Mercury Records

Last updated
Mercury Records
Mercury records logo.png
Parent company Universal Music Group
Founded1945;74 years ago (1945)
Founder
  • Irving Green
  • Berle Adams
  • Arthur Talmadge
  • Ray Greenberg
StatusActive
Distributor(s)
GenreVarious
Country of originUnited States
Location
  • United States
Official website

Mercury Records is an American record label owned by Universal Music Group. In the US, it operates through Island Records; in the UK, it is distributed by Virgin EMI Records.

A record label, or record company, is a brand or trademark associated with the marketing of music recordings and music videos. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label" derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and be both promoted and heard on music streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positive media coverage, and arrange for their merchandise to be available via stores and other media outlets.

Universal Music Group American music corporation

Universal Music Group is an American global music corporation that is a subsidiary of the French media conglomerate Vivendi. UMG's global corporate headquarters are located in Santa Monica, California. It is considered one of the "Big Three" music companies, along with Sony Music and Warner Music Group. Since 2004, the corporation is no longer related to the film studio Universal Studios. In 2019, Fast Company named Universal Music Group the most innovative music company and listed UMG among the Top 50 most innovative companies in the world and "amid the music industry's digital transformation, Universal is redefining what a modern label should look like." UMG has signed licensing agreements with more than 400 platforms worldwide.

Island Records British international record label of Jamaican origin; imprint of Island Records Ltd.

Island Records is a record label owned by Universal Music Group. It was founded in 1959 by Chris Blackwell, Graeme Goodall, and Leslie Kong in Jamaica, and was eventually sold to PolyGram in 1989. Island and A&M Records, another label recently acquired by PolyGram, were both at the time the largest independent record labels in history, with Island in particular having exerted a major influence on the progressive music scene in the United Kingdom in the early 1970s.

Contents

Since the separation of Island Records, Motown, Mercury Records, and Def Jam Recordings combining the Island Def Jam Music Group, Mercury Records has been placed under Island Records, although its back catalogue is still owned by The Island Def Jam Music Group.

Motown Records is an American record label owned by Universal Music Group. It was originally founded by Berry Gordy Jr. as Tamla Records on January 12, 1959, and was incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of motor and town, has become a nickname for Detroit, where the label was originally headquartered.

Def Jam Recordings American record label

Def Jam Recordings is an American record label focused predominantly on hip hop and urban music, owned by Universal Music Group. In the UK, the label takes on the name Def Jam UK and is operated through Virgin EMI Records, while in Japan, it is known as Def Jam Japan, operating through Universal Music Japan. The label distributes releases of various record labels, including Kanye West's GOOD Music, and Listen Up Forever Records, headed by producer, Ronny J. Current artists include Justin Bieber, Logic, Big Sean, Kanye West, Nas, 2 Chainz, Teyana Taylor, YG, Dave East, Jeezy, Jeremih, Q-Tip, Valee, Pusha T, Vince Staples, Fabolous, Desiigner and Jhené Aiko.

The Island Def Jam Music Group American record label group formed in 1998

The Island Def Jam Music Group (IDJMG) was an American record label group formed in 1998 by combining the operations of 14+ record labels including Island Records, Def Jam Recordings, and Mercury Records. In 2011, Motown Records was split from The Universal/Motown Records Group and subsequently became a division of The Island Def Jam Music Group. On April 1, 2014, Universal Music announced that Island Def Jam's operations would be split between three entities: Island Records, Motown Records, and Def Jam Recordings.

Beginnings

Mercury Record Corporation was formed in Chicago in 1945 by Irving Green, Berle Adams, Ray Greenberg [1] and Arthur Talmadge. [2] They were a major force in jazz and blues, classical music, rock and roll, and country music recordings. Early in the label's history, Mercury opened two pressing plants, one in Chicago and the other in St. Louis, Missouri. [3] With the use of automatic presses and providing 24-hour turnaround, they went into direct competition with major recording labels such as Columbia, Decca, Capitol and RCA Victor.

Chicago City in Illinois, United States

Chicago, officially the City of Chicago, is the most populous city in Illinois, as well as the third most populous city in the United States. With an estimated population of 2,705,994 (2018), it is the most populous city in the Midwest. Chicago is the principal city of the Chicago metropolitan area, often referred to as Chicagoland, and the county seat of Cook County, the second most populous county in the United States. The metropolitan area, at nearly 10 million people, is the third-largest in the United States.

Irving B. Green was an American record industry executive, and founder and president of Mercury Records.

