Indian pop | |
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Stylistic origins | |
Cultural origins | 1960s—1990s, India, Pakistan, Bangladesh, United Kingdom |
Subgenres | |
Indian pop music, also known as Indi-pop or I-pop, [1] refers to pop music produced in India that is independent from filmi soundtracks for Indian cinema. Indian pop is closely linked to Bollywood, Tollywood, Pollywood, Kollywood and the Asian Underground scene of the United Kingdom. The variety of South Asian music from different countries are generally known as Desi music.
Pop music originated in the South Asian region with the playback singer Ahmed Rushdi's song " Ko Ko Korina " in 1966 [2] [3] [4] and has since then been adopted in India, Bangladesh, and lately Sri Lanka, and Nepal as a pioneering influence in their respective pop cultures. Following Rushdi's success, Christian bands specialising in jazz started performing at various night clubs and hotel lobbies in various Southeast Asian cities. They would usually sing either famous American jazz hits or cover Rushdi's songs. [5]
Pop music began gaining popularity across the Indian subcontinent in the early 1980s, with Pakistani singers Nazia and Zoheb Hassan forming a sibling duo whose records, produced by Biddu, sold as many as 60 million copies. [6] Biddu himself previously had success in the Western world, where he was one of the first successful disco producers in the early 1970s, with hits such as the hugely popular "Kung Fu Fighting" (1974). [7] [8] [9]
The term Indipop was first used by the British-Indian fusion band Monsoon in their 1981 EP release on Steve Coe's Indipop Records. [10] [11] Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982) anticipated the sound of acid house music, years before the genre arose in the Chicago house scene of the late 1980s, using the Roland TR-808 drum machine, TB-303 bass synthesizer, and Jupiter-8 synthesizer. [12] [13]
In the late 2000s, Indi-pop music faced increasing competition from filmi music. Major pop singers stopped releasing albums and started singing for movies. Recently, Indian pop has taken an interesting turn with the "remixing" of songs from past Indian movie songs, new beats being added to them.
I-pop is a new and emerging music genre in India, blending Indian sounds with global pop influences. It features a mix of Hindi, regional languages, and English lyrics, with themes ranging from romance to social issues. The term I-pop was first coined by Indian music producer and singer Shankar Mahadevan. Gaining popularity among youth, I-pop reflects a shift from traditional Bollywood music, driven by independent artists and digital platforms. Key contributors to the genre include groups like W.i.S.H. and First5. [14] [15] [16]
Rank | Year | Album | Artist(s) | Sales (millions) | Ref |
---|---|---|---|---|---|
1 | 1984 | Young Tarang | Nazia and Zoheb Hassan | 40 | [17] [18] [ self-published source ] |
2 | 1995 | Bolo Ta Ra Ra.. | Daler Mehndi | 20 | [19] [20] |
3 | 1995 | Billo De Ghar | Abrar-ul-Haq | 16 | [21] [22] |
4 | 1981 | Disco Deewane | Nazia and Zoheb Hassan | 14 | [23] |
5 | 1998 | " Mundian To Bach Ke " | Panjabi MC | 10 | [24] |
2002 | Assan Jana Mall-o Mall | Abrar-ul-Haq | 10 | [21] | |
7 | 1999 | Bay Ja Cycle Tay | Abrar-ul-Haq | 6.5 | [21] |
8 | 1997 | Majajani | Abrar-ul-Haq | 6 | [21] |
Only One | Nusrat Fateh Ali Khan and Mahmood Khan | 6 | [25] | ||
10 | 1992 | Thanda Thanda Pani | Baba Sehgal | 5 | [26] |
1995 | Made in India | Alisha Chinai | 5 | [27] | |
12 | 1997 | Tum To Thehre Pardesi | Altaf Raja | 4 | [28] |
13 | 1993 | Tootak Tootak Toothian | Malkit Singh | 2.5 | [29] |
14 | 1996 | Sunoh | Lucky Ali | 2 | [30] |
1997 | Vande Mataram | A. R. Rahman (featuring Nusrat Fateh Ali Khan) | 2 | [31] | |
1998 | Sifar | Lucky Ali | 2 | [30] | |
2004 | Me Against Myself | Jay Sean | 2 | [32] | |
18 | 2004 | Nachan Main Audhay Naal | Abrar-ul-Haq | 1.8 | [21] |
19 | 1999 | Deewana | Sonu Nigam | 1.2 | [33] |
Oye Hoye | Harbhajan Mann | 1.2 | [34] | ||
20 | 1996 | Naujawan | Shaan | 1 |
Year | Song | Artist(s) | Language | YouTube streams (millions) | Ref |
---|---|---|---|---|---|
2020 | " Butta Bomma " | Thaman S, Armaan Malik | Telugu | 820 | [35] |
"Brown Munde" | AP Dhillon, Gurinder Gill, Shinda Kahlon | Punjabi | 605 | [36] | |
2019 | "Rowdy Baby" | Yuvan Shankar Raja, Dhanush | Tamil | 1400 | [37] |
