San Francisco Symphony

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San Francisco Symphony (SFS)
Orchestra
DaviesHallInteriorPanoCropped.jpg
Founded1911
Concert hall Louise M. Davies Symphony Hall
Principal conductor Michael Tilson Thomas
Website www.sfsymphony.org

The San Francisco Symphony (SFS), founded in 1911, [1] is an American orchestra based in San Francisco, California. Since 1980, the orchestra is resident at the Louise M. Davies Symphony Hall in the City's Hayes Valley neighborhood. The San Francisco Symphony Youth Orchestra (founded in 1981) and the San Francisco Symphony Chorus (1972) are part of the organization. Since 1995, its current music director is Michael Tilson Thomas. [2] . Tilson Thomas is scheduled to conclude his tenure as the orchestra's music director in 2020, and Esa-Pekka Salonen is scheduled to become the orchestra's next music director in 2020. [3]

San Francisco Consolidated city-county in California, United States

San Francisco, officially the City and County of San Francisco, is the cultural, commercial, and financial center of Northern California. San Francisco is the 13th-most populous city in the United States, and the fourth-most populous in California, with 884,363 residents as of 2017. It covers an area of about 46.89 square miles (121.4 km2), mostly at the north end of the San Francisco Peninsula in the San Francisco Bay Area, making it the second-most densely populated large US city, and the fifth-most densely populated U.S. county, behind only four of the five New York City boroughs. San Francisco is also part of the fifth-most populous primary statistical area in the United States, the San Jose–San Francisco–Oakland, CA Combined Statistical Area.

California State of the United States of America

California is a state in the Pacific Region of the United States. With 39.6 million residents, California is the most populous U.S. state and the third-largest by area. The state capital is Sacramento. The Greater Los Angeles Area and the San Francisco Bay Area are the nation's second- and fifth-most populous urban regions, with 18.7 million and 8.8 million residents respectively. Los Angeles is California's most populous city, and the country's second-most populous, after New York City. California also has the nation's most populous county, Los Angeles County, and its largest county by area, San Bernardino County. The City and County of San Francisco is both the country's second-most densely populated major city after New York City and the fifth-most densely populated county, behind only four of the five New York City boroughs.

Louise M. Davies Symphony Hall

Louise M. Davies Symphony Hall is the concert hall component of the San Francisco War Memorial and Performing Arts Center in San Francisco, California. The 2,743-seat hall was completed in 1980 at a cost of US$28 million to give the San Francisco Symphony a permanent home.

Contents

Among various awards and honors for the orchestra are an Emmy Award and 15 Grammy Awards in the past 26 years.

An Emmy Award, or simply Emmy, is an American award that recognizes excellence in the television industry, and is the equivalent of an Academy Award, the Tony Award, and the Grammy Award.

Grammy Award accolade by the National Academy of Recording Arts and Sciences of the United States

A Grammy Award, or Grammy, is an award presented by The Recording Academy to recognize achievements in the music industry. The annual presentation ceremony features performances by prominent artists, and the presentation of those awards that have a more popular interest. The Grammys are the second of the Big Three major music awards held annually.

History

The early years

The orchestra's first concerts were led by conductor-composer Henry Hadley. There were sixty musicians in the Orchestra at the beginning of their first season. The first concert included music by Wagner, Tchaikovsky, Haydn, and Liszt. There were thirteen concerts in the 1911–1912 season, five of which were popular music.

Henry Kimball Hadley American composer

Henry Kimball Hadley was an American composer and conductor.

Alfred Hertz on the cover of Time magazine. Alfred Hertz on TIME Magazine, October 31, 1927 (1).jpg
Alfred Hertz on the cover of Time magazine.

In 1915, Alfred Hertz succeeded Hadley. Hertz helped to refine the orchestra and arranged for the Victor Talking Machine Company to record it at their new studio in Oakland in early 1925. [4] Hertz also led the orchestra during a number of radio broadcasts, including on The Standard Hour , a weekly concert series sponsored by Standard Oil of California. The series began in 1926 when the orchestra faced bankruptcy; Standard Oil of California paid the orchestra's debts and in return was given broadcast rights to that year's concert series. The first broadcast aired on the NBC Pacific Network, on October 24, 1926. [5] and the broadcasts continued for more than 30 years. [6] :633

Alfred Hertz German musician

Alfred Hertz was a German conductor.

