Dollars Trilogy | |
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Created by | Sergio Leone |
Original work | A Fistful of Dollars (1964) |
Owner | Metro-Goldwyn-Mayer |
Years | 1964–1966 |
Films and television | |
Film(s) |
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Audio | |
Soundtrack(s) |
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Original music | |
Miscellaneous | |
Character(s) | List of characters |
Dollars Trilogy | |
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Directed by | Sergio Leone |
Produced by |
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Starring |
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Cinematography |
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Edited by |
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Music by | Ennio Morricone |
Production companies | Constantin Film Jolly Film (1) Ocean Films (1) Produzioni Europee Associati (PEA) (2–3) Arturo González Producciones Cinematográficas (2–3) United Artists (3) |
Distributed by | Unidis (Italy, 1) PEA (Italy, 2–3) United Artists (US & UK, original) Metro-Goldwyn-Mayer (current) |
Release dates | 1 : 16 October 1964 2 : 18 November 1965 3 : 23 December 1966 |
Running time | 409 minutes (1–3) |
Countries | Italy West Germany Spain |
Languages | English Italian |
Budget | Total (3 films) $2,000,000–$2,025,000 |
Box office | Total (3 films) $84.3 million 126.8 million admissions |
The Dollars Trilogy (Italian: Trilogia del dollaro), also known as the Man with No Name Trilogy (Italian: Trilogia dell'Uomo senza nome), is an Italian film series consisting of three spaghetti western films directed by Sergio Leone. The films are titled A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966). Their English versions were distributed by United Artists, while the Italian ones were distributed by Unidis and PEA.
The series has become known for establishing the spaghetti western genre, and inspiring the creation of many more spaghetti western films. The three films are consistently listed among the best-rated western films in history. [1]
The three films came to be considered a trilogy following the exploits of the same so-called " Man with No Name ", portrayed by Clint Eastwood. The "Man with No Name" concept was invented by the American distributor United Artists, looking for a strong angle to sell the films as a trilogy. [2] Eastwood's character has a name and a different one in each film, "Joe", "Manco" and "Blondie", respectively.
The first film has the Man with No Name arriving in the Mexico–United States border town of San Miguel, the base of two rival smuggling families, the Rojos and the Baxters. The Man with No Name, referred to by the old undertaker Piripero as "Joe", plays them against each other by collecting prizes for giving information, capturing prisoners and killing men, while also helping a woman, her husband and their son, held captive by the ruthless Ramón Rojo, to escape. He is discovered by the Rojos and tortured, but escapes. The Rojos massacre the unarmed Baxters while searching for him, but helped by Piripero he hides away from the town. The Man with No Name returns as the Rojos are preparing to hang the local innkeeper, Silvanito, who had befriended him. He kills Don Miguel Rojo, uses his last bullet to free Silvanito, and kills Ramón in a gunslinging duel. After the last remaining Rojo brother, Esteban, is killed by Silvanito while trying to shoot from a window, the Man with No Name departs from the now-peaceful town.
The second film introduces the Man with No Name, nicknamed "Manco", as a bounty hunter killing bandits for money, and Colonel Douglas Mortimer, a bounty hunter hunting for the same criminals. Both searching for the psychopathic Mexican bandit known as "El Indio" who escaped from jail, they rival each other, but realize that to kill him, they must work together. Manco infiltrates El Indio's gang, while Mortimer acts from the outside. Manco discovers El Indio's elaborate plot to rob the Bank of El Paso, and is forced to take part in it, being careful to avoid wounding innocents. El Indio transfers his gang to Agua Caliente, Mexico, where Manco and Mortimer attempt to steal the money to take it back to the Bank. El Indio discovers their plot but lets them escape as part of an operation to murder all but one of his associates, to split the money in two instead of with the entire gang. Battle ensues between the bounty hunters and the bandits, as the two kill all of them, although the one El Indio meant to spare is killed. Manco discovers that Mortimer's hunt for El Indio is personal and lets him kill the bandit in a duel. Manco keeps all the money and rides away. Manco piles the bandit corpses in a horse-drawn cart and rides away with the stolen bank money to collect his bounty earnings.
