, comprising more than 200 members, holds charitable status and is governed by a committee of 6 elected directors. As a charity, its aims are to promote, improve, develop and maintain education in the appreciation of the art and science of music by the presentation of public concerts.

Songs of Sunset is a work by Frederick Delius, written in 1906-07, and scored for mezzo-soprano and baritone soli, SATB chorus and large orchestra. The words are by Ernest Dowson.