Victor Talking Machine Company American record company and phonograph manufacturer headquartered in Camden, New Jersey

The Victor Talking Machine Company was an American record company and phonograph manufacturer headquartered in Camden, New Jersey.

Oakland, California City in California, United States

Oakland is the largest city and the county seat of Alameda County, California, United States. A major West Coast port city, Oakland is the largest city in the East Bay region of the San Francisco Bay Area, the third largest city overall in the San Francisco Bay Area, the eighth most populated city in California, and the 45th largest city in the United States. With a population of 425,195 as of 2017, it serves as a trade center for the San Francisco Bay Area; its Port of Oakland is the busiest port in the San Francisco Bay, the entirety of Northern California, and the fifth busiest in the United States of America. An act to incorporate the city was passed on May 4, 1852, and incorporation was later approved on March 25, 1854, which officially made Oakland a city. Oakland is a charter city.

Pierre Monteux

After Hertz's retirement in 1930, two conductors, Basil Cameron and Issay Dobrowen, jointly headed the orchestra. During the Great Depression, the Symphony's existence was threatened by bankruptcy and the 1934–35 season was cancelled; the people of San Francisco passed a bond measure to provide public financing and ensure the organization's continued existence. Pierre Monteux (1875–1964) was subsequently hired to restore the orchestra. Monteux succeeded to the point where NBC began broadcasting some of its concerts and RCA Victor offered the orchestra a new recording contract in 1941. In 1949, Monteux invited Arthur Fiedler to lead summer "pops" concerts in the Civic Auditorium. Fiedler also conducted the orchestra at free concerts in Sigmund Stern Grove in San Francisco and the Frost Amphitheater at Stanford University. Fiedler's relationship with the orchestra continued until the mid-1970s.

Basil Cameron English conductor and violinist

Basil Cameron, CBE was an English conductor.

Issay Dobrowen Composer and pianist

Issay Alexandrovich Dobrowen, born Itschok Zorachovitch Barabeitchik, was a Russian/Soviet-Norwegian pianist, composer and conductor. He left the Soviet Union in 1922 and became a Norwegian citizen in 1929.

Great Depression 20th-century worldwide economic depression

The Great Depression was a severe worldwide economic depression that took place mostly during the 1930s, beginning in the United States. The timing of the Great Depression varied across nations; in most countries it started in 1929 and lasted until the late-1930s. It was the longest, deepest, and most widespread depression of the 20th century. In the 21st century, the Great Depression is commonly used as an example of how intensely the world's economy can decline.

When Monteux left the orchestra in 1952, various conductors led the orchestra, including Leopold Stokowski, Georg Solti, Erich Leinsdorf, Karl Münchinger, George Szell, Bruno Walter, Ferenc Fricsay, and William Steinberg. Stokowski made a series of RCA Victor recordings with the orchestra in 1952 and 1953.

Leopold Stokowski British conductor

Leopold Anthony Stokowski was an English conductor of Polish and Irish descent. One of the leading conductors of the early and mid-20th century, he is best known for his long association with the Philadelphia Orchestra and his appearance in the Disney film Fantasia. He was especially noted for his free-hand conducting style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from the orchestras he directed.

Georg Solti Hungarian orchestral and operatic conductor

Sir Georg Solti, was a Hungarian-born orchestral and operatic conductor, best known for his appearances with opera companies in Munich, Frankfurt and London, and as a long-serving music director of the Chicago Symphony Orchestra. Born in Budapest, he studied there with Béla Bartók, Leó Weiner and Ernő Dohnányi. In the 1930s, he was a répétiteur at the Hungarian State Opera and worked at the Salzburg Festival for Arturo Toscanini. His career was interrupted by the rise of the Nazis' influence on Hungarian politics, and being of Jewish background he fled the increasingly harsh Hungarian anti-Jewish laws in 1938. After conducting a season of Russian ballet in London at the Royal Opera House he found refuge in Switzerland, where he remained during the Second World War. Prohibited from conducting there, he earned a living as a pianist.

Erich Leinsdorf American conductor

Erich Leinsdorf was an Austrian-born American conductor. He performed and recorded with leading orchestras and opera companies throughout the United States and Europe, earning a reputation for exacting standards as well as an acerbic personality. He also published books and essays on musical matters.

