William Emmett Smith was an American actor. In a Hollywood career spanning more than 79 years, he appeared in almost three hundred feature films and television productions in a wide variety of character roles, often villainous or brutal, accumulating over 980 total credits, with his best known role being the menacing Anthony Falconetti in the 1970s television mini-series Rich Man, Poor Man. Smith is also known for films like Any Which Way You Can (1980), Conan the Barbarian (1982), Rumble Fish (1983), and Red Dawn (1984), as well as lead roles in several exploitation films during the 1970s and 1990s.
The Man with No Name is the antihero character portrayed by Clint Eastwood in Sergio Leone's "Dollars Trilogy" of Italian Spaghetti Western films: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). He is recognizable by his poncho, brown hat, tan cowboy boots, fondness for cigarillos, and the fact that he rarely speaks.
Frederick Robert Williamson, nicknamed "the Hammer", is an American actor, filmmaker, and former professional football defensive back who played mainly in the American Football League (AFL) during the 1960's. He was a top sports star during the decade, and become a leading man in blaxploitation and action films beginning in the 1970's.
Jack Arnold was an American film and television director, considered one of the leading filmmakers of 1950s science fiction films. His most notable films are It Came from Outer Space (1953), Creature from the Black Lagoon (1954), Tarantula (1955), and The Incredible Shrinking Man (1957).
Three the Hard Way is a 1974 action film directed by Gordon Parks Jr., written by Eric Bercovici and Jerrold L. Ludwig, and starring Fred Williamson, Jim Brown, and Jim Kelly.
Black Caesar is a 1973 American blaxploitation crime drama film written and directed by Larry Cohen and starring Fred Williamson, Gloria Hendry and Julius Harris. It features a musical score by James Brown, his first experience with writing music for film. A sequel titled Hell Up in Harlem was released in late 1973.
No Name on the Bullet is a 1959 American CinemaScope Western film directed by Jack Arnold, and starring Audie Murphy, Charles Drake, and Joan Evans. It is one of a handful of pictures in that genre directed by Arnold, better known for his science-fiction movies of the era. Although it is one of Universal Pictures' modestly budgeted vehicles for World War II hero Audie Murphy, the top-billed actor is unusually, but very effectively, cast as the villain, a cold-blooded gun-for-hire.
Black Shampoo is an American exploitation film directed by Greydon Clark. Released in 1976, the comedy film is considered an example of the blaxploitation and sexploitation subgenres of exploitation film. Produced on a budget of $50,000, the film stars John Daniels as Jonathan Knight, an African American businessman and hairdresser who frequently has sex with his predominantly white female clients, and Tanya Boyd as Brenda, Jonathan's secretary and girlfriend, who was previously in a relationship with a white mob boss, who, out of jealousy towards his ex's new lover, begins to regularly send goons to trash Jonathan's hair salon. The violence escalates as the film progresses.
The Legend of Nigger Charley is a 1972 blaxploitation Western film directed by Martin Goldman and starring Fred Williamson in the title role. The story of a trio of escaped slaves, it was released during the heyday of blaxploitation. Shot in Charles City, Virginia, Eve's Ranch, Santa Fe, New Mexico, Jamaica, and Arizona, it received backlash for its controversial title.
The Soul of Nigger Charley is a 1973 American blaxploitation Western film directed by Larry Spangler and starring Fred Williamson. It is the sequel to 1972's The Legend of Nigger Charley. It is followed by Boss Nigger. It is rated R in the United States.
Black Cobra is an Italian Blaxploitation series of four action films. All of its films are centered on Robert "Bob" Malone, a maverick police detective who deals out his own brand of justice.
In US cinema, Blaxploitation is the film subgenre of action movie derived from the exploitation film genre in the early 1970s, consequent to the combined cultural momentum of the Black civil rights movement, the black power movement, and the Black Panther Party, political and sociological circumstances that facilitated Black artists reclaiming their power of the Representation of the Black ethnic identity in the arts. The term blaxploitation is a portmanteau of the words Black and exploitation, coined by Junius Griffin, president of the Beverly Hills–Hollywood branch of the NAACP in 1972. In criticizing the Hollywood portrayal of the multiracial society of the US, Griffin said that the blaxploitation genre was "proliferating offenses" to and against the Black community, by perpetuating racist stereotypes of inherent criminality.
The Man from Bitter Ridge is a 1955 American Western film directed by Jack Arnold and starring Lex Barker, Mara Corday and Stephen McNally.
A Global Affair is a 1964 American comedy film directed by Jack Arnold and starring Bob Hope, Michèle Mercier, Yvonne De Carlo and Elga Andersen.
Black Eye is a 1974 American neo-noir action blaxploitation film produced by Pat Rooney, directed by Jack Arnold and starring Fred Williamson. The film was based on the 1971 novel Murder on the Wild Side by Jeff Jacks.
Joshua is a 1976 American Western film directed by Larry G. Spangler.
No Way Back is a 1976 blaxploitation film written and directed by Fred Williamson, who also stars as Jesse Crowder, a private detective who once used to belong to a police force, but that now finds himself taking odd jobs for a little extra money.
The Bad Bunch, originally released as Tom, is an American 1973 blaxploitation drama film directed by and co-starring Greydon Clark.
Bucktown, USA is a 1975 American crime action blaxploitation film released by American International Pictures starring Fred Williamson.
