The following is a list of artists described as general purveyors of the acid rock genre. Acid rock is a loosely defined type of rock music [1] that evolved out of the mid-1960s garage punk [2] movement and helped launch the psychedelic subculture. The style is generally defined by heavy, distorted guitars, lyrics with drug references, and long improvised jams. Its distinctions from other genres can be tenuous, as much of the style overlaps with 1960s punk, proto-metal, and early heavy, blues-based hard rock.
Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.
Arena rock is a style of rock music that became mainstream in the 1970s. It typically involves radio-friendly rock music that was designed to be played for large audiences.
The Charlatans were an American folk rock and psychedelic rock band that played a role in the development of the San Francisco Haight-Ashbury music scene during the 1960s. They are often cited by critics as being the first group to play in the style that became known as the San Francisco Sound.
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. While the term has sometimes been used interchangeably with "psychedelic rock", acid rock also specifically refers to a more musically intense, rawer, or heavier subgenre or sibling of psychedelic rock. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars and often contains lyrics with drug references and long improvised jams.
Blues rock is a fusion genre and form of rock music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock. From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal.
Love It to Death is the third studio album by American rock band Alice Cooper, released on March 9, 1971. It was the band's first commercially successful album and the first album that consolidated the band's aggressive hard-rocking sound, instead of the psychedelic and experimental rock style of their first two albums. The album's best-known track, "I'm Eighteen", was released as a single to test the band's commercial viability before the album was recorded.
Amon Düül was a West German political art commune formed out of the student movement of the 1960s that became well known for its free-form musical improvisations. This spawned two rock groups, Amon Düül and the more famous Amon Düül II. After both groups disbanded in the 1970s, some of the original members reunited in the 1980s under the name Amon Düül again, though this incarnation is commonly referred to as Amon Düül UK to avoid confusion with earlier versions of the band.
"Kid Charlemagne" is a song by the rock group Steely Dan, which was released as a single from their 1976 album The Royal Scam and reached number 82 in the Billboard charts. It is a fusion of a funk rhythm and jazz harmonies with rock and roll instrumentals and lyrical style. The guitar solo by jazz fusion guitarist Larry Carlton was ranked #80 in the list of the 100 greatest guitar solos by Rolling Stone.
Psychedelic music is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as 5-MeO-DMT, DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy.
"Caught in a Dream" is a 1971 song written by Michael Bruce and recorded by his band, Alice Cooper, on their first major label release album Love It to Death. As the album's second single "Caught in a Dream" was released backed with "Hallowed Be My Name" in May 1971; it peaked in the US at number 94.
Gary Grimshaw was an American graphic artist active in Detroit and San Francisco who specialized in designing rock concert posters. He was also a radical political activist with the White Panther Party and related organizations.
"I'm Eighteen" is a song by rock band Alice Cooper, first released as a single in November 1970 backed with "Is It My Body". It was the band's first top-forty success—peaking at number 21—and convinced Warner Bros. that Alice Cooper had the commercial potential to release an album. The song and its B-side feature on the band's first major-label album Love It to Death (1971).
This is a timeline of artists, albums, and events in progressive rock and its subgenres. This article contains the timeline for the period 1960–1969.
"Bluebird" is a song recorded by the American rock group Buffalo Springfield. It was written and produced by Stephen Stills, with co-production by Ahmet Ertegun. In June 1967, Atco Records released it as a single to follow-up their hit "For What It's Worth" (1966).
"Journey to the Center of the Mind" is a song released by the Amboy Dukes in June 1968. It reached No.16 on the Billboard charts in 1968 and No.19 in Canada.
