Hello Down There | |
---|---|
Directed by | Jack Arnold Ricou Browning |
Written by | John McGreevey Frank Telford |
Story by | Ivan Tors Art Arthur |
Produced by | George Sherman Ivan Tors |
Starring | Tony Randall Janet Leigh Jim Backus Ken Berry Roddy McDowall Charlotte Rae |
Cinematography | Clifford H. Poland Jr. |
Edited by | Erwin Dumbrille |
Music by | Jeff Barry |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 98 minutes |
Country | United States |
Language | English |
Hello Down There (rereleased in 1974 as Sub-A-Dub-Dub) is a 1969 American comedy-adventure film starring Tony Randall and Janet Leigh that was released by Paramount Pictures. It was produced by George Sherman and Ivan Tors and directed by Jack Arnold and Ricou Browning (underwater sequences). The screenplay was written by John McGreevey and Frank Telford.
Fred Miller must prove that his new design for an underwater home is viable by convincing his family to live in it for 30 days. His son and daughter are members of an emerging rock band, and they invite the two other band members to live with them during the experiment. Their temporary home, which Miller dubs the "Green Onion," is 90 feet below the surface of the ocean and is filled with modern appliances and amenities for housewife Vivian, all designed by Miller. A large opening in the floor provides direct access to and from the sea.
The group are soon joined by a live-in seal named Gladys and a pair of dolphins that stay close at hand and fend off sharks. The family is confronted by many obstacles, including a rival designer from Undersea Development, Inc. who begins to cause problems. [1]
Meanwhile, the band's single has gotten the attention of record executive Nate Ashbury, who wants to sign them. He books them for a televised performance on The Merv Griffin Show without first communicating with them. After learning that they are living under the sea, he schemes to bring Griffin and the TV crew down to the Green Onion, but the navy is alerted to the sound of the music and becomes suspicious. [2]
Hello Down There was filmed from October to December 1967, with interior scenes shot at Ivan Tors Studios (now known as Greenwich Studios) in Miami, Florida. The underwater sequences were photographed at Ivan Tors Underwater Studios in The Bahamas. Tors had been successful producing a number of scuba-diving and animal themed television series, including Sea Hunt and Flipper . [3]
In 1974, the film was re-released as part of the "Paramount Family Matinee" series.
In a contemporary review for The New York Times , critic A.H. Weiler called the film an "amiable mishmash" and wrote: "Mr. Randall, looking woebegone and harried, berates his nervous spouse: 'You can't ignore 71 per cent of the earth's surface simply because it's under water.' In the case of 'Hello Down There', it should definitely be ignored." [4]
A Daily News review was also lukewarm, calling Hello Down There a "typical, routine family comedy for general audiences" while praising the underwater photography as well as the seal and dolphins "... who seem to act more sensibly than the adults." [5]
Biographer Dana M. Reemes, in his Directed by Jack Arnold (1988) writes:
The picture attempted something rather difficult in those days [of the late 1960s], a G-rated family picture designed to cut across all age groups and bridge the “ generation gap” The premise was, to say, at least unusual…There are a few underwater thrills with sharks and dolphins…The whole thing adds up to highly improbable light entertainment. [6]
The film features the following songs:
Song Name | Lyrics By | Music By | Performed by |
---|---|---|---|
"Hello, Down There" | Jeff Barry | Jeff Barry | Jeff Barry |
"I Can Love You" | Jeff Barry | Jeff Barry | Harold and the Hang-Ups |
"Hey, Little Goldfish" | Jeff Barry | Jeff Barry | Harold and the Hang-Ups |
"Glub" | Jeff Barry | Jeff Barry | Harold and the Hang-Ups |
"Just One More Chance" | Sam Coslow | Arthur Johnston | Harold and the Hang-Ups w/Tony Randall |
Hello Down There was released on February 22, 2005 as a Region 1 DVD by Paramount Pictures. The film was made available again on June 25, 2013 as a manufactured-on-demand DVD-R through the online Warner Bros. Archive Collection.
Jacques-Yves Cousteau, was a French naval officer, oceanographer, filmmaker and author. He co-invented the first successful open-circuit self-contained underwater breathing apparatus (SCUBA), called the Aqua-Lung, which assisted him in producing some of the first underwater documentaries.
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Ricou Ren Browning was an American stunt performer, filmmaker and actor. A skilled swimmer, he was known for his innovative underwater stunt work, notably in the 1954 film Creature from the Black Lagoon, in which he portrayed the titular Gill-man during the film's underwater scenes, and in the 1965 James Bond film Thunderball, for which he was the underwater sequences director. He was also the co-creator of the Flipper media franchise.
Eva Gabor was a Hungarian-American actress and socialite. Gabor voiced Duchess and Miss Bianca in the Disney animations The Aristocats (1970), The Rescuers (1977), and The Rescuers Down Under (1990). She was popular in her role on the 1965–1971 television sitcom Green Acres as Lisa Douglas, the wife of Eddie Albert's character Oliver Wendell Douglas. Gabor was an actress in film, on Broadway, and on television. She was also a businesswoman, marketing wigs, clothing, and beauty products. Her elder sisters, Zsa Zsa and Magda Gabor, were also actresses and socialites.
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Underwater habitats are underwater structures in which people can live for extended periods and carry out most of the basic human functions of a 24-hour day, such as working, resting, eating, attending to personal hygiene, and sleeping. In this context, 'habitat' is generally used in a narrow sense to mean the interior and immediate exterior of the structure and its fixtures, but not its surrounding marine environment. Most early underwater habitats lacked regenerative systems for air, water, food, electricity, and other resources. However, some underwater habitats allow for these resources to be delivered using pipes, or generated within the habitat, rather than manually delivered.
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