Enrique Jordá

In 1954, the board hired Enrique Jordá as music director. Surviving eyewitness and newspaper accounts describe him as having youthful enthusiasm, energy, and charm. Jordá sometimes conducted so vigorously that his baton flew from his hand. [7] As the years passed, Jordá reportedly failed to maintain discipline or provide sufficient leadership, resulting in inadequate rehearsal of the orchestra [8] George Szell (1897–1970), the longtime music director of the Cleveland Orchestra, guest-conducted the orchestra in 1962 and was so dismayed by the lack of discipline that he publicly condemned Jordá and even chastised San Francisco Chronicle music critic Alfred Frankenstein for commending Jordá and the orchestra. [9] Szell's comments, along with growing dissatisfaction among musicians and the public, led the symphony board to dismiss Jordá.

Josef Krips

In the fall of 1963, Josef Krips (1902–1974) became music director. He quickly became known as a benevolent autocrat, and would not tolerate sloppy playing. He soon began to refine the performance of the musicians, particularly of the standard German-Austrian repertoire. One of his innovations was an annual tradition on New Year's Eve, "A Night in Old Vienna", which was devoted to music of Johann Strauss and other Viennese masters of the nineteenth century. Similar concerts continued into the 2000s, though the format has changed in recent years. Krips would not make recordings with the orchestra, insisting they weren't ready. He did agree to allow KKHI to broadcast some of the Friday evening concerts. He also paved the way for his successor when he invited Seiji Ozawa to guest conduct the orchestra; Ozawa impressed critics and audiences with his fiery Bernstein-like conducting, particularly in the performances of the Mussorgsky-Ravel Pictures at an Exhibition , the Tchaikovsky Fourth Symphony, and Symphonie Fantastique by Hector Berlioz. Krips retired at the end of the 1969–70 season and only returned once, to guest conduct the orchestra in Stern Grove, before his death in 1974.

Seiji Ozawa

Ozawa's guest appearances had generated interest before he became the symphony's director in 1970. Concerts were frequently sold out. He greatly improved the quality of the orchestra's performances and convinced Deutsche Grammophon (DG) to record the orchestra in 1972. A special concert series devoted to Romeo and Juliet , as interpreted by Hector Berlioz, Peter Tchaikovsky, and Sergei Prokofiev and Leonard Bernstein's symphonic dances from West Side Story , inspired DG to record the same music with Ozawa. He introduced a number of innovations, including presenting partially staged versions of La vida breve by Manuel de Falla and Beatrice and Benedict by Berlioz. He had dancers on the stage for some modern ballets performed by the orchestra. For a few seasons Ozawa used local university choruses when needed, but later formed a San Francisco Symphony Chorus to ensure consistent singing. Ozawa purchased a home in San Francisco, planning to stay for many years. However, he agreed to become music director of the Boston Symphony Orchestra and for a time simultaneously directed both orchestras. After leaving San Francisco, Ozawa has returned twice as guest conductor.

Edo de Waart

Edo de Waart succeeded Ozawa in 1977. Though considered to be not as flamboyant as Ozawa, de Waart maintained the orchestra's high standards, leading to additional recordings, including its first digital sessions. He conducted the orchestra's first performances in the newly constructed Louise M. Davies Symphony Hall in September 1980, including the nationally televised gala. At this time the regular season was extended, beginning in September and lasting until May. This was possible because San Francisco now had two major classical venues, Davies Hall and the War Memorial Opera House. Consequently, musicians could choose to play in the Symphony, or the Opera and Ballet. A large Fratelli Ruffatti concert organ featuring five manuals, 147 registers and 9235 pipes, was added to the new hall. This organ was used in the orchestra's performance of the recording of Saint-Saëns' third symphony with Michael Murray as soloist. Philips also taped Joseph Jongen's Symphonie Concertante and César Franck's Fantaisie in A. A highlight of de Waart's final season, 1984–85, was four sold-out performances of Mahler's eighth symphony, incorporating the Symphony Chorus, the Masterworks Chorale, the San Francisco Boys Chorus, and the San Francisco Girls Chorus.

Herbert Blomstedt

Herbert Blomstedt became music director as of the 1985-1986 season. He had been offered the position immediately after guest conducting for two weeks in 1984, while he was music director of Staatskapelle Dresden. He emphasized precision and confidence, and worked to develop sensitivity, warmth and feeling in the orchestra's performances. The orchestra began its annual tours of Europe and Asia under Blomstedt, and resumed syndicated weekly radio broadcasts. He recognized the continuing shortcomings of Davies Symphony Hall's acoustics, helping push for a major renovation, completed in 1992, contributing a substantial amount of money to the cause. He has remained Conductor Laureate of the orchestra, conducting several weeks of concerts each year.