2017 | "Jai Deva Ganesha" | Abhay Jain | Hindi | 29 | [38] |
"Lahore" | Guru Randhawa | Punjabi | 750 | [39] | |
"Bom Diggy" | Zack Knight and Jasmin Walia | Punjabi | 720 | [40] [41] [42] | |
"High Rated Gabru" | Guru Randhawa | Punjabi | 1168 | [43] | |
2014 | " Zaroori Tha " | Rahat Fateh Ali Khan | Hindi | 1427 | [44] |
2015 | " Dheere Dheere " | Yo Yo Honey Singh | Hindi | 625 | [39] |
2011 | " Why This Kolaveri Di " | Dhanush and Anirudh Ravichander | Tamil | 227 | [45] [46] |
Nazia and Zoheb were a Pakistani pop duo from Karachi, Sindh formed in 1980. The group consisted of two siblings, Nazia Hassan and Zoheb Hassan. They are regarded as pioneers of the Pakistani pop scene, and were one of the most successful Asian pop duos of all time, selling more than 105 million albums worldwide.
Indian rock is a music genre in India that may incorporate elements of Indian music with rock music, and is often topically India-centric. While India is more often known for its classical music, filmi, Bollywood music, Indi-pop, and Bhangra, the Indian rock scene has also produced numerous bands and artists.
Biddu Appaiah is a British-Indian singer-songwriter, composer, and music producer who composed and produced many worldwide hit records during a career spanning five decades. Considered one of the pioneers of disco, Euro disco, and Indian pop, he has sold millions of records worldwide, and has received an Ivor Novello award for his work. He has been ranked at number 34 on NME's "The 50 Greatest Producers Ever" list.
Qurbani (transl. Sacrifice) is a 1980 Indian Hindi-language musical romantic action thriller film produced, directed by and starring Feroz Khan. The film co-stars Vinod Khanna, Zeenat Aman, Amjad Khan, Shakti Kapoor, Aruna Irani, Amrish Puri and Kader Khan.
Hindi film songs, more formally known as Hindi Geet or filmi songs and informally known as Bollywood music, are songs featured in Hindi films. Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context. Hindi film songs form a predominant component of Indian pop music, and derive their inspiration from both classical and modern sources. Hindi film songs are now firmly embedded in North India's popular culture and routinely encountered in North India in marketplaces, shops, during bus and train journeys and numerous other situations. Though Hindi films routinely contain many songs and some dance routines, they are not musicals in the Western theatrical sense; the music-song-dance aspect is an integral feature of the genre akin to plot, dialogue and other parameters.
Nazia Hassan was a Pakistani singer-songwriter, lawyer and social activist. Referred to as the "Queen of South Asian Pop", she is considered one of the most influential singers in Pakistan and India as well. Starting in the 1980s, as part of the duo Nazia and Zoheb, she and her brother Zoheb Hassan, have sold over 65 million records worldwide.
"Tunak Tunak Tun" or simply "Tunak Tunak", is a Bhangra/Indi-pop song by Indian Punjabi artist Daler Mehndi, released in 1998. It was the first Indian music video made using chroma key technology.
Pakistani popular music or shortly Pak-pop music refers to popular music forms in Pakistan. Pakistani pop is a mixture of traditional Pakistani classical music and western influences of jazz, rock and roll, hip hop and disco sung in various languages of Pakistan, including Urdu. The popularity of music is based on the individual sales of a single, viewership of its music video or the singer's album chart positions. Apart from within Pakistan, Pakistani pop music has also achieved an influential following and popularity in neighboring countries and is listened by members of the Pakistani diaspora, especially in the Middle East, Europe and North America.
Disco Deewane is a 1981 Pakistani pop album released by the Pakistani singing duo, Nazia and Zoheb, comprising Nazia Hassan and Zoheb Hassan, sister and brother respectively. The music was composed by Indian-British music director Biddu, and Zoheb Hassan, who also produced it under the label of HMV India/Saregama.
Star/Boom Boom is the second studio album by Pakistani pop duo Nazia and Zoheb, released in 1982. The Bollywood film Star used the album's music as its soundtrack. The album was thus also released as Star, a Bollywood music soundtrack album. The album featured music composed by British-Indian producer Biddu.
