Pronunciation | English: /ˈɑːrθər/ AR-thər Welsh: [ˈɑrθɨr] German: [ˈaʁtuːɐ̯] Dutch: [ˈɑrtyːr] French: [aʁtyʁ] |
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Gender | Male |
Language(s) | Welsh, Brythonic, Celtic, Latin |
Other names | |
See also | Artur, Art, Artie (short form), Arturo, Arttu or/and Artturi (Finnish variant) |
Arthur is a masculine given name of uncertain etymology. Its popularity derives from it being the name of the legendary hero King Arthur.
A common spelling variant used in many Slavic, Romance, and Germanic languages is Artur. In Spanish and Italian it is Arturo.
The earliest attestation of the name Arthur is in the early 9th century Welsh-Latin text Historia Brittonum , where it refers to a circa 5th century Romano-British general who fought against the invading Saxons, and who later gave rise to the famous King Arthur of medieval legend and literature. A possible earlier mention of the same man is to be found in the epic Welsh poem Y Gododdin by Aneirin, which some scholars assign to the late 6th century, though this is still a matter of debate and the poem only survives in a late 13th century manuscript entitled the Book of Aneirin. [2] [3] A 9th-century Breton landowner named Arthur witnessed several charters collected in the Cartulary of Redon . [4]
The Irish borrowed the name by the late 6th century (either from an early Archaic Welsh or Cumbric form Artur), producing Old Irish Artúr (Latinized as Arturius by Adomnán in his Life of St. Columba, written circa 697–700), [3] [5] The earliest historically attested bearer of the name is a son or grandson of Áedán mac Gabráin (died 609). [6]
The exact origins of the name Arthur remains a matter of debate. Some claim that it derives from the Roman nomen gentile (family name) Artorius. [3] Artorius itself is of obscure and contested etymology; [7] some have proposed a Messapic [8] [9] [10] or Etruscan origin. [11] [12] [13] Nevertheless, according to etymologist Kemp Malone "the theory that derives Arthur from Artorius is left unsupported by any evidence worthy of the name". [7]
According to the linguist and Celticist Stefan Zimmer, it is possible that Artorius has a Celtic origin, being a Latinization of the hypothetical name *Artorījos, derived from the patronym *Arto-rīg-ios, meaning "Son of the Bear/Warrior-King". *Arto-rīg-ios is unattested, but the root, *arto-rīg, "bear/warrior-king", is the source of the Old Irish personal name Artrí, while the similar *Arto-maglos, "bear-prince", produced names in several Brittonic languages. According to Zimmer's etymology, the Celtic short compositional vowel -o- was lengthened and the long -ī- in the second element of the compound -rījos was shortened by Latin speakers, under the influence of Latin agent nouns ending in -tōr (and their derivatives in -tōrius). [14] Some scholars have noted that the legendary King Arthur's name only appears as Arthur, Arthurus, or Arturus in early Latin Arthurian texts, never as Artōrius (although the Classical Latin Artōrius became Arturius in some Vulgar Latin dialects). However, this may not say anything about the origin of the name Arthur, as Artōrius would regularly become Art(h)ur when borrowed into Welsh. [15]
The commonly proposed derivation from Welsh arth "bear" + (g)wr "man" (earlier *Arto-uiros in Brittonic) is not possible for phonological and orthographic reasons; notably that a Brittonic compound name *Arto-uiros should produce Old Welsh *Artgur (where -u- represents the short vowel /u/) and Middle/Modern Welsh *Arthwr and not Arthur (where -u- is a long vowel /ʉː/) In Welsh poetry the name is always spelled Arthur and is exclusively rhymed with words ending in -ur—never words ending in -wr—which confirms that the second element cannot be [g]wr "man"). [16] [17]
An alternative theory, which has gained limited acceptance among scholars, [18] [19] [20] [21] [22] [23] derives the name Arthur from the Latin Arcturus (the brightest star in the constellation Boötes, near Ursa Major or the Great Bear [24] ), which is the latinisation of the Greek Ἀρκτοῦρος (Arktouros) [25] and means Bear Guardian from ἄρκτος (arktos"bear") [26] and οὖρος (ouros"watcher/guardian"). [27] This form, Arcturus would have become Art(h)ur when borrowed into Welsh, and its brightness and position in the sky led people to regard it as the "guardian of the bear" and the "leader" of the other stars in Boötes. [28]
Ambrosius Aurelianus was a war leader of the Romano-British who won an important battle against the Anglo-Saxons in the 5th century, according to Gildas. He also appeared independently in the legends of the Britons, beginning with the 9th-century Historia Brittonum. Eventually, he was transformed by Geoffrey of Monmouth into the uncle of King Arthur, the brother of Arthur's father Uther Pendragon, as a ruler who precedes and predeceases them both. He also appears as a young prophet who meets the tyrant Vortigern; in this guise, he was later transformed into the wizard Merlin.