Michael Tilson Thomas

Michael Tilson Thomas Michaeltilsonthomas.jpg
Michael Tilson Thomas

Michael Tilson Thomas (known colloquially as "MTT") became music director in 1995, coming from the London Symphony Orchestra. Thomas had guest conducted the orchestra as far back as 1974, and already had a relationship with the musicians. Like Ozawa, Thomas ensured that the orchestra played more American music and this has been carried through to its recordings, for RCA/BMG and its own label SFS Media. Tilson Thomas has focused on Russian music, particularly Stravinsky, as well as a prominent Mahler cycle. He recruited London Symphony Orchestra leader Alexander Barantschik to become SFS concertmaster. During his leadership the Symphony achieved financial and artistic stability. Tilson Thomas is currently the longest-serving music director in the Symphony's history. In October 2017, the orchestra announced that Tilson Thomas is to conclude his tenure as its music director at the close of the 2019-2020 season, and subsequently to take the title of music director laureate. [10] [11] Thomas was inducted into the California Hall of Fame in 2017. [12]

Additional history

In 2004, Esa-Pekka Salonen first guest-conducted the orchestra. He returned for guest-conducting appearances in 2012 and 2015. In December 2018, the orchestra announced the appointment of Salonen as its next music director, effective with the 2020-2021 season, with an initial contract of 5 seasons. He has taken the title of music director-designate with immediate effect. [13]

Radio broadcasts and tours

The San Francisco Symphony was the first to feature symphonic radio broadcasts in 1926, and in 2003 the Symphony was heard in syndicated radio broadcasts on over 300 radio stations. There were regular live, stereo broadcasts for many years on KKHI in San Francisco featuring music directors Josef Krips and Seiji Ozawa, including the first live transatlantic stereo satellite broadcast in 1973, originating in Paris.

The orchestra makes regular tours of the United States, Europe and Asia. Its first tour was from March 16-May 10, 1947, when Pierre Monteux conducted the musicians in 57 concerts in 53 American cities. Josef Krips led them on a Japanese tour in 1968, in which they gave 12 concerts in 7 cities. The May 15-June 17, 1973 tour saw then-music director Seiji Ozawa and Niklaus Wyss conduct the orchestra in 30 concerts in 19 cities in Europe and the Soviet Union. They returned to Japan from June 4–19, 1975, with Ozawa and Wyss and played 12 concerts in 11 cities. Edo de Waart and David Ramadanoff led an American tour from October 20-November 2, 1980, giving 10 concerts in 7 cities. There was another American tour from October 27-November 12, 1983, again led by Edo de Waart, with 13 concerts in 11 cities.

The San Francisco Symphony has toured regularly with current music director Michael Tilson Thomas, most recently a highly successful East Coast tour in April 2016 which included performances in Carnegie Hall, The Kennedy Center, and the New Jersey Performing Arts Center. This coming November, the San Francisco Symphony and Michael Tilson Thomas will embark on their fourth tour of Asia together with performances in Seoul, South Korea; Tainan, Taiwan; Taipei, Taiwan; Shanghai, China; Beijing, China; Osaka, Japan; and Tokyo, Japan.

In 2006, the San Francisco Symphony launched Keeping Score – MTT on Music, a series of projects comprising audio-visual performances for DVD and broadcast on PBS's Great Performances , multimedia websites, and educational programs for schools.

Guests

Throughout its history the San Francisco Symphony has had numerous great conductors, instrumentalists and singers as guests. Many famous composers have also led the Orchestra over the years. In 1915, Saint-Saëns (1835–1921) conducted the Orchestra at the Panama-Pacific International Exposition held that year in San Francisco's Marina District. In 1928, Maurice Ravel conducted some of his music including La Valse and Rapsodie espagnole. In 1937, George Gershwin (1898–1937) conducted a suite from his opera Porgy and Bess , then was soloist in his Concerto in F and Rhapsody in Blue with Pierre Monteux conducting. Igor Stravinsky (1882–1971) was a regular guest conductor, appearing periodically from 1937 until 1967. Aaron Copland (1900–1990) conducted the Orchestra in 1966. Other composers who have led the Orchestra include Ernst von Dohnányi in 1927, Ottorino Respighi in 1929, Arnold Schoenberg in 1945, Darius Milhaud in 1949, Manuel Rosenthal in 1950, Leon Kirchner in 1960, Jean Martinon in 1970, and Howard Hanson. John Adams, composer-in-residence from 1979 to 1985, also frequently conducts his own works with the Orchestra.