Young Tarang is the third studio album by the Pakistani pop duo Nazia and Zoheb, consisting of Nazia Hassan and Zoheb Hassan. The music was composed by Zoheb and British-Indian producer Biddu, with lyrics written by Nazia and Zoheb.
Hotline was the fourth studio album from the Pakistani pop duo of Nazia and Zoheb, released in 1987. It was produced by the Indian producer Biddu. Along with several other albums from Biddu and the Hassan duo, its success in India contributed to the creation of the Indi-pop market. It was also released in the United Kingdom in 1987. It was the best-selling album of the duo after Disco Deewane.
Ahmad Haseeb is a film director and producer. Haseeb won the Best Documentary award at Kara Film Festival in 2007 for A Music Fairy, a short subject about pop icon Nazia Hassan. Haseeb also directed rock group Junoon's music video "Rooh ki pyas" (non-commercial) as a college project. In 2006 Haseeb received a master's degree in Multimedia Arts from National College of Arts Lahore. Haseeb has worked as a producer for Waqt TV but joined city42 later. Ahmad Haseeb also composed and produced a cricket World Cup song "Aya Hai World cup" with Cllr Sitarah Anjum and Rehan Naseer released on 24 February 2011.
British soul, Brit soul, or the British soul invasion, is soul music performed by British artists. Soul has been a major influence on British popular music since the 1960s, and American soul was extremely popular among some youth subcultures, such as mods, skinheads, and the Northern soul movement. In the 1970s, soul gained more mainstream popularity in the UK during the disco era.
The Indian Music Industry (IMI) is a trust that represents the recording industry distributors in India. It was founded on 28 February 1936, as Indian Phonographic Industry (IPI). It is the 2nd oldest music industry organisation in the world that was involved in protecting copyrights of music producers and supporting growth of music entertainment industry. In 1994, it was renamed as Indian Music Industry (IMI) and represented India at the International Federation of the Phonographic Industry (IFPI). It is also registered with the West Bengal Societies Registration Act. All major music labels in India are part of this association.
"Aap Jaisa Koi" is a song from the soundtrack of the 1980 Indian film Qurbani. It was the debut song of Pakistani singer Nazia Hassan, and was composed by British Indian producer Biddu. The song was featured in the film as an item number, picturised on Zeenat Aman. It has been remixed and sampled by many other artists.
Charanjit Singh was an Indian musician from Mumbai, who performed as a session musician, often as a guitarist or synthesizer player, in numerous Bollywood soundtrack orchestras from the 1960s to 1980s, working with filmi composers such as Shankar-Jaikishan, R.D. Burman, S.D. Burman, and Laxmikant–Pyarelal.
Made in India is an Indi-pop album by Alisha Chinai, with production by Biddu, released in 1995. It was the first album by an Indian pop (Indipop) artist to be sold on a scale comparable to Hindi film music albums, with over five million copies sold in India. The album established Indipop as a discrete genre and its singer Chinai became the genre's main proponent.
"Bom Diggy" is a song by British singers Zack Knight and Jasmin Walia. It was released on 24 August 2017 through the Artist Originals subsidiary of Saavn Music and YouTube. The main verses are sung in Punjabi and English, while the sampled chorus is in Bengali. The single was serviced to iTunes, Spotify and SoundCloud at the same day. A remix version by Dillon Francis was released on 31 January 2018.
Rupa Biswas is an Indian singer who is known for her singular Disco Jazz album.
With her brother Zoheb Hassan, Nazia sold a staggering 60 million records and became an international name at the tender age of 13.
Tony Palmer knocked off a film account of someone called Biddu (LWT), who appears to have been mad enough to invent disco music.
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ignored (help)In 1982, armed with a now-iconic trio of Roland gear, the Jupiter 8, TB-303 and TR-808, Singh set out to update the entrancing drone and whirling scales of classical Indian music.
The video album was sold in 40 million number which is the record of most selling video album.
Daler Mehndi eventually switched from classical music to pop, and in 1995 his first album Bolo Ta Ra Ra, with tunes based on those given to him by his mother, sold half a million copies in four months and 20 million copies total, making him the best selling non-soundtrack album in Indian music history.
Abrar formally stepped into the limelight in 1995 with the release of his first album, Billo De Gar, which sold over 16 million copies nationwide.
Disco Deewane (recorded with legendary producer Biddu, who has given up music to be a writer, of all things…) went on to sell some 14 million copies worldwide, and the title track was a number one hit in Brazil.
The album sold 6 million units worldwide and broke his sound into World music stations across the US.
All of Chinai's previous success was eclipsed with the 1995 release of Made in India. A series of uptempo songs indebted to traditional Indian music but revealing a definite Western influence, the album reached #1 in the Indian charts and stayed there for over a year as it sold over 5 million copies.
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