In the third film, set during the American Civil War, Mexican bandit Tuco Ramírez and the Man with No Name, whom Tuco calls "Blondie", work together to scam small towns. Blondie collects the bounties on Tuco and then frees him as he is about to be hanged. A mercenary, "Angel Eyes", is searching for a man named "Jackson", who has stolen $200,000 from the Confederate Army. Angel Eyes threatens the family of one of Jackson's former accomplices and learns that Jackson goes under the alias of "Bill Carson", who has murdered both of his original accomplices. The partnership between Blondie and Tuco sours when Tuco complains that being repeatedly placed in a noose with only a single bullet standing between himself and death demands a larger cut than 50/50. Blondie betrays Tuco, but is caught and tortured by Tuco, who tries to put Blondie in a noose, but the raging war encroaches and drives them apart. Tuco catches Blondie and drags him through the desert. Tuco's revenge is interrupted when they stumble upon a Confederate carriage carrying the bullet-riddled and barely-alive Carson. Bleeding and desperate for water, Carson tells Tuco the name of the cemetery in which the gold is hidden, but while Tuco goes to get water, Blondie crawls past and gets the name of the grave in which the treasure is buried just as Carson dies. Tuco realizes that he cannot find the bounty without Blondie, and the two form an alliance. During their journey to the treasure, they are arrested by Union Army soldiers and taken to a prison camp where Angel Eyes is posing as a Sergeant. Angel Eyes tortures Tuco into revealing his half of the secret and recruits Blondie to show him the grave. All three leave the prison. Blondie, Tuco, and Angel Eyes commence a game of betrayal and subterfuge. Tuco and Blondie are blocked by the warring Union and Confederates. Blondie tricks Tuco into revealing the name of the cemetery. The gunslingers arrive at the graveyard where the treasure is hidden, but find themselves in a three-way standoff. Blondie takes up a burnt-ended cigar and a rock and tells the others that he will write the name of the grave marker on the bottom of a stone. He places the stone in the middle of the cemetery and a duel begins. After the duel, Blondie takes his half of the money, leaving Tuco in a noose, balancing on an unstable grave stone. Blondie rides into the distance as Tuco curses him. After Tuco nearly hangs himself, Blondie frees him from a distance using his rifle.
A Fistful of Dollars is an unofficial remake of Akira Kurosawa's 1961 film Yojimbo starring Toshiro Mifune, which resulted in a successful lawsuit by Toho. [3] [4]
The actors who appear in all three films are Eastwood, Mario Brega, Aldo Sambrell, Benito Stefanelli and Lorenzo Robledo. Four actors appear twice in the trilogy, playing different characters: Lee Van Cleef, Gian Maria Volonté, Luigi Pistilli, and Joseph Egger.
Composer Ennio Morricone provided the original music score for all three films, although in A Fistful of Dollars he was credited either as "Dan Savio" or "Leo Nichols", depending on the print. [5] [6]
Actor | Films | ||
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A Fistful of Dollars (1964) | For a Few Dollars More (1965) | The Good, the Bad and the Ugly (1966) | |
Clint Eastwood | Man with No Name | ||
Joe | Manco ("Il Monco") | Blondie ("Il Biondo") | |
Mario Brega | Chico | Niño | Corporal Wallace |
Aldo Sambrell | Manolo | Cuchillo | Angel Eyes Gang Member |
Benito Stefanelli | Rubio | Hughie (a.k.a. "Luke") | |
Lorenzo Robledo | Baxter's member | Tomaso | Clem |
Joseph Egger | Piripero [7] | Old Prophet [8] ("Vecchio Profeta") | |
Gian Maria Volonté | Ramón Rojo [9] | El Indio [10] | |
Marianne Koch | Marisol [11] | ||
Lee Van Cleef | Colonel Douglas Mortimer | Angel Eyes ("Sentenza") | |
Luigi Pistilli | Groggy | Father Pablo Ramirez | |
Román Ariznavarreta | Half-Shaved Bounty Hunter [12] | Bounty Hunter [13] | |
Antonio Molino Rojo | Frisco | Captain Harper | |
Antoñito Ruiz | Fernando [14] | Stevens' Youngest son [13] | |
José Terrón | Guy Calloway [15] | Thomas 'Shorty' Larson [16] | |
Eli Wallach | Tuco Ramirez [17] |
Role | Film | |||
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A Fistful of Dollars (1964) | For a Few Dollars More (1965) | The Good, the Bad and the Ugly (1966) | ||
Director | Sergio Leone | |||
Producer | Arrigo Colombo Giorgio Papi | Alberto Grimaldi | ||
Writer | Screenplay | Sergio Leone Víctor Andrés Catena Jaime Comas Gil Fernando Di Leo Duccio Tessari Tonino Valerii | Sergio Leone Luciano Vincenzoni Sergio Donati | Sergio Leone Luciano Vincenzoni Age & Scarpelli Sergio Donati [18] |
