Since the separation of Island Records, Motown, Mercury Records, and Def Jam Recordings combining the Island Def Jam Music Group, Mercury Records has been placed under Island Records, although its back catalogue is still owned by the Island Def Jam Music Group (now Island Records).
Background
Mercury Records was started in Chicago in 1945 and over several decades, saw great success. The success of Mercury has been attributed to the use of alternative marketing techniques to promote records. The conventional method of record promotion used by major labels such as RCA Victor, Decca Records, and Capitol Records was dependent on radio airplay, but Mercury Records co-founder Irving Green decided to promote new records using jukeboxes instead. By lowering promotion costs, Mercury was able to compete with the more established record labels, and thus became an established record label itself.[2]
In 1946, Mercury hired Eddie Gaedel, an American with dwarfism, most notable for participating in a Major League Baseball game, to portray the "Mercury Man", complete with a winged hat similar to its logo, to promote Mercury recordings.[6][7] Some early Mercury recordings featured a caricature of him as their logo.[8][9]
In 1947, Jack Rael, a musician and publicist/manager, persuaded Mercury to let Patti Page (whom he managed) record a song that had been planned to be done by Vic Damone, "Confess". The budget was too small for them to hire a second singer to provide the "answer" parts to Page, so at Rael's suggestion, she did both voices. Though "overdubbing" had been used occasionally on 78-rpm discs in the 1930s, for Lawrence Tibbett recordings, among others, this became the first documented example of "overdubbing" using tape.
The company released an enormous number of recordings under the Mercury label, as well as its subsidiaries (Blue Rock Records, Cumberland Records, EmArcy Records, Smash Records, and Wing Records, later via Fontana Records and Limelight Records after being absorbed by Philips). In addition, they leased and purchased material by independent labels and redistributed them. Under their own label, Mercury released a variety of recording styles from classical music to psychedelic rock. Its subsidiaries, though, focused on their own specialized categories of music.[10]
From its inception until the mid-1990s, the winged head of Mercury was the label's trademark. As of 2018, Mercury UK, Mercury Classics, and Mercury Tokyo (Japan) use the logo.
During the 1950s, Mercury released hits of musicians such as the Platters, Brook Benton, the Diamonds, and Patti Page. In 1961, Philips, a Dutch electronics company and owner of Philips Records, which had lost its distribution deal with Columbia Records outside North America, played a key role in Mercury's future by signing an exchange agreement with the American record company.[15] A year later, Mercury was sold to Consolidated Electronics Industries Corp. (Conelco), which was an affiliate of Philips under its U.S. Trust division; in 1963, Mercury switched British distribution from EMI to Philips. In 1962, Mercury began marketing a line of phonographs made by Philips bearing the Mercury brand name.[16]
In July 1967, Mercury Records became the first U.S. record label to release cassette music tapes (Musicassettes).[17] In 1969, Mercury changed its corporate name to Mercury Record Productions Inc., while its parent Conelco became North American Philips Corp. (NAPC) after Philips bought control of the company.
From late 1974 to early 1983, the company's label design featured a painting of three famous buildings that are located in Chicago: Marina City, John Hancock Center, and One IBM Plaza, the latter which was Mercury's headquarters during that period, having moved from its long-time address at 35 East Wacker Drive. Mercury released soul musicians such as the Dells and Marvin Sease. From the 1970s through the early 1980s, Mercury released albums of funk musicians such as Ohio Players, the Bar-Kays, Con Funk Shun, and Hamilton Bohannon.[18] Mercury released albums by Kool & the Gang (following the dissolution of De-Lite Records in 1985), the first three albums of the 1979-86 self titled series of the Gap Band (via Total Experience Productions) and Cameo (via distribution of leader Larry Blackmon's label Atlanta Artists Records). And the label released early rapper Kurtis Blow's hit "The Breaks" (1980) also. Mercury released blues musician Robert Cray.[19]
Mercury, by having Thin Lizzy, Bon Jovi, Cinderella, Def Leppard, Kiss, the Scorpions, and various other rock acts on their roster, became a premiere label for hard rock music. Most of these bands were on Vertigo Records in Europe (that label specialized in progressive rock and hard rock including subgenres like glam metal).
