Sylvester Stewart (born March 15, 1943), better known by his stage name Sly Stone, is an American musician, songwriter, and record producer who is most famous for his role as frontman for Sly and the Family Stone, playing a critical role in the development of funk with his pioneering fusion of soul, rock, psychedelia and gospel in the 1960s and 1970s. AllMusic stated that "James Brown may have invented funk, but Sly Stone perfected it," and credited him with "creating a series of euphoric yet politically charged records that proved a massive influence on artists of all musical and cultural backgrounds."[3]Crawdaddy! has credited him as the founder of the "progressive soul" movement.[4]
By the mid-1970s, Stone's drug use and erratic behavior effectively ended the group, leaving him to record several unsuccessful solo albums. He toured or collaborated with artists such as Parliament-Funkadelic, Bobby Womack, and Jesse Johnson. In 1993, he was inducted into the Rock and Roll Hall of Fame as a member of the group. He took part in a Sly and the Family Stone tribute at the 2006 Grammy Awards, his first live performance since 1987. He released the autobiography Thank You (Falettinme Be Mice Elf Agin) in 2023.
Biography
Early life
Stone was born in Denton, Texas, on March 15, 1943, [6] before the family’s move to Vallejo, California, in the North Bay of the San Francisco Bay Area. He was the second of five children born to K.C. and Alpha Stewart, a deeply religious couple. As part of the doctrines of the Church of God in Christ (COGIC), to which the Stewart family belonged, the parents encouraged musical expression in their middle-class household.[7] Sylvester and his brother Freddie, along with their sisters Rose and Loretta, formed "the Stewart Four" as children, performing gospel music in church. They recorded and locally released an 78 rpm single, "On the Battlefield" b/w "Walking in Jesus' Name", in August 1956. [8] Only their eldest sister Loretta did not pursue a musical career; the others, including youngest sister Vaetta or "Vet", would later adopt the surname "Stone" and pursue musical interests.
Sylvester was identified as a musical prodigy. By the time he was seven, he had already become proficient on the keyboards, and by the age of eleven, he had mastered the guitar, bass, and drums as well.[6] While still in high school, Sylvester had settled primarily on the guitar and joined a number of high school bands. One of these was the Viscaynes, a doo-wop group in which Sylvester and his friend Frank Arellano—who was Filipino—were the only non-white members. The fact that the group was integrated made the Viscaynes "hip" in the eyes of their audiences, and would later inspire Sylvester's idea of the multicultural Family Stone. The Viscaynes released a few local singles, including "Yellow Moon" and "Stop What You Are"; during the same period, Sylvester also recorded a few solo singles under the name Danny Stewart. With his brother, Fred, he formed several short-lived groups, like the Stewart Bros.[9] After high school Stone studied music at the Vallejo campus of Solano Community College.
The nickname Sly was a common one for Sylvester throughout his years in grade school. Early on, a classmate misspelled his name "Slyvester," and ever since, the nickname followed him.[6]
Stone was influential in guiding KSOL-AM into soul music and started calling the station K-SOUL. The second was a popular soul music station (sans the K-SOUL moniker), at 107.7 FM (now known as KSAN). The current KSOL has a different format and is unrelated to the previous two stations. While still providing "music for your mind, body, and your soul" on KSOL, Sly Stone played keyboard for dozens of major performers including Dionne Warwick, Righteous Brothers, Ronettes, Bobby Freeman, George & Teddy, Freddy Cannon, Marvin Gaye, Dick & Dee Dee, Jan & Dean, Gene Chandler, and many more, including at least one of the three Twist Party concerts by then chart topper Chubby Checker held at the Cow Palace in San Francisco in 1962 and 1963. The concerts were put together by "Big Daddy" Tom Donohue and Bobby Mitchell from the then infamous KYA 1260 AM radio station and largely choreographed by Jerry Marcellino and Mel Larson who went on to produce many Motown artists including Michael Jackson, Diana Ross, and some of the top artists of the day.[citation needed]
In 1966, Sly was performing with his band Sly and The Stoners which included Cynthia Robinson on trumpet. His brother Freddie was working with his band called Freddie and the Stone Souls with Greg Errico and Jerry Martini. One night, the two stood in a kitchen making the decision to fuse the bands together adding Larry Graham, who had studied music and worked in numerous groups. Working around the Bay Area in 1967, this multiracial band made a strong impression. Later, in 1968, Rose Stone joined the band.
