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Man with No Name | |
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Dollars Trilogy character | |
First appearance | A Fistful of Dollars (1964) |
Last appearance | The Good, the Bad and the Ugly (1966) |
Created by | Sergio Leone |
Portrayed by | Clint Eastwood |
In-universe information | |
Aliases |
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Occupation | Bounty hunter |
Nationality | American |
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The Man with No Name (Italian : Uomo senza nome) is the antihero character portrayed by Clint Eastwood in Sergio Leone's " Dollars Trilogy " of Italian Spaghetti Western films: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). He is recognizable by his poncho, brown hat, tan cowboy boots, fondness for cigarillos, and the fact that he rarely speaks. [1]
The "Man with No Name" concept was invented by the American distributor United Artists. Eastwood's character does have a name, or nickname, which is different in each film: "Joe", "Manco" and "Blondie", respectively. [2] [3]
When Clint Eastwood was honored with the American Film Institute's Lifetime Achievement Award in 1996, Jim Carrey gave the introductory speech and said: "'The Man with No Name' had no name, so we could fill in our own." [4] In 2008, Empire chose the Man with No Name as the 33rd greatest movie character of all time. [5]
A Fistful of Dollars was directly adapted from Akira Kurosawa's Yojimbo (1961). It was the subject of a lawsuit by Yojimbo's producers. [6] Yojimbo's protagonist, an unconventional rōnin (a samurai with no master) played by Toshiro Mifune, bears a striking resemblance to Eastwood's character: both are quiet, gruff, eccentric strangers with a strong but unorthodox sense of justice and extraordinary proficiency with a particular weapon (in Mifune's case, a katana; in Eastwood's, a revolver). [7]
Like Eastwood's western setting character, Mifune plays a rōnin with no name. When pressed, he gives the pseudonym Sanjuro Kuwabatake (meaning "30-year-old mulberry field"), a reference to his age and something he sees through a window. The convention of hiding the character's arms from view is shared as well, with Mifune's character typically wearing his arms inside his kimono, leaving the sleeves empty. [8] Prior to signing on to Fistful, Eastwood had seen Kurosawa's film and was impressed by the character. [9] During filming, he did not emulate Mifune's performance beyond what was already in the script. He also insisted on removing some of the dialogue in the original script, making the character more silent and thus adding to his mystery. [2] As the trilogy progressed, the character became even more silent and stoic.[ citation needed ]
The "Man with No Name" sobriquet was actually applied after the films were made, and was a marketing device used by distributor United Artists to promote the three films together in the United States film market. [2] [10] The prints of the film were physically trimmed to remove all mention of his names. [2]
In A Fistful of Dollars (1964), he is called "Joe" by the undertaker, Piripero, and Eastwood's role is credited as "Joe". [11]
In For a Few Dollars More (1965), he is called "Manco" (Spanish for "one-armed"; in fact, in the original Italian-language version he is called "il Monco", a dialectal expression meaning "the One-armed one"), because he does everything left-handed, except for shooting. [12]
In The Good, the Bad and the Ugly (1966), Tuco calls him "Blondie" ("il Biondo", meaning "the Blond one", in Italian) for his light hair. He is also "the Good" ("il Buono"), from which the film receives its name. [13]
In the Dollars book series, he is also known as "The Hunter", "The Bounty Killer", "Mister Sudden Death", "Nameless", "No Name" and "Señor Ninguno", or its literal translation "Mr. None".[ citation needed ]
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The popularity of the characters brought about a series of spin-off books, dubbed the "Dollars" series due to the common theme in their titles:
A Coffin Full of Dollars provides some background history; when he was young, The Man with No Name was a ranch hand who was continually persecuted by an older hand named Carvell. The trouble eventually led to a shootout between the two with Carvell being outdrawn and killed; however, an examination of Carvell's body revealed a scar which identified him as Monk Carver, a wanted man with a $1,000 bounty. After comparing the received bounty with his $10-a-month ranch pay, the young cowhand chose to change his life and become a bounty hunter.
In July 2007, American comic book company Dynamite Entertainment announced that they were going to begin publishing a comic book featuring the character, titled The Man with No Name . Set after the events of The Good, the Bad and the Ugly, the comic is written by Christos Gage. Dynamite refers to him as "Blondie", the nickname Tuco uses for him in The Good, the Bad and the Ugly. [15] The first issue was released in March 2008, entitled, The Man with No Name: The Good, The Bad, and The Uglier. [16] Luke Lieberman and Matt Wolpert took over the writing for issues #7–11. [17] [18] Initially, Chuck Dixon was scheduled to take over the writing chores with issue #12, but Dynamite ended the series and opted to use Dixon's storyline for a new series titled The Good, The Bad and The Ugly. [19] The new series is not an adaptation of the movie, despite its title. After releasing eight issues, Dynamite abandoned the series.[ citation needed ]
This section may need to be rewritten to comply with Wikipedia's quality standards.(September 2017) |
Clarence LeRoy Van Cleef Jr. was an American actor. He appeared in over 170 film and television roles in a career spanning nearly 40 years, but is best known as a star of spaghetti westerns, particularly the Sergio Leone-directed Dollars Trilogy films, For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966). In 1983, he received a Golden Boot Award for his contribution to the Western film and television genre.