Berle Adams was a music industry executive and talent booking agent best known for co-founding Mercury Records in the 1940s and later becoming a senior executive at MCA.

By hiring two promoters, Tiny Hill and Jimmy Hilliard, they penetrated the pop market with names such as Frankie Laine, Vic Damone, Tony Fontane and Patti Page.

Tiny Hill American musician

Harry Lawrence "Tiny" Hill was a band leader of the Big Band era. During the height of his career Hill was billed as “America’s Biggest Bandleader” because of his weight of over 365 lb (166 kg). His signature song was "Angry", which he first recorded in 1939 on Columbia Records' Vocalion label. He used sandpaper blocks and a güiro to generate a double shuffle "beat that makes the listener itch to dance".

Frankie Laine American popular singer

Frankie Laine was an American singer, songwriter, and actor whose career nearly spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Jezebel", "High Noon", "I Believe", "Hey Joe!", "The Kid's Last Fight", "Cool Water", "Rawhide", and "Lord, You Gave Me a Mountain".

Vic Damone American singer

Vic Damone was an American traditional pop and big band singer, actor, radio and television presenter, and entertainer. He is best known for his performances of songs such as the number one hit "You're Breaking My Heart", and "On the Street Where You Live" and "My Heart Cries for You" which were both number four hits.

Rather than rely on radio airplay, Mercury initially relied on jukeboxes to promote their music. [4]

In 1946, Mercury hired Eddie Gaedel, an American with dwarfism, most notable for participating in a Major League Baseball game, to portray the "Mercury Man", complete with a winged hat similar to its logo, to promote Mercury recordings. [5] [6] Some early Mercury recordings featured a caricature of him as its logo. [7] [8]

Eddie Gaedel American baseball player

Edward Carl Gaedel was an American and the smallest player to appear in a Major League Baseball game.

In 1947, Jack Rael, a musician and publicist/manager, persuaded Mercury to let Patti Page (whom he managed) record a song that had been planned to be done by Vic Damone, "Confess". The budget was too small for them to hire a second singer to provide the "answer" parts to Page, so at Rael's suggestion she did both voices. Though "overdubbing" had been used occasionally on 78rpm discs in the 1930s, for Enrico Caruso and Elisabeth Schumann recordings among others, this became the first documented example of "overdubbing" using tape, and Patti Page, along with rival Capitol Records artists Les Paul & Mary Ford, became one of the artists best known for the use of this technique.[ citation needed ]

The company released an enormous number of recordings under the Mercury label as well as its subsidiaries (Blue Rock Records, Cumberland Records, EmArcy Records, Fontana Records, Limelight Records, Philips Records, Smash Records and Wing Records). In addition, they leased and purchased material by independent labels and redistributed them.

Under their own label, Mercury released a variety of recording styles from classical music to psychedelic rock. However, its subsidiaries focused on their own specialized categories of music. [9]

Mercury's jazz division

Mercury's jazz division had two distinct and important fathers. John Hammond brought his expertise and connections when Mercury bought Keynote Records in the late 1940s. And Mercury was the issuing company and distributor for Norman Granz's pre-Norgran/Verve recordings. Although both Hammond and Granz had departed Mercury by the mid-1950s, they established the company in the jazz world. Mercury, under its EmArcy label, released LPs by many important post-swing and bebop artists including Clifford Brown and Max Roach, Clark Terry, Dinah Washington, Nat and Cannonball Adderley, Ernestine Anderson, Sarah Vaughan, Maynard Ferguson, Jimmy Cleveland, Herb Geller and others. By the early 1960s, Mercury was releasing jazz under the flagship label. Highlights of the early and mid-1960s included albums by Quincy Jones, Buddy Rich, Cannonball Adderley, Charles (then called Charlie) Mingus, Dinah Washington, Sarah Vaughan, Max Roach and others.

In the early 1950s, Norman Granz founded his own record company, Norgran Records, which later became Verve. In the mid to late 1960s, Verve as an imprint of MGM Records. Both Mercury and Verve are now owned by Universal Music Group and Mercury's jazz library falls under the Verve division. Since the early 1990s, Verve has reissued many Mercury jazz titles on CD. In addition, Mosaic Records in Stamford CT has issued several box sets spotlighting the Mercury and Verve recordings of various artists including Max Roach, Roy Eldridge, Dizzy Gillespie and Buddy Rich.