Sly and the Family Stone's success
Sly and the Family Stone in 1968. Sly Stone pictured second from left.
After a mildly received debut album, A Whole New Thing (1967), Sly & The Family Stone had their first hit single with "Dance to the Music", which was later included on an album of the same name (1968). Although their third album, Life (also 1968), also suffered from low sales, their fourth album, Stand! (1969), became a runaway success, selling over three million copies and spawning a number one hit single, "Everyday People". By the summer of 1969, Sly & The Family Stone were one of the biggest names in music, releasing two more top five singles, "Hot Fun in the Summertime" and "Thank You (Falettinme Be Mice Elf Agin)"/"Everybody Is a Star", before the end of the year and appearing at Woodstock. During the summer of 1969, Sly and the Family Stone also performed at the Summer of Soul concerts in Harlem and received an enthusiastic response from the large crowd.
After the group began touring following the success of Dance to the Music, The Family Stone drew praise for their explosive live show, which attracted black and white fans in equal measure. When Bob Marley first played in the U.S. in 1973 with his band The Wailers, he opened on tour for Sly and The Family Stone.
Personal problems
With the band's newfound fame and success came numerous problems. Relationships within the band were deteriorating; there was friction in particular between the Stone brothers and Larry Graham.[10]Epic requested more marketable output.[11] The Black Panther Party demanded that Stone make his music more militant and more reflective of the black power movement,[11] replace Greg Errico and Jerry Martini with black instrumentalists, and replace manager David Kapralik.[12]
After moving to the Los Angeles area in fall 1969, Stone and his bandmates became heavy users of illegal drugs, primarily cocaine and PCP.[13] As the members became increasingly focused on drug use and partying (Stone carried a violin case filled with illegal drugs wherever he went),[14] recording slowed significantly. Between summer 1969 and fall 1971, the band released only one single, "Thank You (Falettinme Be Mice Elf Agin)"/"Everybody Is a Star", in December 1969. This song was one of the first recordings to employ the heavy, funky beats that would be featured in the funk music of the following decade. It showcased bass player Larry Graham's innovative percussive playing technique of bass "slapping". Graham later said that he developed this technique in an earlier band in order to compensate for that band's lack of a drummer.[15]
"Thank You (Falettinme Be Mice Elf Agin)" hit the top of the Billboard Hot 100 in early 1970. The single also peaked at No. 5 on the R&B chart, selling over a million copies.[16]
Having relocated to Los Angeles with his girlfriend Deborah King, later Deborah Santana (wife of Carlos Santana from 1973 until filing for divorce in 2007), Stone's behavior became increasingly erratic. Epic was anticipating new material in 1970, but with none forthcoming, finally released Greatest Hits that November. One year later, the band's fifth album, There's a Riot Goin' On, was released. Riot featured a much darker sound, and most tracks were recorded with overdubbing as opposed to the Family Stone all playing at the same time as they had done previously. Stone played most of the parts himself and performed more of the lead vocals than usual. This was one of the first major label albums to feature a drum machine.
The band's cohesion slowly began to erode, and its sales and popularity began to decline as well. Errico withdrew from the group in 1971 and was eventually replaced with Andy Newmark. Larry Graham and Stone were no longer on friendly terms, and Graham was fired in early 1972 and replaced with Rustee Allen. The band's later releases, Fresh (1973) and Small Talk (1974), featured even less of the band and more of Stone.