The spaghetti Western is a broad subgenre of Western films produced in Europe. It emerged in the mid-1960s in the wake of Sergio Leone's filmmaking style and international box-office success. The term was used by foreign critics because most of these Westerns were produced and directed by Italians.
The Good, the Bad and the Ugly is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as "the Good", Lee Van Cleef as "the Bad", and Eli Wallach as "the Ugly". Its screenplay was written by Age & Scarpelli, Luciano Vincenzoni, and Leone, based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli was responsible for the film's sweeping widescreen cinematography, and Ennio Morricone composed the film's score. It was an Italian-led production with co-producers in Spain, West Germany, and the United States. Most of the filming took place in Spain.
Sergio Leone was an Italian filmmaker, credited as the pioneer of the spaghetti Western genre. He is widely regarded as one of the most influential directors in the history of cinema.
Toshiro Mifune was a Japanese actor and producer. The recipient of numerous awards and accolades over a lengthy career, he is widely considered one of the greatest actors of all time. A leading figure in the Japanese film industry, he often played hypermasculine characters and was noted for his commanding screen presence.
Yojimbo is a 1961 Japanese samurai film directed by Akira Kurosawa, who also co-wrote the screenplay and was one of the producers. The film stars Toshiro Mifune, Tatsuya Nakadai, Yoko Tsukasa, Isuzu Yamada, Daisuke Katō, Takashi Shimura, Kamatari Fujiwara, and Atsushi Watanabe. In the film, a rōnin arrives in a small town where competing crime lords fight for supremacy. The two bosses each try to hire the newcomer as a bodyguard.
A Fistful of Dollars is a 1964 spaghetti Western film directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside Gian Maria Volonté, Marianne Koch, Wolfgang Lukschy, Sieghardt Rupp, José Calvo, Antonio Prieto and Joseph Egger. The film, an international co-production between Italy, West Germany and Spain, was filmed on a low budget, and Eastwood was paid $15,000 for his role.
For a Few Dollars More is a 1965 Spaghetti Western film directed by Sergio Leone. It stars Clint Eastwood and Lee Van Cleef as bounty hunters and Gian Maria Volonté as the primary villain. German actor Klaus Kinski plays a supporting role as a secondary villain. The film was an international co-production between Italy, West Germany, and Spain. The film was released in the United States in 1967, and is the second installment of what is commonly known as the Dollars Trilogy.
Duck, You Sucker!, also known as A Fistful of Dynamite and Once Upon a Time ... the Revolution, is a 1971 epic Zapata Western film directed and co-written by Sergio Leone and starring Rod Steiger, James Coburn, and Romolo Valli.
The Dollars Trilogy, also known as the Man with No Name Trilogy, is an Italian film series consisting of three spaghetti western films directed by Sergio Leone. The films are titled A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966). Their English versions were distributed by United Artists, while the Italian ones were distributed by Unidis and PEA.
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The Warrior and the Sorceress is a 1984 Argentine-American fantasy action film directed by John C. Broderick and starring David Carradine, María Socas and Luke Askew. It was written by Broderick and William Stout (story).
Zatoichi Meets Yojimbo (座頭市と用心棒) is a 1970 Japanese drama film directed by Kihachi Okamoto.
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Dollar for the Dead is a 1998 American Western television film for TNT. The film was directed and written by Gene Quintano and stars Emilio Estevez. It is the third Western film in which Estevez stars. The film also stars William Forsythe, Joaquim de Almeida, Jonathan Banks, Ed Lauter and Howie Long. Actor Jordi Mollà was nominated for Fotogramas de Plata award.
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The Mandalorian is a character I would say built on these icons of film history that we find in some Akira Kurosawa samurai movies, Sergio Leone cowboy westerns, spaghetti westerns, the lonely guy who won't tell you his name, in this case won't show you his face, and a lot of moral ambiguity, and I would say expressed more so in this series and with all of our characters, you know, I think the moral universe of Star Wars can be very specific and kind of black and white, there's good and there's evil, and in this one we start to play with the boundaries of that more, and that is dealt with very interestingly with this character. He's not your typical hero.