Psychedelic funk | |
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Stylistic origins | |
Cultural origins | Late 1970s |
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Fusion genres | |
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Psychedelic funk (also called P-funk or funkadelia, and sometimes conflated with psychedelic soul [1] ) is a music genre that combines funk music with elements of psychedelic rock. [3] It was pioneered in the late 1960s and early 1970s by American acts like Sly and the Family Stone, Jimi Hendrix, and the Parliament-Funkadelic collective. [3] [4] It would influence subsequent styles including '70s jazz fusion and the '90s West Coast hip hop style G-funk.
Inspired by Jimi Hendrix and psychedelic culture, the psychedelic soul group Sly and the Family Stone borrowed techniques from psychedelic rock music, including wah pedals, fuzz boxes, echo chambers, and vocal distorters. [3] On albums such as Life (1968) and Stand (1969), the band pioneered a "multiculturalist, integrationist" psychedelic funk style. [5] This psychedelic sound would also be reflected in the late 1960s output of iconic Detroit label Motown. [4] Producer Norman Whitfield drew on this sound for popular Motown recordings such as The Temptations' "Cloud Nine" and Marvin Gaye's "I Heard It Through the Grapevine," both released in October 1968. [4] Hendrix's November 1968 single "Crosstown Traffic" has been described as an early example of the psychedelic funk subgenre. [6]
In 1970, Hendrix released the trio album Band of Gypsys , described as "ground zero" for psychedelic funk. [7] The Parliament-Funkadelic collective developed the sensibility, employing acid rock-oriented guitar and synthesizers into open-ended funk jams. [3] [4] Funkadelic's 1971 album Maggot Brain was labeled a monument in the genre by Pitchfork . [8] Led by George Clinton, P-Funk would shift the genre away from song-form and toward groove and texture, emphasizing the abject elements of psychedelia. [1] The Isley Brothers and Bobby Womack would be influenced by Funkadelic and draw on this sound. [4] Womack also contributed to Sly and the Family Stone's landmark 1971 album There's a Riot Goin' On , described as a "masterpiece of darkly psychedelic funk" by AllMusic. [9]
During the early 1970s, the main elements of psychedelic funk were adopted as signifiers of "urban blackness" and incorporated into blaxploitation films. [1] The 1971 James Brown instrumental album Sho Is Funky Down Here , directed by bandleader David Matthews, explored "fuzzy" psychedelic funk. [10] Jazz musician Miles Davis, newly influenced by Sly Stone and Brown, [11] explored the genre on his 1972 album On the Corner . [12] The group War recorded in a psychedelic funk-rock style alongside lyrics protesting racism and police brutality. [13] The 1974 album Inspiration Information by Shuggie Otis explored psychedelic funk and soul, and despite receiving little attention upon release, it later achieved acclaim when it was reissued by the Luaka Bop label. [14]
In the late 1970s, new wave band Talking Heads explored psychedelic funk, influenced by George Clinton and P-Funk, on a trilogy of acclaimed albums. [15] [16] Prince drew on the style, [4] recording in a "richly melodic vein of psychedelic funk" on his 1985 album Around the World in a Day . [17] Author Michaelangelo Matos described Prince's 1987 track “The Ballad of Dorothy Parker” as psychedelic funk, “not in the sense of Funkadelic or Hendrix's Band of Gypsys, but in the sense that its rhythms and textures achieve a molten-lava sense without surrendering the groove. [18]
The West German band Can played psychedelic funk as part of that country's 1970s krautrock scene. [19] West African groups such as Blo and Orchestre Poly-Rythmo de Cotonou played forms of psychedelic funk in the mid-1970s, both drawing on the Afrobeat of Nigerian musician Fela Kuti. [20] [21] Turkey's Anatolian rock scene featured psychedelic funk by artists such as Barış Manço. [22] The British band Happy Mondays played a form of "stiff" psychedelic funk on their 1988 album Bummed . [23]
Examples of psychedelic funk from world music scenes have been collected on compilations issued on the World Psychedelic Funk Classics label, [24] including the 2009 compilation Psych-Funk 101: 1968-1975. [25] A collection of 1970s psychedelic funk recordings from Ghana and Togo was released in 2010 as Afro-Beat Airways: West African Shock Waves by the Analog Africa label. [26] Music from Nigeria's 1970s psychedelic funk scene was later documented on the compilation Wake Up You! The Rise & Fall of Nigerian Rock 1972-1977, released in 2016. [27]
In the early 1970s, jazz artists such as Miles Davis and Herbie Hancock, influenced by Sly Stone, combined elements of psychedelic funk with urban jazz to pioneer jazz fusion. [28] [29] In the 1990s, the popular psychedelic funk style known as G-funk emerged from the West Coast hip hop scene, represented by Dr. Dre, Snoop Dogg, and Warren G. [30] Many G-funk recordings sampled tracks by earlier psychedelic funk bands, most prominently Parliament-Funkadelic. [30] [31]
The 1990s hip hop duo OutKast were also influenced by black psychedelic musicians such as Sly Stone and Clinton. [32] [33] Their 2000 album Stankonia was described as "a trippy sort of techno-psychedelic funk" composed of "programmed percussion, otherworldly synthesizers, and surreal sound effects." [34] The experimental indie pop band of Montreal developed a psychedelic funk sound, [35] particularly on their 2008 album Skeletal Lamping . [36] The 2016 album Awaken, My Love! by Childish Gambino borrowed the psychedelic funk sound of Clinton and Bootsy Collins, with Vice negatively describing it as "pure Funkadelic cosplay." [37]
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths.
Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.
Soul music is a popular music genre that originated in the African-American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence in the mid-to late 1990s with the subgenre neo-soul, which added modern production elements and influence from hip-hop.
Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their eclectic style has drawn on psychedelia, outlandish fashion, and surreal humor. They have released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work has had an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology has helped pioneer Afrofuturism.
Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton's P-Funk collective, they helped pioneer the funk music culture of the 1970s. Funkadelic initially formed as a backing band for Clinton's vocal group the Parliaments, but eventually pursued a heavier, psychedelic rock-oriented sound in their own recordings. They released acclaimed albums such as Maggot Brain (1971) and One Nation Under a Groove (1978).
Edward Earl Hazel was an American guitarist and singer in early funk music who played lead guitar with Parliament-Funkadelic. Hazel was a posthumous inductee to the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. His ten-minute guitar solo in the Funkadelic song "Maggot Brain" is hailed as "one of the greatest solos of all time on any instrument". In 2023, Rolling Stone ranked Hazel at no. 29 in its list of 250 of the greatest guitarists of all time.
Free Your Mind... and Your Ass Will Follow is the second studio album by American funk rock band Funkadelic, released in July 1970 by Westbound Records. It charted at No. 92 in the US, the band's highest charting album release until 1978's One Nation Under a Groove, and included the No. 82 single "I Wanna Know If It's Good to You?"
Maggot Brain is the third studio album by the American funk rock band Funkadelic, released by Westbound Records in July 1971. It was produced by bandleader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. The album was the final LP recorded by the original Funkadelic lineup; after its release, founding members Tawl Ross (guitar), Billy Nelson (bass), and Tiki Fulwood (drums) left the band for various reasons.
Funkadelic is the debut album by the American funk rock band Funkadelic, released in 1970 on Westbound Records.
Jazz fusion is a popular music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll.
Psychedelic soul is a form of soul music which emerged in the United States in the late 1960s. The style saw African-American soul musicians embrace elements of psychedelic rock, including its production techniques, instrumentation, effects units such as wah-wah and phasing, and drug influences. It came to prominence in the late 1960s and continued into the 1970s, playing a major role in the development of funk and disco.
Band of Gypsys is a live album by Jimi Hendrix and the first without his original group, the Jimi Hendrix Experience. It was recorded on January 1, 1970, at the Fillmore East in New York City with R&B musicians Billy Cox on bass and Buddy Miles on drums, a grouping frequently referred to as the Band of Gypsys. The album mixes funk and R&B elements with Hendrix's psychedelic rock guitar and wah pedal-based jamming, an approach which later became the basis of funk rock. It contains previously unreleased songs and was the last full-length Hendrix album released before his death six months later.
Afro rock is a style of rock music with African influences. Afro rock is a dynamic interplay between Western rock music and African musical elements such as rhythm, melodies and instrumentation. Afro rock bands and artists in the late 1960s and early 1970s included Osibisa, Assagai and Lafayette Afro Rock Band.
Funk rock is a fusion genre that mixes elements of funk and rock. James Brown and others declared that Little Richard and his mid-1950s road band, the Upsetters, were the first to put the funk in the rock and roll beat, with a biographer stating that their music "spark[ed] the musical transition from fifties rock and roll to sixties funk".
Psychedelic music is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy.
Psychedelic rap is a microgenre that fuses hip hop music with psychedelia. The genre's otherworldy sound was influenced by psychedelic rock and soul, funk and jazz, utilizing breaks and samples that create a hallucinogenic effect. Psychedelic drugs may also play a part in shaping the genre's sound.
There's a Riot Goin' On is the fifth studio album by American funk and soul band Sly and the Family Stone. It was recorded from 1970 to 1971 at Record Plant Studios in Sausalito, California and released later that year on November 1 by Epic Records. The recording was dominated by band frontman/songwriter Sly Stone during a period of escalated drug use and intra-group tension.
Avant-funk is a music style in which artists combine funk or disco rhythms with an avant-garde or art rock mentality. Its most prominent era occurred in the late 1970s and 1980s among post-punk and no wave acts who embraced black dance music.
Blo was a Nigerian psychedelic funk ensemble formed in Lagos and active between 1972 and 1982. The main trio consisted of Laolu "Akins" Akintobi (drums), Berkely "Ike" Jones (guitar), and Mike "Gbenga" Odumosu (bass). The group fused the Afrobeat rhythms of Nigeria with funk and psychedelia derived from '60s Western rock music.
Progressive soul is a type of African-American music that uses a progressive approach, particularly in the context of the soul and funk genres. It developed in the late 1960s and early 1970s through the recordings of innovative black musicians who pushed the structural and stylistic boundaries of those genres. Among their influences were musical forms that arose from rhythm and blues music's transformation into rock, such as Motown, progressive rock, psychedelic soul, and jazz fusion.
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