Besides visiting composers, some legendary conductors have led the Orchestra, including Artur Rodziński, Walter Damrosch, Sir Thomas Beecham, John Barbirolli, Andre Kostelanetz, Lorin Maazel, Leonard Bernstein, Guido Cantelli, Victor de Sabata, Dmitri Mitropoulos, Erich Leinsdorf, George Szell, Charles Münch, Paul Paray, Rafael Kubelík, Daniel Barenboim, István Kertész, Karl Richter, Antal Doráti, Leonard Slatkin, Andrew Davis, Nikolaus Harnoncourt, Yevgeny Svetlanov, Simon Rattle, Kurt Masur, Neeme Järvi, Kiril Kondrashin, Eugene Ormandy, Georg Solti, Alex Shkurko, Michael Kamen, Christopher Hogwood and Bruno Walter.

Some of the many soloists who have appeared with the orchestra include violinists Jascha Heifetz, Fritz Kreisler, Yehudi Menuhin, Midori, Itzhak Perlman, Isaac Stern, Joshua Bell, Gil Shaham, and Efrem Zimbalist; pianists Vladimir Horowitz, Horacio Gutierrez, Vladimir de Pachmann, Peter Serkin, Rudolf Serkin, Ruth Slenzynska, Patricia Benkman, Ozan Marsh, Yuja Wang, and André Watts; and organists Alexander Frey and Paul Jacobs.

Concert Halls

The San Francisco Symphony gave its first performance on Friday, December 8, 1911 in the Cort Theater at 64 Ellis Street. The Symphony stayed at the Cort Theater when it was renamed the Curran Theatre in 1918 (not to be confused with the present day Curran Theater at 445 Geary Street, which wasn't built until 1922). [14] The Symphony then moved to the Tivoli Theater at 75 Eddy Street for the 1921–22 season, then moved to the newly constructed Curran Theater in 1922 and stayed until 1931, then back to the Tivoli Theater from 1931 to 1932. On November 11, 1932, the Symphony moved to the new War Memorial Opera House at 301 Van Ness Avenue, where most of their concerts were given until June 1980. The pops concerts were usually presented at the Civic Auditorium. The final concert in the opera house, a Beethoven program conducted by Leonard Slatkin, was in June 1980. The Orchestra now plays almost exclusively in Louise M. Davies Symphony Hall at Grove Street and Van Ness Avenue, which opened in September 1980 with a gala concert conducted by Edo de Waart, televised live on PBS and hosted by violinist/conductor Yehudi Menuhin. Davies Symphony Hall underwent extensive remodeling in the 1990s to correct a number of acoustical problems. The hall is also home to the second largest concert hall organ in North America, a Fratelli Ruffatti 5–147.

Recordings

The orchestra has a long history of recordings, most notably those made with Pierre Monteux for RCA Victor, Herbert Blomstedt for Decca, and Michael Tilson Thomas for RCA Victor and the Orchestra's own label, SFS Media.

The first recording, of Auber's overture to Fra Diavolo , was made on January 19, 1925. The early recordings, for the Victor Talking Machine Company, included music by Auber and Richard Wagner, conducted by Alfred Hertz. Hertz also conducted the orchestra's first electrical recordings for Victor in mid 1925. These recordings were produced by Victor's Oakland plant, which had opened in 1924. The 1927 recordings were made on the stage of San Francisco's Columbia Theater, now known as the American Conservatory Theater. In 1928, the orchestra made a series of recordings at Oakland's Scottish Rite Temple on Madison Avenue near Lake Merritt, now the Islamic Cultural Center of Northern California. One early complete set was of the ballet music from Le Cid by Jules Massenet. During the 1925–30 recordings, Hertz conducted music by Ludwig van Beethoven, Johannes Brahms, Léo Delibes, Alexander Glazunov, Charles Gounod, Fritz Kreisler, Franz Liszt, Alexandre Luigini, Felix Mendelssohn, Moritz Moszkowski, Nikolai Rimsky-Korsakov, Franz Schubert and Carl Maria von Weber. All of these recordings were issued only on 78 rpm discs and are prized by collectors, although restored versions are now available from France's Pristine Audio.