In late 1998, PolyGram was bought by Seagram, which then absorbed the company into its Universal Music Group unit. Under the reorganization, Mercury Records was closed and folded into the newly formed The Island Def Jam Music Group (IDJMG). Mercury's pop roster was predominantly taken over by Island Records, while its hip-hop acts found a new home at Def Jam Recordings, and some of Mercury's R&B acts were moved to the newly created Def Soul Records. Mercury's former country unit became Mercury Nashville Records. However, Mercury Records was relaunched in 2007 as a label under The Island Def Jam Music Group, appointing record executive David Massey as the President and CEO of the new venture.[20] The label was defunct in 2015.[21] On April 11, 2022, Republic Records announced that they had acquired Mercury Records, and it will continue as their imprint.[22]
The Mercury name also survives on the Mercury Records division of UMG France, the Mercury Studios film division (which absorbed Eagle Rock Entertainment, acquired by UMG in 2014), the classical music label Mercury KX, and catalogue reissues in the United States, United Kingdom, France, Japan, and Brazil, as well.
In 1951, under the direction of recording engineer C. Robert (Bob) Fine and recording director David Hall, Mercury Records initiated a recording technique using a single microphone to record symphony orchestras. Fine had for several years used a single microphone for Mercury small-ensemble classical recordings produced by John Hammond and later Mitch Miller (indeed, Miller, using his full name of Mitchell Miller, made several recordings as a featured oboe player in the late 1940s for Mercury). The first record in this new Mercury Olympian Series was Pictures at an Exhibition performed by Rafael Kubelík and the Chicago Symphony. The group that became the best known using this technique was the Minneapolis Symphony Orchestra, which, under the leadership of conductor Antal Doráti, made a series of classical albums that were well reviewed and sold briskly, including the first-ever complete recordings of Tchaikovsky's ballets Swan Lake, The Sleeping Beauty, and The Nutcracker. Dorati's 1954 one-microphone monaural recording (Mercury MG 50054) and 1958 three-microphone stereo rerecording (Mercury MG 50054) of Tchaikovsky's 1812 Overture[23] included dramatic overdub recordings of 1812-era artillery and the bells of the Yale University Carillon. A stereo release in 1960 featured new recordings of the cannon shots, and the bells of the Laura Spelman Rockefeller Memorial Carillon at the Riverside Church in Chicago.[24] Besides Mercury's mono and stereo versions of the 1812, only one other classical album rang up gold-record sales in the 1950s in the U.S.[25]
The New York Times music critic Howard Taubman described the Mercury sound on Pictures at an Exhibition as "being in the living presence of the orchestra"[26] and Mercury eventually began releasing their classical recordings under the 'Living Presence' series' name. The recordings were produced by Mercury vice president Wilma Cozart, who later married Bob Fine. Cozart took over recording director duties in 1953 and also produced the CD reissues of more than half of the Mercury Living Presence catalog in the 1990s. By the late 1950s, the Mercury Living Presence crew included session musical supervisors Harold Lawrence and Clair van Ausdall and associate engineer Robert Eberenz.
In late 1955, Mercury began using three omnidirectional microphones to make stereo recordings on three-track tape. The technique was an expansion on the mono process—center was still paramount. Once the center, single microphone was set, the sides were set to provide the depth and width heard in the stereo recordings. The center microphone still fed the mono LP releases, which accompanied stereo LPs well into the 1960s. From 1961, Mercury enhanced the three-microphone stereo technique by using 35-mm magnetic film instead of half-inch tape for recording. The greater emulsion thickness, track width, and speed (90ft/min or 18 in/sec) of 35-mm magnetic film increased prevention of tape layer print-through and gained in addition extended frequency range and transient response. The Mercury 'Living Presence' stereo records were mastered directly from the three-track tapes or magnetic film, with a 3-2 mix occurring in the mastering room. The same technique—and restored vintage equipment of the same type—was used during the CD reissues. Specifically, three-track tapes were recorded on Ampex 300-3 (½-in, three-track) machines at 15 in/sec. The 35-mm magnetic film recordings were made on three-track Westrex film recorders. The 3-2 mixdown was done on a modified Westrex mixer. For the original LPs, the mixer directly fed the custom cutting chain. At Fine Recording in New York City, the Westrex cutter head on a Scullylathe was fed by modified McIntosh 200W tube amplifiers with very little feedback in the system. Older mono records were made with a Miller cutter head.