Live bookings for Sly & the Family Stone had steadily dropped since 1970, because promoters were afraid that Stone or one of the band members might miss the gig, refuse to play, or pass out from drug use.[17] These issues were regular occurrences for the band during the 1970s, and had an adverse effect on their ability to demand money for live bookings.[17] In 1970, 26 of 80 concerts were cancelled, and numerous others started late. At many of these gigs, concertgoers rioted if the band failed to show up, or if Stone walked out before finishing his set. Ken Roberts became the group's promoter, and later their general manager, when no other representatives would work with the band because of their erratic gig attendance record.[18] In January 1975, the band booked itself at Radio City Music Hall in New York. The famed music hall was only one-eighth occupied, and Stone and company had to scrape together money to return home.[19] Following the Radio City engagement, the band was dissolved.[19]
Rose Stone was pulled out of the band by Bubba Banks, who was by then her husband. She began a solo career, recording a Motown-style album under the name Rose Banks in 1976. Freddie Stone joined Larry Graham's group, Graham Central Station, for a time; after collaborating with his brother one last time in 1979 for Back on the Right Track, he retired from the music industry and eventually became the pastor of the Evangelist Temple Fellowship Center in Vallejo, California. Background vocalist trio Little Sister was also dissolved; Mary McCreary married Leon Russell and released recordings on Russell's Shelter Records label.[20] Andy Newmark became a successful session drummer, playing with John Lennon, Roxy Music, B. B. King, Steve Winwood and others.[21]
Later years
Stone went on to record four more albums as a solo artist (only High on You (1975) was released under just his name; the other three were released under the "Sly & The Family Stone" name). In 1976, Stone assembled a new Family Stone and released Heard Ya Missed Me, Well I'm Back. 1979's Back on the Right Track followed, and in 1982 Ain't But the One Way was released, which began as a collaborative album with George Clinton, but was scrapped and later completed by producer Stewart Levine for release. None of these later albums achieved much success.
Stone also collaborated with Funkadelic on The Electric Spanking of War Babies (1981), but was unable to reinvigorate his career. In the early 1980s Sly Stone was also part of a George Clinton/Funkadelic family project with Muruga Booker called "The Soda Jerks," who recorded an album worth of material, of which only one song has been released. However, Muruga still has plans to release the material from the project.
In June 1983, Stone was arrested and charged with cocaine possession in Fort Myers, Florida.[22]
Stone managed to do a short tour with Bobby Womack in the summer of 1984, and he continued to make sporadic appearances on compilations and other artists' records. In 1986, Stone was featured on a track from Jesse Johnson's album Shockadelica called "Crazay". The music video featured Stone on keyboards and vocals, and received some airplay on the BET music network.
In 1986, Stone released a single, "Eek-ah-Bo Static Automatic", from the Soul Man soundtrack, and the song "I'm the Burglar" from the Burglar soundtrack. He also co-wrote and co-produced "Just Like A Teeter-Totter," which appeared on a Bar-Kays album from 1989. From 1988 to 1989 Sly Stone wrote and produced a collection of unreleased recordings in his home studio in New Jersey. "Coming Back for More" and "Just Like A Teeter-Totter" are a part of that collection of about 20 songs.
In 1990, he gave an energetic vocal performance on the Earth, Wind & Fire song, "Good Time." In 1991, he appeared on a cover of "Thank You (Falettinme Be Mice Elf Agin)" performed by the Japanese band 13CATS, and shared lead vocals with Bobby Womack on "When the Weekend Comes" from Womack's 1993 album I Still Love You.
In 1992, Sly and the Family Stone appeared on the Red Hot Organization's dance compilation album, Red Hot + Dance, contributing an original track, "Thank You (Falettinme Be Mice Elf Agin) (Todds CD Mix)." The album attempted to raise awareness and money in support of the AIDS epidemic, and all proceeds were donated to AIDS charities.
In 1995, ex-landlord Chase Mellon III accused Stone of trashing the Beverly Hills mansion Mellon rented to him in 1993. Mellon says that he found bathrooms smeared with gold paint, marble floors blackened, windows broken and a gaunt Stone emerging from a guest house to say, "You’re spying on me." Sly Jr., then studying to be a recording engineer, told People, "Nobody purposely destroyed the house. I’d thrown parties. My dad had a few get-togethers. We weren't aware of the damage." The damage, however, was not just superficial. "Sly never grew out of drugs," says ex-wife Silva. "He lost his backbone and destroyed his future."[22]
His last major public appearance until 2006 was during the 1993 Rock and Roll Hall of Fame induction ceremony where Stone showed up onstage to be entered into the Hall of Fame along with the Family Stone. In 2003, the other six members of the original Family Stone entered the studio to record a new album. Stone was invited to participate, but declined.