Excalibur is the mythical sword of King Arthur that may possess magical powers or be associated with the rightful sovereignty of Britain. Traditionally, the sword in the stone is the proof of Arthur's lineage. The sword given to him by the Lady of the Lake is not the same weapon, even though in some versions of the legend both of them share the name of Excalibur. Several similar swords and other weapons also appear within Arthurian texts, as well as in other legends.
King Arthur, according to legends, was a king of Britain. He is a folk hero and a central figure in the medieval literary tradition known as the Matter of Britain.
Geoffrey of Monmouth was a Catholic cleric from Monmouth, Wales, and one of the major figures in the development of British historiography and the popularity of tales of King Arthur. He is best known for his chronicle The History of the Kings of Britain which was widely popular in its day, being translated into other languages from its original Latin. It was given historical credence well into the 16th century, but is now considered historically unreliable.
Taliesin was an early Brittonic poet of Sub-Roman Britain whose work has possibly survived in a Middle Welsh manuscript, the Book of Taliesin. Taliesin was a renowned bard who is believed to have sung at the courts of at least three kings.
Guinevere, also often written in Modern English as Guenevere or Guenever, was, according to Arthurian legend, an early-medieval queen of Great Britain and the wife of King Arthur. First mentioned in popular literature in the early 12th century, nearly 700 years after the purported times of Arthur, Guinevere has since been portrayed as everything from a fatally flawed, villainous, and opportunistic traitor to a noble and virtuous lady. Many records of the legend also feature the variably recounted story of her abduction and rescue as a major part of the tale.
Gawain, also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and one of the premier Knights of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian tales in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the Middle English poem Sir Gawain and the Green Knight. Other works featuring Gawain as their central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, Le Livre d'Artus, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.
Mordred or Modred is a major figure in the legend of King Arthur. The earliest known mention of a possibly historical Medraut is in the Welsh chronicle Annales Cambriae, wherein he and Arthur are ambiguously associated with the Battle of Camlann in a brief entry for the year 537. Medraut's figure seemed to have been regarded positively in the early Welsh tradition and may have been related to that of Arthur's son. As Modredus, Mordred was depicted as Arthur's traitorous nephew and a legitimate son of King Lot in the pseudo-historical work Historia Regum Britanniae, which then served as the basis for the following evolution of the legend from the 12th century. Later variants most often characterised Mordred as Arthur's villainous bastard son, born of an incestuous relationship with his half-sister, the queen of Lothian or Orkney named either Anna, Orcades, or Morgause. The accounts presented in the Historia and most other versions include Mordred's death at Camlann, typically in a final duel, during which he manages to mortally wound his own slayer, Arthur. Mordred is usually a brother or half-brother to Gawain; however, his other family relations, as well as his relationships with Arthur's wife Guinevere, vary greatly.
The Matter of Britain is the body of medieval literature and legendary material associated with Great Britain and Brittany and the legendary kings and heroes associated with it, particularly King Arthur. The 12th-century writer Geoffrey of Monmouth's Historia Regum Britanniae is a central component of the Matter of Britain.
Morgan le Fay, alternatively known as Morgan[n]a, Morgain[a/e], Morgant[e], Morg[a]ne, Morgayn[e], Morgein[e], and Morgue[in] among other names and spellings, is a powerful and ambiguous enchantress from the legend of King Arthur, in which most often she and he are siblings. Early appearances of Morgan in Arthurian literature do not elaborate her character beyond her role as a goddess, a fay, a witch, or a sorceress, generally benevolent and connected to Arthur as his magical saviour and protector. Her prominence increased as the legend of Arthur developed over time, as did her moral ambivalence, and in some texts there is an evolutionary transformation of her to an antagonist, particularly as portrayed in cyclical prose such as the Lancelot-Grail and the Post-Vulgate Cycle. A significant aspect in many of Morgan's medieval and later iterations is the unpredictable duality of her nature, with potential for both good and evil.