The original LP releases of the classical recordings continued through 1968. The Mercury classical-music catalogue (including the Living Presence catalogue) is currently managed by Decca Label Group through Philips Records, which reissued the recordings on LP and then CD. In turn, Mercury now manages the pop/rock catalog of Philips Records.
In 2012, Decca Classics, the current owner of the Mercury Living Presence label, issued a value-priced 51-CD box that included 50 of the 1990s CD titles (remastered by Wilma Cozart Fine), a bonus CD containing an interview with Wilma Cozart Fine, and a deluxe booklet detailing the history of Mercury Living Presence. The CD set was issued worldwide and was sold by major retailers. A limited-edition six-LP box set was also issued. The CD set brings back into print dozens of titles that had not been available as manufactured CDs since the early 2000s.
In 2013, Decca Classics issued a second, 55-CD box set, along with a second six-LP box set. The CD box set included two bonus discs: a new reissue of the 1953 monophonic recording of Stravinsky's "Rite of Spring" by Dorati with the Minneapolis Symphony Orchestra, and a first-time-on-CD reissue of the premiere recording of John Corigliano's Piano Concerto, played by Hilde Somer with the San Antonio Symphony Orchestra conducted by Victor Alessandro.
On January 4, 2015, Mercury co-founder Irwin Steinberg died at the age of 94.[27]
Major Mercury Records labels and operations worldwide
This division of Mercury handled US distribution of most pre-1998 Polydor Records pop/rock releases currently under UMG control. Some exceptions remain, however. Some artists based outside the US did not have their releases on Polydor in North America, signing to various other labels, instead. Some of these bands, such as The Who, did sign to a label that also is now part of the UMG family (or later absorbed by such a label), hence those labels control US rights to these works (in the case of The Who, they had been on US Decca Records and MCA Records in the past, their prebreakup catalogue is now on Geffen Records in North America).
Mercury KX (formerly Mercury Classics)
Mercury Classics was relaunched in 2012 as an international classical label by UMGI, appointing musicologist and record executive Dr. Alexander Buhr as managing director. The label aims to identify and work with strong creative individuals who bring a distinctive and fresh perspective to classical music.
In its first year, artist signings to the label included Icelandic neoclassical composer Olafur Arnalds, New York-based string quartet Brooklyn Rider, Chinese pianist Yundi, and Austrian clarinetist and Berlin Philharmonic soloist Andreas Ottensamer. The label also oversees the recording career of Montenegrin classical guitarist Milos Karadaglic, and has an ongoing partnership with Tori Amos, which dates back to her work with Buhr on her classically inspired Night of Hunters album for Deutsche Grammophon in 2011. Following Buhr's longstanding relationship with the Deutsche Grammophon label, some of Mercury Classics' early core classical recordings were rereleased under the aegis of sister company Deutsche Grammophon.