Monteux's recordings were made for RCA Victor in the War Memorial Opera House from 1941 to 1952, at first piping the microphone feed from San Francisco to Los Angeles and then in the later 1940s on magnetic tape; there was also a stereo session for RCA Victor with Monteux in January 1960. Monteux's first released album with the orchestra was of the Symphony in D Minor by César Franck (the first recorded was Maurice Ravel's La Valse); his last was of Siegfried Idyll by Richard Wagner and Death and Transfiguration by Richard Strauss. Some of the recordings have been re-released on LPs and compact discs, as well as internationally via the Pierre Monteux Edition from RCA. A substantial selection of Monteux's live broadcasts on The Standard Hour have been released by the Music & Arts label.

Enrique Jordá made several stereo recordings for RCA in 1957 and 1958, and an album for CRI in 1962. Jorda's recording of Rachmaninoff's second piano concerto, with pianist Alexander Brailowsky was in the catalogue for many years. The recording of Manuel de Falla's "Nights in the Gardens of Spain" with pianist Arthur Rubinstein has remained available.

Commercial recordings resumed in June 1972 with Seiji Ozawa for Deutsche Grammophon in the Flint Center at De Anza College in Cupertino, California. In May 1975 Ozawa recorded Beethoven's Symphony No. 3 in E-flat and Dvořák's Carnival Overture and Symphony No. 9 in E Minor for Philips. For Deutsche Grammophon, Ozawa and the orchestra recorded William Russo's "Three Pieces for Blues Band and Symphony Orchestra" with the Siegel-Schwall Blues Band, and Bernstein's Orchestral Dances from West Side Story . These recordings featured solo performances from hornist David Krehbiel, concertmaster Stuart Canin, trumpeter Don Reinberg, and violist Detlev Olshausen. Recordings of the SFS under the direction of Edo de Waart, including digital recordings made in Davies Symphony Hall, were released by Philips and Nonesuch. One of de Waart's sets of digital recordings was devoted to the four piano concertos of Sergei Rachmaninoff, featuring pianist Zoltán Kocsis. A number of works by American composer John Adams were premiered and recorded by the SFS under de Waart's leadership, and Harmonium was also released with Adams conducting.

Soon after the arrival of Herbert Blomstedt, the SFS signed contracts with the British label Decca resulting in 29 CDs released in the U.S. under the London label. Several of the recordings won international awards. Among their recording projects were the complete symphonies of Nielsen and Sibelius, choral works of Brahms, and orchestral works of Richard Strauss and Hindemith. The recordings helped to build the orchestra's worldwide reputation as one of the best in the United States.

In 1999, the Symphony hit a new commercial high on the album S&M with heavy metal band Metallica. The album reached number two on the Billboard 200, selling 2.5 million units and earning platinum status five times over. The track "No Leaf Clover" was number one on the Mainstream Rock Charts, 18 on Modern Rock Charts and 74 on the Billboard Hot 100. The version of "The Call of Ktulu" featured on the album won the Grammy Award for Best Rock Instrumental Performance.

The orchestra returned to RCA Victor when Michael Tilson Thomas became music director. Its first recording of the new contract was extended excerpts from Prokofiev's Romeo and Juliet . There were special tributes to three American composers, Charles Ives, Aaron Copland, and George Gershwin, on the occasion of what would have been his 100th birthday. With the RCA label decision to cease from producing new classical recordings, the SFS created its own label, SFS Media, and continued producing its Mahler recording cycle, which was completed in the Fall of 2010.

Recorded live in concert and engineered at Davies Symphony Hall, the audio recordings are released on hybrid SACD and in high-quality digital formats. SFS Media has garnered eight Grammy awards, [15] the most current for its recording of John Adams’ Harmonielehre and Short Ride in a Fast Machine and seven for its recordings of MTT and the SFS performing all nine of Gustav Mahler’s symphonies, the Adagio from the unfinished Tenth Symphony, and his songs for voice, chorus and orchestra. With a slate of new recordings and releases of music by Harrison, Cowell, Varèse, Beethoven, Ives, and Copland, the Orchestra’s recordings continue to reflect the artistic identity of the San Francisco Symphony’s programming.