Story | Akira Kurosawa Ryūzō Kikushima ( Yojimbo ) | Sergio Leone Fulvio Morsella Enzo Dell'Aquila Fernando Di Leo [19] | Sergio Leone Luciano Vincenzoni | |
English Dialogue | Mark Lowell Clint Eastwood | Luciano Vincenzoni | Mickey Knox | |
Music | Composer | Ennio Morricone | ||
Director | Ennio Morricone | Bruno Nicolai | ||
Cinematographer | Massimo Dallamano | Tonino Delli Colli | ||
Editor | Roberto Cinquini | Eugenio Alabiso Giorgio Serrallonga | Eugenio Alabiso Nino Baragli | |
Set and costume designer | Carlo Simi |
A Fistful of Dollars earned a 98% rating on Rotten Tomatoes and a 65 on Metacritic. [20] [21]
For a Few Dollars More earned a 92% rating on Rotten Tomatoes and a 74 on Metacritic. [22] [23]
The Good, the Bad and the Ugly earned a 97% rating on Rotten Tomatoes and a 90 on Metacritic. [24] [25]
Film | Release date | Box office gross revenue | Budget | ||||
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Italy | United States | Italy (Lira) | United States & Canada (Dollars) | Other territories [26] | Worldwide | ||
A Fistful of Dollars | September 12, 1964 | January 18, 1967 | 2,700,000,000 ($4,400,000) [27] | $14,500,000 [28] | $1,000,000 | $19,900,000 | $200,000–$225,000 [29] |
For a Few Dollars More | December 18, 1965 | May 10, 1967 | L. 3,100,000,000 ($5,000,000) [30] [31] [32] | $15,000,000 [33] | $5,500,000 | $25,500,000 | $600,000 [34] |
The Good, the Bad and the Ugly | December 23, 1966 [35] [36] | December 29, 1967 | $6,300,000 [37] | $25,100,000 [38] | $7,500,000 | $38,900,000 | $1,200,000 [39] |
Totals | $15,700,000 | $54,600,000 | $14,000,000 | $84,300,000 | $2,000,000–$2,025,000 |
Film | Box office admissions | ||||
---|---|---|---|---|---|
Italy [40] | United States & Canada | France & Spain | Germany | Combined | |
A Fistful of Dollars | 14,797,275 | 15,591,000 [41] | 7,665,321 [42] | 3,281,990 [43] | 41,335,586 |
For a Few Dollars More | 14,543,161 | 13,761,000 [44] | 9,691,900 [45] | 3,072,010 [46] | 41,068,071 |
The Good, the Bad and the Ugly | 11,364,221 | 21,271,000 [47] | 10,520,467 [48] | 1,250,000 [49] | 44,405,688 |
Totals | 40,704,657 | 50,623,000 | 27,877,688 | 7,604,000 | 126,809,345 |
Film | Award | Category | Recipients | Result |
---|---|---|---|---|
A Fistful of Dollars | Italian National Syndicate of Film Journalists [50] | Best Score | Ennio Morricone | Won |
Best Supporting Actor | Gian Maria Volonté | Nominated | ||
The Good, the Bad and the Ugly | Laurel Awards [51] | Action Performance | Clint Eastwood | Runner-Up |
Grammy Awards [52] | 2009 Grammy Hall of Fame Award | Ennio Morricone | Won |
Title | U.S. release date | Length | Composer(s) | Label |
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A Fistful of Dollars: Original Motion Picture Soundtrack | 1964 | TBA[ clarification needed ] | Ennio Morricone | TBA |
For a Few Dollars More: Original Motion Picture Soundtrack | 1965 | TBA | ||
The Good, The Bad and The Ugly: Original Motion Picture Soundtrack | 1966 | TBA |
The Dollars Trilogy spawned a series of spin-off books focused on the Man with No Name, dubbed the Dollars series due to the common theme in their titles:
In July 2007, American comic book company Dynamite Entertainment announced that they were going to begin publishing a comic book featuring the Man with No Name, titled The Man With No Name. Set after the events of The Good, the Bad and the Ugly, the comic is written by Christos Gage. Dynamite refers to him as "Blondie", the nickname Tuco uses for him in The Good, the Bad and the Ugly. [53] The first issue was released in March 2008, entitled, The Man with No Name: The Good, The Bad, and The Uglier. [54] Luke Lieberman and Matt Wolpert took over the writing for issues #7–11. [55] [56] Initially, Chuck Dixon was scheduled to take over the writing chores with issue #12, but Dynamite ended the series and opted to use Dixon's storyline for a new series titled The Good, The Bad and The Ugly. Despite its title, the new series was not an adaptation of the film. After releasing eight issues, Dynamite abandoned the series. [57]
The films had various VHS releases in Italy and in other countries, [58] including some editions boxed together with Leone's other spaghetti western films ( Once Upon a Time in the West and Duck, You Sucker! ). [59] [ better source needed ]
The 1999 DVD, plus the 2010 and 2014 Blu-ray box set releases by MGM (distributed by 20th Century Fox Home Entertainment), make specific reference to the set of films as "The Man with No Name Trilogy". [60] [61]
The spaghetti Western is a broad subgenre of Western films produced in Europe. It emerged in the mid-1960s in the wake of Sergio Leone's filmmaking style and international box-office success. The term was used by foreign critics because most of these Westerns were produced and directed by Italians.