Later history

From its inception until the mid-1990s, the winged head of Mercury was the label's trademark. As of 2018, Mercury UK, Mercury Classics, and Mercury Tokyo (Japan) are using the logo. MercuryRecordsLogo.gif
From its inception until the mid-1990s, the winged head of Mercury was the label's trademark. As of 2018, Mercury UK, Mercury Classics, and Mercury Tokyo (Japan) are using the logo.

In 1961, Philips, a Dutch electronics company and owner of Philips Records, which had lost its distribution deal with Columbia Records outside North America, played a key role in Mercury's future by signing an exchange agreement with the American Record Company. [10] A year later, Mercury was sold to Consolidated Electronics Industries Corp. (a.k.a. Conelco) which is an affiliate of Philips under its U.S. Trust division; and in 1963, Mercury switched British distribution from EMI to Philips.

In 1962, Mercury began marketing a line of phonographs made by Philips bearing the Mercury brand name. [11]

In July 1967, Mercury Records became the first U.S. record label to release cassette music tapes (Musicassettes). [12]

In 1969, Mercury changed its corporate name to Mercury Record Productions Inc. while its parent Conelco became North American Philips Corp (N.A.P.C.) after Philips brought control of the company.

Philips and German Electronics giant Siemens reorganized their joint-ventured record operations, Grammophon-Philips Group, home of Deutsche Grammophon, Philips Records and Polydor to become PolyGram in 1972. That year PolyGram brought Mercury from N.A.P.C. Mercury's corporate name was changed to Phonogram Inc. to match a related company in the UK that operated the Mercury label there.

From late 1974 to early 1983, the company's label design featured a painting of three famous Chicago buildings: Marina City, John Hancock Center and One IBM Plaza which was Mercury headquarters during that period, having moved from its long-time address at 35 East Wacker Drive in Chicago.

In 1980, Phonogram moved its headquarters from Chicago to New York City.

In 1981, Mercury, along with other U.S. PolyGram-owned labels, which included Polydor, RSO Records, and Casablanca, consolidated under the new name PolyGram Records, Inc.

Under PolyGram, Mercury absorbed the artists and catalogue of Casablanca Records (also home to the 20th Century Records back catalogue), which consisted of hard rockers Kiss and disco stars Donna Summer and the Village People, and primarily became a rock/pop label with Kiss, Scorpions, Rush, John Cougar Mellencamp, Kurtis Blow, Tears for Fears, Bon Jovi, Cinderella, Treat, Candy, and Def Leppard.

Mercury, by having Bon Jovi, Cinderella, Def Leppard, Kiss, Candy, and Scorpions on their roster, was a premiere label for glam metal. Most of these bands were on Vertigo Records in Europe (that label specialized in progressive rock and hard rock including subgenres like glam metal).

In late 1998, PolyGram was bought by Seagram, which then absorbed the company into its Universal Music Group unit. Under the reorganization, Mercury Records was folded into the newly formed The Island Def Jam Music Group (IDJMG). Mercury's pop roster was predominantly taken over by Island Records, while its hip hop artists found a new home at Def Jam Recordings, and some of Mercury's R&B acts were moved to the newly created Def Soul Records roster. Mercury's former country unit became Mercury Nashville Records. IDJMG revived the Mercury imprint in the US in 2007.

Mercury Living Presence series

In 1951, under the direction of recording engineer C. Robert (Bob) Fine and recording director David Hall, Mercury Records initiated a recording technique using a single microphone to record symphony orchestras. Fine had for several years used a single microphone for various Mercury small-ensemble classical recordings produced by John Hammond and later Mitch Miller (indeed, Miller, using his full name of Mitchell Miller, made several recordings as a featured oboe player in the late 1940s for Mercury). The first record in this new Mercury Olympian Series was Pictures at an Exhibition performed by Rafael Kubelík and the Chicago Symphony. The group that became the most famous using this technique was the Minneapolis Symphony Orchestra, which, under the leadership of conductor Antal Doráti, made a series of classical albums that were well reviewed and sold briskly, including the first-ever complete recordings of Tchaikovsky's ballets Swan Lake, The Sleeping Beauty, and The Nutcracker. Dorati's 1954 one-mic monaural recording (Mercury MG 50054) and 1958 three-mic stereo rerecording (Mercury MG 50054) of Tchaikovsky's "1812 Overture" [13] included dramatic overdub recordings of 1812-era artillery and the bells of the Yale University Carillon. A stereo release in 1960 featured new recordings of the cannon shots, and the bells of the Laura Spelman Rockefeller Memorial Carillon at The Riverside Church in Chicago. [14] Besides Mercury's mono and stereo versions of the 1812, only one other classical album rang up Gold Record sales in the 1950s in the U.S. [15] The recording of the 1812 Overture is considered by many to be one of the best performances of that work and was still in reissue in 2011, nearly 60 years after its first release.