In 2014, Michael Tilson Thomas and the San Francisco Symphony released a live recording on the SFS Media label of the first-ever concert performances of Leonard Bernstein’s complete score for the musical West Side Story featuring a Broadway cast including Cheyenne Jackson (Tony), Alexandra Silber (Maria), and the San Francisco Symphony Chorus. The two-disc set includes a 100-page booklet featuring a new interview with MTT, notes from Rita Moreno and Jamie Bernstein, as well as a West Side Story historical timeline, archival photographs, complete lyrics, and rehearsal and performance photos from the June 2013 live performances at Davies Symphony Hall. The album was nominated for a Grammy Award in the category of Best Musical Theater Album.

In November 2014 on their SFS Media label, Michael Tilson Thomas and the San Francisco Symphony released Masterpieces in Miniature, a collection of short orchestral works by Mahler, Debussy, Schubert, Dvořák, Sibelius, Ives, and featuring Pianist Yuja Wang in Litolff’s Scherzo from Concerto symphonique No. 4. The recording was released in conjunction with the celebration of MTT's 20th season as music director of the SF Symphony. In May 2015, MTT and the SFS released a live recording of Tchaikovsky’s Symphony No. 5 and Romeo and Juliet Fantasy-Overture, followed by another release in August 2015 - a live audio recording of Absolute Jest and Grand Pianola Music by John Adams. The album contains the first-ever recording of Absolute Jest, originally commissioned by the SF Symphony and premiered in 2012 during the orchestra's American Mavericks festival.

In November 2015, SFS Media released "Beethoven: Piano Concerto No. 3 & Mass in C." In March 2016, it released its album of music by Mason Bates, "Works for Orchestra", which includes the first recordings of the SF Symphony-commissioned The B-Sides and Liquid Interface, plus the first CD release of Alternative Energy. In October of the same year, the label released "Debussy: Images, Jeux & La plus que lente", which was subsequently nominated for a 2018 Grammy award in the category of Best Orchestral Performance. In 2017, SFS Media released two albums: "Berg: Three Pieces for Orchestra", the label's first digital-only album, and "Schumann: Symphonies Nos. 1-4".

Music directors

Honors and awards

The SFS has won 19 awards from the American Society of Composers, Authors and Publishers for programming of new music and commitment to American music. In 2001, the San Francisco Symphony gave the world premiere of Henry Brant's Ice Field , which later won that year's Pulitzer Prize for Music. [16]

Pops Orchestra

When the San Francisco Symphony Orchestra was founded in 1911, its first music director, Henry Hadley, began the tradition of "pops" concerts, devoted to lighter classics and special arrangements of music from operettas, musicals, and popular tunes. With the completion of the Civic Auditorium in 1915, most of the "pops" concerts were held in that 10,000-seat auditorium. Eventually, municipal taxes helped to keep ticket prices very affordable.

Arthur Fiedler of the Boston Pops Orchestra was invited by music director Pierre Monteux to lead the Pops Orchestra, which Fiedler did from 1951 to 1978. [18] Besides the regular concerts in the Civic Auditorium, Fiedler led annual performances at Sigmund Stern Grove, as well as occasional performances at Stanford University's Frost Amphitheater and Oakland's Paramount Theatre.

While the SF Symphony does not have a specific pops orchestra today, they present pops genre programming periodically throughout the year, particularly in the summer months, with most concerts occurring at Davies Symphony Hall. They also present an annual 4 July concert at the Shoreline Amphitheatre.

See also

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Michael Tilson Thomas American conductor, pianist and composer

Michael Tilson Thomas is an American conductor, pianist and composer. He is currently music director of the San Francisco Symphony, and artistic director of the New World Symphony, an American orchestral academy based in Miami Beach, Florida.

The Tanglewood Festival Chorus, directed by James Burton, is a chorus which performs with the Boston Symphony Orchestra and Boston Pops in major choral works. The Tanglewood Festival Chorus (TFC) was organized in the spring of 1970, when founding conductor John Oliver became director of vocal and choral activities at the Tanglewood Music Center, the summer home of the BSO. Originally formed for performances at the BSO's summer home at the behest of the BSO's conductor designate Seiji Ozawa, the Tanglewood Festival Chorus is the official chorus of the Boston Symphony Orchestra and Boston Pops Orchestra year-round, performing in Boston, New York and Tanglewood.

The Buffalo Philharmonic Orchestra is an American symphony orchestra located in Buffalo, New York. Its primary performing venue is Kleinhans Music Hall, which is a National Historic Landmark. Its regular concert season features gala concerts, classics programming of core repertoire, pops concerts, educational youth concerts and family concerts. During the summer months, the orchestra performs at many parks and outdoor venues across Western New York.