"I feel like Sly just doesn't wanna deal with it no more," Bootsy Collins told Mojo. "It's like he's had it – it ain't no fun no more. It's a curse and a blessing. The curse part of it is the business you have to deal with, and then the blessing part is you get to be a musician and have fun…."[citation needed]
A few home-studio recordings (most likely from the late 1980s) with Stone's voice and keyboards over a drum machine have made their way onto a bootleg. One Stone-penned demo called "Coming Back for More" appears to be autobiographical and includes the verse: "Been so high, I touched the sky and the sky says 'Sly, why you tryin' to get by?'" His son, Sylvester Stewart Jr., told People Magazine in 1997 that his father had composed an album's worth of material, including a tribute to Miles Davis called "Miles and Miles."[citation needed]
On August 15, 2005, Stone drove his younger sister Vet Stone on his motorcycle to Los Angeles' Knitting Factory, where Vet was performing with her Sly & the Family Stone tribute band, the Phunk Phamily Affair. Stone kept his helmet on during the entire performance, and was described by one concertgoer as looking a little like Bootsy Collins. A film crew doing a documentary on Sly & the Family Stone, later released as On the Sly: In Search of the Family Stone, was at the show and captured this rare sighting on film. Stone, according to his web site, is producing and writing material for the group's new album. In addition, Stone renamed the group "Family Stone."[citation needed]
In 2009, the documentary film Coming Back for More detailed his dire financial situation.[23] On August 18, 2009, The Guardian reported that the forthcoming documentary, Coming Back for More by Dutch director Willem Alkema, claims Stone is homeless and living off welfare while staying in cheap hotels and a camper van. The film alleges that Stone's former manager, Jerry Goldstein, cut off his access to royalty payments following a dispute over a 'debt agreement', forcing Stone to depend on welfare payments.[24] On September 25, 2011, Alkema wrote in the New York Post that Sly Stone was homeless and living out of a white camper-van in Los Angeles: "The van is parked on a residential street in Crenshaw, the rough Los Angeles neighborhood where Boyz n the Hood was set. A retired couple makes sure he eats once a day, and Stone showers at their house."[25]
Stone had filed suit against Goldstein for $50million in January 2010, accusing Goldstein of cheating him out of years' worth of royalty payments for the songs he had written. He testified that he had not been paid any royalties between 1989 and 2009. The litigation further claimed that Goldstein had used fraudulent practices to convince him to give up the rights to his songs, and made the same claim about the Sly and the Family Stone trademark.[26] Goldstein filed a countersuit for slander following a rant by Stone at the Coachella Festival.[27] In January 2015, a Los Angeles jury ruled in favor of Stone, awarding him $5million.[28] However, in December 2015, the award was overturned when an appellate court ruled that the trial judge had not told the jury to take into account the fact that Stone had assigned his royalties to a production company in exchange for a 50% ownership stake. In May 2016, Stone's attorneys appealed that decision.[29][30][31]
Mid-2000s tributes
A Sly and the Family Stone tribute took place at the 2006 Grammy Awards on February 8, 2006, at which Stone gave his first live musical performance since 1987. Sly and the original Family Stone lineup (minus Larry Graham) performed briefly during a tribute to the band, for which the headliners included Steven Tyler, John Legend, Van Hunt, Nile Rodgers and Robert Randolph. Sporting an enormous blonde mohawk, thick sunglasses, a "Sly" beltbuckle and a silver lamé suit, he joined in on "I Want To Take You Higher." Hunched over the keyboards, he wore a cast on his right hand (the result of a recent motorcycle mishap), and a hunched back caused him to look down through most of the performance. His voice, though strong, was barely audible over the production. Stone walked to the front of the stage toward the end of the performance, sang a verse, and then, with a wave to the audience, sauntered offstage before the song was over.[32] "He went up the ramp [outside the theater], got on a motorcycle and took off," Ken Ehrlich, executive producer of the Grammy Awards show, told the Chicago Sun-Times. Ehrlich also said that Stone had refused to leave his hotel room until he was given a police escort to the show and then waited in his car until the performance began.
On Sunday, January 14, 2007, Stone made a short guest appearance at a show of The New Family Stone band he supports at the House of Blues.
On April 1, 2007, Stone appeared with the Family Stone at the Flamingo Las Vegas Showroom, after George Wallace's standup act.[34]
On July 7, 2007, Stone made a short appearance with the Family Stone at the San Jose Summerfest. He sang "Sing a Simple Song" and "If You Want Me to Stay," and walked off stage before the end of "Higher". Stone cut the set short, in part, because the band began their set over 90 minutes late and had to finish before a certain time. While many blamed Stone for this incident, others believed that the promoter was at fault.