The New York Times music critic Howard Taubman described the Mercury sound on Pictures at an Exhibition as "being in the living presence of the orchestra" [16] and Mercury eventually began releasing their classical recordings under the 'Living Presence' series' name. The recordings were produced by Mercury vice president Wilma Cozart, who later married Bob Fine. Cozart took over recording director duties in 1953 and also produced the CD reissues of more than half of the Mercury Living Presence catalog in the 1990s. By the late 1950s, the Mercury Living Presence crew included session musical supervisors Harold Lawrence and Clair van Ausdall and associate engineer Robert Eberenz. When Cozart retired in 1964, Lawrence took over the Mercury classical division and continued producing Mercury Living Presence records into 1967.

Besides the recordings with the Chicago and Minneapolis orchestras, Mercury also recorded Howard Hanson with the Eastman Rochester Orchestra, Frederick Fennell with the Eastman Wind Ensemble, and Paul Paray with the Detroit Symphony Orchestra. Dorati made some recordings in the United Kingdom with the London Symphony Orchestra for Mercury during the 1960s.

In late 1955, Mercury began using 3 omnidirectional microphones to make stereo recordings on 3-track tape. The technique was an expansion on the mono processcenter was still paramount. Once the center, single microphone was set, the sides were set to provide the depth and width heard in the stereo recordings. The center mike still fed the mono LP releases, which accompanied stereo LPs into the 1960s. In 1961, Mercury enhanced the three-microphone stereo technique by using 35 mm magnetic film instead of half-inch tape for recording. The greater emulsion thickness, track width and speed (90 feet per min or 18 ips) of 35 mm magnetic film increased prevention of tape layer print-through and pre-echo and gained in addition extended frequency range and transient response. The Mercury 'Living Presence' stereo records were mastered directly from the 3-track tapes or mag film, with a 3-2 mix occurring in the mastering room. The same technique—and restored vintage equipment of the same type—was used during the CD reissues. Specifically, 3-track tapes were recorded on Ampex 300-3 (½" 3-track) machines at 15 IPS. 35 mm magnetic film recordings were made on 3-track Westrex film recorders. The 3-2 mixdown was done on a modified Westrex mixer. For the original LPs, the mixer directly fed the custom cutting chain. At Fine Recording in NY, the Westrex cutter head on a Scully lathe was fed by modified McIntosh 200W tube amplifiers with very little feedback in the system. Older mono records were made with a Miller cutter head. For the CD reissues, the output of the Westrex mixer directly fed a DCS analog-to-digital converter and the CDs were mastered on Sony 1630 tapes. No digital enhancement or noise reduction was used.

The original LP releases of the classical recordings continued through 1968. The Mercury classical music catalogue (including the Living Presence catalogue) is currently managed by Decca Label Group through Philips Records, which reissued the recordings on LP and then CD. In turn, Mercury now manages the pop/rock catalog of Philips Records.

In 2003, Speakers Corner Records began issuing 180-gram audiophile-quality LP reissues. The LPs are mastered from 2-track tapes made at the time of the original LP mastering, thus one generation removed from the edited session master used to produce the original LP master and the CD master.

In 2012, Decca Classics, the current owner of the Mercury Living Presence label, issued a value-priced 51-CD box that included 50 of the 1990s CD titles (remastered by Wilma Cozart Fine) as well as a bonus CD containing an interview with Wilma Cozart Fine, and a deluxe booklet detailing the history of Mercury Living Presence. The CD was issued worldwide and was sold by Amazon and other major retailers. A limited-edition 6-LP box set was also issued. The CD set brings back into print dozens of titles that had not been available as manufactured CD's since the early 2000s. The CD box set sold out within 8 months and the LP box set sold out within 6 months.[ citation needed ]

In 2013, Decca Classics issued a second, 55-CD box set, along with a second 6-LP box set. The CD box set included two bonus discs: a new reissue of the 1953 monophonic recording of Stravinsky's "Rite of Spring" by Dorati with the Minneapolis Symphony Orchestra, and a first-time-on-CD reissue of the premiere recording of John Corigliano's Piano Concerto, played by Hilde Somer with the San Antonio Symphony Orchestra conducted by Victor Alessandro. Also included on the Corigliano CD was an interview with the composer and the pianist. As in the first CD box set, the 53 titles from the 1990s series were remastered by Wilma Cozart Fine.

