When a feature film is released, or during and after a television series airs, an album in the form of a soundtrack is frequently released alongside it.
A soundtrack typically contains instrumentation or alternatively a film score. But it can also feature songs that were sung or performed by characters in a scene (or a cover version of a song in the media, rerecorded by a popular artist), songs that were used as intentional or unintentional background music in important scenes, songs that were heard in the closing credits, or songs for no apparent reason related to the media other than for promotion, that were included in a soundtrack. Before home video became widespread in the 1980s, many soundtrack albums would also feature snippets of dialogue, as this was one of the few ways to re-experience a film after its original release apart from television broadcasts or theatrical reissues.
Soundtracks are usually released on major record labels (just as if they were released by a musical artist), and the songs and the soundtrack itself can also be on music charts, and win musical awards.
By convention, a soundtrack record can contain any kind of music including music "inspired by" but not actually appearing in the movie; the score contains only music by the original film's composers.[4]
Contemporaneously, a soundtrack can go against normality, (most typically used in popular culture franchises) and contains recently released or exclusive never before released original pop music selections, (some of which become high-charting records on their own, which due to being released on another franchises title, peaked because of that) and is simply used for promotional purposes for well known artists, or new or unknown artists. These soundtracks contain music not at all heard in the film/television series, and any artistic or lyrical connection is purely coincidental.
However depending on the genre of the media the soundtrack of popular songs would have a set pattern; a lighthearted romance might feature easy listening love songs, whilst a more dark thriller would compose of hard rock or urban music.
In 1908, Camille Saint-Saëns composed the first music specifically for use in a motion picture (L'assasinat du duc de Guise), and releasing recordings of songs used in films became prevalent in the 1930s. Henry Mancini, who won an Emmy Award and two Grammys for his soundtrack to Peter Gunn, was the first composer to have a widespread hit with a song from a soundtrack.
Before the 1970s, soundtracks (with a few exceptions), accompanied towards musicals, and was an album that featured vocal and instrumental, (and instrumental versions of vocal songs) musical selections performed by cast members. Or cover versions of songs sung by another artist.
After the 1970s, soundtracks started to include more diversity, and music consumers would anticipate a motion picture or television soundtrack. Many top-charting songs were featured or released on a film or television soundtrack album.
Nowadays, the term "soundtrack" sort of subsided. It now mostly commonly refers to instrumental background music used in that media. Popular songs featured in a film or television series are instead highlighted and referenced in the credits, not a part of a "soundtrack".
In advertisements or store listings, soundtrack albums are sometimes confused with original cast albums. These are albums made with the original stage cast of a musical, and are recorded by the cast either in live performance or in a studio, not transferred from a movie soundtrack.
In some cases, recorded dialogue may be incorporated into the soundtrack album. This comes in two kinds: audio clips from the movie itself (used on the albums for Pulp Fiction and Apollo 13, for example) or radio dramas that involve the characters from the movie involved in other events (example: King of Pirates, from FLCL). The unusual first soundtrack album of the 1939 film The Wizard of Oz, issued in 1956 in conjunction with the film's first telecast, was virtually a condensed version of the film, with enough dialogue on the album for the listener to be able to easily follow the plot, as was the first soundtrack album of the 1968 Romeo and Juliet, and the soundtrack albums of The Taming of the Shrew (1967 version), Cromwell, and Little Big Man. In the case of Patton, the bulk of the album featured the film's musical score, while the opening and final tracks featured George C. Scott's opening and closing speeches from the movie. The highly unusual soundtrack album of the 1972 mystery film Sleuth was designed as a sort of teaser, with Laurence Olivier and Michael Caine's voices heard for the first three minutes, after which the dialogue was abruptly cut off and the musical score of the film took over, forcing listeners to "see the film if they wished to know what the mystery was all about."[citation needed]
In a few rare instances, the complete soundtrack for a film — dialogue, music, sound effects, etc. — has been released. One notable example was a 3-LP set of the 1977 Rankin-Bass film The Hobbit. Because this particular film was produced for television, it lent itself well to the LP format: built-in commercial insert points were used to end each LP side, thus avoiding any additional editing. Another example was the above-mentioned Zeffirelli Romeo and Juliet – the movie proved so popular that two years after the film's original release, an album set of the complete soundtrack was released. Still another example was the Laurence Olivier Richard III, the soundtrack of which was released as a 3-LP album by RCA Victor in 1955.[5]
Extra tracks
Sometimes tracks not in the movie are included in the album, especially on a CD release of the soundtrack as opposed to an LP. Some of these may be "outtakes" (songs or instrumental music recorded for use in the movie but "cut" in the final edit as released), or they may have been used in trailers but not in the movie itself. Examples include the South Park: Bigger, Longer & Uncut soundtrack.[6] Two other well-known examples are the soundtrack albums to Rodgers and Hammerstein's Carousel[7] and The King and I[8] both of which include two or more songs not heard in the finished film.