The Battle of Camlann is the legendary final battle of King Arthur, in which Arthur either died or was mortally wounded while fighting either alongside or against Mordred, who also perished. The original legend of Camlann, inspired by a purportedly historical event said to have taken place in the early 6th-century Britain, is only vaguely described in several medieval Welsh texts dating from around the 10th century. The battle's much more detailed depictions have emerged since the 12th century, generally based on that of a catastrophic conflict described in the pseudo-chronicle Historia Regum Britanniae. The further greatly embellished variants originate from the later French chivalric romance tradition, in which it became known as the Battle of Salisbury, and include the 15th-century telling in Le Morte d'Arthur that remains popular today.
The historicity of King Arthur has been debated both by academics and popular writers. While there have been many claims that King Arthur was a real historical person, the current consensus among specialists on the period holds him to be a mythological or folkloric figure.
The Artognou stone, sometimes erroneously referred to as the Arthur stone, is an archaeological artefact uncovered in Cornwall in the United Kingdom. It was discovered in 1998 in securely dated sixth-century contexts among the ruins at Tintagel Castle in Cornwall, a secular, high status settlement of sub-Roman Britain. It appears to have originally been a practice dedication stone for some building or other public structure, but it was broken in two and re-used as part of a drain when the original structure was destroyed. Upon its discovery the stone achieved some notoriety due to the suggestion that "Artognou" was connected to the legendary King Arthur, though scholars such as John Koch have criticized the evidence for this connection. The stone is on display at the Royal Cornwall Museum.
In Arthurian legend, Ywain, also known as Yvain and Owain among other spellings, is a Knight of the Round Table. Tradition often portrays him as the son of King Urien of Gorre and of either the enchantress Modron or the sorceress Morgan le Fay. The historical Owain mab Urien, the basis of the literary character, ruled as the king of Rheged in Britain during the late-6th century.
Sword at Sunset is a best-selling 1963 novel by Rosemary Sutcliff. One of her few historical novels written specifically for adults, it is her interpretation of the legend of King Arthur.
Artur is a cognate to the common male given name Arthur meaning "bear-like", or “of honour”. It is believed to possibly be descended from the Roman surname Artorius or the Celtic bear-goddess Artio or more probably from the Celtic word artos ("bear"). Other Celtic languages have similar first names, such as Old Irish Art, Artúur, Welsh Arth - which may also be the source for the modern name. Art is also a diminutive form of the common name Arthur. In Estonian, and many Romance, Slavic and Germanic languages the name is spelled as Artur. The Finnish versions are Arttu and Artturi.
King Arthur's messianic return is a mythological motif in the legend of King Arthur, which claims that he will one day return in the role of a messiah to save his people. It is an example of the king asleep in mountain motif. King Arthur was a legendary 6th-century British king. Few historical records of Arthur remain, and there are doubts that he ever existed, but he achieved a mythological status by High Middle Ages that gave rise to a growing literature about his life and deeds.
Edern ap Nudd was a knight of the Round Table in Arthur's court in early Arthurian tradition. As the son of Nudd, he is the brother of Gwyn, Creiddylad, and Owain ap Nudd. In French romances, he is sometimes made the king of a separate realm. As St Edern, he has two churches dedicated to him in Wales.
Poem 31 of the Black Book of Carmarthen, a mid-13th century manuscript, is known from its first line as Pa gur yv y porthaur? or Pa gur, or alternatively as Ymddiddan Arthur a Glewlwyd Gafaelfawr. It is a fragmentary, anonymous poem in Old Welsh, taking the form of a dialogue between King Arthur and the gatekeeper Glewlwyd Gafaelfawr, in which Arthur boasts of his own exploits and those of his companions, especially Cai the Fair. Pa gur is notable for being one of the earliest vernacular Arthurian works, and for alluding to several early adventures of Arthur which are now lost. Its precise age is not known and has been the subject of wide-ranging disagreement, but scholarly opinion now tends to favour a date of c. 1100.
The nine sorceresses or nine sisters are a recurring element in Arthurian legend in variants of the popular nine maidens theme from world mythologies. Their most important appearances are in Geoffrey of Monmouth's introduction of Avalon and the character that would later become Morgan le Fay, and as the central motif of Peredur's story in the Peredur son of Efrawg part of the Mabinogion.
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