On January 4, 2015, Mercury co-founder Irwin Steinberg died at the age of 94. [17]

Major Mercury Records labels and operations worldwide

Current

Mercury Records was relaunched in 2007 as a label under The Island Def Jam Music Group, appointing record executive David Massey as the President and CEO of the new venture.

This division of Mercury handles US distribution of most pre-1998 Polydor Records pop/rock releases currently under UMG control. There are some exceptions, however. Some artists based outside the US did not have their releases on Polydor in North America, signing to various other labels instead. Some of these bands, such as The Who, did sign to a label that also is now part of the UMG family (or later absorbed by such a label), hence those labels control US rights to these works (in the case of the Who, they had been on US Decca Records and MCA Records in the past, their pre-breakup catalogue is now on Geffen Records in North America).

Mercury Classics

Mercury Classics was relaunched in 2012 as an international classical label by UMGI, appointing musicologist and record executive Dr. Alexander Buhr as Managing Director. The label aims to identify and work with strong creative individuals that bring a distinctive and fresh perspective to classical music.

In its first year, artist signings to the label included Icelandic neo-classical composer Olafur Arnalds, New York-based string quartet Brooklyn Rider, Chinese pianist Yundi and Austrian clarinetist and Berlin Philharmonic soloist Andreas Ottensamer. The label also oversees the recording career of Montenegrin classical guitarist Milos Karadaglic and has an ongoing partnership with Tori Amos, which dates back to her work with Buhr on her classically inspired Night of Hunters album for Deutsche Grammophon in 2011. Following Buhr's longstanding relationship with the Deutsche Grammophon label, some of Mercury Classics' early core classical recordings have been released as co-brands of Mercury Classics and Deutsche Grammophon.

In 2013, Mercury Classics released Olafur Arnalds' label debut For Now I Am Winter, which entered the US Classical Chart at No. 1. It was followed by an EP of Arnalds' soundtrack to the much acclaimed ITV crime series Broadchurch which received a BAFTA Award for best original soundtrack the following year. Yundi's recording of three Beethoven sonatas went platinum in his native China. The label also released Andreas Ottensamer's debut "Portraits", and the much acclaimed label debut of Brooklyn Rider "A Walking Fire". Milos Karadaglic's "Latino Gold" topped the UK classical charts and entered the pop charts. Legendary banjo soloist and 15 time Grammy Award winner Bela Fleck's concerto for banjo and orchestra "The Impostor" was released in the fall.

In 2014, Mercury Classics released "Aranjuez", Milos Karadaglic's recording of iconic guitar concertos by Joaquin Rodrigo, featuring Yannick Nezet-Seguin and the London Philharmonic Orchestra. The album topped the iTunes Classical Charts in more than 10 countries and the classical charts in the US, UK, France, New Zealand and Denmark, where it peaked in the pop charts at No. 17. With the release of Yundi's new album "Emperor/Fantasy", including Beethoven's 5th Piano Concerto with Berlin Philharmonic and Daniel Harding, Mercury Classics held the top two spots on the UK classical chart. In May 2014 the label released Tori Amos' 14th studio album Unrepentant Geraldines. The album entered the US Billboard top 200 at No. 7, charted in UK (No. 13), Netherlands (No. 10) and Germany (No. 15) and hit the iTunes Top 10 in more than 20 countries.

Influential classical music website Alto Riot named Mercury Classics its 'Label of the Year 2013'.

Mercury Nashville

Mercury's Nashville unit dates back to 1957, when Mercury formed a joint venture with Starday Records specifically for releasing artists performing country music. Mercury bought out Starday's half in 1958. [18]

In 1997, PolyGram, looking to cut costs in anticipation of a merger with a competitor, consolidated all of its Nashville operations under the Mercury name. Mercury Nashville took over management of all of PolyGram's country back catalog from sister labels such as Polydor (including releases once issued by MGM Records), A&M, and the small country back catalog of Motown Records (Motown released these albums under subsidiary labels). All country artists under contract to other PolyGram labels either moved to Mercury or were dropped altogether.

Today Mercury Nashville continues to be an active imprint under Universal Music Group Nashville, where it continues to manage the country back catalog that once belonged to PolyGram (MCA Nashville manages what Universal had already owned at the time of the PolyGram merger).

