Psychedelic pop

Last updated

Psychedelic pop (or acid pop) [3] is a genre of pop music that contains musical characteristics associated with psychedelic music. [1] Developing in the mid-to-late 1960s, elements included "trippy" features such as fuzz guitars, tape manipulation, backwards recording, sitars, and Beach Boys-style harmonies, wedded to melodic songs with tight song structures. [1] The style lasted into the early 1970s. [1] It has seen revivals in subsequent decades by neo-psychedelic artists. [2]

Contents

Characteristics

According to AllMusic, psychedelic pop was not too "freaky", but also not very "bubblegum" either. [1] It appropriated the effects associated with straight psychedelic music, applying their innovations to concise pop songs. [1] The music was occasionally confined to the studio, but there existed more organic exceptions whose psychedelia was bright and melodic. [1] AllMusic adds: "What's [strange] is that some psychedelic pop is more interesting than average psychedelia, since it had weird, occasionally awkward blends of psychedelia and pop conventions – the Neon Philharmonic's 1969 album The Moth Confesses is a prime example of this." [1]

Notable works (1966–1969)

1966

1967

1968

Decline and revivals

By the end of the 1960s, psychedelic folk and rock were in retreat. Many surviving acts moved away from psychedelia into either more back-to-basics "roots rock", traditional-based, pastoral or whimsical folk, the wider experimentation of progressive rock, or riff-laden heavy rock. [12] [ verification needed ] Psychedelic influences lasted a little longer in pop music, stretching into the early 1970s. [1]

Psychedelic pop became a component of the neo-psychedelic style. There were occasional mainstream acts that dabbled in the genre, including Prince's mid-1980s work and some of Lenny Kravitz's 1990s output, but it has mainly been the domain of alternative and indie rock bands. [2] Animal Collective saw commercial success in the 2000s; their 2009 album Merriweather Post Pavilion featured a reverb-heavy psychedelic pop sound that exerted a wide influence on music of the subsequent decade. [13]

List of artists

Notes

Related Research Articles

<span class="mw-page-title-main">The Beach Boys</span> American rock band

The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by its vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, the band is one of the most influential acts of the rock era. The group drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create its unique sound. Under Brian's direction, it often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.

<span class="mw-page-title-main">Psychedelic rock</span> Music genre

Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.

Art rock is a subgenre of rock music that generally reflects a challenging or avant-garde approach to rock, or which makes use of modernist, experimental, or unconventional elements. Art rock aspires to elevate rock from entertainment to an artistic statement, opting for a more experimental and conceptual outlook on music. Influences may be drawn from genres such as experimental music, avant-garde music, classical music, and jazz.

<i>Pet Sounds</i> 1966 studio album by the Beach Boys

Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966, by Capitol Records. It was initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on the Billboard Top LPs chart. In the United Kingdom, however, the album was lauded by critics and reached number 2 on the Record Retailer chart, remaining in the top ten for six months. Promoted there as "the most progressive pop album ever", Pet Sounds was recognized for its ambitious production, sophisticated music, and emotional lyrics. It is now considered to be among the greatest and most influential albums in music history.

<span class="mw-page-title-main">The Zombies</span> English rock band

The Zombies are an English rock band formed in St Albans in 1961. Led by keyboardist/vocalist Rod Argent and lead vocalist Colin Blunstone, the group had their first British and American hit in 1964 with "She's Not There". In the US, two further singles—"Tell Her No" in 1965 and "Time of the Season" in 1968—were also successful.

<span class="mw-page-title-main">Acid rock</span> Subgenre of psychedelic rock music

Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. While the term has sometimes been used interchangeably with "psychedelic rock", acid rock also specifically refers to a more musically intense, rawer, or heavier subgenre or sibling of psychedelic rock. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars and often contains lyrics with drug references and long improvised jams.

<span class="mw-page-title-main">The Olivia Tremor Control</span> American rock band

The Olivia Tremor Control is an American psychedelic band from Athens, Georgia. The band's main line-up consists of Will Cullen Hart, Bill Doss, Eric Harris, John Fernandes, and Peter Erchick. The Olivia Tremor Control's music combines indie rock and neo-psychedelia, taking influence from psychedelic pop bands of the 1960s, such as the Beach Boys and the Beatles.

<i>Odessey and Oracle</i> 1968 studio album by the Zombies

Odessey and Oracle is the second studio album by the English rock band the Zombies. It was released in the UK on 19 April 1968, by CBS Records and in the US on 15 July 1968, by Date Records. The album was recorded primarily between June and August 1967 at EMI and Olympic Studios in London.

<span class="mw-page-title-main">Good Vibrations</span> 1966 single by the Beach Boys

"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966, and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was at the time the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.