In 2013, Mercury Classics released Olafur Arnalds' label debut For Now I Am Winter, which entered the US Classical Chart at number one. It was followed by an EP of Arnalds' soundtrack of the ITV crime series Broadchurch, which received a BAFTA Award for best original soundtrack the following year. Yundi's recording of three Beethoven sonatas went platinum in his native China. The label also released Andreas Ottensamer's debut "Portraits", and the label debut of Brooklyn Rider "A Walking Fire". Milos Karadaglic's "Latino Gold" topped the UK classical charts and entered the pop charts. Banjo soloist and 15-time Grammy Award winner Bela Fleck's concerto for banjo and orchestra "The Impostor" was released in the fall.[citation needed]
In 2014, Mercury Classics released "Aranjuez", Milos Karadaglic's recording of iconic guitar concertos by Joaquin Rodrigo, featuring Yannick Nézet-Séguin and the London Philharmonic Orchestra. The album topped the iTunes Classical charts in more than 10 countries and the classical charts in the US, UK, France, New Zealand, and Denmark, where it peaked in the pop charts at number 17. With the release of Yundi's new album Emperor/Fantasy, including Beethoven's 5th Piano Concerto with Berlin Philharmonic and Daniel Harding, Mercury Classics held the top two spots on the UK classical chart. In May 2014, the label released Tori Amos' 14th studio album Unrepentant Geraldines. The album entered the US Billboard top 200 at number seven, charted in UK (number 13), Netherlands (number 10), and Germany (number 15), and hit the iTunes top 10 in more than 20 countries.
Influential classical music website Alto Riot named Mercury Classics its Label of the Year 2013.
In 2016, Mercury Classics became Mercury KX and changed its focus to post-classical music
Mercury Nashville
Mercury's Nashville unit dates back to 1957, when Mercury formed a joint venture with Starday Records specifically for releasing artists performing country music. Mercury bought out Starday's half in 1958.[28]
In 1997, PolyGram, looking to cut costs in anticipation of a merger with a competitor, consolidated all of its Nashville operations under the Mercury name. Mercury Nashville took over management of all of PolyGram's country back catalog from sister labels such as Polydor (including releases once issued by MGM Records), A&M, and the small country back catalog of Motown Records (Motown released these albums under subsidiary labels). All country artists under contract to other PolyGram labels either moved to Mercury or were dropped altogether.
Today, Mercury Nashville continues to be an active imprint under Universal Music Group Nashville, where it continues to manage the country back catalog that once belonged to PolyGram (MCA Nashville manages what Universal had already owned at the time of the PolyGram merger).
Mercury Records (UK)
In 1958, Mercury switched its distribution in the UK from Pye to EMI, and in 1964 to Philips.[29]
Mercury operated as an imprint in the UK under Phonogram, a division of Dutch electronics company Philips from the mid-1960s until 1998, when Phonogram was bought by Universal Music. In March 2013, its artist roster was moved to Virgin EMI in a restructuring of Universal's UK labels.
In 2005, Jason Iley was appointed the new managing director of Mercury. He joined the company from Island Records, where he was general manager.[30] In July 2005, Iley appointed Paul Adam to senior artist and repertoire (A&R) director of the label; the two had previously worked together at Island Records.[31]
In October 2006, U2 decided to leave Island Records and moved to Mercury Records, reportedly to rejoin Iley, with whom they had worked previously at Island Records.[32]
In March 2011, the label announced it was stopping the production of CD and vinyl singles, and would only release them physically as "rare exceptions".[33]
In July, Mercury announced that Mike Smith was joining as president of its music division.[36]
In March 2013, Mercury UK was absorbed into Virgin EMI by Universal Music.[37] Virgin EMI was rebranded as EMI Records in June 2020.
Mercury Records (Australia)
Launched in 1955 exclusively as a full-service local (Australian) A&R operation. Mercury Records first known Australian artist was Keith Potger in 1968, but the label was put into hibernation in 1999 in favour of the Universal label until 2007–2013. Some successful Australian artists on Mercury included: INXS, Kamahl, Bullamakanka, Darren Hayes, Carl Riseley, The Preatures, Tiddas, Dragon, Teen Queens, Melissa Tkautz and Karise Eden.
Mercury Records (France)
In France, Mercury Records operates as a part of the Mercury Music Group, a division of Universal Music Group, which Group controls the French operations of UMG labels Mercury, Fontana Records, Verve Records, Decca Records, Blue Note Records, Island Records, and Virgin Records, among others.