Mercury Records (UK)

In 1958, Mercury switched its distribution in the UK from Pye to EMI, and in 1964 to Philips. [19]

Mercury operated as an imprint in the UK under Universal Music UK until March 2013, when its artist roster was moved to Virgin EMI in a restructuring of Universal's UK labels.

In 2005, Jason Iley was appointed the new Managing Director of Mercury. He joined the company from Island Records where he was General Manager. [20] In July 2005 ILey appointed Paul Adam to senior A&R director of the label – the two had previously worked together at Island Records. [21]

In October 2006, U2 decided to leave Island Records and moved to Mercury Records, reportedly to rejoin ILey who they had worked with previously at Island Records. [22]

In March 2011, the label announced it was stopping the production of CD and vinyl singles and would only release them physically as "rare exceptions". [23]

In 2012, signings on Mercury included Pixie Lott, Arcade Fire, Amy Macdonald, Noah and the Whale, Chase & Status, Jake Bugg and Bo Bruce. [24] [25]

In July, Mercury announced that Mike Smith was joining as President, Music. [26]

In March 2013, Mercury UK was absorbed into Virgin EMI by Universal Music. [27]

Mercury Records (Australia)

Launched in 2007 by Universal Music Australia exclusively as a full-service local (Australian) A&R operation. Mercury Records had been used for some Australian artists in the 1980s and 1990s, but was put into hibernation in 1999 in favour of the Universal label until 2007.[ citation needed ]

Mercury Records (France)

In France, Mercury Records operates as a part of the Mercury Music Group, a division of Universal Music Group. Mercury Music Group controls the French operations of UMG labels Mercury, Fontana Records, Verve Records, Decca Records, Blue Note Records, Island Records, Casablanca Records, and Virgin Records, among others.

Various other national Universal Music Group companies are known to actively use the Mercury Records trademark as an imprint for their local artist and repertoire operations, but no other Universal Music Group companies use the label as a key marketing differentiator, nor do they operate frontline divisions based on the Mercury label.

Mercury Records Tokyo (formerly Mercury Music Entertainment) (Japan)

Launched in 1993 as a division of Nippon PolyGram (now Universal Music Japan), it was later relaunched in 2000 as a joint venture with Kitty Films under the name Kitty MME. It was merged into the Universal J label in 2002. Its artist roster included Seiko Matsuda, Yūji Oda, Delta, ZIGGY, Kinniku Shōjo Tai and Takashi Sorimachi.

After 15 years, the label was revitalized under its new name, Mercury Records Tokyo and is now under the Universal Music & Brands (UM & Brands) division of Universal Music Japan. Korean pop group Monsta X was the first artist signed under the newly relaunched label. [28]

Artists

See also

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Decca Gold is a United States-based record label focusing on classical repertoire. It falls under the umbrella of Verve Label Group, owned by Universal Music Group. The label has a new roster of classical artists and partnerships, and was inspired by the historic Decca Gold Label Series established in 1956 that featured artists such as Andrés Segovia, Leonard Bernstein, Claudio Arrau and Dave Brubeck. The label's first album, Emerson String Quartet's Chaconnes and Fantasias: Music of Britten and Purcell, was released on April 21, 2017. Decca Gold partnered with the Van Cliburn International Piano Competition to release recordings of the Gold, Silver and Bronze winners. That album reached #1 on the Billboard Classical Traditional Chart.

<i>Gia Sena Ton Agnosto</i> 1983 studio album by Marinella

Gia 'sena ton agnosto is the name of a studio album by popular Greek singer Marinella. It was released on September 27, 1983 by PolyGram Records in Greece and it went gold selling over 50,000 units. The album is entirely composed by Giorgos Hatzinasios, with lyrics by Michalis Bourboulis. The original release was in stereo on vinyl and cassette, under the label of Philips Records. In 1996, the album was released on CD by PolyGram, under the label of Mercury Records.

<i>Marinella Gia Panta</i> 1975 studio album by Marinella

Marinella gia panta is the name of a studio album by popular Greek singer Marinella. It was released on June 30, 1975 by PolyGram Records in Greece. The original release was in stereo on vinyl, cassette and 8-track tape, under the label of Philips Records. The album was reissued in 1991 by Polygram with new artwork. In the form of the 1991 reissue, the album was released on CD in 1996, under the label of Mercury Records, with six bonus tracks that were released in 1973 - 1974 by Polygram.

References

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