A similar scene took place at the Montreux Jazz Festival on July 13, 2007, with over half the sold-out venue walking out in disgust before his stage exit. A day later at the Blue Note Records Festival in Ghent, Belgium, he left the stage after telling the audience that when waking up that morning he realized he was old, and so he needed to take a break now. He repeated this behavior the day after that while performing at the North Sea Jazz Festival.[citation needed]
Stone in 2007.
As the tour progressed, however, Stone seemed to be more confident and animated, often dancing and engaging the audience. He performed "Stand", "I Want To Take You Higher", "Sing A Simple Song", "If You Want Me To Stay", and "Thank You (Falettinme Be Mice Elf Agin)", which at one point morphed into "Thank you For Talkin' To Me Africa", a track rarely performed in public. But the show was marred by sound problems and the vocals were barely audible through much of the show.[citation needed]
On October 17, 2008, Sly played with the Family Stone at the Wells Fargo Center for the Arts in Santa Rosa, California. He played a 22-minute set and ventured offstage, telling the crowd "I gotta go take a piss. I'll be right back." He never returned.[35] On Memorial Day, May 25, 2009, Stone re-emerged once again, granting an hour-long interview with KCRW-FM, a Los Angeles NPR affiliate, to discuss his life and career.[citation needed]
On Labor Day, September 7, 2009, Stone appeared at the 20th annual African Festival of the Arts in Chicago, Illinois. He contributed a 15-minute set during George Clinton's show in which he performed his popular hits along with Clinton's band. He left immediately after his short performance.[citation needed]
Stone has appeared in later years with George Clinton and performed with his daughter Novena's band, Baby Stone.[citation needed]
In January 2015, Sly Stone, along with four of his bandmates, appeared at a convention dedicated to honoring the band and its legacy. Called LOVE CITY CONVENTION, it occurred in Oakland at the Den Lounge inside the Fox Oakland Theater. Sly was in good spirits, answered questions from fans, and signed autographs.[citation needed]
In October 2023, Stone's biography Thank You (Falettinme Be Mice Elf Agin) was published.[36] In December 2023, a single titled Santa Claus Is Coming To Town (2023 Mix) was released by Cleopatra Records.[37]
Legacy
Along with James Brown and Parliament-Funkadelic, Sly and the Family Stone were pioneers of late 1960s and early '70s funk. Their fusion of R&B rhythms, infectious melodies, and psychedelia created a new pop/soul/rock hybrid, the impact of which has proven lasting and widespread. Motown producer Norman Whitfield, for example, patterned the label's forays into harder-driving, socially relevant material (such as The Temptations' "Runaway Child" and "Ball of Confusion") based on their sound. The pioneering precedent of Stone's racial, sexual, and stylistic mix, had a major influence in the 1980s on artists such as Prince and Rick James. Legions of artists from the 1990s forward – including Public Enemy, Fatboy Slim, Beck, Beastie Boys and LL Cool J's popular "Mama Said Knock You Out" along with many others – mined Stone's seminal back catalog for hook-laden samples.[9]
"The most talented musician I know is Sly Stone," Bootsy Collins said in an interview with Mojo. "He's more talented than anybody I ever have seen – he's amazing. I worked with him in Detroit from 1981 to '83, and to see him just fooling around, playing, jamming, is a whole other trip. He's the most amazing musician."[citation needed]
Personal life
Stone and producer Terry Melcher spent time together at Melcher's home in the late 1960s, and on more than one occasion Stone saw Charles Manson there.[38] According to Stone in a 2009 interview with LA Weekly's Randall Roberts, he was once at Melcher's home playing music and had a small disagreement with Manson there, though Stone did not know who Manson was at the time.[39] Stone met Melcher's mother, Doris Day, through Melcher when Stone was interested in an old car that he thought one of them owned. When he met Day, he told her how much he liked her song "Whatever Will Be, Will Be," and they sat at the piano and sang it. After that, a rumor spread that Stone and Day were involved romantically.[40][41]