Various other national Universal Music Group companies are known to actively use the Mercury Records trademark as an imprint for their local A&R operations, but no other Universal Music Group companies use the label as a key marketing differentiator, nor do they operate frontline divisions based on the Mercury label.
Mercury Tokyo (formerly Mercury Music Entertainment, Nippon Phonogram and Kitty MME)
The Mercury label was first launched in Japan in 1952, by Taihei Onkyo. The company's name was later changed to Nippon Mercury in 1953, however, the Mercury label started to be handled by King Records in 1957, and later by Nippon Victor.
After 13 years, the label was revitalized under its new name, Mercury Tokyo, under the Universal Music Group and Brands (UMG and Brands) division of Universal Music Japan. K-pop group Monsta X is the first artist or group signed under the newly relaunched label.[38] As of 2022, the label, currently operating under UMJ's EMI Records division, has added K-pop groups Drippin, Golden Child, Loona, and STAYC on its roster.[39]
Island Records is a Jamaican multinational record label owned by Universal Music Group. It was founded in 1959 by Chris Blackwell, Graeme Goodall, and Leslie Kong in Jamaica, and was eventually sold to PolyGram in 1989. Island and A&M Records, another label recently acquired by PolyGram, were both at the time the largest independent record labels in history, with Island having exerted a major influence on the progressive music scene in the United Kingdom in the early 1970s. Island Records operates four international divisions: Island US, Island UK, Island Australia, and Island France. Current key people include Island US president Darcus Beese, and MD Jon Turner. Partially due to its significant legacy, Island remains one of UMG's pre-eminent record labels.
Decca Records is a British record label established in 1929 by Edward Lewis. Its US label was established in late 1934 by Lewis, Jack Kapp and Milton Rackmil, who later became American Decca's president too. In 1937, anticipating Nazi aggression leading to World War II, Lewis sold American Decca, and the link between the UK and US Decca label was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre.
A record label or record company is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label" derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information.
Polydor Limited, also known as Polydor Records, is a German-British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States. In turn, Polydor distributes Interscope releases in the United Kingdom. Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon/Schallplatte Grammophon GmbH. It was renamed Polydor Ltd. in 1972. The company is usually mentioned as "Polydor Ltd. (UK)", or a similar form, for holding copyrights.
London Recordings is a British record label that marketed records in the United States, Canada, and Latin America for Decca Records from 1947 to 1980 before becoming semi-independent. The London name – as London American Recordings, often shortened to London American – was also used by British Decca in the UK market, for releases taken from American labels, which British Decca licensed.
Verve Records is an active American record label owned by Universal Music Group (UMG). Founded in 1956 by Norman Granz, the label is home to the world's largest jazz catalogue, which includes recordings by artists such as Ella Fitzgerald, Cal Tjader, Nina Simone, Stan Getz, Bill Evans, Billie Holiday, Oscar Peterson, Jon Batiste, and Diana Krall among others as well as a diverse mix of other recordings that fall outside of jazz including albums from disparate artists like the Velvet Underground, Kurt Vile, Arooj Aftab, Frank Zappa and the Mothers of Invention and many more. It absorbed the catalogues of Granz's earlier label, Clef Records, founded in 1946; Norgran Records, founded in 1953; and material which was previously licensed to Mercury Records.
PolyGram N.V. was a multinational major music record label and entertainment company formerly based in the Netherlands. It was founded in 1962 as the Grammophon-Philips Group by Dutch corporation Philips and German corporation Siemens, to be a holding for their record companies, and was renamed "PolyGram" in 1972. The name was chosen to reflect the Siemens interest Polydor Records and the Philips interest Phonogram Records. The company traced its origins through Deutsche Grammophon back to the inventor of the flat disc gramophone, Emil Berliner.
Hollywood Records is an American record label owned by the Disney Music Group which focuses on pop, rock, alternative, hip hop and country genres, also specializing in recordings for a more mature audience not suitable for the flagship Walt Disney Records label.