A soundtrack is a recorded audio signal accompanying and synchronised to the images of a book, drama, motion picture, radio program, television program, or video game; colloquially, a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that contains the synchronised recorded sound.
A cast recording is a recording of a stage musical that is intended to document the songs as they were performed in the show and experienced by the audience. An original cast recording or OCR, as the name implies, features the voices of the show's original cast. A cast recording featuring the first cast to perform a musical in a particular venue is known, for example, as an "original Broadway cast recording" (OBCR) or an "original London cast recording" (OLCR).
Walt Disney Records is an American record label owned by the Disney Music Group. The label releases soundtrack albums from The Walt Disney Company's motion picture studios, television shows, theme parks and traditional studio albums produced by its roster of pop, teen pop and country artists.
Disney Music Group (DMG) is the music recording and publishing arm of Walt Disney Studios, a division of Disney Entertainment, which is owned by The Walt Disney Company. It is located at the studio's headquarters in Burbank, California. The division's subsidiaries consist of two owned record labels—Walt Disney Records and Hollywood Records—along with Disney Music Publishing, the publishing entity that administers the company's music, as well as Disney Concerts. Disney Music's Vevo account on YouTube is currently one of the most-viewed YouTube channels as of June 2023.
Andrew Michael Edgar Seeley is a Canadian actor, singer and dancer. He has recorded many songs for the Walt Disney Company. He danced as a child in Ontario until he was about preteen age and then moved to Florida.
"I Wan'na Be Like You (The Monkey Song)" is a song from Walt Disney's 1967 film The Jungle Book. The song was written by songwriters Robert and Richard Sherman, and was performed by singer and musician Louis Prima as King Louie, with Phil Harris providing additional vocals as Baloo the bear.
The Little Mermaid: Original Motion Picture Soundtrack is the soundtrack to the 1989 Disney animated film The Little Mermaid. It contains the songs from the film written by Alan Menken and Howard Ashman, as well as the film's score composed by Alan Menken. The score was orchestrated by Thomas Pasatieri. The score’s orchestral recording was conducted by JAC Redford, who also contributed much to the music composition. The album has achieved multi-platinum sales and won the Grammy Award for Best Recording for Children. The album includes recordings of the music that won the Grammy for Best Instrumental Composition Written for a Motion Picture or for Television, the Academy Awards for Best Original Score and Best Original Song and the Golden Globe Award for Best Original Score.
Beauty and the Beast: Original Motion Picture Soundtrack is the official soundtrack album to the 1991 Disney animated film Beauty and the Beast. Originally released on October 22, 1991, by Walt Disney Records, the album's first half – tracks 2 to 9 – generally contains the film's musical numbers, all of which were written by composer Alan Menken and lyricist Howard Ashman, while its latter half – tracks 10 to 14 – features its musical score, composed solely by Menken. While the majority of the album's content remains within the musical theatre genre, its songs have also been influenced by French, classical, pop and Broadway music. Credited to Various Artists, Beauty and the Beast: Original Motion Picture Soundtrack features performances by the film's main cast – Paige O'Hara, Richard White, Jesse Corti, Jerry Orbach, Angela Lansbury, Robby Benson and David Ogden Stiers – in order of appearance. Additionally, the album features recording artists Celine Dion and Peabo Bryson, who perform a pop rendition of the film's theme song of the same name, which simultaneously serves as the soundtrack's only single.
The songs from the 1939 musical fantasy film The Wizard of Oz have taken their place among the most famous and instantly recognizable American songs of all time, and the film's principal song, "Over the Rainbow", is perhaps the most famous song ever written for a film. Music and lyrics were by Harold Arlen and E.Y. "Yip" Harburg, who won an Academy Award for Best Song for "Over the Rainbow."
Oklahoma! is the original soundtrack album of the 1955 film Oklahoma!, an adaptation of the musical Broadway play of the same name. The soundtrack charted No. 1 on the Billboard Pop Album Chart in 1956 and has been in continual print. On July 8, 1958, it became the first album to be certified "gold" by the RIAA, and was later certified "2x multi-platinum" on April 1, 1992.
Ratatouille (Original Motion Picture Soundtrack) is the soundtrack album to the 2007 Disney/Pixar film of the same name composed by Michael Giacchino. The film marked Giacchino's second Pixar film after The Incredibles, which was also directed by Bird and also the second Pixar film not to be scored by Randy Newman or Thomas Newman. The album features original score cues, with an original song "Le Festin" written by Giacchino and performed by Camille, and was released by Walt Disney Records on June 26, 2007.
