The Mamas & the Papas was a folk-rock vocal-group which recorded and performed from 1965 to 1968. The group was a defining force in the music scene of the counterculture of the 1960s. Formed in New York City, the group consisted of Americans John Phillips, Cass Elliot, and Michelle Phillips, and Canadian Denny Doherty. Their sound was based on vocal harmonies arranged by John Phillips, the songwriter, musician, and leader of the group, who adapted folk to the new beat style of the early 1960s.
Dream pop is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably.
"California Dreamin'" is a song written by John Phillips and Michelle Phillips in 1963 and first recorded by Barry McGuire. The best-known version is by the Mamas & the Papas, who sang backup on the original version and released it as a single in December 1965. The lyrics express the narrator's longing for the warmth of Los Angeles during a cold winter in New York City. It is recorded in the key of C-sharp minor.
Curtis Roy Boettcher, sometimes credited as Curt Boetcher or Curt Becher, was an American singer, songwriter, arranger, musician, and record producer from Wisconsin. He was a pivotal figure in what is now termed "sunshine pop", working with the Association, the Millennium, Sagittarius, Paul Revere and the Raiders, Tommy Roe, Elton John, Gene Clark, Emitt Rhodes, Tandyn Almer, the Beach Boys, and others.
The Magic Garden is the second album by the American pop group the 5th Dimension, released in 1967. A concept album, it tells the story of a couple's love and the end of their relationship. In more recent discussions of the album, that love affair is said to be about Jimmy Webb — who composed all but one of the album's songs — and his time with singer and then-girlfriend Susan Horton. The album's one track not credited to Jimmy Webb, a cover of Lennon–McCartney's "Ticket to Ride", was originally intended for the group's debut album, Up, Up and Away.
Thomas Joseph Tedesco was an American guitarist and studio musician in Los Angeles and Hollywood. He was part of the loose collective of the area's leading session musicians later popularly known as The Wrecking Crew, who played on thousands of studio recordings in the 1960s and 1970s, including several hundred Top 40 hits.
Gary Lee Usher was an American rock musician, songwriter, and record producer, who worked with numerous California acts in the 1960s, including the Byrds, the Beach Boys, and Dick Dale. Usher also produced fictitious surf groups or hot rod groups, mixing studio session musicians with his own troops. These bands included the Super Stocks ; the Kickstands; the Hondells with their No. 9 US pop single "Little Honda"; and others.
Sagittarius was an American sunshine pop studio group formed in 1967, devised by record producer and songwriter Gary Usher.
"Monday, Monday" is a 1966 song written by John Phillips and recorded by the Mamas & the Papas, using background instruments played by members of the Wrecking Crew for their 1966 album If You Can Believe Your Eyes and Ears. Denny Doherty was the lead vocalist. It was the group's only #1 hit on the U.S. Billboard Hot 100.
Made in U.S.A. is a 1986 double vinyl album compilation of some of The Beach Boys' biggest successes. Released by their original record label, Capitol Records, it marked a brief return to the label, with whom The Beach Boys released one further album, 1989's Still Cruisin'.
The Peppermint Rainbow was an American sunshine pop group from Baltimore, Maryland, known for their song "Will You Be Staying After Sunday".
"I Dig Rock and Roll Music" is a 1967 song by the American folk group Peter, Paul and Mary, written by Paul Stookey, James Mason and Dave Dixon.
Dayton Burr "Bones" Howe is an American record producer and recording engineer who scored a string of hits in the 1960s and 1970s, often of the sunshine pop genre, starting in 1965 with The Turtles cover of Bob Dylan's "It Ain't Me Babe," and continuing with most of the hits of the 5th Dimension and the Association. With the exception of Closing Time, he produced and engineered all of Tom Waits' releases with Asylum Records, some of which are considered among the artist's best recordings. Their almost decade-long collaboration has been described as "one of the great artist-producer partnerships". Howe performed music supervision on several feature films, and was one of the first industry members to serve as both producer and engineer of the hit records on which he worked. In addition, he was occasionally credited as a musician on recordings as "Dayton Howe".
"Never My Love" is a pop standard written by American siblings Don and Dick Addrisi, and best known from a hit 1967 recording by the Association. The Addrisi Brothers had two Top 40 hits as recording artists, but their biggest success as songwriters was "Never My Love". Recorded by dozens of notable artists in the decades since, in 1999 the music publishing rights organization Broadcast Music, Inc. (BMI) announced it was the second most-played song on radio and television of the 20th century in the U.S.
The Sugar Shoppe was a Canadian sunshine pop vocal group who recorded in the late 1960s and featured actor Victor Garber.
Steve Stanley is an American music historian, reissue producer, graphic artist, musician, and the founder of Now Sounds, a reissue record label established in 2007 and distributed by Cherry Red Records.
The California sound is a popular music aesthetic that originates with American pop and rock recording artists from Southern California in the early 1960s. At first, it was conflated with the California myth, an idyllic setting inspired by the state's beach culture that commonly appeared in the lyrics of commercial pop songs. Later, the sound was expanded outside its initial geography and subject matter and was developed to be more sophisticated, often featuring studio experimentation.
"You Baby" is a song written by P.F. Sloan and Steve Barri and was originally recorded by the Vogues in 1965, though their version was not released until 1996.