<span class="mw-page-title-main">Time of the Season</span> Single by the British band The Zombies

"Time of the Season" is a song by the British rock band the Zombies, featured on their 1968 album Odessey and Oracle. It was written by keyboardist Rod Argent and recorded at Abbey Road Studios in September 1967. Over a year after its original release, the track became a surprise hit in the United States, rising to number three on the Billboard Hot 100 and number one on the Cashbox chart. It has become one of the Zombies' most popular and recognizable songs, and an iconic hit of 1960s psychedelia.

<span class="mw-page-title-main">Baroque pop</span> Music genre

Baroque pop is a fusion genre that combines rock music with particular elements of classical music. It emerged in the mid-1960s as artists pursued a majestic, orchestral sound and is identifiable for its appropriation of Baroque compositional styles and dramatic or melancholic gestures. Harpsichords figure prominently, while oboes, French horns, and string quartets are also common.

<i>Music from the Unrealized Film Script: Dusk at Cubist Castle</i> 1996 studio album by the Olivia Tremor Control

Music from the Unrealized Film Script: Dusk at Cubist Castle is the debut studio album by the American band the Olivia Tremor Control, released on August 6, 1996, by Flydaddy Records. It is an eclectic album that encompasses a variety of genres, including indie pop, neo-psychedelia, and psychedelic pop. The first half of the album features songs that are influenced by bands of 1960s and 1970s, such as the Beach Boys and the Beatles. The second half features more experimental songs, including two long instrumental songs influenced by drone music and musique concrète. Dusk at Cubist Castle purports to be the soundtrack to an unfinished film, and the lyrics focus on surrealist imagery.

"Let Him Run Wild" is a song by the American rock band the Beach Boys from their 1965 album Summer Days . Written by Brian Wilson and Mike Love, it was issued as the B-side to "California Girls".

<span class="mw-page-title-main">Psychedelic music</span> Range of popular music styles and genres

Psychedelic music is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy.

Chamber pop is a music genre that combines rock music with the intricate use of strings, horns, piano, and vocal harmonies, and other components drawn from the orchestral and lounge pop of the 1960s, with an emphasis on melody and texture.

<span class="mw-page-title-main">1960s in music</span> Music-related events during the 1960s

This article includes an overview of the events and trends in popular music in the 1960s.

Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics, unorthodox structures and rhythms, and an underlying rejection of commercial aspirations.

<span class="mw-page-title-main">Care of Cell 44</span> 1967 single by the Zombies

"Care of Cell 44" is a single by the Zombies, released as the lead single from their album Odessey and Oracle in November 1967. It was featured on Pitchfork's "200 Best Songs of the 1960s" list, and has been covered by modern artists including Elliott Smith and Of Montreal.

<span class="mw-page-title-main">Psychedelic rock in Australia and New Zealand</span>

Psychedelic rock is a notable music genre in Australia and New Zealand.

<span class="mw-page-title-main">Brian Wilson is a genius</span> Promotional campaign for the Beach Boys leader

"Brian Wilson is a genius" is a line that became part of a media campaign spearheaded in 1966 by the Beatles' former press officer Derek Taylor, who was then employed as the Beach Boys' publicist. Although there are earlier documented expressions of the statement, Taylor frequently called Brian Wilson a "genius" as part of an effort to rebrand the Beach Boys and legitimize Wilson as a serious artist on a par with the Beatles and Bob Dylan.

References

  1. 1 2 3 4 5 6 7 8 9 10 11 Anon (n.d.). "Psychedelic Pop". AllMusic .
  2. 1 2 3 "Neo-Psychedelia". AllMusic . n.d.
  3. 1 2 3 McPadden, Mike (May 13, 2016). "The Beach Boys' Pet Sounds and 50 Years of Acid-Pop Copycats". The Kind. Archived from the original on November 9, 2016. Retrieved June 18, 2016.
  4. MacDonald 2005, p. 192.
  5. Hoskyns 2009, p. 128.
  6. Interrante, Scott (May 20, 2015). "The 12 Best Brian Wilson Songs". Popmatters .
  7. "British Psychedelia". Allmusic. Archived from the original on January 1, 2011. Retrieved 2011-06-07.
  8. 'Evolution (Hollies album),' in Oxford 'Encyclopedia of Popular Music.' Edited by Colin Larkin, 2009 https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095941837
  9. Kitts & Tolinski 2002, p. 6.
  10. Eder, Bruce. "Odessey and Oracle". Allmusic .
  11. Packard, Joshua (October 31, 2015). "Record Bin: The psychedelic pop spectacle of The Zombies' "Odessey and Oracle"". Record Bin.
  12. Bogdanov, Woodstra & Erlewine 2002, pp. 1322–1323.
  13. Kloczko, Justin (January 4, 2019). "Heavy Reverb: The Still-Resonant Psych-Pop Influence of 'Merriweather Post Pavilion'". The Ringer.

Bibliography