Stone married model-actress Kathy Silva on June 5, 1974, during a sold-out performance at Madison Square Garden.[42] Their outfits were designed by Halston. They made elaborate plans for a laser-light show, a real-life "angel" flying on wires dropping gold glitter all over the crowd, and for thousands of doves to be released. The ASPCA threatened a lawsuit, which kept the doves from flying and the Garden wouldn't let the human "angel" fly unless Stone and company posted a $125,000 security bond. They declined to pay the fee, and also opted not to pay for the 200 extra security guards the venue demanded in order to allow the wedding party to stage a processional right through the audience.[43]
They separated in 1976 after their son was mauled by Stone's dog.[22] Silva later told People magazine. "I didn't want that world of drugs and weirdness." Still, she remembers, "He'd write me a song or promise to change, and I'd try again. We were always fighting, then getting back together."[22]
Children
Stone’s son Sylvester Jr. was born in late 1973. His mother is Kathy Silva.[44] His first daughter Sylvyette, who now goes by her middle name Phunne, was born c. 1976. Her mother was Stone’s band member Cynthia Robinson.[45] Stone’s second daughter, Novena Carmel, born c. 1982, is a singer and performer, and also a booking agent at the Little Temple club in Los Angeles, now known as The Virgil, and currently a co-host for the popular public radio station KCRW on Morning Becomes Eclectic. She also worked with pop/hip hop musician Wallpaper.[citation needed]
Larry Graham Jr. is an American bassist and baritone singer, with the psychedelic soul/funk band Sly and the Family Stone and as the founder and frontman of Graham Central Station. In 1980, he released the single "One in a Million You", which reached the top ten on the US Billboard Hot 100. He is credited with the invention of the slapping technique on the electric bass guitar, which radically expanded the tonal palette of the bass, although he himself refers to the technique as "thumpin' and pluckin'".
Sly and the Family Stone was an American funk band formed in San Francisco, California in 1966 and active until 1983. They are considered to be pivotal in the development of funk, soul, R&B, rock, and psychedelic music. Their core line-up was led by singer-songwriter, record producer, and multi-instrumentalist Sly Stone, and included Stone's brother and singer/guitarist Freddie Stone, sister and singer/keyboardist Rose Stone, trumpeter Cynthia Robinson, drummer Greg Errico, saxophonist Jerry Martini, and bassist Larry Graham. The band was the first major American rock group to have a racially integrated, mixed-gender lineup.
"Everyday People" is a 1968 song composed by Sly Stone and first recorded by his band, Sly and the Family Stone. It was the first single by the band to go to number one on the Soul singles chart and the U.S. Billboard Hot 100 chart. It held that position on the Hot 100 for four weeks, from February 9 to March 8, 1969, and is remembered as one of the most popular songs of the 1960s. Billboard ranked it as the No. 5 song of 1969.
Stand! is the fourth album by soul/funk band Sly and the Family Stone, released in April 1969. Written and produced by lead singer and multi-instrumentalist Sly Stone, Stand! is considered an artistic high-point of the band's career. Released by Epic Records, just before the group's celebrated performance at the Woodstock festival, it became the band's most commercially successful album to date. It includes several well-known songs, among them hit singles, such as "Sing a Simple Song", "I Want to Take You Higher", "Stand!", and "Everyday People". The album was reissued in 1990 on compact disc and vinyl, and again in 2007 as a remastered numbered edition digipack CD with bonus tracks and, in the UK, as only a CD with bonus tracks.
Greatest Hits is a compilation album by the American group Sly and the Family Stone. It was first released on November 21, 1970, by Epic Records. The album includes all of the singles from the albums Dance to the Music (1968), Life (1968), and Stand! (1969).
This is the discography of the American band Sly and the Family Stone.
"Dance to the Music" is a 1967 hit single by soul/funk/rock band Sly and the Family Stone for the Epic/CBS Records label. It was the first single by the band to reach the Billboard Pop Singles Top 10, peaking at #8 and the first to popularize the band's sound, which would be emulated throughout the black music industry and dubbed "psychedelic soul". It was later ranked #223 on Rolling Stone's list of the 500 Greatest Songs of All Time.
"Thank You (Falettinme Be Mice Elf Agin)" is a 1969 song recorded by Sly and the Family Stone. The song, released as a double A-side single with "Everybody Is a Star", reached number one on the soul single charts for five weeks, and reached number one on the Billboard Hot 100 in February 1970. Billboard ranked the record as the No. 19 song of 1970.