Deram Records was a subsidiary record label of Decca Records established in the United Kingdom in 1966. At the time, U.K. Decca was a different company from the Decca label in the United States, which was owned by MCA Inc. Deram recordings were distributed in the U.S. through UK Decca's American branch known as London Records. Deram was active until 1979, then continued as a reissue label.
The Island Def Jam Music Group (IDJMG) was an American recording music unit, formed on December 31, 1998 by Universal Music Group. It consisted of labels created under the operations of Island Records and Def Jam Recordings. On April 1, 2014, Universal Music Group publicly announced the disbandment of the Island Def Jam Music Group, leaving IDJMG and its affiliated subsidiaries compelled as separate sister labels.
Universal Records was a record label owned by Universal Music Group and operated as part of the Universal Motown Republic Group. The label has been dormant since 2006, due to Universal Motown and Universal Republic Records being formed and taking all of the artists from it. Those labels were eventually combined to form the latest iteration of Republic Records.
Philips Records is a record label founded by Dutch electronics company Philips and Dutch-American music corporation Universal Music Group. It was founded as Philips Phonographische Industrie in 1950. In 1946, Philips acquired the company which pressed records for British Decca's Dutch outlet in Amsterdam.
Phonogram Incorporated was started in 1970 as a successor to Philips Phonographic Industries, a unit of the Grammophon-Philips Group (GPG), a joint venture of Philips N.V. of the Netherlands and Siemens A.G. of Germany.
Universal Music Group Nashville is Universal Music Group's country music subsidiary. It was officially opened on New Year's Day 1945 as MCA Nashville and Mercury Nashville which on New Year's Day 1950 as Capitol Nashville. Some of the labels in this group include MCA Nashville Records, Mercury Nashville Records, Lost Highway Records, Capitol Records Nashville and EMI Records Nashville. UMG Nashville not only handles these imprints, but also manages the country music catalogues of record labels Universal Music and predecessor companies acquired over the years including ABC Records, Decca Records, Dot Records, DreamWorks Records, Kapp Records, MGM Records and Polydor Records.
Fontana Distribution was a division of San Francisco–based Isolation Network. A minority stake of the company was owned by Universal Music until Ingrooves acquired Fontana Distribution from UMG in 2012 to form Ingrooves Fontana.
Decca Gold is a United States–based record label focusing on classical repertoire. It falls under the umbrella of Verve Label Group, owned by Universal Music Group. The label has a new roster of classical artists and partnerships, and was inspired by the historic Decca Gold Label Series established in 1956 that featured artists such as Andrés Segovia, Leonard Bernstein, Claudio Arrau and Dave Brubeck. The label's first album, Emerson String Quartet's Chaconnes and Fantasias: Music of Britten and Purcell, was released on April 21, 2017. Decca Gold partnered with the Van Cliburn International Piano Competition to release recordings of the Gold, Silver and Bronze winners. That album reached No. 1 on the Billboard Classical Traditional Chart.
Universal Music New Zealand is the New Zealand subsidiary of the Universal Music Group (UMG), the world's largest music company. Universal Music New Zealand's corporate headquarters are located in Auckland, New Zealand.
UMG Philippines Inc. is a record label based in the Philippines and served as its regional branch of the multinational music corporation, Universal Music Group. Formerly known as MCA Music, the record label previously retained the now-discontinued MCA name on legal purposes because of a trademark dispute with an unrelated label known as Universal Records, which preempted the rights to the word "Universal" for recorded music in the Philippines. However, the company adopted the moniker "MCA/Universal", much like Universal Pictures' home video unit from 1990 to 1997, to simplify identification, even though no formal "Universal" branding is exercised. Despite the naming, the label is known outside the Philippines as Universal Music Philippines.
Universal Music Group México S.A. de C.V. is a Mexican subsidiary of the Universal Music Group founded in 1963. It was founded as Dusa Discos Universales in 1963, undergoing several name changes over the years, first being first acquired by Gramophon-Philips Group (PolyGram) in 1971. It has been known as Universal Music México since 1999, following PolyGram's merger with UMG through the acquisition of Seagram.
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