War Memorial Opera House opera house in San Francisco, California, United States, home of the San Francisco Opera company

The War Memorial Opera House in San Francisco, California, United States of America is located on the western side of Van Ness Avenue across from the westside/rear facade of the San Francisco City Hall.

Josef Krips Austrian musician

Josef Alois Krips was an Austrian conductor and violinist.

Enrique Jordá American conductor

Enrique Jordá was a Spanish-American conductor. Born in San Sebastián, later on he was a naturalized US citizen.

The San Francisco Symphony Chorus is the resident chorus of the San Francisco Symphony (SFS).

The Little Orchestra Society is an American orchestra based at 330 West 42nd Street, 12th Floor, in New York City. It was founded in 1947 by Thomas Scherman, who served as its conductor until his death in 1979. From 1979 to 2011 the Orchestra was led by Dino Anagnost. Its membership has ranged between 45 and 60 musicians. The orchestra's name is borrowed from The Little Orchestra of London, which was formed by Felix Mendelssohn during the Bach Revival. In 2013, the Orchestra named James Judd its new Music Director.

San Francisco Symphony Youth Orchestra

The San Francisco Symphony Youth Orchestra (SFSYO) is the youth orchestra of the San Francisco Symphony and a key element of the symphony's community outreach and education programs. First organized in 1981, the SFSYO has built a reputation as one of the finest youth orchestras in the world. The SFSYO performs an annual concert series, tours internationally, and has made several recordings. The orchestra is based in Louise M. Davies Symphony Hall, and celebrates its 35th anniversary season in 2017-2018.

Emanuel Leplin (1917–1972) was a composer, conductor, and painter active mainly in the second half of the 20th century. He was born in San Francisco, and joined the San Francisco Symphony as a violist in 1941, conducting it in two of his own works, in 1941 and 1947. In 1954, he contracted polio, and afterward, was unable to hold a brush or compose using anything below his neck but the first three fingers of his right hand. With these fingers he composed three symphonies, a violin concerto, and many other works for orchestra and chamber groups.

References

  1. "Hot time at San Francisco Symphony gala". SF Gate, By Tony Bravo September 9, 2016
  2. "Review: San Francisco Symphony Stages 'Missa Solemnis'". New York Times, Jun 12, 2015.
  3. Joshua Kosman (2018-12-05). "Esa-Pekka Salonen to succeed Michael Tilson Thomas as SF Symphony music director". San Francisco Chronicle. Retrieved 2018-12-05.
  4. "100 Years San Francisco Symphony", Asterisk, Volume 2, Issue 4.
  5. "The Standard Symphony". Peabody Awards . Retrieved 2014-07-18.
  6. Dunning, John, On the Air: The Encyclopedia of Old-Time Radio. New York: Oxford University Press, Inc., 1998 ISBN   978-0-19-507678-3 hardcover; revised edition of Tune In Yesterday (1976)
  7. David Schneider, The San Francisco Symphony (Novato: Presidio Press, 1983), pg. 85
  8. David Schneider, pgs. 99–102
  9. David Schneider, pgs. 125–128
  10. "Michael Tilson Thomas Announces Plans to Conclude His 25-Year Tenure as Music Director of the San Francisco Symphony Following the 2019–2020 Season" (Press release). San Francisco Symphony. 31 October 2017. Retrieved 2017-11-01.
  11. Joshua Kosman (2017-10-31). "Michael Tilson Thomas to step down from San Francisco Symphony in 2020". San Francisco Chronicle. Retrieved 2017-11-01.
  12. "Inductees - California Museum - Official home of the California dream". californiamuseum.org. Retrieved March 22, 2018.
  13. "Esa-Pekka Salonen named next Music Director of the San Francisco Symphony" (Press release). San Francisco Symphony. 5 December 2018. Retrieved 2018-12-05.
  14. San Francisco Symphony. Projects. Keeping Score, The Mahler Project, SFS Media
  15. "San Francisco Symphony History Overview". San Francisco Symphony. August 2003. Archived from the original on February 27, 2007. Retrieved April 4, 2007.
  16. 67th Annual Peabody Awards, May 2008.
  17. Brad Hill; Richard Carlin; Nadine Hubbs (2005). Classical. Infobase Publishing. p. 77. ISBN   9780816069767.