"Sing a Simple Song" is a 1968 song by the soul/funk band Sly and the Family Stone, the B-side to their #1 hit "Everyday People". The song is sung in turn by Sly Stone, Freddie Stone, Rose Stone, and Larry Graham, with shouted spoken word sections by Cynthia Robinson. As with nearly all of Sly and the Family Stone's songs, Sylvester "Sly Stone" Stewart was credited as the sole songwriter.
"Everybody Is a Star", released in December 1969, is song written by Sylvester Stewart and recorded by Sly and the Family Stone. The song, released as the B-side to the band's 1970 single "Thank You ", reached number one on the Billboard Hot 100 in February 1970 at a time when chart position for both sides of the single were measured equally and not independently. "Star" was intended to be included on an in-progress album with "Thank You" and "Hot Fun in the Summertime"; the LP was never completed, and the three tracks were instead included on the band's 1970 Greatest Hits compilation. The single was the final classic-era Family Stone recording; it would be 23 months until the next release, the single "Family Affair" in late 1971.
"Hot Fun in the Summertime" is a 1969 song recorded by Sly and the Family Stone. The single was released just prior to the band's high-profile performance at Woodstock, which greatly expanded their fanbase. The song peaked at number 2 on the U.S. Billboard Hot 100 pop singles chart, kept out of the number 1 spot by "I Can't Get Next to You" by The Temptations. "Hot Fun in the Summertime" also peaked at number 3 on the U.S. Billboard soul singles chart in autumn 1969. It is ranked as the seventh biggest U.S. hit of 1969, and the 65th in Canada.
"Family Affair" is a 1971 number-one hit single recorded by Sly and the Family Stone for the Epic Records label. Their first new material since the double A-sided single "Thank You "/ "Everybody Is a Star" nearly two years prior, "Family Affair" became the third and final number-one pop single for the band. In 2021, Rolling Stone magazine ranked the song 57th on their list of the 500 Greatest Songs of All Time. The cover version by John Legend, Joss Stone, and Van Hunt, won the Grammy Award for Best R&B Performance by a Duo or Group with Vocals at 49th Annual Grammy Awards.
Jeffrey Bowen is an American songwriter and record producer, notable for his work at both Motown Records and Holland-Dozier-Holland's Invictus and Hot Wax labels.
The Correct Use of Soap is the third studio album by English post-punk band Magazine, released by Virgin Records in 1980. It contains some of Magazine's best-known and most popular songs, including the singles "A Song from Under the Floorboards" and "Sweetheart Contract" and their cover of Sly and the Family Stone's "Thank You ". A different version of the album, entitled An Alternative Use of Soap, was released in Canada in 1980 by then-distributor Polygram Records.
"We Wanna Thank You (The Things You Do)" is a single released in 2004 by the UK hip hop/R&B group Big Brovaz. The single was the first new material since their debut album, Nu-Flow, and was the theme song for the film Scooby-Doo 2: Monsters Unleashed. "We Wanna Thank You (The Things You Do)" features a sample from Sly & the Family Stone's "Thank You (Falettinme Be Mice Elf Agin)"
There's a Riot Goin' On is the fifth studio album by the American funk and soul band Sly and the Family Stone. It was recorded from 1970 to 1971 at Record Plant Studios in Sausalito, California and released later that year on November 1 by Epic Records. The recording was dominated by band frontman/songwriter Sly Stone during a period of escalated drug use and intra-group tension.
I'm Back! Family & Friends is the second solo album by singer/songwriter/multi-instrumentalist Sly Stone, released by Cleopatra Records in 2011. It contains remixes and covers of his old material, along with three new tracks.
All I Need Is Time is the tenth studio album by American R&B quartet Gladys Knight & the Pips, released in June 1973 by Motown Records on the Soul Records label.
Thank You (Falettinme Be Mice Elf Agin) is the autobiography of American musician Sly Stone, written with Ben Greenman. It was published in October 2023 by Auwa Books and included a forward from Questlove.
Auwa Books is a publishing imprint founded by Questlove in 2023.
References
↑ "Passings". Billboard. No.116. Nielsen. December 25, 2004. Retrieved March 5, 2017.
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