The Good, the Bad and the Ugly is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as "the Good", Lee Van Cleef as "the Bad", and Eli Wallach as "the Ugly". Its screenplay was written by Age & Scarpelli, Luciano Vincenzoni, and Leone, based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli was responsible for the film's sweeping widescreen cinematography, and Ennio Morricone composed the film's score. It was an Italian-led production with co-producers in Spain, West Germany, and the United States. Most of the filming took place in Spain.
Sergio Leone was an Italian filmmaker, credited as the pioneer of the spaghetti Western genre. He is widely regarded as one of the most influential directors in the history of cinema.
A Fistful of Dollars is a 1964 spaghetti Western film directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside Gian Maria Volonté, Marianne Koch, Wolfgang Lukschy, Sieghardt Rupp, José Calvo, Antonio Prieto and Joseph Egger. The film, an international co-production between Italy, West Germany and Spain, was filmed on a low budget, and Eastwood was paid $15,000 for his role.
For a Few Dollars More is a 1965 Spaghetti Western film directed by Sergio Leone. It stars Clint Eastwood and Lee Van Cleef as bounty hunters and Gian Maria Volonté as the primary villain. German actor Klaus Kinski plays a supporting role as a secondary villain. The film was an international co-production between Italy, West Germany, and Spain. The film was released in the United States in 1967, and is the second installment of what is commonly known as the Dollars Trilogy.
The Man with No Name is the antihero character portrayed by Clint Eastwood in Sergio Leone's "Dollars Trilogy" of Italian Spaghetti Western films: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). He is recognizable by his poncho, brown hat, tan cowboy boots, fondness for cigarillos, and the fact that he rarely speaks.
Duck, You Sucker!, also known as A Fistful of Dynamite and Once Upon a Time ... the Revolution, is a 1971 epic Zapata Western film directed and co-written by Sergio Leone and starring Rod Steiger, James Coburn, and Romolo Valli.
Mario Brega was an Italian character actor. His heavy build meant that he regularly portrayed a thug in his films, particularly earlier in his career in westerns. Later in his career, however, he featured in numerous Italian comedy films. Brega stood at 6 feet 4 inches (1.93 m) and well over 250 pounds (110 kg) at his heaviest but after the 1960s slimmed down significantly.
Alberto Grimaldi was an Italian film producer.
Benito Stefanelli was an Italian film actor, stuntman and weapons master who made over 60 appearances in film between 1955 and 1991.
Alfredo Sánchez Brell, known as Aldo Sambrell, was a Spanish actor, director, and producer who appeared in over 150 films between 1961 and 1996.
Antonio Molino Rojo was a Spanish film actor who appeared primarily in Spaghetti Westerns in the 1960s and 1970s.
Luciano Vincenzoni was an Italian screenwriter, known as the "script doctor". He wrote for some 65 films between 1954 and 2000.
Peter Tevis was an American folk singer best remembered for his work on the soundtracks of composer Ennio Morricone.
Frank Braña was a Spanish character actor.
Dollar for the Dead is a 1998 American Western television film for TNT. The film was directed and written by Gene Quintano and stars Emilio Estevez. It is the third Western film in which Estevez stars. The film also stars William Forsythe, Joaquim de Almeida, Jonathan Banks, Ed Lauter and Howie Long. Actor Jordi Mollà was nominated for Fotogramas de Plata award.
Giorgio Papi (1917–2002) was an Italian film producer and production manager.
Nazzareno Natale was an Italian actor.
Aysanoa Runachagua is a film actor.
"Medicine Show" is a song by English band Big Audio Dynamite, released as both a 7" and 12" single from their debut studio album, This Is Big Audio Dynamite (1985). Written by Mick Jones and Don Letts about a fictitious medicine show, and following the success of "E=MC2", "Medicine Show" was released as the third and final single from the album, peaking at No. 29 on the UK Singles Chart, and No. 42 on Billboard's Modern Rock Tracks chart. It was their final top 40 single in the UK with the original line-up.