The Owl and the Pussycat is the soundtrack album to the 1970 American film of the same name. Released by Columbia Records, it features film dialogue by Barbra Streisand and George Segal recorded over music performed by American band Blood, Sweat & Tears. The album's five tracks were all written by Buck Henry, produced by Thomas Z. Shepard.
Ross Shor Lynch is an American actor and singer. He was the lead vocalist of the pop rock band R5 and is one half of the band the Driver Era. As an actor, he rose to recognition for his debut role as Austin Moon on Disney Channel's comedy television series Austin & Ally (2011–2016) and for his role as Brady in the network's musical films Teen Beach Movie (2013) and its sequel Teen Beach 2 (2015).
Mary Poppins: Original Cast Soundtrack is the soundtrack album of the 1964 film Mary Poppins, with music and lyrics written by songwriters Richard M. Sherman and Robert B. Sherman, and adapted and conducted by Irwin Kostal.
"Baby Mine" is a song from the 1941 Disney animated feature Dumbo. The music is by Frank Churchill, with lyrics by Ned Washington. Betty Noyes recorded the vocals for the original film version. In the film, Dumbo's mother, Mrs. Jumbo, an elephant locked in a circus wagon, cradles her baby Dumbo with her trunk while this lullaby is sung. It is also the last appearance of the circus animals.
Mary Poppins Returns: Original Motion Picture Soundtrack is the soundtrack album for the film of the same name. The songs and score for the film were composed by Marc Shaiman, with song lyrics written by Scott Wittman and Shaiman. The soundtrack album was released by Walt Disney Records on December 7, 2018.
Mulan (Original Motion Picture Soundtrack) is the soundtrack to the 2020 film of the same name, which is a live-action adaptation of the identically named 1998 animated musical adventure film. Unlike the original version, the film did not reuse any songs from the former, but instead used instrumental version of the tracks. Harry Gregson-Williams, who previously worked with Caro on The Zookeeper's Wife, composed the film's score with additional music by Tom Howe and Stephanie Economou, while also adapted the original themes composed by Jerry Goldsmith for the 1998 film. The soundtrack album was released by Walt Disney Records on September 4, 2020.
Clouds is the soundtrack album to the 2020 film Clouds. Based on the life of late American singer/songwriter Zach Sobiech from the memoir Fly a Little Higher: How God Answered a Mom's Small Prayer in a Big Way by Laura Sobiech, it is directed by Justin Baldoni and featured musical score composed by Brian Tyler. The soundtrack featured incorporated songs by the lead actors Fin Argus and Sabrina Carpenter, Sobiech's dissolved band A Firm Handshake, Renforshort and OneRepublic. It was released by the record labels Interscope and Walt Disney on October 16, 2020. Prior to the soundtrack release, OneRepublic's original song "Wild Life" was released as the lead single on September 25. The titular track "Clouds", which was Sobiech's own song, altered and composed by Tyler and performed by the lead cast, was released as the second single on October 9, and the third song "afterthoughts" performed by Renforshort was released as a single on October 15, accompanied by a music video.
Cars 3 (Original Motion Picture Soundtrack) is the soundtrack album for the 2017 American computer-animated sports comedy-adventure film Cars 3 that features compilation of incorporated and original songs. The album was released by Walt Disney Records on June 16, 2017, coinciding with the film's theatrical release. A separate film score album, Cars 3 (Original Score), composed by Randy Newman, was also released by Walt Disney Records on the same date, also coinciding with the film's theatrical release. The film, directed by Brian Fee and produced by Pixar Animation Studios and Walt Disney Pictures, is the third installment of the Cars film series and the sequel to Cars 2 (2011). In May 2017, Walt Disney Records officially announced the release of two soundtracks: separately for the songs and score, unlike for the previous films, where both the songs and original scores by Newman and Michael Giacchino, had compiled into a single album. Fee said that both the score and the soundtrack "really help support the story we are telling".
Wish (Original Motion Picture Soundtrack) is the soundtrack to the 2023 Disney animated musical fantasy film Wish. Released by Walt Disney Records on November 17, 2023, the album featured seven original songs with music and lyrics by Julia Michaels and Benjamin Rice, and JP Saxe providing additional songwriting and composing one of the songs. An extended version of the soundtrack featuring instrumentals and demo recordings of the songs, and cues from the film score composed by Dave Metzger, released five days later, that coincided the film's theatrical release. Five singles—"This Wish", "This Is the Thanks I Get?!", "Welcome to Rosas", "I'm A Star" and "Knowing What I Know Now"—preceded the soundtrack.
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