Scarlet Street is a 1945 American film noir directed by Fritz Lang. The screenplay concerns two criminals who take advantage of a middle-aged painter in order to steal his artwork. The film is based on the French novel La Chienne by Georges de La Fouchardière, which had been previously dramatized on stage by André Mouëzy-Éon, and cinematically as La Chienne (1931) by director Jean Renoir.
I Want to Live! is a 1958 American independent biographical film noir drama film directed by Robert Wise, and starring Susan Hayward, Simon Oakland, Virginia Vincent, and Theodore Bikel. It follows the life of Barbara Graham, a prostitute and habitual criminal, who is convicted of murder and faces capital punishment. The screenplay, written by Nelson Gidding and Don Mankiewicz, was adapted from personal letters written by Graham, in addition to newspaper articles written by Pulitzer Prize-winning journalist Ed Montgomery in the San Francisco Examiner. The film presents a highly fictionalized version of the case, indicating the possibility that Graham may have been innocent.
The Naked City is a 1948 American crime procedural produced by Mark Hellinger, directed by Jules Dassin, written by Albert Maltz and Malvin Wald. Starring Barry Fitzgerald, with Howard Duff, Dorothy Hart and Don Taylor in support, the film depicts the police investigation that follows the murder of a young model. It was shot almost entirely on location in New York City.
Raw Deal is a 1948 American film noir crime film directed by Anthony Mann and starring Dennis O'Keefe, Claire Trevor and Marsha Hunt. It was shot by cinematographer John Alton with sets designed by the art director Edward L. Ilou. An independent production by Edward Small, it was distributed by Eagle-Lion Films.
The Racket is a 1951 black-and-white film noir drama directed by John Cromwell with uncredited directing help from Nicholas Ray, Tay Garnett, and Mel Ferrer. The production features Robert Mitchum, Lizabeth Scott, Robert Ryan, and William Conrad. Future Perry Mason regular cast members William Talman and Ray Collins appear in key roles.
Boomerang! is a 1947 American crime semidocumentary film noir based on the true story of a vagrant accused of murder. It stars Dana Andrews, Lee J. Cobb, Karl Malden, Arthur Kennedy and Jane Wyatt, with voiceovers by Reed Hadley.
The Sound of Fury is a 1950 American crime film noir directed by Cy Endfield and starring Frank Lovejoy, Kathleen Ryan, Richard Carlson. The film is based on the 1947 novel The Condemned by Jo Pagano, who also wrote the screenplay.
House by the River is a 1950 American film noir directed by Fritz Lang and starring Louis Hayward, Lee Bowman and Jane Wyatt. It is based on the 1921 novel of the same title by A. P. Herbert.
Kathleen Hughes is a retired American actress.
Jigsaw is a 1949 American film noir crime drama directed by Fletcher Markle starring Franchot Tone, Jean Wallace and Marc Lawrence. The feature was produced by the Danziger Brothers, Edward J. Danziger and Harry Lee Danziger from a screenplay by Vincent McConnor and Fletcher Markle, which was based on a story by John Roeburt.
Son of Flubber is a 1963 American science fiction comedy film directed by Robert Stevenson and produced by Walt Disney Productions. It is the sequel to The Absent-Minded Professor (1961) and the first sequel to a Disney film. Fred MacMurray reprises his role from the previous film as Ned Brainard, a scientist who has perfected a high-bouncing substance, Flubber, that can levitate an automobile and cause athletes to bounce into the sky. In addition to MacMurray, Nancy Olson, Keenan Wynn, Ed Wynn, Elliott Reid, and Tommy Kirk also co-star, reprising their roles from the previous film.
Second Chance is a 1953 Technicolor crime film directed by Rudolph Maté. The picture, shot on location in Mexico in 3D, features Robert Mitchum, Linda Darnell, and Jack Palance. It is notable as the first RKO film produced in 3D.
The Falcon's Brother is a 1942 American crime drama film in which George Sanders, who had been portraying "The Falcon" in a series of films, appears with his real-life brother Tom Conway; with Sanders handing off the series to Conway, who would play the new Falcon in nine subsequent films. Jane Randolph was featured in a supporting role. The Falcon's Brother, the only one to feature two Falcons, was directed by Stanley Logan.
Tea and Sympathy is a 1956 American drama film and an adaptation of Robert Anderson's 1953 stage play of the same name directed by Vincente Minnelli and produced by Pandro S. Berman for MGM in Metrocolor. The music score was by Adolph Deutsch and the cinematography by John Alton. Deborah Kerr, John Kerr and Leif Erickson reprised their original Broadway roles. Edward Andrews, Darryl Hickman, Norma Crane, Tom Laughlin, and Dean Jones were featured in supporting roles.
Hell on Frisco Bay is a 1956 American CinemaScope film noir crime film directed by Frank Tuttle and starring Alan Ladd, Edward G. Robinson and Joanne Dru. It was made for Ladd's own production company, Jaguar.
The Reformer and the Redhead is a 1950 American romantic comedy film written, produced and directed by Norman Panama and Melvin Frank, and starring June Allyson and Dick Powell.
Illegal is a 1955 American film noir directed by Lewis Allen. It stars Edward G. Robinson, Nina Foch, Hugh Marlowe and Jayne Mansfield. It is the third film adaptation of the 1929 play "The Mouthpiece" by Frank J. Collins, following The Mouthpiece and The Man Who Talked Too Much.
The Get-Away is a 1941 American crime drama film directed by Edward Buzzell and starring Robert Sterling, Charles Winninger and Donna Reed. Produced by Metro-Goldwyn-Mayer, it is a remake of the 1935 film Public Hero No. 1. It has been listed as a precursor of film noir.
El Paso is a 1949 American Western film directed by Lewis R. Foster and starring John Payne, Gail Russell and Sterling Hayden.
Marcia Anne Prestlien was an American actress. She made her Broadway debut as Wendy in the musical Peter Pan (1950), for which she won a Theatre World Award. Henderson also appeared in films such as All I Desire (1953), The Glass Web (1953), Canyon River (1956), and The Wayward Girl (1957).
